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#{Hey! I'm Luke}
disasterbiwriter · 29 days
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You already know I want to read about what happens the first time Jess gets sick and how Luke handles it 😅
As he has every morning since he brought Jess home six weeks ago, Luke wakes up at 3 AM.
It's not terribly far off from his standard 4 AM wake-up-and-meet-the-bread-guy schedule, but given that he hasn't been falling asleep until midnight most of those nights, a victim of sky-high anxiety and a mental to-do list that feels as long as his leg, it feels a little insulting that his body won't permit him to at least sleep until his alarm goes off.
He tries to focus on his breathing in hopes that he'll ease himself back to sleep for another blessed twenty minutes, but the minute his eyes close again, he becomes aware of the barest pressure on the edge of his blanket.
Luke cracks open one eye to see his three-year-old nephew standing next to him, all bedhead and solemn dark eyes.
"Hey Jessy," he croaks. He pushes up on an elbow. "What's up, bud?"
Jess shrugs and doesn't say anything. Not unusual - he's still shy around Luke, warming up by degrees day after day.
"Did you have a bad dream?" Luke tries.
Jess shakes his head.
Luke hesitates, not sure what to do next, then finally tries, "Do you want to come up here and try to go back to sleep?"
That's all it takes. Jess scrambles up the side of the bed and wedges himself firmly against Luke's ribcage. Luke is instantly on the verge of tears.
It's the first time Jess has ever reached out to touch him first.
Luke thinks he's in for it now, an hour of wiggles and kicking, but Jess drops back to sleep immediately. It's impressive, his ability to konk out like that. Luke envies it. Jess's little mouth drops open and the tight fist he has clutched up under his chin relaxes.
Moving centimeters at a time, Luke lowers himself back down on the mattress and gently reaches down to stroke Jess's hair. He breathes in the little boy's sleepy, sweaty scent, which has become so familiar to him he wonders how he ever did without it before. Luke frowns, then dips his head closer and takes another deep breath.
Jess smells... wrong. His normal, sweet, little-boy smell is still there, but he also smells mildly of something vaguely sour and phlegmy. Luke frowns and gently presses the back of his hand to Jess's forehead. A little sticky, maybe, and warm, but not unduly so.
Hm.
"He... smells sick?"
Luke tries to keep his voice level, but Jess's preschool teacher, Ms. Marian, sounds like she thinks he's nuts, and frankly Luke's temper is its own beast even when people aren't treating him like he's crazy.
He counts backwards from ten, then says, "I just figure keeping him home today is the right way to go. If he's better tomorrow, he'll be back then."
Luke stays on high alert for the rest of the day, taking Jess's temperature every hour or so, chasing the little boy down as he wanders through the diner. It's normal all day, and Jess is himself: tactile, curious, still quiet but getting bolder the longer he lives with Luke. Luke, on the other hand, is exhausted from trying to keep up with regular business and making sure that Jess doesn't climb into a bag of flour.
"But imagine how you'd feel if you'd sent him to school and he was sick," Lorelai says that afternoon when he admits that he feels like a mother hen. She's moving through the diner in this balletic way, delivering meals, bussing tables, plucking up one of Jess's crayons to add eyebrows to the monster they are drawing piece by alternating piece. It's starting to look uncomfortably like Taylor Doose, and Luke is certain this is not a coincidence.
"I guess," he grumbles.
"You gotta go with your gut. But guts can be famously hard to interpret." She rubs one hand over her stomach, stretching her face comically and bringing a giggle out of Jess. "Sometimes I think my gut is telling me one thing, but really it's just saying it needs one of Luke's brownies."
"Brownies?" Jess asks hopefully.
Luke shakes his head and checks the register one last time - plenty of singles, quarters, and dimes. "After dinner," he tells Jess. He comes out from behind the counter and angles his nephew towards the stairs. "Tomorrow?" he asks Lorelai.
"It's only a dayyyyy awayyyyy!" she carols after him.
They eat dinner and Jess happily scarfs down the promised brownie. Luke gives him a bath and sniffs his head again (still a little sour), so he washes his hair twice. They read I Am a Bunny once and The Monster at the End of this Book one and a half times (Luke's Grover voice was apparently unsatisfactory in the first attempt) and by the time Jess is asleep, Luke is halfway there himself. He strips and showers and collapses into bed and is asleep before The Arsenio Hall Show.
So when he jolts awake in the middle of the night, fully alert, he assumes it's because he went to bed so blessed early. He glances at the clock: half past twelve. So then what...
The sharp bark that rings out through the apartment pulls him immediately out from under his quilt and to his feet. A seal, he is convinced there is a seal in the apartment. What the hell kind of dream...?
The seal calls again, but this time Luke registers it for what it is. Not a seal, a cough.
He turns on his bedside lamp and squints across the room. There's Jess, sitting up in bed, curled over like an apostrophe. His back is turned towards Luke, and the sharp, barking coughs shake his little frame.
"Oh buddy," Luke murmurs. He palms the thermometer and crosses over to Jess, dropping into a crouch in front of his nephew.
He instinctively touches his wrist to Jess's forehead and hisses in a breath. "Hey Jessy," he says softly, trying for calm, "open up your mouth and let's take your temperature, huh?"
Jess coughs again - it sounds so deeply uncomfortable that it makes Luke want to cough in response. "No, Unca Luke," he whispers - or Luke thinks he's whispering. He realizes a split second later Jess is so hoarse his voice can't get any louder. "My neck hurts," he says now. "Inside." He swipes at his nose, smearing snot across his little cheeks. It's a testament to his two months as a parent that Luke doesn't gag.
"Ahh. Sore throat, huh? Okay then." Luke settles for wedging the thermometer under Jess's armpit, feeling like the lowest dog in the dirt when Jess whimpers that it's cold. They sit for a few moments until Luke pulls out the thermometer and reads it.
101.3.
"Shit," Luke whispers. "Shit."
"Unca Luke, it's too cold." And like a flipped switch, Jess starts shivering so hard it makes his pearly little teeth chatter.
Luke's head swims. "Well, we can do something about that," he lies. He takes Jess's comforter and wraps the little boy up in it, scooping him up into his arms and bundling him against his chest.
In between spikes of panic, Luke manages to get Jess to take a dose of Junior Tylenol, all the while running through the list of options.
Call the pediatrician and leave a message with his service - no idea when he'll call back. Take Jess to the emergency room in Hartford - Luke hates the idea of Jess shivering and crying in the backseat for that long. Call someone - Cesar? Lorelai? - to drive them to the emergency room so he can sit with Jess. He's pretty sure nobody signed up to play ambulance service for their boss and his nephew when he hired them.
All the while Jess is still shivering against Luke's chest, no energy to do anything except cough and wheeze, while Luke spirals closer and closer to a full meltdown.
God, if things weren't already bad enough, Jess's cough is getting so sharp and acute that Luke is starting to get properly scared. Every cough makes his pulse rocket, every whistle from Jess's little lungs is enough to make him choke down tears. His whole body aches to do something, anything to help the little boy.
Suddenly, he finds himself remembering a night not unlike this one: waking up in the wee hours in his childhood home on Peach to the sound of a sharp cough and his mother's soothing voice. He followed the sounds to the bathroom he and Lizzy shared to find her sitting on their mother's lap, the hot water running in the shower, the room tropically steamy.
"Lizzy's got a touch of the croup, is all," his mother explained. "We'll sit here in the steam and she'll be good as new. Go on back to bed, hon. I've got her."
He doesn't believe in messages from beyond the veil or anything hokey like that - that was always Liz's deal - but that doesn't stop Luke from whispering a thank you to his mother as he bundles Jess into the bathroom.
Luke turns the water as hot as it will go and turns on the shower. The residue from Jess's apple-scented shampoo is still on the tub, so for a moment the room smells pleasantly like a pie. Luke settles down on top of the toilet seat lid, tucks Jess up under his chin, and sort of awkwardly rocks them both from side to side.
"Okay, Jessy. Let's just hang out in here for a little bit, okay? The nice warm air is going to help your cough. You're gonna feel better in no time, okay?"
"I want to sleep," Jess moans. He coughs again, rough this time. "I want my ducky pillow."
Luke curses himself. Of course he should have grabbed the ducky pillow! "I know, Jessy," he says aloud. "You're tired. It's late and you're ready to sleep, I hear you. Let's get this cough taken care of and then we'll get some shut eye. I'll stay home tomorrow and we can rest and watch whatever you want on TV."
"Babar," Jess says meekly.
"Babar," Luke agrees.
"Can I sleep in your bed?"
"Sure, bud. Once your cough gets a little better you can snuggle up in my bed. We'll get ducky pillow and you and I, we'll have a sleepover. But for now why don't you just try to sleep on me, okay? I'm not as good as a ducky pillow but Uncle Luke is pretty soft too."
Jess whimpers a little. "It's too bright."
"It sure is, kid." Luke rises into a half stand and manages to use one elbow to knock off the lights. He settles back down onto the toilet lid and gently rubs Jess's back. He watches the steam swirl around them in the glow of the nightlight.
Eventually they both fall asleep. Luke wakes up at eight to the water in the shower running ice cold. Jess wakes up when he feels Luke shift and demands french toast. He's sweaty and cheerful, bright eyed as he smears syrup all over his face.
Thirty-five years later, it's the middle of the night when Luke gets the call.
"I don't know what to do," Jess says raggedly.
"Hey, it'll be okay. Let me listen to her."
There's a pause. Then, "Hi Pops" echoes weakly over the line, followed by an old familiar bark of a cough.
"Hi honey-girl. I'm sorry you're feeling so bad. Let me talk to your daddy again."
