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tsukii0002 · 1 day

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My demons' periods cycles. By Mc

Note: these are purely my headcanons at the moment, they are based on animal ethology and behaviours that I think would suit each character depending on their personality and Lore. I would love to read your headcanon in case you have them.

Warning: Long text. Possible grammatical errors. It's written as if Mc was writing for themself.

Hey, it me Mc, the best human. Here is a compilation of the behaviours of my demons during their periods, cycles, for practical day to day use. It wasn't easy but I sat them down and got to talk to them, with a little effort I now know what they need. So now I am ready to assist them during these complicated times and be prepared in case I find a dead goat on the porch as a tribute.

Lucifer, Mammon & Levi || Satan, Asmo, & Beel || Belphie, Barbatos & Diavolo || Simeon & Raphael

Belphie

It could be said that he is the one that best keeps his schedule.

During his period he still sleeps a lot, the only difference is that he has short periods of high activity.

He can stand the light well. In fact, he will often ask you for a spell that simulates sunlight to sleep under.

During his cycle, most of Belphie's body is covered with soft fur, although some parts of his body such as the end of his tail or chest is a denser fur (perfect for sleeping) where spotted patterns can be seen.

His horns and ‘claws” harden and his pupils become horizontal (Little cow boy).

He sheds a lot of hair and his claws grow, but he is too lazy to groom himself. So wherever he is there will be fur everywhere.

To get him to groom himself, you will have to tell him that you will help. Sometimes, he strokes you simulating the action of brushing the fur (so I think that if he wasn't the avatar of sloth he would groom his companion).

Belphie does not build a nest as such, but rather a kind of fort with all kinds of blankets, pillows or stuffed animals, he steals them from his siblings to feel safe, although he won't admit it.

He usually does it in the attic to be quiet, although your room is also one of his favourite options.

Belphie becomes possessive and somewhat capricious, he won't be shy about asking you to spoil and pamper him. Lucifer says he is always like this but it has gotten worse since you offered to help.

Before his period, Belphie will go a couple of days without sleep, which makes him very irritable. Is this the equivalent of hormones?

During his period Belphie's appetite neither increases nor decreases, but he needs to change his diet to high-energy items because of his periods of activity.

He will want you to feed him but he will not feed you.

Belphie can talk, although slower than normal. He will communicate most things to you with puppy calf eyes. He knows how to use his weapons, sly cow.

He produces pheromones and marks everything with them, without you noticing.

This pheromones are not very strong but have a unique scent. He is a bully and sometimes goes around the house spreading them to annoy his siblings.

Belphie likes you to always be rubbing him, in any moment, always looking after him. He gets very touchy.

One thing he will do a lot is lick and bite you gently. Sometimes he expects you to lick him back, my tongue is not ready for that Belphie.

Belphie's courtship consists of little taps to get your attention and release a special kind of pheromones, if you stay close to him he will consider the courtship a success and proceed to groom you insistently (so he can do it >:v)

You can be a bit naughty and get up, just to give it back to him, but come back quickly or he will cry.

The sense that develops the most during hir cycle is his smell, mostly to detect the presence of other people nearby.

His temperature rises a lot, but he won't give up blankets and other warm things. Prepare ice packs for you, not for him.

Belphie's purr is not very loud, it's more of a chest vibration, he's super cute when he purrs, but don't feed his ego.

He doesn't mind everyone knowing he's on his period and will make it everyone's problem.

Mc: *worried* What's wrong?!

Belphie: Mc… Mccccccc!

Belphie: *stretching his arms out* I'm on my periodooo, cuddle me.

Mc: *stifling laughter* Why should I?

Belphie: Eeeeh? *pouting* I'm on my period and you're not going to spoil me? How cruel.

Mc: *cuddling up next to him* You're such a spoiled brat.

Belphie: *sleeping with hs shirt pulled up*

Belphie: *cuddling up against them* Yeah, yeah, whatever you say *smiling*.

Mc: *observing the spots on his fur* Humm *drawing the shapes of the spots with their finger*

Mc: Soft…

Belphie: *shrinking back*

Belphie: *balling himself up into a ball* It tickles..

Mc: *smiling* A cute little cow with a cute little coat~

Belphie: *blushing still in his sleep* Stop…

Belphie: *courting Mc*

Mc: *getting up to go get something, without noticing it*

Belphie: …*his eyes fill up with tears*

Mc: Belphie??!!!

Belphie: Do you still love me?

Mc: Of course I love you,

Belphie: Then don't ever do that again… *biting their arm*

Mc: Ouch

Diavolo

Get ready to go underground. Diavolo nests in a cavern. There is a large underground cavern under the palace for this precise purpose.

Diavolo can go through his entire cycle without sleeping, but likes to do it, curled up in his nest just for the fun of it.

He can tolerate light, but only if strictly necessary.

You can find out a lot about Diavolos' period because the cycles of the royal are well documented.

Diavolo's scales harden and although black, they glow golden in the light and the golden scales double in size.

His pupils tear he's such a big lizar. And ornamental patterns are spread all over the skin.

Diavolo's grooming is complex and laborious, at first he didn't want to, but now he is the one asking for your help.

The scales on the wings, body and tail moult almost every day and it is advisable to keep his skin moisturised. If it gets too dry its can crack.

He needs to sharpen its claws and teeth, usually against rock walls.

Diavolo nests in its cavern, always high up, never close to the ground (you won't be able to get out of it without help).

This nest is surrounded by all kinds of treasures did you think the riches of the kings of Devildom were in the palace? No, most of it is in the cavern, accumulated generation after generation.

Very territorial, during his period almost all the employees of the palace must leave him. Also his sense of protection is increased, he will not leave you alone, he will not.

Diavolo's pre-heat consists of very constant feverish moments. But it is easy to detect that the cycle is approaching because of Barbatos.

During his period his appetite and voracity increase, he needs to hunt often, animals and beasts, but also souls trying to escape from the Devildom among other things (he takes the opportunity to go hunting when you sleep).

He will try to feed you, mouth to mouth, but seeing that it don't work, he will switch to giving you small pieces.

Diavolo in his demonic form can generate fire, not only with his magic. Because of your reluctance to eat raw food he started to ‘cook’ it with this fire.

Can speak on very specific occasions, the rest of the time he is non-verbal. His growls are literally demonic, sometimes it scares you and it is very sad to see his expression of guilt :(

As royalty, Diavolo has one of the strongest pheromones in Devildom, many demons are sickened by them (Ha, human insensitivity mode on), he consciously marks everything, especially his mate.

The only way to calm the dragon is direct physical contact, stroking its complex ornaments and wing membranes with your fingers It's like a game to be honest

Press on the muscles of its wings and neck and you will have it completely entranced. He has spent a lot of time alone during his periods and is in need of contact. Initiate physical contact and it will be pure happiness.

And most importantly, show reassurance, it makes him feel insecure to think that you are there against your will.

Diavolo's courtship is a ritual. First it will show off its grandeur by lighting up its scales and perform a nuptial flight where it will display its wings and ornaments.

After this he will look for the rarest prey to give them to you (the day he brought you a baby unicornia you almost fainted, thanks to Barbatos, you were able to get the baby out of there). Finally, he will try to dress you up with all kinds of treasures and jewels to ‘be a couple’.

All his senses are heightened, especially sight and smell.

There is a rumour that he sees everything that happens in Devildom. Which is a lie because you've seen him run into a wall when he's looking beyond it.

Diavolo's temperature increases a lot, despite the coldness of the cave (You slept on his chest because he's super warm? Yes, That from then on he always wanted you to sleep on top of him? Also).

Diavolo's purr is deep and loud. It will resonate throughout the cave, and will usually purr when you are paying attention to him.

Diavolo: *clearly worried*

Mc: *caressing his scales* What's wrong?

Diavolo: Mmmm *looking around*

Mc: *sighing* I'll tell you again, I'm here because I want to, because I want to take care of you, is that so hard to believe?

Diavolo: wrapping them in his wings Thank you…

Diavolo: *placing a pearl necklace on their head*

Mc: *returning the hug* Anytime.

Mc: *sitting on his lap* Dia...

Diavolo: *placing several precious stones on their chest *

Mc: Diavolo, dear.

Diavolo: *holding up a golden tiara to put on them*

Mc: *filled from head to toe with treasures* Diavolo, this is too heavy, it doesn't- stop, please.

Mc: *caressing a fairy that Diavolo has brought them as food*

Diavolo: *staring at the fairy*

Mc: Don't even think about it, if you burn the fairy, I'm out of here.

Diavolo: * indignant dragon sounds *

Mc: It's true... I can't leave here without you, but if you touch the fairy I'll get angry.

The fairy: *about to have a heart attack*

Barbatos

He doesn't sleep during his cycle, no matter how much you bowel, no matter how much you insist, he won't sleep. It is normal to wake up and find him watching you with his eyes wide open.

Light hurts him, during his period his skin becomes sensitive and burns very easily.

Barbatos' skin becomes very pale with a mucous covering. His tail elongates and ridges appear on his back, forearms and legs.

His horns also develop a membrane between their branches.

Its pupils lighten to the point of seeming to disappear, but then return to colour when it is alert. Sometimes you get the sensation that he stops blinking.

To groom himself, barbatos needs a lot of water. During his cycle he will create all kinds of water springs, (he is one of the few demons who can consciously use his powers).

He's not a big fan of you helping him or watching him, he doesn't consider his appearance the most pleasant for a human.

He usually nests in his room, but sometimes opens portals to hidden parts of Devildom or even the human world, the latter more so since you started helping him. He creates a burrow, underground or among roots.

Although he occasionally goes out, he prefers to stay in his den.

Barbatos is dangerous, and possessive, he prefers loneliness with the sole exception of his mate, he is not territorial, I think because no one in their right mind would go near Barbatos during his period.

During his period Barbatos gets headaches, because he sometimes loses control of his powers and timelines overlap in his mind. The only thing you can do in these cases is stay by his side and comfort him :(.

Barbatos doesn't seem to need food. But for pleasure he sometimes devours curious prey (souls, blood of mystical creatures, cursed plants...).

He can talk without any problems, but he doesn't talk much. He prefers to attract attention with caresses or small bites. It is easy to interpret his silences.

During his period, Barbatos generates a lot of pheromones but does not mark. He has no sense of territory and prefers to stay close to his mate all day to avoid others approaching.

At the beginning of the period he will be reluctant to physical contact, he'll keep his distance, partly because of his appearance and partly because of fear of his behaviour. But little by little he will ask for more contact.

Don't touch him if he doesn't ask for it and make sure your hands are always wet or cold because even if he seeks your warmth, the normal temperature of a human could overwhelm him. Good thing we know magic, thanks Solomon.

Barbatos' courtship consists of a kind of lullaby, a humming, in which his skin glows slightly in a beautiful colour, quite frankly it is very mystical and magical. If it sees that you don't get disturbed it will hug you and swim with you for a long time (use magic, use it, or it will give you hypothermia).

