Attribution: Sir Alfred Munnings (United Kingdom, 1878-1959). First image is A Pit Bull named Weller, c. 1913, oil on canvas. Second image is Pekingese, 1909, oil on wood, 12 7/8 x 16 in, collection of Philadelphia Museum of Art @philamuseum .

Weller was a white bull-terrier owned by Munnings' friend, the artist Geoffrey Garnier. y Munnings to Garnier as a mark of their friendship. The Pekingese belonged to Lady Munnings and was seated in one of Munning's armchairs. I appreciate Munnings' affectionate portrayal of dogs.

#repost @samdoesarttoo Sam Belisle (Boston, Massachusetts, USA, b. Ohio, USA). On the Run, 2011, charcoal and spray paint on paper, 22''x28''

#repost @petopaj Peter Larsen (Copenhagen, Denmark, 1984-). First image is Uden Titel XVII, 2023, reduction woodcut on 220 g. paper, 39 x 53,4 cm, edition of 7. Second image is Uden Titel VI, 2023, reduction woodcut on 220 g. paper, 39 x 53,4 cm, edition of 8. Third image is Cat of Many Eyes, 2023, ceramic stoneware, 30 x 27 x 17 cm. I appreciate Larsen's frequent portrayals of canine and feline subjects. Thanks to @limitedworks for the tip.

#repost @nakamuraippan Nakamura Ippan 中村一般 (Tokyo, Japan, 1995-). I am a fan of te canine representation in this artist's work.

Attribution: Bruno Liljefors (Sweden, 1860-1939). First image is Hounds and Fox, 1886. Second image is Sleeping Jeppe, 1886. Thanks to @nationalmuseumswe via @carl_johan_olsson for the tip.

#repost @johnmacconnell John MacConnell (New York City, USA). I am a fan of MacConnell's dog portraits.

#repost @jessedayan Jesse Dayan  (Melbourne, Australia).  I appreciate this feline representation.

From Jenny and the Cat Club, written and illustrated by Esther Averill. 1958.

#repost @nataly_owl Natalia Shaloshvili (London, United Kingdom, b. Ukraine). I am a fan of the canine and feline representation in the work of this illustrator of children's books.

Attribution: Manner of Jacques-Barthélemy Delamarre (France, 18th cent.), Poodle on a Writing Desk, oil on canvas, late 18th century. Thanks to @ahistoryofdogs via @siddharthavshah for the tip. This recently sold via @sothebys.

#repost @monsieurdavison Christopher Davison (San Francisco, California, USA). Fire Thief, 2022, pencil and ink on paper, 11 x 8 1/2 in, 27.9 x 21.6 cm. I appreciate this feline representation. Thanks to @mepaintsme for the tip.

Attribution: Włodzimierz Terechowicz (Poland, 1933-2021). There is occasional animal representation in the work of this graphic designer and illustrator. Thanks to @naokladke for the tip

#repost @carolegibbonsartist Carole Gibbons (Glasgow, Scotland, 1935-). Self portrait with muse, 1990-1994, oil on canvas, 55 7/8 x 55 7/8 in. Courtesy of the artist and @halesgallery Hales Gallery, London and New York. Photo by Matthew Barnes. Thanks to @white_columns for the tip. I appreciate the feline representation.

#repost @antoinemaillard @antoinemaillardcomics Antoine Maillard (France, 1989-). Interpretation of Tony Montana in Scarface, with tiger, via @laseptiemeobsession.

#repost @gwen_de_bonneval Gwen de Bonneval (France, 1973-). Humeur de chien.

#repost @peacheeblue Peach Tao (Brooklyn, New York City, b. Beijing, China). I am a fan of the work of this street muralist, whose work contains done feline inspiration. Thanks to @winslowworld for the tip.

#repost @raqibshawstudio Raqib Shaw (London, United Kingdom, b. India, 1974-). Canines (and some felines) are included in the rich imagery in Shane's work as seen in the exhibit at the @gardnermuseum Isabella Stewart Gardner Museum (Boston, Massachusetts, USA). First and second images are Agony in the Garden (After Tintoretto) Il, 2020-22, acrylic liner and enamel on aluminum, collection of John and Amy Phelan. Third and fourth images are from Self Portrait in the Study at Peckham (A reverie after Antonello da Messina's Saint Jerome), 2013-15, acrylic liner, glitter, enamel, and rhinestones on birch wood, collection of Milly and Arne Glimcher, courtesy of Pace Gallery. Fifth and sixth images are The Adoration (After Jan Gossaert), 2015-16, acrylic limer and emamel on birch wood, private collection. Seventh image is The Retrospective, 2002-22, acrylic liner, enamel, and rhinestones on aluminum, Raqib Shaw private collection. Eighth image is Self Portrait in the Study at Peckham (After Vincenzo Catena) Kashmir Version, 2015-16, acrylic liner and enamel on birch wood, private collection. Last image is a photograph of the artist with his dog Mr. C.