There's a shuffle, and then, "Well? Should we go to the ER?"
"It's the croup, Jess. She's got the croup. Go ahead and take her into the bathroom and let the shower run, sit in the steam. She'll be okay. You've got her."
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kindahoping4forever · 3 months
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Ash with Jordan Greenwald on IG
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rogersstevie · 8 months
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i know a lot of people think jess just likes to antagonize dean for the sake of antagonizing him but in a scene like there's the rub where he just keeps talking it's so clear he's trying to divert dean's anger towards himself to protect rory (which makes you wonder if that's something he's done in the past) and like obviously it didn't work bc he did in fact start screaming at rory the second jess was gone but it's just like the way he's talking in that scene it's very much what he does when he's trying to distract someone even if it's not from their anger, maybe for a conversation he's trying to avoid, whatever it may be, like it just isn't so simple as trying to piss people off (though that may be an effect anyway) but to defuse a tense situation and i just think it's a v interesting aspect of his character
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yukipri · 10 months
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If work sets a meeting at the wrong time for morning of the next day and no one catches it but me until less than 5 hours before (because I'm the nocturnal fool who doesn't sleep), I should not be obligated to wake up in time for the "early" meeting time that was not set, and should be allowed to sleep until the afternoon time the calendar says the meeting's at...
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feluka · 1 year
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e-adlirez · 2 months
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Treasure Seekers 2 go brrrrr
So this sequel... exists :D
Welcome to the second entry in the Treasure Seekers trilogy that I'm gonna ramble about for the next six hours (in me time, in you time it's probably gonna be like thirty minutes or less), if you wanna read it yourself before reading this ramble, here's an Archive copy. Otherwise, enjoy the ride :D
So our story begins with the Thea Sisters locked in a basement in the dark, with Russia's penchant for matches (and the basement's lack of a smoke alarm) coming in clutch. Seems like another vacation's gone awry for them :3 How could it have possibly turned out this way?
Flashback: so the girls are vibing in Moscow, visiting all the cool sights and all that, Pam is wanting to try some Russian cuisine, when they spot this girl that's wearing what appears to be a barrette that used to belong to Aurora's sister Hannah Lane. They follow her a bit, find a THUG JUMPSCARE, follow the girl, Cassidy and co into the building they're heading into, and oh dear door with passcode is in the way. They find this dood Sergei, explain to him the situation, deal with him being like "who is u, and wth are you on about mate" until they hear a scream and oh dear turns out that girl with the barrette is Sergei's sister Irina and she's in trouble.
Sergei opens the door, they go in, walk in on Cassidy, Stan and Max (who I will from now call SM for simplicity) doing their whole thug jumpscare thing and kidnapping Irina in 4K. SM somehow rolls a high enough strength roll (or the girls roll a low enough initiative) that two roughly intimidating guys successfully trap six people into a basement without breaking a sweat get yourself some self-defense classes girls oml, and that's the end of that.
Luke's up to his shenanigans again, and it seems that he's targeted Irina Lenenko for the same reason the girls double-taked at the sight of her barrette: Irina (and Sergei in conjunction) is a descendant of Hannah Lane, and Hannah Lane may or may not have known a thing or two about one of the seven treasures. It's such a shame tho that Irina doesn't wanna spill any of the tea. What's this about a "queen's jewel"?
Oh also Luke has Aurora's third diary. I would like you to pay attention to this detail in particular. Oh and he's keeping Irina ratgrabbed until she tells them what he wants to know from her. Oh naur
Meanwhile the girls infodump all of the TS 1 LANE LOORRREEEE to Sergei in one whole sitting and finally manage to get around to "what the hell does this have to do with my sister". Sergei thinks it's not really possible for Irina to know anything about great-grandma Hannah's involvement with Aurora, but Irina's still in trouble soooo time to solve this nerdy-ass science trivia keypad puzzle to get outa the basement. Irina's nowhere to be found in the lab itself, so they regroup at Sergei's place to use his phone tracker app on his computer.
Bad news, SM dumped Irina's phone somewhere in the lab so the tracker app is useless; good news, while looking for some Lane Lore™ to get some context about the situation, the girls find some Lane Lore™ :D
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Turns out Aurora was looking for one of the seven treasures again, y'know just updating her sister on that, who'd moved to Saint Petersburg with her husband Ivan.
Seems like Aurora's quest at the time involved "the queen's jewel", which Aurora said she was 1000% down to ramble about to Hannah, maybe when she's done finding all seven treasures and hiding them from Jan.
I would like to take this moment to remind you that Aurora is a British Amelia Earhart, and if you dunno what that means, look up what Earhart was famous for and then look at this with that given context :']
-
With that lead, the girls plus Sergei take a ride on presumably the Krasnaya Strela night train to Saint Petersburg, read some Lane Lore on the way, Peter-Griffin upon realizing that they spent the whole night reading AO3 fanfics Aurora's diaries and it's like 2AM now, land in Saint Petersburg, stop by Nevsky Prospekt Street to have some breakfast (I think they went to Venezia?), and discussion.
(For the rest of this review, please assume when I say "the girls", I'm including Sergei because Sergei tags along with them and helps them out in their entire journey. It's okay, Sergei may be biologically male but he is an honorary female in our hearts /j)
Aurora mentioned the queen's jewel in her diary, and when you're in Russia, the first queen that comes to mind is Catherine II, so maybe something relating to her? Some Lane Lore of Aurora taking interest in Catherine II's Amber Room in her palace specifically confirms their theories, sooooooooo it's time to go to the Amber Room to see if Aurora left any clu--
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The girls are about to walk out of the Catherine Palace to Peter Griffin in private when SM JUMPSCARE--
So SM is stalkin' around the Catherine Palace looking for something, so the girls stalk them back and follow them out of the palace, into a car (the girls called a separate taxi to follow them), and to a little gray building in the outskirts of the city. They don't follow SM into the building because it might be dangerous, but Irina's scarf lying around near the premises confirms that Irina was in fact there and possibly being held hostage in the building.
The girls do a little tactic I like to call "the Ding Dong Ditch": Pam and Nicky knock on the door, SM answers it, do a little Metal Gear exclamation point "HOW DID YOU GET HERE", Nicky and Pam book it so SM chases them, and that's literally how the other girls plus Sergei sneak into the building to get Irina out. (You dunno how badly I wanted to make a videogame reference for this but I couldn't find anything so here we are--)
With that, the girls plus the Lenenko siblings book it outa there without SM being none the wiser (seriously it doesn't even cross their mind that there are more than two Thea Sisters, that's how dum they are). Irina books a hotel room at a friend's place and gives them some extra Lane Lore that she never told Klawitz despite the interrogations:
Hannah Lane was once visited by Aurora unexpectedly, a little after Hannah and her husband moved to a house near the Ob River, in Siberia. Possible lead :3c? The girls think maybe, so they decide to head on over to the exact address in Novosibirsk, Siberia.
In Siberia, the girls cross the frozen Ob River in Novosibirsk to this abandoned little house, where they find this little note with a riddle that talks about Cleopatra and an emerald she had at one point, and CASSIDY JUMPSCARE--
Cassidy busts in, snatches the note and books it away on her snowmobile before the girls can even react. You may be wondering, how the hell did Cassidy get there and know where they were? The answer is the same as the reason behind the SM jumpscares in Russia and in book 1, and that is Luke.
Luke Von Klawitz is doing a little segment that I like to call: Luke Touch Grass, where it becomes increasingly clear that Luke's spent way too much time on 4Chan (/j but you'll see what I mean). Luke hears about SM's failure and facepalms. Then he calls his friend Petrovski, who has access to the database of all of Russia's airports, for help tracking down "six mice leaving Saint Petersburg". Petrovski gives him results in minutes: the girls and Sergei are leaving Saint Petersburg and heading for Novosibirsk, Siberia (most likely Tolmachevo Airport). With that intel, Klawitz looks into his own database of Aurora Beatrix Lane, finds a picture of Hannah and Aurora together, and uses his own version of Google Lens to figure out the exact coordinates where the picture was taken, which happens to be in Novosibirsk, Siberia.
No this man does not in fact canonically touch grass on the regular, who's asking
Anyway so he sent Cassidy the coords, instructions and Aurora's diary to go, and that's how Cassidy walked in on the girls in that little abandoned hut next to Ob River. Only thing is uh, she dropped her purse on the way out. A purse that just so happened to contain Aurora's diary that Luke gave her.
So the girls scoop that puppy up and assume that the treasure is Cleopatra's emerald, thus they think it's in Egypt.
So the girls go to Egypt :D (29 and a half hour flight there good god no wonder they conked out in the plane--)
The girls read some Lane Lore, something about Aurora finding the treasure and hiding it somewhere in a desert, in an "expanse pure and white" that a star compass will lead to. First thing the girls think of at the desert bit is the White Desert (Sahara el Beyda), specifically a spot near Cleopatra's pool, so they leave the airport (not realizing Cassidy is following them now) and head over to a market to buy some supplies because might I remind you, they initially went to Moscow, Russia for vacation.
While in the market, Pam meets a guy named Omar. Pam tells him a little bit about them going to Cleopatra's pool in Sahara el Beyda, and she finds out that Omar just so happens to be an Archaeology major in Oxford University who's here on his summer vacation and works as a guide for Sahara el Beyda, and is more than down to give the girls a tour. Talk about lucky :D
The next day the girls take the scenic route and after a while make it to Siwa, where Omar books a room in a hotel for them, and the girls find this interesting myth there about Cleopatra that I will summarize here:
Cleopatra was once given a jewel that maxes out the owner's rizz and the effect is supposedly indefinite. Cleopatra liked the jewel so much that she wore it on her crown at all times... until she grew a bit self-conscious about the gem's maxxed rizz effect and how everyone kept eyeing the emerald a second too long for comfort, so she decided to hide away said rizz in a spot where none of her rivals could get to it. Oh and uh Cleopatra wrote up a dedication to Ra that's hella cryptic too.