Barbatos' senses are completely heightened, nothing escapes his awareness, but this is detrimental because very loud sounds, light or even physical contact can harm him. There are far more stimuli than millennia ago so this is yet another reason to isolate himself.

His temperature drops drastically, but he doesn't seem to have any problems with it.

Barbatos' purring is almost inaudible, you have to be very close to hear it. But it is quite easy for him to purr even though you won't notice it.

Barbatos is feeling quite vulnerable because he hasn't had his period for centuries so he is unfamiliar with his own reactions, and feels lost, although he will never admit it.

Give him confidence, by now, you are a master in demon periods.

Mc: Barbatos, my dear *peeling an apple*

Barbatos: *cuddling on Mc's lap* Hum?

Mc: Is there a reason why you chose one of the most remote places in the human world to spend your period?

Barbatos: … no

Mc: It's not so the brothers can't find me, is it?

Barbatos: … no…

Mc: *stifling laughter* Okay.

Mc: *gently stroking his back* How are you feeling?

Barbatos: *laying down next to them* It… hurts...

Mc: I'm sorry I can't help you *gently pouring water on his forehead.

Barbatos: You're here… that's more than well enough.

Mc: Give me some time and I'll find a way to calm those migraines.

Barbatos: *smiling* I'm sure you will….

Barbatos: I have to say I had forgotten what it was like to live ‘a period’.

Mc: I wonder why you've had them again after so long.

Barbatos: *smiling* It's because of you

Mc: Me?

Barbatos: *shrugging theur cheeks and rubbing their forehead against his * Yes, until you came there was no one who could be my potential mate, and my body knew it. Just like it knows you're here now.

Mc: *blushing* Those words count as courting? because they're working.

If you have made it this far, thank you very much 🩷

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highdio · 15 hours

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DIO and the Plan for Heaven

I've received a lot of asks for my take on how the "plan for Heaven" in Part 6 relates back to Dio as a character. Some of these included theories and asked whether I agreed with their points. The best way to for me reply is to walk through some misconceptions I've seen repeated about the Heaven plan and at the same time give my own views on how the Stand ability that Pucci enacts in Part 6 can be reconciled with what we know about Dio in canon. Spoiler: IMO the form that the Heaven ability ultimately takes - a universal reset that grants all of humanity knowledge of their preordained fate in advance and down to the micro-level of individual occurances - is not necessarily the outcome that Dio predicted or even desired.

1) The "Heaven" that Pucci enacted in Part 6 is not derived from a subconscious psychological need for security or safety on Dio's part.

This seems basic but I've seen this in comments: the belief that the Stand ability Pucci unlocks through Dio's "heaven" formula relates back to Dio's own need for security and peace of mind. This panel specifically gets talked about, in both discussions regarding Heaven and of Dio's larger worldview:

Of course here Dio is describing "human" needs. Dio doesn't consider himself human and doesn't include himself among those seeking these comforts. Importantly, neither does Araki:

"From perspective of the world in which living creatures naturally prey upon the weak, what DIO is doing is the correct thing. It's out of line with society's norms though, which were created to make it easier for humans to survive. Considered from the worldview of the "Law of the Jungle" [弱肉強食], DIO is acting normally. …People might say I'm anti-social when I say this, but, in a sense, DIO is someone I admire (lol)." (Jump Remix Vol.11 (March 2002), my translation).

Asked to describe his feelings on Dio, Araki heads straight into setting up a direct opposition between "society" - which provides the security, comfort and safety for its participants that Dio describes in the above panel - and Dio, who lives by what Araki calls an "anti-social" code unconcerned with these comforts. It's central enough of a character trait for Araki to say all this unprompted in response to a general ask about DIO.

So anyone claiming that Dio's Heaven plan came out of a need, conscious or not, to allay his own insecurities and for his own peace of mind ignores the fact that Araki wrote Dio with an entirely contrary mindset.

It's also worth considering the context of the panel, since it will relate to a discussion of whether Dio even wants a world where people know outcomes in advance. Dio is describing humankind's need for comfort and security in an attempt to convince Polnareff to submit and to continue to serve him. Araki ties all of this to fear: Polnareff must either give into his fear and resign himself to a comfortable life of submission or he must overcome his fear and reject those comforts.

ofc Dio is playing a game with Polnareff at the same time, using time-stop assisted sleight-of-hand to convince Polnareff that his own body is physically submitting, unconsciously descending the same two stairs. This game, where fear and submission are directly tied to the promise of comfort and security, presents choosing the comforts of society as the weaker, non-heroic path. tl;dr, accepting the security that Dio describes in that panel is a bad thing. Keep this fact in the back of your mind.

If Dio isn't motivated by a need for security, and instead lives according to rules of the natural world, maybe Dio wanted a universe where all of humanity knows its fate in advance for practical reasons, i.e., it would make humans resigned to their fates and simple to rule over?

Again, we need to consider what, exactly, this would mean for Dio.

2) Dio did not intend to create a world where all of humanity became resigned to its fate as a means of ruling over mankind, because this would remove all the pleasure of accumulating and exerting power.

I've discussed this before: Dio actually likes people who take the most arduous path, seemingly rebelling against their own security and comfort. While it is possible that Dio wanted humans to be more docile, this would definitely take away one of Dio's favorite hobbies: subjecting humans to extreme psychological pressure to see how they react, something Dio indulges in regularly. The Heaven achieved by Pucci (a universe where everything is known in advance by its participants) would mean that everything - from that lady sacrificing herself so her baby could be spared in Part 1 to Hol Horse trying to shoot Dio in the back - would be robbed of all dramatic tension. A knowable universe is a boring one. Dio as an immortal would be highly aware of this. And we know that Dio loves a good fight (Araki draws Dio at his most alive and expressive during direct physical confrontation) and loves an opponent who fights back (it's the reason he moves from disdain to respect for Jonathan over the course of Part 1 and the reason he "realizes he likes" Hol after Hol's rebellion). A known universe changes the very nature of "fighting back." When opponents know the outcome of a fight before it starts, combat is reduced to simply going through the motions.

In short, Pucci's universe makes it too easy for a guy who is all about the drama of testing and transcending limits. It would take all the pleasure out of being Dio.

This is where the value judgment I discussed earlier comes in, the one where the comfortable path is also the easy one, and where choosing security means choosing resignation and cowardace. How is it possible then to assert that Dio wants a universe, an eternity, where everything is resignation? It isn't, and he doesn't.

(Here I should point out the obvious fact that the Dio and Pucci flashbacks in Part 6 take place, from a timeline perspective, concurrent with Part 3. While it's surprisingly often that people attribute what they perceive as a difference in Dio between Parts 3 and Part 6 as an easing or maturing in Dio's outlook over time and reflection, there can be no evolution or softening in Dio's thinking between Parts 3 and 6 because there is no time gap. Dio's words in Part 3, if we take them at face value (since sometimes he lies), reflect what he's thinking at the same time he's devising his plan for "Heaven.")

Instead, there's a telling scene early in Part 3 where Dio discusses that "standing at the top of the World" means overcoming fear:

Now consider the Heaven ability that Pucci unlocks at the end of Stone Ocean within the context of this monologue as well as the Polnareff stairway scene. Knowing your fate - the ultimate goal of the universal reset - isn't overcoming fear, it's having the hardship of fear removed. "Fear" in the above passage results from the experience of failure and the reflexive bodily reaction during future struggles to the possibility that one will fail again. When all is known in advance, this fear is removed. The possibility for "conquering" fear that Dio describes to Enya is likewise removed altogether.

Additionally, in Part 6 and while discussing "Heaven" with Pucci, Dio directly states that "true happiness cannot be attained… by being the ruler of the human race," contrasting this with the true victory of "getting to see Heaven." This dialog yet again gives the lie to an assertion that Dio wants universal precognition as a practical means to easily dominate all of humanity.

3) IMO Dio did not know what form the "Heaven" ability would take, just that it would be an OP, transcendent power.

I've talked about this before too but one of the coolest elements to the Heaven formula is how gnostic it is. Some people just ignore this fact, but it's critically important to look at how Araki chose to characterize the "formula for Heaven." 14 cryptic words, the "souls of 36 sinners," a specific latitude and longitude, the phases of the moon. This is esoteric, occult-type stuff. Add to this Dio's own description of how the destruction of his stand will "give birth to something entirely new":

This language is extremely important. It seems the critical detail that's missing from the formula of heaven is what shape exactly the "heaven" ability will take. The outcome of Dio's heaven plan is missing from the formula because that outcome - "whatever is born" - will be revealed through the process. This is precisely why "courage" is needed: this is a leap of faith into the unknown.

It stands to reason that Dio himself would be uncertain what power would be unlocked through the formula. After all, this theme is a throughline throughout Dio's life: Dio constantly does stuff where the outcome is both unknown and radical. Using the stone mask, taking and assimilating Jonathan's body, powering up on Joseph's blood: Dio's pursuit of power consistently leads him to make "leaps" where the outcome is knowable only as "something new" and something transcendent. So it's not just plausible that Dio didn't know what new ability would emerge with the destruction of his Stand, it's in character. And of course, unknowability and the need for "courage" in the face of an unforeseen outcome directly mirrors Dio's assertion in Part 3 that "the one to stand at the top of the World" is the one who "conquers Fear."

4) Pucci has as much a role as Dio in shaping the form that the "Heaven" ability ultimately takes.

If you ignore all of the above and instead assert that Dio had his plan fully mapped out and specifically envisioned a future where he and all of humanity were disavowed of the illusion of free will - comforted by going through the motions of a fate they had already lived through - then Pucci himself becomes unimportant. The character gets reduced to a simple cog or a lackey, carrying out the gruntwork of an absent master architect.

Instead, imo the specific backstory and worldview that Pucci brings to his and Dio's relationship is the key element that shapes the form that "Heaven" eventually takes. After all - this point is not debatable - it's Pucci himself, not Dio, who seems most in need of the comfort, the certainty and security, that a universe in which all know their fate would provide. Pucci's entire backstory is built around the trauma of unforeseen consequence. The reset universe really is, then, the realization of Pucci's own personal "Heaven."

Please keep in mind that Dio did not expect to die and fully expected to be the one to enact the Heaven formula himself. Of course Jotaro had something to say about this, so instead we get Dio's disciple and "trusted friend" executing the formula.

(Add to that the obvious, meta fact that Araki developed the "plan for Heaven" specifically for Part 6. The plan (or even the notion of "getting to Heaven") isn't mentioned in any prior part, and isn't part of Dio's story anywhere prior. In the true "meta" sense (e.g., the real-life production conditions surrounding the fictional work), the Heaven plan is written by Araki for Part 6 and as the major driver of Pucci's story, inseparable from the character. Araki tightly tailored Pucci's backstory around the idea that bad twists of fate sow profound misery and that knowledge of what fate has in store can allay inevitable suffering, the premise of the universal reset. Even Pucci being a priest has obvious synergy with the concept of "Heaven." Without Part 6, without Pucci, the heaven storyline never gets written. And within the story itself, without Pucci the formula to get to "Heaven" is never enacted.)

