oh my fucking god they did a titanic reference

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

"already it's only been ou-" YES ALREADY I NEED NEW WALLACE CONTENT ASAP.

I return to Tumblr after a deep slumber just to post this shit you're welcome

"See you tomorrow"

MDZS Disco Elysium AU part 4 [prev parts]

miscellaneous danyal al ghul things

specifically about the danyal al ghul from my post/prompt here and i wanna get my misc. headcanons/thoughts on him (especially in his early stay with the fentons) out here before i make any other danyal al ghul aus

list under the cut because whoops this got longer than i expected. which really i should have expected

the Fentons are unaffiliated with the League, which was perfect for Danny faking his death.

he struggles with empathy. Empathy was not taught nor encouraged while he was with the League, so it's a skill that's been pretty stunted. At 15 he's better at empathizing with people, but he still struggles with it. He's pretty bad at reassuring/comforting people and usually acts as an emotional rubber duck for Sam and Tucker to vent to if need be. He sometimes offers blunt and sometimes mean opinions, especially if its about another person.

Sam and Tucker do not know he's an ex-assassin, they are however, pretty positive that he used to be part of an eco-fascist cult with a focus on martial arts?? They've been helping him tone down some of his more,,, extreme views on humanity ever since they caught wind of his more extreme ideologies.

He and Sam are still avid environmentalists and feed into each other quite a bit. They spend plenty of time at protests and pestering the school into more eco-friendly options.

Dash is not dead on the sole fact that Danny knew he had to lay low in Amity Park and killing someone was not, in fact, 'laying low'.

he did, however, traumatize him when Dash first tried to bully him. Safe to say, Danny is not bullied at school and neither are Sam and Tucker.

Danny didn't make any friends in his first year at Amity Park. He was surly, grumpy, standoffish, more stubborn than Sam, and pretty self-important about himself. Jazz was trying to teach him against these things, but she is a 12 year old unaffiliated with the League. Danny did not respect her nor listen to a word she said. It wasn't until like, year two that he finally started paying to mind what she was saying and slowly started to improve on himself

Sam approached him first, he rebuffed her quite harshly, and then Danny approached her sometime afterward when he overheard her talking about environmental rights. Sam completely ignored him though when he agreed with her, and Danny had to later learn that he needed to apologize for being rude to her when they first met. He did so eventually, and they started to talk more with Tucker and Sam.

Danny's a bit more reserved than he is in canon, although he steadily learns how to act as a regular teenager when he's out in public. He's a bit more friendlier at least, although when he's around Sam and Tucker he drops the act. He still has a somewhat formal way of talking, it's just become more casual after a lot of ribbing from Sam and Tucker. When he's angry or annoyed he starts talking poshly though.

His humor is relatively the same as in canon, if somehow dryer and more insulting at some points

Those rare moments where he gets really pissed usually ends up with him insulting someone in arabic or any of the other languages he picked up from the league. He is the go-to for Tucker's Spanish homework. (Tucker makes that mistake and learns that Danny is a very strict teacher)

while Danny doesn't view the Fentons as his parents, even five years after living with them, he does respect them to some amount. He respects them enough at least that when Vlad Masters comes sniffing around, he is suitably offended on both Maddie and Jack's behalf. And when he finds out Vlad was the one who tried to kill Jack and tried to tell him to renounce him as his father/parental guardian, danny threw a suitably sharp object at him and insulted him quite horrendously

Vlad still wants him as his kid. In fact perhaps even moreso after this.

Danny trains with Maddie to keep up with his training. It's not quite the same but it prevents him from getting completely rusty

Sam and Tucker know that Danny has a little brother, but nothing else beyond that other than Danny cares about him quite a lot and that he got his facial scar from keeping him safe.

Danny cares about Sam, Tucker, and Jazz quite a bit, but he struggles to convey it. Especially early on when he realized he cared about them and like instinct started being harsher to them and more critical of their actions. This resulted in quite a few arguments with Sam and Tucker and Jazz until he got sat down and told outright that the way he was treating them wasn't okay. It's a process he's still trying to unlearn even at 15. He has become kinder towards them as a result, and has begun looking for what they did right rather than what they did wrong.

He harbors a lot of guilt over how he treated Damian in the League, and its a pretty big conflict he has with himself since he's torn between telling himself it was for the best to make sure Damian survived the League, and feeling like crap over how harsh/critical of Damian he was and realizing that he probably could have come up with a better way of training him despite being a child himself at the time. Danny comes to the realization that more than anything, that he just wants to apologize.

His ghost form, specifically is outfit, is a combination of his hazmat suit and his uniform from the league, and he carries a sword with him. He also doesn't know how to react to Dani, honestly. Although it is fair to say that he figures out she's a clone instantly because of her whole 'I'm your third cousin once removed' thing and he freaks out. She spills the beans pretty quickly after that. And Danny is pretty skittish around her - or the equivalent of skittish. Her being younger than him kinda reminds him of Damian, so he's uncomfortable by her presence but learns to warm up to her.

full scene where nine loses his hair <3

MORE THAN ANYTHING - REPRISE ↳ from Hazbin Hotel Season One (2024): 1x08 - "The Show Must Go On"

"you think you had to ask?" "just making sure."