One long rest later, the girls go to Cleopatra's pool on a donkey cart. Yes, a donkey cart. It was Omar's idea. Speaking of Omar, prepare yourself buddy because the girls have dubiously decided to give you some Lane Lore to chew on. O-oh you like it a lot. A lot a lot. Well okay cool, maybe you can help out, cool.
The girls manage to figure out the riddle in Cleopatra's dedication, find a little stone coffer that has the queen's treasure and-- SM JUMPSCARE
With a donkey as the girls' only escape method and Omar having suddenly disappeared, a scuffle ensues where the girls play hot potato with the box until SM gets their hands on it and opens it, and here we get a very accurate depiction of what SM and the girls found in the box once it was actually opened.
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Description: a hand made of salt shaped in an upside-down "ok" symbol, circa 1920s-30s.
The sheer whiplash of this leaves both sides of the conflict losing enough HP that they're all on red-- SM is blaming the girls for this (how dare >:[) and dip. Omar is gone, and all the girls get as compensation is the empty box and a letter from Aurora telling them that they'll know to read the hidden clues. The girls head back feeling very hollow and dead inside, and this is the one time one of the girls questions how the hell did SM know they were at Siwa. I mean they never get any answer to this (kinda), but it is a milestone! They're aware of it now!
Once they get back to Cairo, they ask around and find that Omar's completely up and vanished, and they decide they'll just head back to Moscow since their investigation has come to a dead end. On the way, Pam comments about the falafel she bought being hella salty, which leads Violet to an epiphany that hey, the Sahara isn't the only desert that exists, let alone the only desert known for how white it is (like how Boracay Beach is known for how white and fine its sand is, but it's not the only white sand beach that exists). A quick Google search (and a long flight (35 HOURS CAIRO TO SUCRE???)) leads them to the Salar de Uyuni in Bolivia.
Nicky reserves a room for them at Hotel Luna Salada (a real place you can book a stay at actually :D), and they make a friend by the name of Adriana, a local waitress in the hotel restaurant. Adriana helps them pick out a dessert, fills them in on some stuff about the Salar since the girls came here 100% out of impulse, and talks about possible itinerary locations to go to, like the Isla de Pescado, Tiwanaku (the "Gate of the Sun"), Lake Titiaca, and Laguna Colorada. Y'know, typical tourist stuff, and Adriana was so kind to show them pictures she took when she visited said places herself! :D
Anyway so while the girls long rest, Luke is mulling about in his base waiting for updates. Someone calls him about the whole Egypt thing, and Luke calls the girls incompetent? Rude, oh and something about the caller being Luke's "secret weapon". Cassidy calls him on a theory she has about the gemstone being in Cleopatra's palace, and since the girls are currently long-resting (which means they aren't doing anything), Luke figures that a little diving trip in Alexandria to search for the gem with Cassidy won't hurt. Besides, he still has his secret weapon.
Oh yeah and he knows the girls are long resting because he has a drone in Bolivia spying on them and showing him their every move. Touch grass, Luke. No, going on a diving trip in Alexandria doesn't count, there's barely any grass there /j
Morning comes in Bolivia, and the girls head out early to search the Salar as much as they can. They look around the flat white desert, eat some late breakfast, toy around with forced perspective camera shenanigans for a bit, and read up on some LANE LOOORREEEEE
So Aurora's been to Pumapunku and Tiwanaku which is cool, she paid a visit to the archaeological site probably and that's really cool. She says something about hiding the queen's treasure in a fish's stomach covered in very fine thorns. Sergei ends up having an epiphany, and that leads the girls to Isla de Pescado, which just so happens to be "Fish Island" in Spanish, and has cacti on it, it's all coming together :D
Oh and the fish drawing Aurora made is coords to the treasure seemingly so that's cool-- OMAR JUMPSCARE
The girls are very surprised to find Omar joining them, and Omar explains that he booked it when SM came over and lost his cellphone as a result. However, he managed to figure out that Aurora's riddle was about salt and not sand, and decided to head on over to Bolivia since he assumed that's where the girls are going. How did he find them? It was just out of pure coincidence, and also the fact that the girls are extremely recognizable. Hm.
Anyway, Paulina plugs the coordinates into her GPS and leads the girls plus Omar to a little cave at the bottom of a little embankment. The girls find that, lo and behold, there's an old tin box containing a bright green emerald!
Meanwhile Luke is not finding anything in Alexandria haha L, LVK L get dunked on Luke, Cassidy girlie that's not a man to simp for find someone else gurl-- oh dear Luke is alerted that the treasure has been found and now he's planning on heading over to Bolivia? Now how could he possibly know that?
In the meantime, I dunno what's up in the air or if it's the Archaeology major speaking in him but Omar's really invested in this treasure, even more so than the girls to the degree that the girls are a little freaked out by it-- RHEA JUMPSCARE-- Paulina calms the big bord down and gets it to not trample Omar please, he's still a friend of theirs. Colette picks up this blue notebook Omar seems to have dropped.
The girls plus Omar head back to the SUVs, and Omar is really trying to persuade the girls that he should bring it back to Cairo. The girls are not jazzed at the idea because Omar bringing it back alone will be too unsafe, y'know with Luke and Cassidy and SM and all. They gotta think about this rationally-- WHOA OKAY OMAR calm your man tits buddy why are you demanding they trust you like you automatically deserve your trust-- ohh that's how Klawitz has known about the girls' whereabouts, Omar was working as a double agent.
So yeah Omar snatches the box from Colette and drives off in his SUV, leaving the girls in the dust. The girls freak out and are feeling that EMOTIONAL DAMAGE, but Colette for some reason is very calm about Omar booking it with the emerald. And that's because SHE HAS IT :D she did a lil' switcheroo so now the emerald's with her while the box is with Omar.
For context about how Colette knew about this, remember the blue notebook Omar dropped? Yeah that notebook was a company LVK notebook, straight from Luke himself. Then after Colette saw it, everything about Omar became incredibly sus, so she performed this precautionary measure.
So now the girls talk to the local authorities about how the whole thing with the emerald is gonna go down, and soon the girls are waiting for a plane back to Moscow.
As for Omar, well, he goes over to Luke's super-fancy hotel in La Paz, Bolivia, and he hands the box to Luke, explicitly stating that he decided he'd let Luke open it before he himself can appreciate it.
Luke opens the box, and here we see an accurate depiction of what Luke sees.
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Description: an upside-down "ok" symbol drawn in strawberry pink lip balm, signed Colette [insert last name], circa 2018.
Luke punts the box (prolly with the lip balm still inside it) into the swimming pool, tells Omar to get out, and that's the end of that. Haha Omar L Luke L
The girls head back to Moscow to drop Sergei off when SURPRISE PARTY BY IRINA'S SQUAD :DDD
Then the girls are about to return to Whale Island to presumably Peter Griffin in their dorms, when Colette suggests they make a journal a la Aurora Beatrix Lane, and they do. In a pink notebook because it was Colette's idea so we might as well give her that
And they take a black-and-white group picture of them wearing adventurer clothes like Aurora would've done. The brainrot is real, these girls are mentally ill /j
And that's the book :D
... Honestly it's the most meh out of the trilogy besides the big-brain bits in the middle and the end imo
The writing was so much more stilted in this one, even for Scholastic standards, and everything feels pretty..... kid's book. Even more so than the usual in the book's English translations. I do readings for the books in some of my Discords, and this book did not read well at aaallll. And I haven't even mentioned the typos in the book (they're not a lot, but they exist, and they're kinda egregious :D) and some grammar errors if I'm remembering things correctly. It might just be a translation thing-- I worry a bit for the translator who had to put this together.
Luke's character here is also kinda wonk? For one we see him directly contradict his anti-friendship spiel in TS 1 since he literally greets Petrovski like a friend (maybe it's a "friendship doesn't exist except in 4Chan" thing, I dunno). Then in the middle of the book, he gets... very Disney villain-y. The most egregious example here is the chapter "Lurking in the Shadows", where as you can see
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I am confusion?? Luke has been described as a to-the-point brat who hardly cares for the means to his end (unless it will impact his ability to achieve the end) and is so fixated on his goal that he doesn't touch grass. Is this not-touching-grass behavior? Yeah, definitely, but this??? This is too Disney villain???? Why does the man break into an evil cackle in front of Cassidy???? I understood it in book 1 because man thinks he's doing a "You may think you have outsmarted me but I have OUTSMARTED YOUR OUTSMARTING", but this one?? Maybe it's my personal taste, but it's too cartoonish and too... deviated from what we know of him up to this point.
ALSO TWIRLING HIS MUSTACHE? WHAT MUSTACHE IS HE TWIRLING THAT THING IS NOT TWIRL-ABLE
Also time to address the one big plot hole in this book: Aurora's diary.
So in this book there's only one diary, which is infinitely simpler than the two we got in the first book. This diary supposedly contains Aurora's records of her mission in hiding Cleopatra's Rizzmerald, and the details are supposedly vague enough that Luke felt the need to kidnap and interrogate Irina, a Hannah Lane descendant, to fill in the blanks. However, when you look at the contents of the diary itself (which lord knows how many times Luke himself has looked through it), there's hardly any blanks that need to be filled, at least if you're Luke.