All of this is to say that discussions that try to link the reset universe and resultant universal precognition too closely to Dio's own personality, his backstory and his philosophies ignore the fact that Heaven was enacted by the gravitational convergence of two individuals who each brought something to the formula. Dio strongly shaped the course that Pucci's life took and Pucci in turn shaped the form that "Heaven" took.

#jjba #jojo's bizarre adventure #dio brando #enrico pucci #dio talk #mp #dioposts #jojo no kimyou na bouken #jojo #stone ocean #stardust crusaders #long post

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localguy2 · 1 year

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Suddenly got the craziest fucking idea I've thought of yet:

Zane was originally going to be made to help the elemental alliance in the serpentine wars, per the alliance requesting Julien for something so technologically advanced it'll end the war.

and so Julien started working on Zane during the conflict, and with the elemental alliance providing him with the necessary recourses to create Zane. (metal, wires, screws, schematics and blueprints and other small supplies, a suspiciously powerful and most definitely magical power source, etc).

But the war ends, and the serpentine are sealed away.

So now Julien is left with a half finished robot that wouldn't even have a purpose if it were to be alive, but Julien decides he's going to give it a new purpose.

"If it's not going to be a weapon of war, than it's going to be a weapon of peace."

So he stars reprogramming Zane, from "Mostly human machine designed to fight." to "Almost human machine made to protect those who cannot protect themselves".

He starts adding in extra features for Zane, stuff like breathing, blinking, eating, so he comes off as more human.

he codes in what would be the nindroid equivalent of someone developing a new hobby and getting good at it.

Such as cooking, or perhaps making ice sculptures or even learning how to ride a snowboard considering how he lives in a frozen forest (last one was from Quest For the Lost Powers book).

But he also adds in other stuff to help Zane out in his purpose of protecting, such as a battle ram mode to bust down doors, a lamp head mode to help light out dark areas, being able to shoot out cold air from his hands to cool stuff down without the usage of ice powers (last one was from the start of season 3).

And eventually, he gets so attached to this project of his, that he starts viewing it as more than a machine made to prolong the peace, and by the time he actives Zane for the first time ever, he can't feel but view Zane as a son.

Zane was Julien's life work, "Machine" doesn't do the nindroid enough justice, it doesn't feel right, and it isn't right.

So, even his plans of making Zane a weapon of peace change, and now he views Zane as a son, and as his own person.

Look, I don't care if this headcanon/idea breaks Canon, fuck if I care, but the opportunity is too great, it would would give us an answer to a good number of questions.

one of them being: What was Zane's old power source?

#ninjago #zane julien #dr julien #Currently losing my mind over this idea #And I hope you are to #I'd be a really good to characterise Julien #A natural human way #The bond between a creator and creation is strong #And it couldn't have been better with Zane and Julien #Yes I am aware of the memory switch thing #And Echo as well #And yeah I'm willing to admit that those are pretty bad things #The first one is definitely a balme on Julien #But the second? I'm not even sure because it sorta goes against everything we knew Julien for #Like *why* would he leave Echo all alone?#It doesn't make a lot of sense when considering his character #That's just my opinion tho #Dunno about yall #Anyone gonna go back to brain rotting in the corner #Edit: also thought of something else #This hc answers how Julien got the materials for Zane in the first place #It makes total sense how he creates Zane with all these features if he had almost an endless supply of material

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tizeline · 6 months

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Presenting: The AU I accidentally created OOPSIE!! 😬😬😬

And yes, I know, it's another Seperation AU, and yes YES, I KNOW, they're a bit overdone at this point, bUT LISTEN!! That's precisely how I ended up in this situation!!!

So there's a lot of Seperation AUs exploring a lot of different scenarios with the turtles being raised, well, seperately. I've seen quite a few of them at this point, and despite whatever the combination is when it comes to turtle + parental figure, I'm sure I'm not the only one who has noticed a pattern of specifically Donnie often being raised by a villain. Which makes sense, he has a tendency to put on this evil-mad-scientist-act in the show, so of course a lot of us want to see what Donnie would actually be like as a proper antagonist. But that just made me think think of the opposite possibility, of Donnie being the singular good guy while his brothers are all bad guys. Mind you, I'm sure SOMEONE must've thought of this concept before me, but I haven't seen it! So here we are!

In this AU (which doesn't have a name so don't ask!) Splinter only managed to yoink Donnie during The Incident™, so he ended up an only child, while Raph, Leo and Mikey were raised by Draxum. I also imagine Draxum being at least a decent dad considering the circumstances, so the kids he raised ended up with pretty similar personalities to what they have in canon.

Because of that we get Hero Donnie who acts all villainous cuz he's a total theaterkid, and Villain Raph, Leo and Mikey who act all heroic cuz they honestly believe they're doing the right thing in literally destroying all of humankind and as a result developed an intense case of main character syndrome.

Anyway here's some references-

I don't know how far I'll explore this AU. I fully intended to just make like one or two posts rambling about the basic concept, but when I was drawing these images my brain went into full Brain Blast mode and I started coming up with a bunch of other ideas so uh... we'll see how this turns out later I guess haha

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undreaming-fanfiction · 3 months

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Established Steddie, they have been living together for over a decade, did their best to heal their wounds from the Upside Down and learn to enjoy life again. It's not easy but they do it.

When the Lord of the Rings movies come out, it's actually Steve who suggests watching them to Eddie. He really tries engaging with Eddie's passions, but his focus is not the greatest when it comes to books. That doesn't mean he doesn't listen to Eddie ramble about them though - he knows all about hobbits, second breakfasts, the culture of smoking in the Shire...Eddie admires a lot of characters from the books, but ever since experiencing the Upside Down fuckery, he actually admits that the hobbits had a point. Good food, even better company and good tobacco? What else does one need? It also inspires Steve a few years later to prepare a full day of hobbit-inspired meals for their trilogy marathon when the extended editions come out. But this is about their first time watching the movies.

They both go to the movie theater excited. Steve is familiar with most of the characters, including Eddie's self-admitted crush on Aragorn. And Steve can see why, he can see so much good in all the members of the fellowship. After the first movie, he's wiping his eyes because Boromir deserved better. Eddie has a lot to say about what was lost in adaptation, but Steve knows Eddie loves those movies and would cut off his only remaining nipple before missing the next ones.

The Two Towers have Steve rooting for the ents and he feels strangely touched about how everyone underestimates Pippin, yet it's him who gets the ents to march. He really can't pick a favorite character. He can't wait for the third movie.

They go to the premiere of the Return of the King with Eddie. They secretly hold hands in the last row, and Steve watches the ride of the Rohirrim with bated breath. He clenches his hand in Eddie's when Theoden gets gravely injured, but then Éowyn is there and...oh.

He is staring slack-jawed at the scene. Éowyn's large, terrified eyes, the towering frame of the Witch King. Her posture was fearful, crouched, but still she faced him. And something surfaces in his head, something he's long forgotten.

He's unusually queit when they come back home, he still loves the rest of the movie, almost cries at "my friends, you bow to no one,", then definitely cries at Frodo leaving the Middle Earth. But there is still that something and Eddie can sense it. When they're falling asleep together, Eddie finally asks him. And Steve's had enough time to process what he felt.

"When Éowyn faced the Witch King...it reminded me of what it felt like. I mean, for the first time. I know it's stupid because saw so much unnatural shit, but...it's the first time that I have hard time forgetting," he admits quietly. "She reminded me of me in 1983 so much. I had no clue what I was getting myself into. I thought I'd do the right thing, but then I had a gun pointed at me, they both had blood on their hands...and then it appeared."

Eddie doesn't speak, he only holds Steve closer.

"It was so tall. I remember that petal-like mouth, those teeth, but mostly...I remember the crippling fear. I felt absolutely terrified. I couldn't move. There was even a moment when I thought of running away, but...I couldn't leave them there. Seeing someone go through something similar and being praised for being a hero...it makes me think. I used to be so ashamed for freezing in that moment. For even considering running away. But Éowyn...she was like me." There's awe in his voice and warmth, relief. "She had no idea what she was getting into. She froze. She didn't do everything perfectly and gracefully like Legolas or something, but when it mattered...she did what she had to."

He holds Eddie tighter and asks, almost shyly: "Will it offend you that I think she's my favorite character? Not Aragorn or Sam?"

Eddie just shakes his head and drops a kiss to Steve's hair. "Nah. She suits you well. And you're both amazing."

And if it becomes a silly endearment in their household, that Steve is sometimes called the Shieldmaiden of Hawkins? ("I'm not a maiden, Eddie!" "I'm not calling you a shieldboy or shieldbachelor, Steve!") Then Steve feels a hint of something that he thought he'd renounced, but now, for the first time he feels it's deserved - pride.

#steve harrington #eddie munson #stranger things #steddie #steddie drabble #lord of the rings steddie #not proofread I'm sleep deprived af

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alastors-antlers · 4 months

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a brief take on the whole "Alastor's smile is permanent" discussion

hello all!

I've seen a lot of people theorizing lately that Alastor actually smiles all the time because his smile is magically, physically fixed onto his face. All of this seems to come from the fact that he's practically grimacing rather than smiling during the scene where he breaks down in ep8:

As well as this frame of his deal with Charlie: (lower res sorry)

I will say, I do like some of the implications of this theory. The sheer spite of his creditor forcing him to smile as an addition to their deal, almost like a sort of forced silence, is a neat concept. It's fun and dramatic. Plus, of all things, of course Alastor would claim the "smile at all times" policy and make it his own to pretend that it was his decision all along lol.

To be fair, though, I don't think we even need any magical compulsion to explain why he's smiling while he's having a mental breakdown. Actually, if we assume magical compulsion, I think we lose a bit of dimension from Alastor's character. (No judgement to anyone's take though, of course -- I just think this works in the direction of his established characterization, but obviously all personal takes <3)

Hear me out:

Alastor's persona is not just for others to see.

"A smile is a valuable tool, my dear. It inspires your friends; keeps your enemies guessing; and ensures that whatever comes your way, you're the one in control."

That makes sense given what we know about him. If he's always smiling, he seems like he has it together. You can't read him very well, especially not when he's actively trying to keep up appearances.

Now consider that when you think about ep8's fight with Heaven, we see that he's already been through so much in this one day.

He fights an army of angels, presumably not even at his own whim (if we go by his blurb about freedom in the Finale song); he loses to Adam, who he considers sloppy and mediocre; his staff, which we can assume holds some part of his power, is snapped; he comes close to being Angelic-power-killed; and to top it all off, he knows that others watched him get injured and then apparently die or flee, all of which would ruin the public image that he's trying to maintain. It wouldn't even be unreasonable for us to assume that he knows Vox was watching, given that Vox kind of has eyes everywhere.