IDK if you've ever said anything about it, but in the Lights Out AU, what was Wally's first reaction on realizing that Frank was alive and he wasn't alone anymore? I imagine it was...quite emotional

i Haven't talked about their Initial Reunion yet, no! but yes, it was very emotional! there were certainly many emotions!

namely: fear, confusion, shock, and nearly killing your friend with an oversized baseball bat <3

I love you I will always love you. But the way you're hurting yourself is scary scary. I don't know what to do with it. You're lying to me, you're hiding important, dangerous things from me. Because you don't want to stop. You don't want me to leave you, and I never will, but you're going to leave me. You believe it's the only way for you to be useful. I can't make you change your mind. I'm going to lose you. I love you.

part 01 - part 02

part 01 - part 02

I just love how teenager-y they all are in this season, especially Wille and Simon. Yes, they are bitchy and secretive and impulsive about their feelings but that's such a realistic depiction of teenagers because teenagers sometimes mess up in the wildest ways and IT'S SO REAL.

Like Simon hitting Wille with a ball

Cynthia’s coming out scene was so heart wrenching, and so beautiful.

First and foremost, I love that it was done non-verbally. As a neurodivergent viewer who sees how neurodivergent Cynthia is, it made the scene that much more impactful. That she was feeling so many things and thinking so many things that all there was to do was shut down. I felt every emotion with her and Ari did an absolutely incredible job portraying those feelings. Not even to mention how Nancy did not assume Cynthia was ignoring her or being rude for a second and completely understood what Cynthia wanted to say.

When Nancy asks what’s wrong, Cynthia says she doesn’t want to talk about it. Nancy, being Nancy, keeps pushing, and starts asking more specific questions. When Nancy mentions Cynthia’s mom, that’s the moment she truly shuts down— which leads to a whole other concept— but easily establishes that Nancy and Cynthia have a trust that has been built that we the audience, haven’t seen.

Nancy tells Cynthia “You can tell me anything” and we can immediately see Cynthia’s thoughts, “not this.” as she shakes her head with so much pain and fear. She wants to trust Nancy so badly, but she’s not allowed to. Nancy assumes “You don’t want to talk about it” and Cynthia shakes her head, but Nancy knows this isn’t a no, she knows “You can’t talk about it.” Which hurts Cynthia even more because Nancy knows her so well but she’s so afraid of admitting to this part of her.

And then Nancy suggests writing instead of talking. Once again, from a neurodivergent standpoint, this was so important to me. But watching as Cynthia slides the paper to Nancy, but not loosening her grip in a desperate attempt to cherish these moments before her best friend turns on her and she loses the last thing she has. But Nancy reads it. The silence is long, the pencil scratching on the paper is taunting Cynthia. And Nancy slides it back. Cynthia doesn’t hesitate in reaching for it and with one glance, it finally all hits her.

The fear, the anger, the despair, the pain, the relief.

It’s so much to bear and suddenly, she doesn’t have to bear it alone. Because Someone accepts her. Someone has proved there is no circumstance in which Cynthia will ever go unloved by them. And in that moment, they are safe to feel it all.

the reveal that Laios learned to see ghosts and why he kept quiet for so long...

oh, you mean like. what you saw happening to Falin throughout her whole childhood? Even though you stuck to her side and encouraged her into not hating her own powers? Even though you accepted her relationship with ghosts as benign and trusts her to give you their message?

(and no, there's NO dunking on Laios here... he saw this happening in his village and he hated it. but still,) well well if it isn't something he sees as worthy in his sister yet in him is just another one for the list of "offputting things people see in Laios"

sandray making out in ray's car. we knew this scene was coming on multiple levels but still. ouch on multiple levels

says the man that is about to give the puppy dog eyes of all time. of All Time

sandray are so tough to watch right now because the reason they're wholesome is that they're properly guarded against each other. ray, though he's clearly catching feelings for sand, is in love with someone else, which is very fortifying. sand is testing his own boundaries and being honest with himself about what's working and what isn't. he pulls physically away from ray multiple times here. this scene also has him admitting that he's never had sex more than once with someone he wasn't seeing seriously. when ray asks "so do I have to be your boyfriend to get more?" and sand says "i'll never take someone like you as my boyfriend" and then ray says "can't you just make an exception for me?" neither of them are saying what their words are (of trailer playing us again!!)

ray is not really offering, not in any meaningful way; sand is not declining as much as he is protecting himself. multiple times in this episode sand has indicated that he might be open to something serious with ray and ray has playfully offered something serious in a meaningfully disingenuous way, specifically to ward off the real conversation, and sand has performed brushing him off, to make it clear that he understands what's actually being offered and not offered. it's so twisted because all their surprisingly healthy communication is happening at a level where their words mean almost perfectly the opposite of what their words Actually Mean. it's only healthy because they both understand the nuance here. dangerous fuckin game boys

then mew calls. I've already seen some discourse about this so here comes my addition: yeah it's a good move to prioritize getting your drunk friend to a safe place. ray is doing a good thing here and he's also doing nothing wrong, even if he weren't. as aforementioned in the healthy communication bit; as sand will say shortly; he's made no promises and is well within his rights to do what he pleases, whether or not that comes at the expense of sand's feelings.

yes, and: I think this shot summarizes really well the emotional heart of this. sand is not offended by ray picking up the call. he's feeling some physical feelings, obviously, about the interruption. but it's only when ray physically shrugs off his arm that he does the kicked puppy face. we see it again when he sighs and swallows his feelings until he hears ray say "sure, where are you? i'm coming" without any acknowledgement, implicit or otherwise, of what ray will be leaving to do so.

there's a perfectly valid scenario here where ray is interrupted in the middle of fun sexy times by the deeper bonds of friendship and goes honorably to attend to those priorities. but that's not what this is, or not the whole of it. he's not just picking mew's safety over sand in this moment; he's actively pushing sand away in favor of attending to mew, before he even knows what the call's about.

sand is duly hurt and we get to hurt along with him, /especially/ because he's going to take ownership of his own pain in a moment and reiterate his own responsibility. "I don't have the right to be upset with you," he says. and on some level, this is true. but it sure is easy to get why he's hurting

(all ofts watch throughs)