The diary itself is mostly in the background-- like I said, not as much Lane Lore here as the previous book, the girls mostly rely on Aurora's letters to Hannah here-- but there's one specific entry the girls read in the latter half of the book that explicitly mentions Pumapunku and Tiwanaku, and how Aurora is there for her mission to hide the emerald. Complete with coordinates hidden in a little drawing! My one question I have for Luke is, why didn't he go straight to Bolivia and started searching there? Why did he go through all the effort of kidnapping Irina, tailing the girls around Sahara el Beyda, letting SM fall for the salt replica gambit, left his base to touch grass and go on a dive with Cassidy in Egypt; all if he could've just gone straight to Bolivia to look for the treasure there? Sure, Aurora did a good job hiding the coordinates in the fish doodle, but someone as observant and as obsessed about the outcome instead of the journey like Luke would rather have sidestepped all the Aurora shenanigans and beelined straight to the goal if he was able to.
Luke hardly has an excuse here because he owned the diary at the start of the book, and most definitely read through it many times (and we know he's the type to do this, see TS 1). The plot hole is plot hole-ing, it seems :/
Maybe it was just an excuse for the girls to get a giant glowing arrow pointing in the direction of the treasure? It certainly feels like it.
Anyway, the things that carry this book and made it memorable when I first read it (and allowed me to ignore the iffy bits) are the gottems and Omar as a character. Aurora setting up a salt replica of the Rizzmerald as a gottem in a time capsule, only to be opened almost a hundred years later to still be as potent as intended when it was made so long ago? That is amazing, like c'mon, pure comedy material.
Even funnier is Colette doing the exact same thing, only with her lip balm. Luke is quaking in his bougie-ass leather boots.
Now for Omar. This may be a hot take of mine here, but Omar's sus-ness is actually at a decent level compared to the girls and what they usually deal with. On one hand, Omar is incredibly suspicious with how incredibly lucky the girls are to find an Archaeology Oxford major working as a Sahara el Beyda tour guide; but on the other hand, the girls had almost the exact same situation with Diego in Mexico (I didn't mention him in the first review, but he came in clutch in TS 1).
The girls met Diego in Merida, Mexico, and he helped them with their research into "the invisible place", which happened to be Uxmal, along the Puuc Route. Diego also just so happened to be a tour-guide-in-training for the Puuc Route, which was the place the girls just so happened to need to go to find Aurora's second journal.
In comparison, the girls meet Omar in Khan El-Khalili while they were looking for supplies for their trip to the Siwa Oasis. It comes up in conversation that the girls are headed to Siwa, and Omar just so happened to be a tour guide for Sahara el Beyda, which was where the Siwa Oasis is, and it just so happened to be where the girls needed to go. When you stack them up together, it made perfect sense that the girls thought they could trust him-- Diego didn't know much about their trip and helped them the best he could (which was a lot), so why wouldn't Omar do the same? He's an Oxford Archaeology major, too, for crying out loud, the girls struck gold in the end!
Gold that was too shiny and too good to be true. Gold that was, in the end, nothing more than pyrite, fool's gold.
Omar is a good case for why you should be careful with who you trust, and when you should start thinking a little bit when you're getting a little too lucky with the people you meet. When the girls got to know him a little more and decided to trust him and tell him the deal with their trip, he got way invested in the gem-- too invested to not be a little bit suspicious. Maybe the girls mistook it for his passion for his archaeology major, maybe they mistook it for something else-- but whatever the case, Omar pulled the cheesecloth over the girls' eyes and really only fell apart near the end, when his alibis and behavior started becoming more and more suspicious; and by then, Omar didn't need to be as inconspicuous, and the girls had gotten to know him too much to readily say to him "okay buddy can you kindly f%ck off, your vibes are not vibing here".
The girls probably should've been suspicious when Omar reappeared in Bolivia out of nowhere, but I guess his alibi was just good enough (and the girls at this point were probably running on adrenaline, caffeine and a brain on 70% capacity at most) to pass the Deception check.
Fr tho there were some bits where the girls should've found him sus but they didn't (him accidentally saying "I did it" when they uncovered the emerald, and also him handling the emerald the way he did), so shrugs. It could be a translation thing, but it could also be something else.
Anyway, kinda meh for a sequel, but it does have its standouts that allow it to somewhat stand on the same level as the first and third books. Kinda.
Hey, at least it's not as bad as Crystal Fairies-- that's the bar of bad-ness I'm setting. It's not as bad as Crystal Fairies and that's what matters--
Also special thanks to @ishmeowwow (it won't let me ping you for some reason bestie <:[) for making the lil' artworks haha
#geronimo stilton#thea sisters#thea stilton#book review#book rambles#book rant#thank you ishmeow for making the gottems for me :D#you came in clutch while my ipad is still dieded thank you bestie <3#in the book it's just the lip balm but ishmeow decided to go all-out with the gottem gag and i can't be more grateful lmao#same goes with the gemstone in aurora's gottem (it's just the fake tiara plus fake gem) but hey the more salt the merrier :D#book 2 luke is so jarringly different from his other depictions but at the same time#he does not in fact touch grass and he does crack an evil cackle at least once a book so#i dunno how i feel about it . .#on one hand it adds to him not touching grass#but on the other hand it doesn't connect with his “this villain is supposed to make you shnit your pants at how intimidating he is”#he's intimidating because of his connections his ability to basically spy on the entire world and control everything from his base#and y'know he can tell his goons to do whatever and they'll literally wreak havoc to fulfill said requests#he was so intimidating in concept that they had to nerf him with incompetent goons lmao#after doing last minute research i am deeply concerned for the girls' wallets and their mental and physical health :D#like good god i thought a ten hour flight was unbearable and made your body stiff but holy damn#i'm not complaining too much about the timeline tho because this is hilarious and makes the girls look so neurodivergent#“what do you mean we flew a total of 64 hours by plane feels like it's only been a day to m--”#*dies*
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kaleidoscopeminds · 2 years
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i guess only the stars would know the truth ☆
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ruegarding · 5 months
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Crying because I’m thinking about Annabeth, Thalia and Luke while listening to ‘Hey brother’ by Avicii. Try it, hurting your soul is fun
hey brother is literally the song of all time. thank u for reminding me that i love pain and suffering i needed this
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bsxcrxts · 6 months
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What are your thoughts on Luke accidentally becoming a nude male model for you? Or even like a misunderstanding where you ask for him to model for you and he wants to help you out so badly that it doesn’t register what exactly he’s going to be doing until he’s in your studio and you’re telling him to strip.
as an artist, (or rather, as a failed artist who sometimes still draws) oh my god. ohhhh my god.
listen, in my experience, under normal circumstances, drawing a nude model is awkward bc it's a stranger and it's almost always a wrinkly old guy with weird vibes. which is fine once or twice but EVERY time?? imagine complaining about this to Luke. "My art is suffering because I've never been able to draw a model in their twenties or even their thirties," you might say, and naively, he's like "well what's so hard about modeling? I can do that for you," and you're like... oh. um. okay, sure. telling him to come to your room this time next week, thinking that this is just him being nice.
until you're both in your room and you're like "um you're kind of overdressed for this" and he's like ??? and you're like ??? and it ends up being pretty funny until he actually drops his tunic and takes his pants off and then the next challenge is keeping it together while you're drawing him
he probably keeps offering to model for you until the tension finally breaks and the two of you fuck. and probably even after that tbh
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jewishcissiekj · 23 days
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THE DIANOGA??? AND HER NAME'S OMI???
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kindahoping4forever · 1 month
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youtube
Luke's exclusive Interview with iHeartRadio
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hiiiiiiiii Luke flirting with Penelope and Don hitting on Judy are literally my favorite things to read/ write.
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tidaltow · 4 months
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percy’s feelings about luke just became 1000000x more complicated which I didn’t think was even possible but here we are and we are far from okay 💃🕺💃🕺💃🕺(rambling about the finale in the tags [spoiler alert ig])
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wasureneba · 2 years
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Din knew that the man felt anger. They’d talked about it before, during those late nights at the kitchen table: at his masters, at his father, at the Emperor and the Empire. He’d seen the turbulence of it under the surface, the way Skywalker’s jaw tightened as he recounted the past or the way he paused before speaking, as if letting something pass through him. He knew that Skywalker’s anger had mellowed over the years, that it was twinned with compassion, that the desire for revenge he’d felt had transmuted into a desire for active justice. It was the Jedi way, Skywalker explained: to sit with negative emotion and then to move through it, letting it go to be a thing of the past. Over time it became less and less, until it was no longer a burden pressed tight and heavy to the body.
It sounded peaceful.
It sounded hard.
(Or, Din sees Luke angry for the first time.)
Language: English Words: 4,213 Chapters: 1/1
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caramelcalum · 2 years
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e-adlirez · 1 month
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Treasure Seekers 3 Review/Ramble
Welcome to the third and last entry of the Treasure Seekers trilogy :D
"Wait what?" I probably hear you ask. "What about the other four treasures they said the girls would find?"
And to that I say
yeah it do be a bit sad that they never made a book 4
But make no mistake, Legend of the Maze is a doozy of a third book, and I'd say it's almost on-par with book 1 if not surpassing it. Unfortunately there is no free digital copy of the book, so uh if you're down to spend a bit on a digital copy on the E-book site of your choosing or on a physical copy in a bookstore, I salute you for your determination.
As for the rest of you, you're just gonna have to trust me bro :] /j
Ready? Let's go :D (also this is being written by a sleep-deprived E running on hyperfixation juice so if you find any grammar issues feel free to let me know so I can fix them)
The story begins with the Thea Sisters touring the Capelletti House in Verona with their Italian friend/tour guide Sebastiano. Yes, this Verona.