In a moment like this, in the finale, you could say that Alastor has lost (at least on some level) everything that we know matters to him. He doesn't have access to all of his magic, and it's limiting him. He's reminded that he doesn't have freedom or control over his own destiny. He certainly has taken massive hits to his powerful, composed persona. But he's desperate, and furious, and terrified, and clinging on.

That's why he's smiling.

It's not that he can't stop because he physically can't. It's that he can't stop because to him, the smile is the last thing that is still within his power. When there are so many moving parts that he can't predict what happens to him next, he can control how he responds to it. In these last fragments of autonomy, there is solace.

He needs to keep telling himself that he has it together and that he'll eventually scheme his way free, that there's a solution, that he won't be in chains forever; because letting his pretense slip would be admitting that it's all starting to actually get to him. That maybe this time, he doesn't have an escape plan.

In addition, if you read his interactions throughout the series, we also see something else: Alastor's reputation is of paramount importance to him. At multiple points throughout the series, when others disrespect him by discounting his power or presence, he gets visibly annoyed. And in the battle, we see a glimpse of the part of his personality he seems to be trying to leave behind - a normal Alastor, who's just some guy from Louisiana. No transatlantic accent; no unflappable malice; no sharp wit waiting at the ready. Maybe even unremarkable.

Dropping his smile - arguably the most prominent part of his brand - would be admitting that in reality, he's not the Radio Demon of legend that he aspires to project. And if he doesn't have that... where would he be?

#alastor meta #alastor analysis #hazbin hotel #hazbin alastor #alastor #alastor hazbin hotel #hazbin hotel alastor #hazbin alastor meta #hazbin meta #hazbin alastor analysis #bro I love this guy so much

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ambrosiagourmet · 3 months

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Did Laios have a plan

... when he made his deal with the Lion? How much of it was intentional and how much of it was out of his control?

Well. If I'm being honest I don't really want to try and provide a definitive answer to that question, because I think the ambiguity is, itself, part of the story. I've gone back and forth a few times myself, and I don't think either category - "fully intentional" or "fully coincidence" - is entirely true.

That being said, I would like to point out a few things that I've seen taken for granted as true. Things that, imo, are much more about the character's perspective, or about what the character WANTS people to think (well, that's really just the Winged Lion).

Consider this not exactly an argument for "Laios masterminded everything from the start and saved the world with his cunning," but more... "Laios considered what he was doing more than people give him credit for." Make sense?

Alright then, let's go:

So to start with, I want to show every time (that I could find, at least) that the question of 'does Laios have a plan' gets brought up. This is specifically after his Ultimate Monster Form is revealed, to be clear - the question isn't about if he has a plan in general, it is if he has/had a plan when he made this specific deal with the Lion.

Here they are:

You'll notice, in all of these instances, there never really is an answer given to the question. Either because there is no way to get one, or, with Kabru at the end there, because he explicitly doesn't let Laios answer. There's even a bit of an arc here: we start with a sort of desperate 'I've mostly given up but maybe this isn't as bad as it looks,' then get a more optimistic 'maybe we really are saved,' and finally end on 'it all worked out in the end, so we maybe don't need to know.'

But, as much as there is some genuine growth in Kabru's 'accept the outcome, rather than dissecting the truth,' I also think it says a lot more about him than about Laios. Kabru is the one trying to handle his questions and his uncertainty - as he said, he wants to confirm his judgement of character. He wants to feel like he had control over things.

And he lets that go! But he also doesn't actually get the truth, either, and his implied assumption here (that Laios, the wide-eyed monster-lover, probably just followed his desires), still relies on his judgements and assumptions about Laios.

But okay, these bits are all focused on the characters theorizing about Laios. How about we look at the character who actually tells us the facts ("facts"): the Winged Lion.

The Winged Lion has quite a bit to say about Laios and his monster form.

He says that Laios hates humanity, and would rather be a monster

I've talked about this a bit already, but the Lion makes a lot of claims and assumptions about Laios that aren't necessarily true.

First of all, let's just make sure we clearly establish that the Lion is being manipulative here. That may seem obvious, but it's important to understand that there is a difference between 'the truth' and 'a version of the truth specifically framed to prey upon your deepest shame and insecurities about what you really want.'

To point out a few quick-and-dirty contradictions here:

If Laios really hated all other humans, then the Lion wouldn't hinge so many of his other arguments on Laios' love for Falin and his friends.

the Lion claims that Laios "[doesn't] even care enough about the future of [the] world to express an opinion about it," even though Laios has literally expressed opinions on what he wants for the world, to the Lion's face.

In general, the Lion does not make a distinction between urges and choices (see, for instance: him using Marcille's subconscious fear of the canaries as a way to keep her from stopping the monsters from attacking in chapter 86).

I'm not saying there is not a piece of truth here, but also... we are not our darkest thoughts, and we especially are not those thoughts as defined by someone who wants to hurt and control us.

But let’s move on to the stuff the Lion claims about Laios once he has been turned into his monster form.

2. He says that (or rather, acts like) Laios is under his control

The Lion really enjoys grandstanding about how Monster Laios is an ultimate tool he has control over. He gloats about making Laios fight the others, and has him smash through the magical barrier.

But smashing the barrier is kinda the only thing that Monster Laios actually does for the Lion. He doesn't attack anyone. He doesn't hurt his friends, despite Chilchuck thinking that Laios has "turned completely into a monster." And he certainly doesn't simply let the Lion go through with his plan to eat everyone.

This barrier smashing is actually an interesting and odd thing for Laios to have done specifically, so remember that one. I'll come back to it later.

But, yeah, to the original point... despite the Lion's dramatics, all that Monster Laios does is pose, smash up a magic barrier, and then eat him. Not exactly under his control.

AND SPEAKING OF EATING THE DEMON...

3. He frames Laios attacking and eating him as thoughtlessly violent

This one is pretty funny to me, and the Lion keeps it up for the whole scene. I'm not sure how much of this is his genuine understanding of the situation, and how much is him intentionally framing things in the most insulting manner, but like... truly. The ego involved in this. To see someone who has, multiple times, tried to stand against you - someone who has literally wished for your non-existence, to your face - to see this person attack you, specifically, and have your first reaction be 'huh, I guess he's a reckless weirdo to the core???'

Incredible stuff.

And this part, too:

He claims that Laios can't recognize anyone, that he's out of control. And yet, the Lion is the only person that gets eaten here. He is Laios' singular target.

Hell, Laios even specifically attacks one of the bodies that is actively hurting Chilchuck. I don't know if that was entirely intentional on Laios' part, but I do think it's notable.

The Lion torments Laios' friend, and when Laios does something that interrupts that action, the Lion reframes it as unhinged violence. I don't know, there's something here about the way that cruel people only talk about the things people do to resist them as violent, and ignore the violence that causes such resistance in the first place.

In any case, the main point is that the Lion insists on treating Laios like an unthinking animal during this fight, despite the fact that Laios is clearly trying to accomplish something here.

And what exactly is Laios trying to accomplish? Well, the Lion isn't entirely wrong. Laios is trying to eat something. He tells us as much.

And truly, everything Laios does as a monster points to this. He had a goal. And he accomplished it.

Let me back up a moment. I need to explain smashing the barrier.

So, Laios first starts considering how to kill the Lion when he is confronted with the fact that his only other choice would be to kill Marcille. Immediately and entirely discarding that solution, because of course he does, he tries to wrap his head around what defeating the Lion would even look like.

He clearly continues thinking about this, as a nearly identical conversation happens a few chapters later, when Laios is once again told that killing Marcille is the only way forward.

Only, this time, he's started to come up with an idea for how to do this impossible thing.

Harkening all the way back to the Living Armor chapter, Laios draws on the same lesson - if the Lion has made itself part of the world, if it has made itself into something alive, that means he can kill it. And eat it.

But there's an important extra detail to this. If he's going to try and kill (and eat) the Lion, he needs to strike when it’s vulnerable. He needs to strike when it's eating.

This is why he smashes through the barrier. Again, nothing else he does as a monster really benefits the Lion. He doesn't attack anyone else. The only command he obeys is to smash the barrier. Because the Lion has to think he has won for Laios to be able to eat him.

Beat him. For Laios to be able to beat him.

The question of why Monster Laios wanted to eat the Lion is, I think, the most ambiguous part. Was he curious? Hungry? Did he fight for his own life, for his friends, or for all of humanity? Did he know how to win because he had planned everything from the start, or because he was driven by an unquenchable instinct to do whatever it took to survive?

I don't know that it is possible to say for sure. But I do know that the Lion underestimates Laios, through it all. He underestimates Laios as a human, and he underestimates Laios as a monster.

And in the end, after he is bested, even then I don't think the Lion ever gets Laios. I don't think he understands how much Laios means his words about the Lion being burdened by hunger...

or what Laios cares about most...

or what meaning there is in life, for him.

So I don't buy what the Lion is selling about Laios, generally speaking. I don't buy that Laios didn't ever know what he was doing, and I don't buy that he was nothing more than a hungry beast.

Well. I mean. He was a hungry beast. But he was a more than that too. He was the Devourer of All Things Horrible. And he didn't just happen into that title by chance.