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So yeah Colette is fantasizing about Romeo and Juliet as a romantic ship, Vi is trying to kill her Santa by telling her that Romeo and Juliet are fictional characters (which Colette responds to with "oh hush I can dream"), and oop-- loose floorboard-- what's this package under the flo-- LE GAAASSSPPPP LANE LOOORRREEEEE
The girls fangirl about the ABL jumpscare a lil' too loudly and Sebastiano is a lil' confusion, soooooooo the squad goes out for some snacks outside the Capelletti house to explain stuff to Sebastiano
buckle up Sebastiano you're about to get two 300-page books worth of Lane Lore™
While listening to the story, it turns out that Sebastiano may or may not have heard a peep about a legend about a treasure called the Treasure of Eternal Love (adapted Scholastic name is "Treasure of True Love" which ew, snatches the original Italian name instead), which was said to have been owned by Juliet and tho a lotta people are trying to find it, they dunno where it is now. Sounds very Seven Treasures of the World to me :]
How does Sebastiano know a peep about this very obscure legend? Turns out he learned about it from a letter written by his great-grandpappy Jacopo, who was an archaeologist like Aurora :3
So Sebastiano invites the girls to dinner at his place so the girls can look for the letter. Vi don't get too comfy with the house library I know it looks very cool and antique but we got a goal and that is sifting through a lil' box of Jacopo's kept things and find some-- HOLY CRAP LANE LORE™
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"Hi Jacopo, tysm for helping me with my research on the Treasure of Eternal Love, you're a real g my guy, regards from me and my sister Linda, also tysm for the tour of Verona."
-- ABL
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The girls tell Sebastiano their findings over a dinner of bigoli al pomodoro, give some extra Lane Lore™ about Jan von Klawitz and Aurora's six sisters, and mention the possibility that Linda knows where the treasure is, which means that Luke is probably after it too, but also Linda might know where the treasure is, which means a lead >:3
First stop: Verona's city hall, where Sebastiano's friend Guido works and is able to help them with finding information about a Linda Lane who may or may not have lived in Verona approximately a century ago. They find a document that says yes, Linda did in fact live in Verona once, and also her address is listed there because legalities, y'know how it is.
So the girls head on over to the address, knock at the door, and are greeted by an old lady, and :0 turns out this old lady (her name is Mia) knew Linda personally.
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Linda and Mia met when Linda was in her older years and Mia was a smol child. Mia would read for Linda since her eyesight deteriorated in her old age, and they hung out a lot together. When Linda left to return to England, she left the house to Mia, as well as a good chunk of the stuff she had in said house as mementos for Mia to remember her by.
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Hey guys you wanna see a trick, it's called "the Lane Lore™ %", aka how fast can we get this old lady up to speed with the ABL drama-- /j
Unfortunately Mia doesn't really know anything about the treasures, but she does have this wack painting of a scenery in Japan that just won't align correctly no matter how much finagling you do to it-- oh there was an envelope inside-- LANE LORE™?
So the letter inside the envelope is a letter from Aurora to Linda basically Aurora telling Linda she found the Treasure of Eternal Love, but because Jan is on her tail, she left the treasure in the "House of the Sun" for now. Now, if you tried looking up "house of the sun", you'd get a hotel in Florida, a manga, a former Incan temple that's now a monastery-- you get the picture, it do be a weird detail and probably not it bro, besides Aurora's too much of a gremlin to be that obvious with her riddles.
At least if you're not a Shakespeare nerd like Colette is (the kind that never read past Romeo and Juliet's wedding), because if you were, you'd know that at one point Romeo equates Juliet to the sun rising in the east. Romeo is simping for Juliet, Juliet is the sun, ergo, the Capelletti house.
But uh, thing is we already went to the house and we already know that Aurora came back for the treasure and took it somewhere else. Sooooo might as well see what the last letter says--
"Hi so I'm on the run rn I can't chat for long because Jan is pissed and he wants to find me and force me to reveal the treasure, and I don't think I wanna know how not-kid-friendly this is gonna get if he does find me. Thanks for introducing me to your friend tho :D she's cool and thanks to her help, the treasure is safe and sound in the shade of the cherry trees! I'll come back for it one day, hopefully that day comes soon. Anyway, hugs and kisses, Linda." - ABL
Spoiler alert, despite having a beeg cherry tree on the painting, there was in fact nothing else hiding behind the painting.
LUKE TRANSITION
So Luke is doing Luke things, not touching grass as per usual. Cassidy comes by to give him a lil' souvenir from great-grandpappy Jan von Klawitz's house in London: Jan's old notes. Luke immediately dismisses Cassidy without even so much as a thank you -- Cassidy girlypop you're not scoring that man no matter what you do, he's the Adrien to your Marinette girlie we're only at book 3, you might as well accept your fate -- and Luke takes a lil' peek into Jan's notebook (he also calls his great-grandpappy "Jan", like just "Jan". I dunno maybe I'm just finding it weird because I'm Asian . .) for the goods.
And goods Luke does find, which he proceeds to consume like a goblin. Bit of Klawitz lore here:
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"Grrr grrr stupid Aurora and her smartass tricks grrrrr who does she think she is grrrrr she beat me to the Treasure of Eternal Love in Verona grrrrrrrrrrrr well at least now I know how she works, I managed to find this friend of hers Jacopo, who definitely knows about the treasure even though he keeps playing stupid like I don't know that he knows Aurora. Something something cherry trees, I ransacked every single cherry tree in Verona and there was literally nothing, wth, Aurora why are you like this" - Jan von Klawitz
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Luke responds to this seedy lore from his great-grandpappy with "hehehHEHEHAHAHAHAHAHAHH JAN YOU IDIOT, YOU COULDN'T SEE WHAT WAS RIGHT IN FRONT OF YOU BECAUSE YOU UNDERESTIMATED THE LITTLE PILOT GIRL, I ALREADY KNOW WHERE TO LOOK"
Cut back to the girls, and they know where to look next, too
It's Japan, i-it's Japan, y'know Japan's relationship with their sakura/cherry blossoms
Turns out Linda has a friend named Kyoko Bianchi, a Japanese-Italian botanist who was raised in Japan. Since Aurora mentions in her letter that Linda's friend came in clutch, she was obviously referring to Kyoko and now the treasure is in Japan.
So Japan transition :D (based on my personal experience in Japan and also a bit of canon continuity consistency, I headcanon that despite being written in English, this segment of the story mostly had the girls speaking in Japanese, a language they would know how to speak a bit of at least (and apparently Vi is conversational in Japanese so c'mooonnnn).)
The girls land at Narita Airport and take a train to central Tokyo (damn Kumi from Cherry Blossom Adventure you came in clutch possibly teaching the girls how to Japanese subway offscreen because they actually didn't get lost using it on their own :D). Kyoko's hometown was Tokyo, so might as well start searching for her descendants/relatives there. First stop: Shibuya.
Colette is playfully ribbed a bit for having a big-ass bag while everyone else only brought smol backpacks around with them, the luck of the girls not getting lost using the Japanese subway must be balanced out so Paulina's GPS decides now is the right time to be a dick, Shibuya Crossing, and finally they make it to the hotel where Amrita Bianchi, their first Kyoko descendant candidate, is at.
And this is the first time the girls come across the concept of cosplaying, I genuinely don't know how they managed to sidestep it for so long especially since they've been to Japan before for a student exchange, all I can really justify it with is that university has been kicking their a-- RATSUNE MIKU??
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Gahd even in 2018 Italy there was no escape from her /j
Anyway so Amrita didn't know Kyoko, so their second candidate is Shinobu Bianchi, a guy living in Shinjuku. They find him-- or more accurately run into him (literally) on his way to work, try to explain things to him but this man is running late, so he invites the girls to follow him to his workplace. They find themselves in a cafe on opening time, customers start filing in before the girls can even tell Shinobu what the whole deal is, soooooo karaoke break :D
Vi c'mon it's not like there's much else to do while waiting for Shinobu-- what're you gonna do, sit there and wait? A-actually y'know what that sounds like something Vi would happily do but c'mooonnn Vi where's your sense-a humor :D
Thirty minutes of singing later, they finally get five minutes to explain to Shinobu what they're looking for and Shinobu says "sorry I dunno Kyoko, I am half-Italian on my dad's side, but my mom has a different Japanese surname"
So the girls Peter William a bit emotionally, Pam goes to what Scholastic is telling me is a kiosk but might as well be a 7/11 based on the banger food Pam got from said kiosk, the girls take a taxi to a Capsule Hotel (judging from the illustration it looks like the Shinjuku Kuyakusho-mae Capsule Hotel), and after a bit of dinner, Peter William into their capsule rooms physically.
The next morning, Nicky goes out for a morning jog as usual (she prolly slept with her capsule open so she wouldn't get claustrophobic), and she finds a gardener tending to a Kyoko Bianchi flower :0 like no joke that's the name, it's a K. bianchi, named after a botanist who founded the Fairy Garden (Disclaimer: neither the K. bianchi nor the Fairy Garden Foundation in Japan exist, they're fictional bits for this fictional story and that's fine :3). Nicky gets the address for the Fairy Garden, runs back to the girls who are having breakfast, and they head on over to the venue.
At the Fairy Garden, the girls meet a gardener named Toshio who happily shows them around, and despite not knowing all the Lane Lore™ (yet), he knows enough to lead them to Kyoko's perfectly preserved office, where the late Bianchi has displayed some pictures from Verona, as well as her furniture and encyclopedia collection.
After a search, they find what was presumably a haiku alluding to Jomon Sugi and the writer's voice being hidden in there, and one jaunt to the record of Jomon Sugi in Kyoko's encyclopedia collection and uhp-- a hidden cassette tape inside the volume!