#dungeon meshi #delicious in dungeon #laios touden #winged lion #dissecting how the Lion's negging works is a great exercise in understanding manipulation honestly #dungeon meshi spoilers #dunmeshi analysis

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trashfangirlsworld · 3 months

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Hello! I've been inactive due to the current events in the mcyt community, but I've been keeping up with the qsmp admin situation and I thought I'd share some opinions because the amount of doomposting I've seen the last few weeks has been more than I've seen in any fandom in a while and I feel like it's reached the point where people really need to chill the fuck out because they're not thinking straight and actively not helping. Everything I'm gonna say is based on stuff I've seen on both tumblr and twitter.

they should not promote/release merch! : one of the things that baffles me the most tbh; how do you expect any employee to be payed then? Merch is so far the only big source of income for the server besides q's own cc salary or whatever income they get through the official qsmp channel on twitch and youtube (which I don't think is a lot). "I get that they said they have no funds, but still it doesn't feel right"... sorry but at this point I don't know what to tell you, do you expect them to pull money out of their asses? You can't demand that they stop making merch and then complain that they can't afford the twitter admins at the same time. If you don't feel comfortable buying anything from them it's fine obviously, but if your reason for it is that you're helping the admins then I have bad news for you. I have seen people propose that quackity sets up a patreon, and while I think it would be a good idea, I understand why he's not doing it, since with the merch he can at least give something back to the people that choose to support his project instead of people just giving him money for free, especially with what's happening now. Also with how much hate he's been receiving simply for the merch I can't imagine that a patreon would be recieved well.

we don't know if the money is going to the admins/ they should not use pomme's likeness! : the money is definitely going to go to the employees and admins because otherwise the server would not last. And as much as I understand people feeling protective over pomme's admin, quackity studios is very much allowed to sell merch of the character because it is not the likeness of the admin, it's a minecraft model made by the people that work there. Would you have rathered they skip her character entirely? Do you really think that would have been okay?. Also correct me if I'm wrong, but I've seen posts and tweets saying that pomme's admin has been confirmed to come back with the other eggs whenever it happens by pierre, who talked with her admin.

the admins of the update accounts got fired, it means they want to fire everyone, they aren't making things better! : it sucks that the updates accounts had to end and I feel bad for every twitter admin that clearly cared a lot about the project, but unfortunately it had to happen if there simply isn't enough money to pay them adequately like they deserved and ultimately the update accounts were not essential to keep the project going, so it makes sense that they were let go unfortunately. This is not gonna be the case for the egg admins because if they got fired (which they didn't), the server would basically end. Just because a cc does not know when they will be back does not mean it's not gonna happen. Just because tubbo randomly said that he's not sure if they will be back does not mean they were fired; tubbo is normally not a reliable source of information, even less so when he's been live nonstop for the past 20 days, which is prior to everything happening. If you genuinely didn't expect a reduction in non essential staff considering everything, then you have unreasonable expectations on how this stuff goes. As I write this, I'm seeing people saying that "they would understand this decision if q had set up a patreon to pay the admins", and once again I don't understand how people don't realize why quackity might not be keen on the idea of having his fans pay his own employees for his own project instead of, you know, doing it himself; and, again, do not fool yourself into thinking it would be recieved well. That being said, it's fair to criticize how everything was communicated to the admins, but I'll get to this in more detail later.

quackity should not have uninstalled social media, he's trying to avoid everything! : he's not avoiding anything, he's been off social media for a while now, which is why it took him that long to remove wilbur from the server. He has every right to not want to look at social media, as his focus should be on restructuring his server instead of doomscrolling on twitter because people think he needs to see how much people dislike him. The only people that he should talk to are those that have important information to tell him, like josè with the document. He explicitly said on stream where to contact him if you have helpful information and I'm sure that despite multiple well liked posts saying not to spam his email, people are definitely doing it anyway, which is probably gonna slow the whole thing down even more. I hope josè's document is able to be seen with pierre's help as well.

quackity studios is not communicating with their employees and leaving them in the dark and that's not okay : I agree with this. i think a huge chunk of doomposting lately has been due the lack of communication not with the audience, but with the admins, and they deserve to know what is happening behind the scenes more then us since this is about their current or future job.... that being said, I do kind of understand why they're being so secretive and shutting everyone out, and that's due to all the "leaks" that have been spread online. I understand the anger but I really wish some people would realize that discussing leaked bts lore stuff in ccs discord servers does not help the situation at all and instead makes it seem like they're only doing this to rile up the fandom against quackity studios by using the lore of people's fav characters.

At the end of the day, I think people just aren't used to dealing with a situation that does not have a clear cut solution and someone to clearly hate, so the result is this doomposting and the over aggressiveness toward anything related to the project. Personally, I haven't witnessed anything that made me lose faith in the qsmp like some people have been saying, as every change that we've seen so far coincides with what quackity said on stream a while ago. I only wish things were communicated properly to the admins clearly, as they're the ones most affected, so I hope that's resolved soon. Ultimately quackity is singlehandedly restructuring the server from basically zero, has had to fire people that were misusing money and power and, depending on what josè's document said, is probably gonna have to fire some more. This is not an easy process, nor a quick one, you're not gonna hear about sunshine and rainbows for a while and doomposting about everything you hear because you expected quick change is useless. Think before you speak, have a clear head and most importantly have empathy.

#I have anons turned off btw #qsmp #qsmp discourse #qsmp admins #qadmin situation #qsmp critical #qsmp fandom critical

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after-witch · 24 days

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Bookworm [Yandere Mahito x Reader]

Title: Bookworm [Yandere Mahito x Reader]

Synopsis: Mahito doesn't like that you have an interest in a book character.

Word count: 1787

notes: yandere, kidnapped reader, mentions of other people being tortured/killed, supreme self indulgence of the highest order

“Who is the smiling man?”

The silence that had existed between the two of you was broken by a question that made you flinch. Well, why not? Mahito has been quiet all morning--and afternoon, actually, which perhaps should have startled you more than his sudden words.

But you were too happy to enjoy some quiet (you would never say “peace and quiet,” not down here, not with him); all too happy to curl up in your haphazard nest on the floor with some books that took you away from this place. Away from Mahito.

Who was, of course, still here. Lounging in his hammock with a pile of books sagging down the netting.

You couldn’t tell exactly what he was reading from down here--you probably needed new glasses, a subject you were certainly not going to bring up with Mahito, who might reiterate his offer to “fix” your eyes. It looked like a bundle of pages stapled together. Maybe he went to the library and printed off obscure articles to read again.

“Hey,” he calls down, and the first hint of worry begins to prickle on your arms at his uncharacteristically serious tone, “Answer me.”

Your mind stutters, tries to put one word in front of the other, and make sense of it all.

The smiling man? The smiling man, the… ah. From Small Spaces. The otherworldly supernatural entity who lives in a world behind mist and has a penchant for making deals with people for their greatest wishes.

It’s not your fault that you haven’t thought about him in ages. It’s not like you had copies of your books with you, and the fun you had with imagining him in an endless number of scenarios had fallen by the wayside considering your circumstances.

It’s hard to daydream about worlds behind mist and cornfield servants when you’re watching people be turned into grotesque experiments that had them, sometimes quite literally and loudly, begging for death.

Mahito is looking down at you now, staring expectantly.

“He’s a character,” you say, fidgeting on the floor. “From a book series.” You look down, flip a page in your book, although you haven’t finished reading the last one, and ask, casually as you can muster: “Why?”

Mahito, up above, flips a page. You can hear the wobble in the paper--not a bound book, that’s for certain. And there’s some low, primal sense that shivers through you which says, plainly, that he’s actually reading whatever’s in front of him.

“You write about him a lot.”

Oh.

Low, slimy dread filters into your stomach. Thick and gelatinous, resting at the bottom of your belly like an unwanted slug.

“I… don’t know what you mean,” you say, voice only half-there, because while you are apparently stupid enough to lie to Mahito’s face, you’re not stupid enough to think he’ll believe you.

You are just stupid enough to think that he won’t know exactly how deep your interest in this particular character goes; before Mahito took you, you thought about him all the time. You’d take walks and daydream about him, write story after story; you’d even commissioned fanart of him, because it wasn’t like there was a plethora of fanart for a character from a middle grade horror book.

Mahito huffs out a sigh. Quick and short, it sends a shock right down your stomach.

“Get you a man,” he starts, and confusion buzzes through your brain until he continues. “Who is an otherworldly entity that is so petty when an 11 year old beats him that he traps her in another world, leaving her to a fate worse than death, and laughs until he cries about it.”

You wrote that. There’s a vague memory of when you posted it--after you’d taken a walk, you think, and reread your favorite parts in the books for a few hours. But the way Mahito says it makes it sound--you don’t know how to explain it. Like saying the words out loud almost pains him; they come out clipped and bitter.

Bitter? But why?

He doesn’t stop there. He reads something else, voice getting higher, almost mocking the way you talk. And that bitterness is still there, a thread continuing through every syllable.

“What if we kissed in the corn maze before you turned me into a scarecrow servant whose soul slowly gets dried out and useless and in the end you feed it, crunchy and tasteless, to your hellhound.”

He takes a breath. Then--

“One particular aspect of the Smiling Man’s cruelty that I truly adore is that he can make people feel understood. He can make them feel like he cares, like he’s lending a listening ear, like he’s wanting to help them out and make them feel nice.”

Another breath--and he continues, again and again, reading your posts. Quoting your stories. Listing off the titles, the imagine posts, everything you’ve said about him.

All the while, bitter and mocking, his voice raising now and then in an imitation of your own.

Then he gets to the last page of his clearly self-created tome and stares down at you, waiting, expectant.

And you… you actually glare up at him.

Because you're scared, sure. You’re always scared in some way, when you’re with Mahito. But there’s something else too, something that digs its way out of the rot in your gut and sticks up a petulant middle finger.

How dare he do this. How dare he take something that was yours and make it his; put it in his mouth and sneer over it.

“Have you been--” Your mouth sticks together, refusing to let you accuse him of what you know he’s been doing. Stalking your online profiles. “That’s… that’s private,” is what you finally mutter, cheeks feeling hot and that half-buried petulance pushing you forward. “It’s not any of your business.”

“Private?” He mutters the word softly, cradling the sound.

And then--

Mahito doesn’t often move fast around you. He prefers to be slow, languid. Calculating. You think it’s because that terrifies you more.

But now, in a moment, he goes from being slouched in his hammock to leaping down and crouching right in your face--there’s sudden pain in your head, and you realize he’s grabbed your hair and yanked it back.

That metaphorical middle finger sinks back down into the slimy gut sludge.

“Not from me,” he says, low, a warning. “Not for you.”

This is all it takes for tears to prick inside your eyes.

Mahito’s lips quirk up. Just a little. Just enough for you to notice.

“You’re going to cry already? I didn’t even do anything.”

Your eyes dart up and back, towards where he’s currently gripping your hair hard enough for it to sting.

He sighs through his nose. “This isn’t anything. You know that. Don’t be childish now.”

But--he lets go of your hair, and doesn’t grab for you when you scoot backwards on your blanket nest. Instead, he plops himself down, crossing his legs and resting his chin on his elbow.

You don’t speak. You don’t want to, and you don’t know what to say. Sometimes it’s better to be quiet around Mahito, so he doesn’t get ideas. Although he comes up with them on his own just fine, even if you try to stay silent.

It’s Mahito who breaks the silence.

“Why do you like him so much?”

How silly, to feel embarrassed right now. With the creature in front of you, and what he can do. But that’s what makes your cheeks burn: embarrassment.

“I don’t know,” you mumble, because while you are stupid in so many ways, you’re still smart enough to know he wants an answer. “I guess I just like antagonist characters sometimes.” Well, most of the time. But it’s better to keep that from Mahito, if you can.

Mahito’s lips quirk here and there while he thinks. Then he looks at you with something like genuine confusion.

“You say that you like how awful he is. The awful things he does. So…” He tilts his head a little. “You should like me. Right?”

Your fingers pick at the loose threads of your clothes. Your eyes don’t meet his entirely--they flick up and down, from your legs to his face.

“It’s not the same thing,” is what you come up with. But how to explain that to a curse?

Mahito frowns.

“I don’t understand.” No bitterness, no pouting. A simple statement of fact.