On one hand, victory, the girls have found a VHS tape that is implied to have a personal recording from Kyoko Bianchi herself, so they're super-close to the treasure now :D
But on the other hand, they found a VHS tape in the year of our lord 2018.
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Good news, Toshio knows a buddy who's super tech-savvy, and that's including tech things. Bad news, he's in Kyoto, which is about 445 km/283 miles away from Tokyo.
So the girls quickly take a shinkansen and some bento boxes to Kyoto :D (their wallets are probably sobbing in an 86-USD ticket per person)
At Kyoto, meet Ren, are lowkey surprised that his house is a traditional Japanese house as opposed to a modern flat but hey it's a pleasant surprise, and Ren is able to play the tape for them.
In the tape, Kyoko explains the Treasure of Eternal Love, how it ended up in her hands at the ripe age of 20 through Linda and Aurora, and some Treasure of Eternal Love lore, or rather Ring of Eternal Love lore:
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Yeah sure Romeo and Juliet were fictional characters, but reality, so it goes, isn't that much different. The Ring of Eternal Love was a courting gift from a suitor to a bachelorette of the Cappelletti household. The suitor and the girl's families had hate boners for each other for a while now, but instead of spiraling into a destructive mess of family feuding and death like in Shakespeare's play, they decided to call off the feud so the two lovers could be happy together. And now the ring, as Kyoko puts it, has been passed down from her to "one who shows love every day, in every way, towards everything that grows from the earth."
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The girls are happy they got to see the tape and its contents, but they Peter William emotionally once more because well, they're back to square one now-- literally the only clue they have is the thing Kyoko said, and what is the thing Kyoko said? It's cryptic and weird and h a h ? Ren offers to accommodate them for the night, the girls get to sleep on futons for the first time since Secret of the Snow, and the next day they decide to have some downtime vacay-ing in Nijo Castle. A vacay that results in Vi having an epiphany about the riddle and thus who has the ring.
Meanwhile with Luke, he's planning something. Something that's got Cassidy in Japan and putting her master's degrees in Engineering, Chemistry and Computer Sciences to use by assembling a drone (I'm wondering how Cassidy has so little braincells out on the field despite having THREE MASTER'S DEGREES like holy crap--)
Cassidy tries complimenting Luke on the motherboard he sent in from Alaska and-- ew Omar why are you here I thought Luke fired you-- ooh what's that package thing-- oi don't diss on Japanese people being polite, once you see the ruder options you're gonna be pining for that shnit-- wait what how's this drone gonna find the Ring of Eternal Love--
Anyway the girls plus Toshio and Ren take the train back to Tokyo (istg if they took the shinkansen--) and back to the Fairy Garden Foundation, where they talk to the current head gardener: Mr. Murakami.
Mr. Murakami does in fact know Kyoko personally, and after a bit of persuading (it involves a bord like many good things in this world), he decides to bring them to his hometown Nara (which involves a train to Kyoto and then a train from Kyoto to Nara which on the Kodama plus the cheapest option from Kyoto to Nara is-- CHEESUS CRUST 91 USD PER PERSON AND THEY HAVE TO GO BACK TO TOKYO AFTER THIS???)
ANYWAY Mr. Murakami takes them to Nara Park, where he hid the treasure. He brings the girls to it, he checks the hiding place and
It's empty?
Wait, the hiding place is empty?
WAIT WHAT THE HIDING PLACE IS EM--
Off in Alaska, Luke is cackling in his fancy custom-made not-gamer chair.
Mr. Murakami is distraught, most of the girls stay to comfort him while Nicky and Ren scout out the area. In their search, Nicky and Ren find a big broken drone that seems to have crash-landed in the garden, and oop-- LVK logo. It was probably used to spy on Mr. Murakami to snatch the treasure. "DAAAMMMNNNN YOOOUUUU LUUUKKEEEE" Nicky probably would've shrieked at the top of her lungs if she weren't A. in Japan (it's very quiet generally), and B. within earshot of poor Mr. Murakami, who's still recovering from the horrible shock. The girls, Toshio and Ren take the drone to Kyoto while Mr. Murakami stays in Nara with the fam to recover because man, he deserves the break :(
In Ren's house in Kyoto, Paulina and Ren get to work hacking into the drone to snatch its data, and they find that the drone's memory goes as far back as to being in Alaska for some reason. Why would an LVK drone be in Alaska? Unless-- :OOOOO SECRET BASE??
With that lead, the girls depart for Anchorage, Alaska (if I plugged it into Google correctly the price for the flight totals out at a 567-USD one-way flight holy crap girlies have mercy on your wallets-- not including the mini shopping spree for winter clothes Colette was more than happy to drag the girls on). Ren gives Paulina a little flash drive with some written code that could come in clutch in whatever shenanigans they end up in in that secret base of Luke's. Yes Violet as much as I think you're the only person in the group who seems to be concerned for your wallet, ya'll are nawt surviving Alaska with those summer clothes ya'll are wearing.
Behold, a long rest/14-hour timeskip in the form of the last two letters the girls have yet to read from Aurora to Linda. (Well the girls besides Vi, God's sleepiest soldier over here is eeping in the back before the flight's even taken off--)
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(These are the real letters this time around lmao, if you're confused, Aurora addresses Linda in these letters via her middle name Amaryllis.)
Dear Amaryllis,
I'm very sorry that, because of my job, you are taking on a responsibility that is perhaps too great, and that puts you at risk.
It's all because of the greed of my former professor, a mouse who is incapable of recognizing that beauty should be shared. My dear sister, I have thought about it for a long time, and I have come to the conclusion that the best solution is to take the Treasure of Eternal Love from Verona, where it is not safe... and put you at risk. I am sending you a copy of one of the photos I hold the most dear, in memory of the love that binds us. I hope it will help you make the best decision...
Yours, Aurora
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Dear Amaryllis,
You wrote me that you are making a decision about the treasure. I agree that the mouse you're planning to entrust it to is worthy of that trust, and I will wait for more news. But you must be careful, even when you write to me, to not mention names or places. We need to watch out, because my former professor is more alert than ever.
It seems that he's building an underground shelter for his riches, designed as a kind of maze to test anyone who manages to enter it...
Professor Jan is clever, and he's always loved riddles, puzzles, and mysteries. I wouldn't wish for any mouse to find themselves in his maze!
Now I must say good-bye, my dear. Sending a big hug.
Yours, Aurora
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Once the girls land in Anchorage, Alaska, they rent an SUV, pull out Google Maps, read some of the brochures Ren printed out for them just in case, fangirl over a moose (Nicky that's not something to fangirl about have you seen what they're capable of--), and accidental secret tunnel discovery?
Well, accidental secret garbage chute discovery, anyway, since the one thing that allows the girls to not break their ankles when landing is some garbage bags. Food waste garbage bags no less :D Ew :D
Some old aircraft bits are found too which is nice but it's never elaborated on whose old aircraft bits those were so we're moving on to the girls entering Luke's secret headquarters and Nicky trying not to die from claustrophobia :D
CCTVs pose an initial problem, but Ren's flash drive comes in clutch and allows Paulina to freeze the cameras so they can go in undetected (Ren how do you know how to program that is there something you wanna share to the class--). One lengthy labyrinth later, the girls manage to get out of the "we're walking in circles" loop-dee-loop they wound up in and find this little room with a little lit fire pit and an ominous riddle involving the "elements of nature". Pam has the idea of extinguishing the fire pit, and sure enough, inside the fire pit is a key that fits perfectly into the door across the room.
And right after Pam turns the lock on the door, a trapdoor opens up beneath her and she falls into the pit below. It's padded, it's kinda cozy, but it's way too deep for the girls to reach Pam from above without a rope or attempting to risk falling in and getting trapped as well. The girls are very reluctant to leave Pam, but Pam unfortunately only metaphorically slaps some sense into the girls and tells them to go on because they've gone too far to back out now so COMMIT TO THE BIT GODDAMMIT
(you guys like the rhyme-y bits? They're kinda fun to write I do like the rhyme-y bits a bit <:])
And thus the girls minus Pam go through the door to the next room, where there's this swimming pool with a key inside it, which Nicky swims down for, assuming that the trap in the room will only activate once they get the key into the door leading to the next room. Obviously she winds up being very incorrect, as the moment she takes the key from the bottom of the pool, the water starts to drain away until all you got left is a sopping wet Nicky in an empty pool and the key to the next room, which Nicky tosses over to Paulina while asking for her shoes and her dry clothes that they packed. Colette is devastated, devastated I tell you at the idea of leaving Nicky behind, on top of having to leave Pam behind, but Nicky's got faith that the girls will pull through and come back for her; so Colette, Paulina and Violet move on to the next room.
A LOT of walking down a twisting hallway later, the trio make it to the next room (which they use Nicky's key for), and we got four pots with something or other in them, lighting too dim to discern properly what's in the pots, a button sequence puzzle with no margin for error, and a wack riddle. Oh and Paulina's tablet's finally died after possibly uh, 18-ish hours of not charging it. RIP Paulina's tablet, that's gonna be set aside in the corner for the time being.
The pots turn out to have different types of sediment in them, and the wack riddle turns out to be the clue to the correct sequence to input, so the three figure that out fairly quickly and slide down the chute leading to the next room. Except for Paulina, who had to get her tablet from that corner she set it aside in, and wasn't able to make it to the trapdoor-chute in time before it closed on her face, leaving her trapped "forever", as the wack riddle states. The one time you're told to stop holding it, man, unbelievable. I'm never letting go of my tablet again /j
Now Vi and Colette find themselves in an empty room, and they only realize when they get down that Paulina wasn't able to make it out in time. Now this entire time, Colette has been going through it. Of the girls, Colette's been taking the whole leaving-my-friends-behind-for-the-greater-good thing not well at all, and it culminates in an emotional breakdown. Violet comforts her and reassures her that they'll get the ring, they'll pick up the other girls and they'll get outa here soon, but they gotta be brave now for the other girls. (Kinda hard to capture in short and sweet words what the emotion of the scene was but oh well). After a bit of calming down, Colette and Violet look around to find themselves in a... surprisingly simple room? There's a door on the other side of the room from them, and besides that there's literally nothing but thin air.
The two go to the door and move to open it. Yeah this one's surprisingly simple. Just walk on over, pull the door open, walk o-- a gust of wind slammed the door shut . .
Yeah that's right. You ever leave a window in your room open on a windy day and leave your door also open, and the wind going into the room slams the door shut? Yeah, it's that multiplied by uhhhh how much is a vent opposite the door opening up just to blow f%#ken WIMDY-level winds just to slam that metal door shut? However that much multiplies that. The two find themselves in a situation where had all five of them been there to do this puzzle, it would've been far easier; but it is doable with only two people. The plan is one of them wedges themself between the door and the frame and prop it open, while the other crawls under the first person's leg. Transitioning to the second person propping the door open for the first person is gonna be a bit dodgy, but it is doable kinda.
Now Colette has been going through the ringer emotionally, and if you've seen this trope before, you'd know that it'd be a real damn shame if they lost their emotional pillar and had to carry the entire plan on their own, riiiiggghhttt? She's been the handling this situation the worst (emotionally), and it would bring her a belly of the beast to trump all bellies of all beasts and force her to do a The Next Right Thing (hot take: Anna's arc in Frozen 2 was really good), presumably after a lot of sobbing in the corner! It's perfect for angst, and it's perfect for empowerment to see Colette pick herself up and be strong for the girls and save the day!
Which is why Colette doesn't end up being the last one standing :D
Colette was the one who propped the door open for Violet, who crawled through to the other side. The plan was to have Vi switch with Colette so Colette can get through, but one thing they didn't take into account was the fact that the vent would slowly create stronger and stronger winds the longer the door is held open for, so Colette winds up allowing herself to be trapped in the air room so Violet can do the thing. (Oh and the plan was Colette's idea too.)
Heeyyyy Viiiiiiii~ Do you have some cash left over in your wallet? Because I think it's time for you to put your money where your mouth is :DDD
So yeah Violet continues on alone.
Also if you're wondering where Luke is this entire time, he is in fact in his base, still not touching grass and none the wiser about the whole five lil' rat girls sneaking into his base because of the whole frozen cams situation. He does technically notice something's off, but he thinks that the clock in one of the cameras is broken and he ends up complaining about it to Cassidy, haha L. It is also at this point where we learn that the girls have been in Luke's base for a little over three hours at this point :D
Meanwhile, Violet goes down the narrow metal staircase in the hallway outside of the last room and finds herself reminding herself to stay calm but also inside Luke's treasure room, where treasures of all shapes and sizes reside. From whole dinosaur skeletons to ancient Egyptian statues to paintings to suits of armor and-- holy shnit Luke has the Ark of the Covenant in there too o o yeah this guy means business holy crap--
The Ring of Eternal Love is in there too, the lone treasure in the set of seven empty pedestals that Luke was prolly intending for the Seven Treasures of the World. So Vi, clearly not having watched Indiana Jones Raiders of the Lost Ark, attempts to lift the glass case protecting the ring, which sets off the alarms in the treasure rooms, and whoa holy crap there's a robot voice speaking through the alarms? WAIT WHAT DO YOU MEAN FIFTEEN MINUTES TO SELF-DESTRUCTION
Luke, having the shock of his life, comes down to the treasure room to see what's up, and of course it's one of the five brats who's been getting in the way of his endeavors. Hardly a surprise, really, those five have been a pain in the ass from minute one of Luke looking into the Seven Treasures-- from stopping him getting the Alabaster Garden (he didn't even get to see what it was smh), to duping him with the most audacious of gottems to exist only partially due to his goon's stupidity, and now sneaking into the heart of his base without him, his cameras, or his sensors noticing. Strange how there's only one of them, though.
Just like Aurora Beatrix Lane almost a hundred years prior, this young lady is naive, morally stubborn, and idealistic. She is preaching out about sharing these treasures to all, even when the worth of these treasures comes partly in the luxury of not everyone being able to enjoy them. There is value in that sense of rarity, and it's not like any of the uncaring, ignorant whelps working in the museums look at the pieces that sit before them and realize the true value that they have the privilege of looking at everyday. They wouldn't care about them-- they would do the bare minimum to these unique masterpieces and leave it at that. And this naive brat thinks that they are more loving, more caring to these pieces than Luke is?
But as naive and morally pretentious and... ignorant of time and place this woman is (did she really not hear the self-destruct alarm and is thus willing to babble to her grave?)... she is clearly very intelligent. She was able to affect the base's security system such that she could come in undetected. She was able to get past all four traps without getting trapped herself. It is strange how she is alone here, though. She is usually with four other girls-- ah, that's it. They got trapped, and she left them, so she could get to the treasures on her own. What a show of common sense, that is! She must've seen that the traps were designed such that risking oneself to rescue a trapped person is just not worth it, and that first point already makes her far more intelligent than Cassidy or her buffoons could ever be. It could even be on-par with Luke himself. What if... perhaps....
What if they worked together?
Luke, after a bit of back and forth with Violet, gives Violet an offer to ditch her friends and become his partner. If she accepts they can divide everything between each other in the vault, and together, they'll be able to uncover the treasures of the world and enjoy them all to themselves.
I mean of course Vi turns down the offer in favor of sticking with her friends but y'know what it was worth a shot, Luke, kudos to you for spotting a gemstone instead of covering it with mud and pretending it's not there.
Heavily disappointed by Vi turning him down for the sake of "the power of friendship" (I wish I was kidding)(Scholastic!Vi's (?) words not mine)(I would be incredibly disappointed too), he turns to leave her in the treasure room, and it's only then that Vi realizes she kinda effed up. Luke is the only guy here who knows the base inside-out, and thus would know a way to get the girls out so they can Not Die. And to add insult to injury, Luke made a bomb shelter out of his treasure room, so the entire base may explode and the girls might die, but the treasures are gonna be completely fine. Intact, even. Luke leaves, and the robot voice announces ten minutes before self-destruction.
As soon as she's able to, Vi calls the elevator, juggling anxiety and being able to think under pressure. She figures out that Luke oh so helpfully uses pictograms for his elevator buttons instead of numbers, and presses the button for the control room (the heliport floor is locked by a key). She arrives in the control room, eight minutes before self-destruction.
Just as Vi enters the control room, the cameras get kicked back into action, oh so conveniently showing to Violet a timer ticking down to the big kaboom in real time, and footage of Nicky waiting anxiously in the pool room (and Luke leaving), for extra stakes. One Perception check said "yeah, this is a LOT of buttons, TOO MANY BUTTONS", and the tablet sitting on the desk required a password, so oh god what do
Six minutes before self-destruction and one panic attack later, Vi manages to psyche herself up enough to roll for Investigation. She finds a button for disarming the traps, and that allows the girls to get outa the traps and meet up again in the treasure room. Happy reunions aside tho, four minutes to self-destruction
Turns out the girls (thankfully) didn't know about the self-destruct situation. No need to explain tho because Vi is deadlifting the group braincell like she's never done before. She drags them down to the base's... basement, where a train that was probably used to carry the treasures into the base sits unused and ready for the girls to figure out how to work. Three minutes before self-destruction, no pressure :D
Pam sits at the train's controls, Paulina tries to help but immediately brain crashes at the old-timey controls, thus deciding she'd rather help Nicky get the bars off the rails up ahead. Two minutes left, and Pam figures it out and is ready to-- wait they need electricity-- okay cool Nicky and Paulina are taking care of that, cool
Pam gets the train to start up, Nicky and Paulina manage to hop back into the train, and escape the base's explosion range with about ten seconds to spare :D
After stopping the train in a spot where their braincells could afford to deflate, the girls take a minute or two to breathe y'know, just take a minute to breathe, nibble on some wild raspberries growing in Denali National Park, before figuring out what the hell their next move is.