“He’s not real.” You swallow against the minefield that all of this is making you step through, hoping you’ll avoid them. “But you are. That makes it different.”

Mahito leans forward, grabbing your wrists, pulling you closer to him with a yanking, childish gesture.

“So you should like me more,” he says, a slight pout in his tone. “Because I can really do those things.” His eyebrows raise, and you swear you can hear a buzzing light bulb go off. “I could turn someone into a scarecrow for you.” He smiles, sudden, excited. “Do you want me to find some school children to torment?”

“No!” Your voice cracks. There are brief images in your mind--the people he’s tortured and killed, experimented with, before you were here and while you’re here and probably after you’re dead and gone--and you shake them away.

Mahito’s eyebrows furrow. He groans and rolls his eyes backwards until they are entirely white, not in mockery or an attempt to scare you, but in irritation. Fingers squeeze your wrists briefly and let go, and you stay quiet, trying to fight your urge to cry, until Mahito slowly rolls his eyes back to stare at you.

His gaze flicks over you, until he catches your eyes with his.

“You won’t write about him anymore.”

You don’t take a moment to answer this time.

“I won’t.”

“You won’t read those books anymore.”

“I won’t,” you stay. “I haven’t. I--don’t even have copies anymore.”

Mahito smiles, a little. Maybe it’s a good thing you never asked him to find you a copy, a thought which had been a brief temptation a while back.

And then he leans in closer again, until his nose touches yours.

“You won’t think about him anymore,” he says, quiet, solemn. Not an order but a matter of fact.

You don’t answer. You swallow against a bitter taste in your throat; you swear, sometimes, that the sludge in your gut is real and tries to make its way out sometimes.

Mahito presses his nose against yours until it starts to hurt.

“You won’t,” he says again, this time more to himself. “I’ll make sure of it.”

#yandere mahito #yandere jjk #mahito x reader #smiling man #look two obsessions in one!#afterwitch writes

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whateversawesome · 2 months

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Spy x Family Chapter 97: An Old Love Story

Okay, say it with me: FOIL!

You can see it too, right? Looks like Martha x Henry (Henderson)'s story is a foil of Twilight and Yor's story.

Henderson was in Twilight's place; the smart, lonely young man so focused on his ideals that he was blind about who was in front of him and his very own feelings.

Martha was in Yor's place, the strong and graceful girl too young and inexperienced to know her own heart and that she was in love.

This is exactly what's happening with Twiyor, the main couple of the story, and I think we may get to see one of the possible endings for our beloved Twiyor through Martha and Henderson story.

Now, what do we know about these two 🤔...

We know that Henry Henderson has a daughter and a son-in-law. It was mentioned he writes to them, but there was no mention of his wife. This leads me to believe that:

His wife is no longer alive.

He lives with his wife, so there's no reason for him to write to her.

He is divorced.

So, with this information we still can't know what's the current relationship between Martha and Henry, but we can take a guess 😉

From the way the story is being told, it almost feels like it's a semi-tragic love story, doesn't it? We can almost assume that they didn't end up together...or did they?

Theory one: Yup, everyone is right and Martha and Henderson eventually went their separate ways for reasons we'll probably get to know in the next couple of chapters.

If this theory is right, I think it's beautiful that they are getting a second chance 💖They certainly look more mature, confident, and calm (also elegant!). I love the way they look at each other, so much trust and love 😌

Theory two: I know this one is a long shot (and Henderson just said in that panel that "She is merely and old friend") but maybe...they're actually married. Why am I so bold to even consider that possibility?! Well, there's this panel:

The matron is clearly teasing Master Henderson, don't you agree? If she does it, it's because she knows something. Either she knows that there was something between those two in their youth or she knows they are married. I don't know, but they way she said the word "partner" and the fact that Master Henderson is married made me think that Martha is his wife. I know, I know...it's a remote possibility, but you have to remember that marriage is mentioned a lot through different characters and couples during the story, so maybe those two were actually married. (But, it's quite possible it's theory one).

Other things to consider...

How long have Ostania and Westalis been at war?

My guess is that we're talking about two different wars between the same countries; very much like WWI and WWII, where there was a brief period of peace before a second conflict. So, probably the first war started while Henderson was in his 20s and the second war started when he was in his 40s (and Twilight was a kid).

It makes a lot of sense that now they're in a period of "Cold War", just like in real life.

The Garden

I am convinced that the Garden is involved in this. I've talked about this before (read it here). After this chapter, I still think the Garden is going to pop up. Want some evidence?

Do you recognize this guy?

That's right 😏 That's Matthew McMahon. What is he doing there? Too much of a coincidence, don't you think?

And also the way this is phrased:

Odd that there was a mention of the word Garden, isn't it? And the fact that the whole story between those two takes place in a garden...🤔

In addition to that, in a previous chapter, Twilight observes how Martha moves like a soldier. Franky mentioned earlier that Garden people are like soldiers. And the Garden has a history of recruiting young skilled/strong people, like Yor. Things keep adding up.

The Consequences of War

This is a prevalent theme throughout the whole SxF universe: how war (violence, intolerance, manipulation of information, propaganda, politics) has affected the life of all the characters.

No matter their background, nationality or education, we've seen it again and again with most of the characters big or small, like Twilight, Franky, Sylvia, Millie, and now we're about to see it with characters from an older generation like Martha and Henderson.

My guess is that this won't be the last time and this pattern will continue while the story lasts. I think what the story is trying to show us is how war is seen by some (politicians and men in power like Desmond) as a natural, inevitable course of action, but at the same time how brutal the consequences are in the smallest stories. That's one of the things that is truly remarkable about SxF.

#spy x family #twiyor #sxf #spy x family manga #spy x family analysis #spy x family theory #sxf chapter 97 #spy x family chapter 97 #martha marriott #henry henderson #loid forger #yor forger #spy x family meta

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bountycancelled · 4 months

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decisions

luke castellan x child of hecate!reader

requested: yep! I hope you like it anon

warnings: allusions about death, but no character dies.

content: yall, it's 1 am rn, and I just wanna go to sleep. it's unedited and nothing bad happens I promise. I'll do a proper content thingy in the morning. pls enjoy while I pass out.

"you know those kids are probably gonna have nightmares for at least a week, right?"

you didn't need to turn to know who was behind you as you leaned against a tree trunk, toying with a twig in your hands. Luke castellan seemed to have an affinity for interrupting you anytime you found solace in being alone. you didnt know how he just... knew, when and where to find you during times like these, but he always did. you found yourself minding his presence less and less as time when on.

"they should consider themselves lucky, I was debating whether or not I should just summon a ghost for them tonight, but I figured they couldn't handle it, and this camp doesn't have any trauma counselling so." the leaves on the twig in your hand withered at an accelerated place in your hands, and a part of you felt bad. you usually kept your distance from anything living since you knew your touch had the possibility of having an adverse, and sometimes deadly affect, but tonight was just one of those nights.

Luke chuckled at your words, plucking one of the now wilted leaves from the twig in your grasp as he spoke up once more. "you know, I actually want you to help me with something, if you don't mind. I need help deciding whether or not I should do something."

you rolled your eyes, giving him a pointed look. "you know I can't make decisions for you. I don't have the ability to know what consequences you'll have to deal with."

"isn't hacate the goddess of crossroads?" Luke countered, a small smirk on his face. you knew that he was only pestering you because he thought it was funny that you always needed to explain your abilities and your godparent to people, but you couldn't just keep silent at his bait nonetheless.

"that doesn't make me some kind of fortune teller, I can't decide for you which direction to go to when you reach a fork on the path. I just have a vague understanding over what you're currently debating if you should do."

"okay okay, no fortune telling. but can you at least point me in the right direction? it doesn't matter how vague." he asked, and you tilted your head to stare up at the starry sky, because you knew that even in the dark, Luke could convince you to help him with nothing but a pleading glint in his deep eyes.

he didn't relent at tour silence or your avoidance of his gaze, uttering a small "please?" which finally broke your resolve.

you took a deep breath, finally looking at him once again, your face deep in concentration. "not a guide either. but I get the sense that... if you don't do what you're thinking of doing, you'll regret it." you felt a bit lightheaded afterwards, but the tree you were leaning against was enough security for you.

Luke on the other hand didnt seem to think so, showcased by how his hands immediately went to your shoulders in an effort to keep you up, while also unintentionally coming closer. a bit too close for comfort, but you were too foggy for the lack of distance to hit you yet.

he nodded at your advice, biting his lip before speaking once again, not missing the way your eyes flicked towards his lips and then back to his eyes, almost instantaneously.

"then I'll just go ahead and say it, I like you. a lot." he had expected a few different reactions, you immediately jumping into his arms and accepting his confession (his personal favourite hypothesis), you shyly stating that you felt the same way, you being shocked that he had feelings for you at all (he liked to believe that he wasn't entirely obvious) but he didn't expect what you did next.

instead, you blew air from your nose, giving him a look he couldn't quite place. "you have horrible taste. and you're also delusional. we've had maybe 4 conversations the entire we've known each other, and you like me?" you rolled your eyes, shaking your head at the words you were about to utter. "but I guess that makes me delusional too, because I feel the same way."

he pouted at your words, feigning hurt with a hand placed on his chest. "you wound me. if I had known you were gonna be this mean... I would've confessed sooner." he added with a slight smirk, trailing his other hand from your shoulder down to your waist, leaning his face towards yours.

you were quick to shut down his advance, maneuvering your way out of his hold. "one thing you're gonna need to get used to, castellan. no touching. at all. at least, not until I'm sure I can control my ability. you have a goodnight though." you called out as you walked away from a now needy Luke, leaving him leaning against the tree.

he quickly followed after you, trying to plead his case. "no touching? that's insane, how could I not touch you? I'm not afraid of death, especially if it comes from my hands on your body, or vice versa. I'll happily forfeit my life for a kiss. come on, I'm fine with just a peck. actually, no. I take that back. if I'm gonna die, we need to make out before I go."

you simply shook your head, reiterating your rule, unable to stop a grin from forming on your face. you stopped abruptly, turning to face him with a serious look in your eyes. "... okay. but just a peck. im serious."

it was not just a peck. but luckily, Luke made it out alive. (though, he seriously wouldn't have minded if he didn't.)

#luke castellan #luke castellan x reader #luke castellan imagine #luke castellan pjo #luke castellan fanfiction #pjo x reader #pjo tv show #pjo series #pjo #percy series #percy jackson and the olympians #luke castellan fluff #luke castellan fic #luke castellan smut #luke castellan x you #luke castellan apologist #luke castellan angst

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littlelightfish · 2 months

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I've been thinking about Mickbell since last chapter came out.

Have you noticed how everyone refers to him as Mick? He's a hafling, they shouldn't call him that since its his first name.

But here's the thing.

We know Mickbell didn't have something to call a family the majority of his life. He was all alone against the word for quite some time. He, as I said before, didn't have a proper family, didn't have any friends. He was alone. No one to care about him, no one to love even in a friendly way.