Vi suggests they tell the authorities about the whole secret-base-under-the-park situation and the treasure room and the stuff inside it (since Luke oh so foolishly gloated to Vi about the treasures being perfectly safe), on top of removing the train so it's not getting up in nature's business. They head back to the car talking about their adventure, get a bit sad that they weren't able to find the Ring of Eternal Love-- and oop just kidding, Vi pocketed it in the treasure room right after Luke dipped :D
So on top of the girls escaping with their lives, not only is Luke gonna lose the Ring of Eternal Love as quickly as he got it, he's also losing his entire treasure vault. Can I get a ripperooni
And that's Legend of the Maze :D
I would say that the hyperfixation-that-consumed-these-girls'-lives-for-a-whole-week energy is very strong in this one in the best way, and the girls' personalities are at their most showcased here. The banter is bantering, the girls' dynamics with each other is very believable here, Vi is carrying the group's braincell the entire time and she looks like she's a bit tired from carrying it but y'know wut she's still willing to carry it because it's honest work and she knows how important it is to have it :3 also her trying to kill Colette's "Romeo and Juliet are so romantic" Santa but failing miserably because Colette unashamedly likes believing in the power of love is hilarious
The main thing I wasn't sure about was.... all the infodumpy bits? The infodump goes a significant bit harder in this book than the previous ones (even more than Compass of the Stars, which is an achievement), and it's Scholastic-style infodumping, so you get the girls calling Luke an "evil mouse" or "selfish mouse" and I'm sitting here like "just call him sewer rat please ya'll had no problems calling him that before please for the love of god use that instead it sounds better--"
Don't even get me started with Amrita Bianchi explaining to the girls what cosplay is like she's the damn Merriam Webster dictionary--
Also the Japan segment with y'know Japanese culture and stuff had the terms localized for some reason??? Like haori became "dark jacket", kimono became "long, elegant Japanese dress", they didn't even mention Ren's hakama (he was wearing a very traditional Japanese look), they felt the need to explain bento boxes as "typical Japanese portable lunch boxes" even though "Japanese lunch box" probably would've gotten the point across just fine and also there was an illustration of the bento boxes, Japanese characters became "logograms" for some reason, and dango became "rice dumplings" which became infinitely more confusing for me because the illustration made it look like takoyaki--
I could go on and on but yeah, there are a lot of these and it felt very infodump-y to me. I'm hoping it's just a translation thing, because the story overall feels pretty solid. Scholastic, what happened to the asterisks? Were they just too much for one page? I feel like you would've been able to squeeze them in just fine to make the reading experience a little smoother,,, just like, so it's an optional thing for the reader to read the mini-infodump of the term if they dunno what it means,,,
Other than that tho I don't think I have much to complain ab--
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COUGHS GAGS SCREAMS CRIES WRITHES ON THE FLOOR
(I have the magic-of-friendship-invocation tolerance of an angsty teen I'm sorry :'3)
Scholastic, buddy chum pal buddy chum buddy chum pal,,,,
You could've had Vi say "the only way I got here was thanks to my friends", and it would've been fine and infinitely better-sounding and probably more in-character,,, o<-<
Gahd I hate it when Vi's used as the power of friendship prophet -m-
There's a more minor one as the girls are going back to the car and Vi is telling the girls about the deal Luke offered her, and the girls ask her what she said, and she says "I told him I already had the greatest treasure in the world... true friendship!"
Meanwhile I'm sitting there like "MMMMMGGGGGGHHHHHH 'friends like you' or 'sisters like you' or 'my friendship with you' would've sounded better -m-"
(Also the girls call each other like "friends", so like "you were in fact right, friends", which is like, what happened to "sisters" or "girls" those work perfectly fine and get the girls' close relationship across significantly better than "just friends")
Most of what I'm saying here tho are just nitpicks and probably (hopefully) are just stuff with the English translation-- in all seriousness, the book is pretty good.
Aurora's trail here makes sense and is rather logical, and the interesting thing I find about it is that it feels different from the previous two books' worth of shenanigans. Aurora in this one had far less veers and nation hopping shenanigans, and I feel that it was perhaps intentional. Perhaps to give off finale vibes-- Aurora works far more closely with her sister in this one, and the main thing the girls had to work with was not Aurora's diaries, but the letter she wrote to Linda when they were discussing the Ring of Eternal Love. Something about it feels closer, more intimate, more tragic than the previous ones. I felt the need to put her last to letters in the book verbatim because they were emotional dammit -m- Damn you British Amelia Earhart you've done it again /lhj
Luke's character I think is the strongest here. He gives off in a way the most... normal? Vibes here? He's still not touching grass and muttering to himself ominously a whole lot, but his mindset is nice and easy to wrap your head around here. He literally doesn't care about his goons unless he needs something from them, he is more than happy to overanalyze the crap out of a piece of text if he feels Cassidy didn't look through it thoroughly enough, and he wants what he wants right away, and that includes the things he needs to get the thing he actually wants. He as a character literally observes everything happen from his base in Alaska and backseat gamers the crap out of his goons if he sees something they didn't, or if they fumbled the bag and it was perfectly avoidable had it not been for SM being SM--
Also his blatant disrespect for his great-grandpappy Jan is holy crap haha-- it might just be my cultural background, but when I saw Luke call his great-grandpa "Jan" and then say "you disappoint me, Jan", I was flabbergasted haha, not a criticism I just wanted to mention it because I thought it was funny
I really like the fact that Stan and Max (aka SM) didn't show up at all in this book. It would've been easy to have them show up for regularly scheduled hijinks, but in Luke's mind, none of SM's operations have ever been... up to Luke's standards. Especially with how much of a ruckus they tended to make with their presence, they were more of a liability to Luke than an asset; therefore Luke changing up his strategy to be as hands-off and clean and non-intrusive as possible feels like something he'd do, what with how laser-focused he is on min-maxing efficiency to get what he wants as soon as possible.
Omar still being there despite being "fired" might just be a Scholastic oopsie so I can forgive it, Cassidy is still simping for Luke and trying to impress this man and trying to prove she's at an equal level to him, but every time nah. Just nah. Girlie you think you're on the same level as him, which can't possibly be further than the truth. I haven't seen Miraculous Ladybug, but I'd bet Cassidy has even less of a chance of impressing Luke, than Marinette had a chance at getting Adrien to see her as more than "just a friend" before they finally got together.
Now here's something I've been wanting to ramble about for a while: Violet being left alone instead of Colette. It's actually pretty clever when you think about it: Colette is the closest the girls have to a heart (tho she plays hot potato with Paulina when it comes to that role imo), so she's been the most emotional and the most sentimental of the group this entire time. From daydreaming about Romeo, to wanting to believe in love, to happily picking up a microphone to sing karaoke with the girls, to her strong reactions to having to leave the girls behind one by one for the sake of their mission, Colette was being set up for a moment where she is the one who is left alone. You see it a lot in media: the main character is the most sentimental one and as their friend squad make their way to the Big Bad Evil Guy, the supporting characters are forced to get left behind one by one to either hold the evil minions back or because there's no way for the character to move forward with the MC; so the MC is forced to go through the five stages of grief knowing that their friends trust them to get the job they'd set out to do done. It literally happened in Geronimo's third Kingdom of Fantasy book Amazing Voyage, and in that one Geronimo was the one who desperately didn't want to be alone, but he wound up carrying on alone anyway. You see this kinda thing everywhere.
However, in this bit, it makes total sense that Violet is the one who ends up carrying the last leg of the journey alone instead of Colette. Compared to Colette (and honestly the rest of the girls), Violet is the most level-headed. She's the girls' braincell keeper (in this trilogy), the babysitter holding the leash tied to the four gremlins, the one keeping everyone on track and also making sure that the group's collective ADHD doesn't spiral down as badly as it could possibly be. Whenever the girls make a big move that could affect the whole group, Vi is the one asking if it's a good idea or if it's worth doing, and she's the one thinking ahead enough to say "if x happens instead of y, what then?" You get the idea-- Vi is the most capable of keeping herself level-headed even when she's under all this pressure, and she's good at analyzing and planning on account of her often taking the position of the quiet observer.
With this context, it sort've makes you wonder what was going through Colette's head when she offered to help Violet get out of the air room. Violet and Colette in particular get paired together fairly often, and it's probably because of how well they're able to understand each other-- so with the plan, was Colette volunteering herself to prop the door open out of "it was my idea" courtesy, or was she thinking that maybe Violet would be able to figure things out better and thus needed to get to the other side? She probably was expecting to get to the other side with Vi, but would she have thought far enough ahead to a what-if where that wasn't possible? :3c
And Scholastic and power-of-friendship funkiness aside, Violet did handle the situation well, all things considered. The one bit where she only realized Luke was hers and the girls' only ticket out of there was a bit weird, but it can be chalked up to her not being able to take that into account in the moment because of a mix of stress, sheer bafflement from Luke's deal, and the fact that when put on the spot, observers don't exactly handle taking the driver's seat that well :'D (speaking as an observer myself here)
It makes me wonder a bit if Violet and Luke were meant to be foils of each other, what with how similar they are to each other (both of them being observers and planners who delegate more often than they do the work themselves), yet different enough that the contrast between the two is striking. Said difference being
Violet touches grass. Luke does not :)
Anyway so yeah, that's Treasure Seekers 3, and while it is kinda sad that this is where Treasure Seekers ends, y'know what? It gave a solid show as the last installment in the trilogy. I liked it, I liked the canon compliant blorbo angst, I liked the characters character-ing when the dialogue was letting them breathe :]
And of course, we can't forget
God's sleepiest soldier <3
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She deserves that nap after what she went through and you know it--
#geronimo stilton#thea stilton#thea sisters#violet conked out the moment she got into the suv and the girls drove off to plan stuff out. change my mind /j#there's a bit where nicky fangirls upon seeing a moose like she suddenly turned ten and like#she inched closer to the window to see it better but violet was like “hey you're squishing me”#and nicky was like “sorry vi.. i got a bit excited.... y'know how much i love nature”#and vi in this moment where she gave straight-up the most mom vibes#was like “here let's swap seats"#like UEUEUEUEUWAAAAA....#also like remember the bit where colette wound up lugging a big-ass bag around with her while the girls had smoller backpacks#well surprisingly it backfired but not in the way you'd think#the rest of the girls were basically stuck wearing the same clothes the entire time#meanwhile colette was happily not having to deal with wearing clothes that weren't accumulating sweat from having to walk around#if not y'know because of japan's heat#i wrote this while i was sleep deprived so maybe i missed more than a few things in this review that i wanted to say because forgor#maybe i'll end up editing stuff in here a bit after like#i'm more awake#but yeah <3#if the infodumpy bits and dialogue quirks are the same in italian i will cry /hj#*psst hey angst lovers wait for my next post i got something for you*#wait for like#when i wake up and hopefully actually get to sleep tonight lmao#before i go consider#alternate scenarios where any of the other girls end up in that same situation with luke#i'll leave those ingredients on the counter. take them and use them however you wish :3#book rambles#book rant#book review#rambles
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