He can seem to be quite unfair towards Kuro, but truth is he doesn't know any better. He does what he can the best he can, the best he knows, because he loves Kuro so much, he doesn't want to loose his first friend, his first glimpse of a family, the only one that cared for him after so long the first one to recognize him as someone rather than something.

Kuro doesn't understand common language well, we know for a fact that he struggles with it and that he's still learning to communicate. When Mickbell found him, it was his sense of "I'm in great debt to him because he saved me" what made him attack the one that attacked Mick. "How dares he tuch my savior?" Kind of behaviour. And also revenge I guess. But, hear me out. He hears Mickbell telling something to him in a language he doesn't understand, but he sticks to his side from then on, because he saw a savior in him. Because he feels in debt with him, because he sees that this guy enjoys his company and also feeds him. He is like a stray dog after being adopted, loyal. He loves and cares for Mickbell, he wants to be able to truly understand him and to make himself known to him by talking. He's learning how to speak common, not because it might be useful, but because he wants to be able to fully communicate with his dearest friend, with the one he considers family.

Going back to Mickbell, he saw someone caring for him enough to take revenge and protect him. This aren't little things to do for someone you just met. He knows this, because he probably wouldn't have done that, he 100% would've runned away because he has sense of self-preservation and knows damn well he doesn't stand a chance and he wants to continue living. He makes sure to keep this kobold to himself, at first because of his "if it can be made use of, then use it" principle.

He freed the kobold, not because he was a good person, but because he wanted to take revenge in his own terms. He wanted this man to suffer, he can't pick a fight because he doesn't stand a chance, so he steels his merch, or in this case, frees it. He freed Kuro because he wanted the man to suffer the loss of his merch. Not because he feels sorry for a kobold that could easily chomp his head off (they're usually agressive). Now, after freeing him, he noticed that this kobold would die if he didn't take off the thing he had in his mouth, so he helped him a bit there. This seems a bit out of character. Why did he freed the starved kobold from what could've saved him of being eaten himself? Because he is a good person. He doesn't want this creature to starve to death after freeing him, it would be cruel, and he isn't cruel. He doesn't want nothing to do with the kobold at first, he just doesnt want him to die because he didnt properly freed him, but after seeing how far is this someone willing to go for him? He has no room for doubt, he makes himself his boss.

As I said, Mickbell didn't had a real family before. He lacks of proper social interactions and bonds due to his past. But he loves so deeply. He doesn't want to loose Kuro. He sees him as the closest thing he'll ever have to a family, but he doesn't know how to treat him properly. He tries his best. He feeds him, and cares about him a lot, but he doesn't know how to talk to him. He wants to have him close at all times, he wants to pet him, to be carried around by him and only him, to tease him, to help him. He's always worrying about his well-being. And above all, he doesn't want to be alone. Never again. This is why he does everything he can think of to hold Kuro closer to him. This is why he's saving money, why he pays Kuro so poorly for his job. This is why he doesn't spent much money on himself either. He wants to live a life with kuro by his side because he loves him. He loves him deeply, and cares about him deeply too. He's his family. And he is terrified of the sole thought of Kuro leaving his side. Because that wouldn't just mean being alone again. It would mean Kuro left.

Now, this is what the party sees. A hafling that treats his kobold employee quite unfairly. He doesn't pay him almost anything, he leaves him alone as soon as battle starts, he is possessive about him, and he's terrified of someone snatching him away. The kobold doesn't seem to either mind or notice how unfair his owner is being towards him, and doesn't seem to understand him very well either. They see that they both care for each other more than they first thought as time passes by, but the unfairness of it all is still there. They don't get it. Why would the hafling, if he cares so much, reward him so badly? Why is he taking advantage of the kobold he loves so much? Why wouldn't he let him express himself in his mother language? They don't fully get it.

Time passes and they become closer to each other, just as Laios's party does. They start opening up, bonding, and before they knew it, they're something like a small family, rather than just a group of friends adventuring together. It's clear as day something in Mickbell wasn't quite right just by the way he behaves. He is childish, but it doesn't seem to be intentional. He behaves like a kid, but he is quite mature at the same time. He is like this because he didn't had a proper childhood? He only now can allow himself to behave lightly as he does? To cry at minor inconveniences? To want to be hold on someone's arms? They don't know, but they don't prey about it either.

And without realizing it, they call him just "Mick". Some of them, if not them all, know what it means to call a hafling by his first name. They maybe did it to tease him, maybe because they wanted him to know they consider him family, but he didn't even noticed. He hadn't a proper social interaction with haflings that ever got to the personal level of teaching him something he should already know. Haflings call him Mickbell, he doesn't mind, it's his name. His party calls him Mick, he doesn't mind, it's his name. He doesn't even know hee should care. The party picks up he doesn't mind being called that and gets surprised. Is he letting them know he sees them aa family too? They at first are really surprised, but it losses importance over time. They just use it as a nickname now, but they started using it because they wanted Mickbell to know they're family too, that they don't want to hurt him nor Kuro.

Mickbell it's just a good hearted guy who doesn't know how to do good. He saves up money so he can, one day, live with Kuro. So he doesn't pays him well even if he works hard. So he starves himself (he is underweight too, but it could be for the same reason Chilchuck is, he is 5 cms taller than the common hafling after all). So he allows himself to steal from corpses. He needs money. He has a dream. He wants to have a family.

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p0rk-guts · 3 months

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Velvette if she served cunt

Design breakdown below 👇🏾(BEWARE IT'S VERY LONG)

Alright going into detail about my gripes and edits. Like Velvette but her design is just. Not good to me. None of her (main) outfit details look like they fit to me— pinstripe pants + long fur coat paired with black crop top and scene sleeves? Skull earrings? TINKERBELL HEELS????? Tell me how any of that meshes well or even makes SENSE for the social media influencer persona she's supposed to have going on. Now that I think about it I'm pretty sure she's supposed to be clown themed... But I'm just gonna toss that idea out bc being a revered social media influencer and a clown at the same time just seems a bit oxymoronic to me, and the "clown" details aren't adding shit for me.

And don't think I forgot about her features. Pale ash grey skin and wavy hair at best. If she was supposed to be some type of creature where a nonhuman skin tone would make sense then maybe I could let it go?? But as far as I can tell she doesn't have an object or creature or animal theme like the other V's and if she does I shouldn't need to do detective work to figure it out. There is no reason for *any* of these poc characters to have grey skin, especially since they don't have any other poc features at all.

Sorry that shit gets me heated anyways. Onto my redesign. Gave her a more obviously black skin tone and textured hair bc I love a 30 inch buss down as much as the next girl but considering how there are no significant poc cast members with visibly textured hair I think she deserves to flaunt some coils if no one else will.

Ngl I'm not. A fashion girlie. Idk what's trendy idk what screams "influencer" so a lot of this was just throwing shit at the wall that I've seen around recently but it looks cute enough to me. And there was a bit of inspiration taken from Aliyahcore and ghetto fabulous fashion ❤️

If you can't tell this is shamefully inspired by lovesart23's Velvette reimagining because imo they had some outstanding ideas for Vel. I low-key stole their idea for those floating eyes in her hair that follow her around and help her keep tabs on shit it was just a superb idea for a social media overlord to me. I also took some inspo from @furbtasticworksofart 's redesign because vampire influencer sucking up the souls of her followers in exchange for content??? Too good (also the eyes were supposed to have bat/vamp wings I just forgot 😭) So yeah she's a vampire demon now. Without the features she was looking too human anyhow. Maybe she also feeds off of the energy of her followers through tech like after Vox mind controls them or whatever... Idk idk is that anything

Speaking of Vox, the screen glasses are meant to connect her to him w/ their color and shape while serving the purpose of being like a second phone she can post and check the web with. Like lovesart said in their reimagining vid, Vel doesn't really do more than pose for selfies and scroll on her phone when it comes to social media so in my head she's constantly flipping her shades on and off, using them to scroll and stay active, and they can show when she's not paying attention or respect to something/someone bc scrolling is more worth her time in the moment.

The hearts everywhere are also supposed to kinda represent social media likes + connect her back to Val w/ his heart patterns. That might've been what the hearts in her og design were for but. I just didn't like their placement bc I'm a nitpicker and a hater❕

I have so much more I could say about possible ideas for Velvette because I love evil black girls and I only want them to succeed in my media and I could treat her so much BETTER but I'll refrain bc this is way too long anyway.

Alright for reading/scrolling through all that rambling I offer you the sketches + some alt hair ideas I had

P.S. I'm very open to constructive criticism but if I see anyone just dick riding in my replies or rb's I'm just blocking you on sight ✌🏾

#hazbin hotel #velvette #velvette hazbin hotel #velvette redesign #hazbin hotel redesign #my art #digital art #character design

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inbarfink · 9 months

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Okay, so I already wrote a bunch of stuff about how that scene, although it is really sweet, is also kind of a Bad Sign for Simon - how he refuses to learn the Obvious Lesson from the Winterworld adventure (that being the Ice King again is probably a really really bad idea). But I want to talk about it also a little more about what it means for Fionna’s character as well.

Because while sitting around and wallowing in self-loathing is probably bad for Fionna, especially after being told that she shouldn't be allowed to exist, and Simon is right to try and get her out of her funk. It's also still worthwhile for Fionna to have some introspection about the Consequences of Her Actions. Because she and Cake really did not consider them at all at first. They have a sense of morality and an instinct towards heroism, but they also tend to kinda forget the fantastical worlds they visit don’t exist entirely for their fantasy and have kind of a Protagonist-Centered-Morality fallacy.

Most obviously you can see it in the market in Ooo. How Cake, in her excitement, damaged and hurt and even killed

A bunch of innocent marketgoers without even noticing. And then Fionna immediately jumped to Cake’s defense against these ‘weirdos’, who were actually just normal kinda-righteously-angry Oooian citizens.

It’s actually very similar to the whole Winterworld situation. Fionna’s assumption that she’s automatically the hero and protagonist of the story and black-and-white view of the situation and her tendency to kick ass first and ask questions later meant that she just recklessly injured a lot of innocent people.

(It might’ve been worse actually cause at least in Winterworld she was at least manipulated by an evil Wizard)

Fionna and Cake clearly have a great potential for heroism, but they do need to be a bit more considerate of the situation and people around them. And it does make sense considering that from their perspective - they’ve been living a very ordinary life up until now (and Cake was literally an animal. A very clever animal, but still not bound by the same standards of morality as the talking animals in Ooo). Action and adventure and fantasy stuff has been purely the realm of daydream and video games for them - and Fionna literally speaks about it in these terms.

(also, Fionna's Main Character Syndrome was undoubtedly validated when God literally told her that she was created to be the main character of her universe)

So yeah, it takes them some time to really process how to be heroes - they need to grapple with questions that Finn and Jake already kinda dealt with seventeen years ago. And actually a lot of those; how to resolve a situation without necessarily using violence, when does a 'villain' actually deserve sympathy and kindness, the importance of the larger context of any given conflict... their confrontations with Ice King all played a big part in that. It was never just him, but he was still a very major part.

And for Fionna and Cake right now, learning these lessons require some amount of personal introspection. So while it was a sweet attempt at comforting, I dunno if Simon’s little ‘the only problem with that universe is that this Alternative Me was terrible because he didn’t even acknowledge or remember Betty as the love of our life and the light of my entire universe’ thing is actually Good.

I’m not quite sure Simon is the best person to teach Fionna and Cake heroism 101, because he is so focused on the Crown Quest as the thing that brings back Meaning to his life, and because his fatherly instincts just kinda go “Sad Young Person???? MUST GIVE COMFORT!” and also on account of the kidnapping.

I’m sure Fionna is going to become the heroine she dreams about eventually, it’s just going to be a bumpy ride. The best we can hope for is that they accept Simon’s comfort, that she doesn't start believing that she is nothing but an Error for the entire universe like the Scarab claims, but don’t necessarily listen to all of Simon's his words either.

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jubileemon · 2 months

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Understanding Husk

A "husk" means a shell or a protective outer cover. This fits his character well since he's shown to be a husk of a man. More specifically, he's a former overlord who lost his power.

Husk in the "Pilot" was a lot more grumpy than he is in the show proper, losing his temper at Alastor and not hesitating to show his disinterest in anything going on as long as it doesn't concern him. When he sees just who has yanked him away from his card game, all he can do is exasperatedly ask Alastor what he wants with him this time. Seeing as Alastor is a constant reminder of how his gambling ended up costing him his status as an Overlord, it's easy to understand why he'd be upset at having to bend to the Radio Demon's will.

In the series, it's established he's still a jerk, but it's evident he cares, and his temper isn't as volatile and often warranted. In the beginning, Husk made it no secret that he was forced to stay at the hotel because of his ties to Alastor and would gladly get as far away as he could if able to. Behind his grumpy exterior, Husk is actually very patient and it takes a lot to make him legitimately angry.

He does his job as a bartender competently, but Husk is fairly blunt about the fact he's only participating in the group's shenanigans because he simply can't be bothered to protest. He does join bonding activities but departs once it's no longer enjoyable for him, after Vaggie decided to literally throw everyone into the middle of a turf war as part of her trust exercises. Thankfully, he grows out of this a bit as the series goes on and grows to care about the staff and guests.

Husk has his own issues and is pretty much apathetic to almost everything out of pessimism. But he still has the most common sense out of the cast and he's the most emotionally intelligent and self-aware, even serving as an advisor to the others at the right times when he's not bitterly accepting his circumstances. The hotel's owner is the only cheerful idealist demon princess who just wants to see the good in everyone, one investor is a maniac who wants to get entertainment out of watching the chaos, the other investor is the owner's neglectful, depressed father (and also the literal King of Hell), the manager is bossy and threatens people with weapons at the slightest provocation, and the cleaning lady is a neatfreak with a thing for "bad boys". Then there's Husk wanting nothing to do with their escapades. He's also a lot more hostile towards Alastor and Angel after they touch him multiple times.

It should be noted that Alastor lets Husk get away with flipping him off. But the moment Husk brings up the fact that Alastor's own soul belongs to someone else within earshot of the Radio Demon, Alastor can barely restrain himself to threatening to tear Husk's soul apart and broadcast his screams for all to hear if he ever says that again. By the end of the encounter, Husk is a shivering, terrified wreck and Alastor couldn't care less.

As the bartender, Husk knows how to listen to people and knows exactly what kind of problems that all the residents of the hotel are going through, and while he would rather let them solve their own problems, he isn't exactly above giving them some pretty solid, if very brutally honest. While it was unnecessarily rude to bring up the Hotel residents' flaws, Husk was accurate about every one of them as Charlie's desperate to help others but doesn't confront her own issues, Vaggie judges others because she hates herself, Sir Pentious is a lonely Sinner who watches people in their sleep, and Angel puts on an act that he's happy about his porn star job but is really miserable.

Husk was always cynical and crass, but he's also an old Sinner with a tender heart. With Angel however, he tends to be a lot more irritable. While it initially looks to be because of Angel constantly flirting with him, it's because he hates how hard Angel acts out to hide how miserable he actually is, considering him a "phony" in a self-destructive spiral. He eventually realizes he and Angel are the same, despite their differences. They're both self-destructive addicts since Husk is a gambling addict, while Angel is addicted to sex and drugs who sold their souls to an abusive Overlord. And both of them have descended even further into their addiction and adopted outwardly cynical, cruel personas as a coping mechanism.

Husk getting through to Angel Dust in the manner he does makes a considerable amount of sense when it's taken into account that the first step to overcoming drug addiction is usually getting the addict to acknowledge they even have a problem. Angel hasn't been able to get better despite having some genuine interest because he's been utterly refusing to admit he has a problem to fix, the moment he does his mood drastically improves as does his motivation.

In "Welcome To Heaven", Husk saw Cherri as a bad influence on Angel's path of redemption and advised her not to get high during their night out. He even defends Angel from Cherri's criticism about how the hotel was changing him. Of course Husk wants what's best for Angel, but unlike Cherri who thinks that feeding into Angel's addictive tendencies are the best way to treat his depression and that living up to the hotel's standards is only making his life more difficult, Husk encourages Angel to stick with the self-improvement he's learned from the hotel and not fall back into his old ways since Angel's trying to get into Heaven.

When Vaggie leaves to find out how angels can be killed, she tells Angel, Sir Pentious, Husk and Niffty that she knows they didn't sign up to be the first targets of the angels, so she wouldn't blame them if they left. Of course, when she and Charlie return, they find that all of them have stayed and fortified the hotel.

Husk even admitted that he doesn't want to look for new drinking buddies and being nice to both Angel and Pentious is a demonstration of the massive character development he's undergone over the course of the show. In the beginning, he was grouchy towards everyone and hated even being in the hotel, but now he's willing to risk his life to defend it and the other residents.

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powdermelonkeg · 5 months

Text

Thoughts on the thunder wizard again.

Genuinely, I find Gale's relationship with Mystra to be fascinating when you consider all its facets. Unhealthy, imbalanced, definitely poisonous, but also very, very intricate with a lot of blurred edges to it. One of those things where you're both like "wow, what the hell, that's horrible" but also "that makes perfect sense for their characters, and while I would NEVER, I know why they would, and why it happened."

You've got a wizard who doesn't know what real love is, who thinks he's finally being shown it by the person he adores most. His greatest fantasy, his most potent joy, his most heartfelt aspirations, and they were all offered to him.

And he wants to see what all she's hiding from him, because of course he does. She's the keeper of all things forbidden to him. The empire of Netheril reached magical heights that will never be touched again, and all that knowledge is beyond her curtain. She loves him, right? Surely, if he proves himself enough, she'll let him grasp that power he so desperately wants.

And not even in the power-hungry sense! All that magic Mystra's locked up was accessible during Mystryl's reign. Think of all the answers to theories about the universe that are back there. Every question of "can this be done, and what would it do" would be answered, if he could just bargain hard enough.

She loves him, right?

Surely, if he proves himself enough...

And then, on the other hand, Mystra. Once Midnight, her human personality has been subsumed by the goddess of magic and her duty to the Weave. She has a responsibility to magic, she IS magic.

Then along comes this mortal boy who knows how to handle her Weave. Who doesn't try to wrestle with and dominate, who sings to it. He handles it with such ease and grace—it's not just that he could be Chosen, but he deserves it. To put her Weave in the hands of someone so intrinsically in tune with it, who understands its potential with a wonder like no other. Few enough can handle the raw power that comes with being Chosen, but this one? This one is perfect.

And he adores you. And you adore him, like one would a beautiful butterfly that's landed on their finger. And he's willing to be devoted to you in all things, not out of transaction like most of your worshipers are, but out of love for you, your craft, your magic. You're so deeply and utterly charmed by him.

And it's not like Mystra hasn't walked this path before.

She gives him what he desires, because what he desires is her. And, in a different way, she desires him. She wants him to be her representation in the world. She indulges his adoration with her own presence, and takes indulgence herself in mortal comforts. He's never satisfied with her answers, but who could blame him? She keeps a whole world away from mortals, because she knows what such unfettered power might bring about (again).

And the wizarding prodigy's ambition is lit (again).

And the height of power is reached for (again).

And she stops him (again, again, again).

She does care for him. She doesn't want to see her little butterfly burn himself, and she doesn't want to be the one to ruin those wings.

But then he's not a butterfly. He's a mortal, wielding a weapon of murder, of her murder, and he's brought it to her doorstep because she told him "no." And he's cut himself on it, he doesn't know what it is, but it's hurt him—and it's only a fraction of the hurt it could do to her. How dare he want her help after threatening her?

(He didn't mean to.)

(He only wanted to help.)

(He only wanted. How human.)

She doesn't help him. If he wants to pursue Karsus' weaponry, it's his responsibility, his hubris, that led him to injuring himself on it. She's furious. She's hurt. She's cold.

(What fools these mortals be.)

But then, there's a greater threat to her. Something that could drown the Material in Karsus' failings. And that little boy, who nicked himself on the sword he lifted, still wants her help.

It's a fair trade, isn't it? She'll forgive him, let him into her domain again, if he accepts his punishment and goes into battle for her. He picked up a sword, it's appropriate that he learns to use it in her name, right?

If he was telling the truth, he wouldn't hesitate. If he really wanted to serve her with the Netherese Orb, he would jump at the opportunity to do so. He would have to give up a few petty things in the process, ("petty," she calls mortality, as if family and home mean nothing, as if friends and love are finite. Because to her, they do mean nothing. Because to her, they are finite.) but it isn’t atonement without sacrifice, is it?

It's the tactical move. She's not above hurting one man to save a nation. It's not even the first time she's done it.

(Dornal Silverhand sends his regards.)

If he loves her, he'd die for her, because she'd let him into her paradise. If he doesn't love her, he won't, and she was justified in removing him from her grace.

He doesn't love her. Not anymore.

Does he hate her enough to try to take his dues?

Ambition has always been man's greatest folly.

#bg3 #gale dekarios #gale of waterdeep #mystra #listen. go watch steven universe where rose says 'i'm not a real person'#pay attention to how rose laughs at greg and how funny and sweet humans are #that's how i think mystra sees her chosen #but she lacks rose's willingness to change and dip into mortal life #gale is cute. gale is precious. gale is wonderful. but gale is amusing.#and he's not equal to a god. certainly not the goddess of magic. and his attempts to insist that he is are only met with a pat on the head #long post #oops i turned a ramble into poetry again. i swear it's not intentional #the parentheses got me :/

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