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fondcrimes · 3 days

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the "labru chapter" is the kabru chapter

this is a dungeon meshi love manifesto, but not in the way you think. sorry not sorry for the labrubait

what makes chapter 76 so amazing is kabru’s desperation has little to do with laios specifically. it’s not just about kabru being obsessed with laios and making sure he doesn't cause tragedy, either. I think this chapter emphasizes kabru's struggle with the concept of love and companionship. the point of this chapter is that every critical part of kabru collides at once and renders him useless.

(disclaimer: this post includes a lot of projection/speculation but it's to understand kabru's character arc i promise. for clearer analysis and examination of how kabru's ideologies are constructed, check out this really great post)

kabru is a lone visionary

in ch 76, kabru’s threatened by lycion exposing his true intentions to laios not only bc he wants to prevent laios from joining marcille in her destruction, but also bc laios is also from a short-lived race and kabru needs an ally in his power struggle against elves (esp when the chips are down)

but has kabru really accepted his need for allies in his plight? kabru has spent his adult life suppressing a human urge to connect meaningfully with others. he even keeps rinsha et al. at arm's length in the name of achieving his masculine hero complex/survivor's guilt goals. he's already quite disillusioned bc most adventurers don't have the same goal as he does. so he uses people and gets on their good side for systematic support. he’s well-intentioned and takes care of his party. but the idea that an ally could also protect HIM and make HIM feel safe as well doesn’t really register with him until later on in the narrative bc camaraderie and allyship, at its core, is about acknowledging intimacy. kabru struggles with intimacy sub-textually (his self-neglect and social insincerity) even though he knows how to simulate it to gain others' trust.

but he can’t crack laios, he can’t get him to listen. for lack of a better word, kabru is spoiled by the fruits of his superb perception and emotional intelligence. he also doesn’t cope well with failure (bc his goal is too valuable to ~not~ devote himself to) he puts too much value in conquering laios and when he thinks he's failed, he basically crashes out. the real problem is he still doesn’t understand his true feelings--not feelings for laios, but the root of his desire. the root of his goals and the endless search for companionship.

kabru is a strategic historian

at his core, kabru is a storyteller. he tells himself a variety of stories about his trauma and his goals, which serve as motivation and to some extent, self-protection (as shown in his conversation w mithrun). he deeply understands the role of storytelling in regards to the construction of history and drastic shifts in power.

as an utayan, he understands that the tragedy that overcame his people was not random, but resulted from elven negligence of a disenfranchised people. it is imperative for kabru to cement himself as a voice for otherwise voiceless people. in his story, he has no choice but to handle the hero, if not become the hero himself.

kabru even has a story about his pursuit of laios, mainly that laios is currently the most capable person of defeating the mage and that he must do whatever it takes to ensure laios doesn’t fuck it up. his instincts are right, sure, but at first, he places special value in laios’ capabilities that almost seems unearned… like yes he’s studied the island adventurers with frightening expertise, so it makes sense he would have a good idea about who is the most equipped to succeed. but his early suspicions of the toudens seems to complicate my perception of his knowledge by adding emotional depth and a layer of tinhattery so to speak.

canonically, kabru has been rebuffed by laios multiple times (which is so... lolll) when he's talking with his party, kabru hides behind the excuse of dungeon but he’s been trying to get his attention this whole time. to me it reads like he's got a bruised ego from being ignored and is being a hater about it (so real lol). it's funny bc kabru is usually great at taking shit from others (esp elves) if it means nobody suspects/interrogates his true intentions and he can keep the peace. so why does laios tick him off so bad? now we have to get into the psychoanalysis of it all!

kabru is a cynic

first and foremost, kabru’s cynical philosophy about humans is challenged by the touden mission. but plenty of people don’t care about the impact of their actions, so why does kabru obsess over the toudens at the start? I figured kui changed gears with kabru's characterization following his introduction, but I want to try to connect it to kabru's unresolved survivor's guilt. kabru is the sole survivor of a catastrophe caused by negligence and oversight. he criticizes the negative impact of the toudens' generosity and naïveté and confirms his cynical worldview (the road to hell is paved with best intentions), but still maintains a level-headed perspective. on the other hand, kabru's interactions with laios are tinged with irrational jealousy/resentment/desperation, even prior to kabru learning laios' character/intentions as an adventurer. I cannot emphasize enough that I am employing a neutral definition of jealousy here--it seems kabru is jealous of the freedom to not care the way laios does not care about the fate of the island. this isn't to say laios doesn't care about humans, he does, but he seems so singleminded compared to kabru esp in ch 76. kabru sees laios going to the literal end of the world to save his sister. laios gets to be human selfishly, kind-natured but ultimately self-prioritizing.

kabru correctly assesses motives (besides his own maybe). falin said she’d do anything to protect laios and marcille. laios has been socially rejected by people his whole life, and at first, he only cares about his sister and monsters. kabru has survived horror but only by accident… he doesn't agree with their pov and more importantly, it doesn’t exactly compute with him. the toudens are wholly unaware of their impact, which does not sit well with kabru at all, who understands the impact of negligence better than anyone else, esp how it ends up harming the less fortunate and extremely marginalized in society. it's reminiscent of the age-old trolley problem. while kabru has been the victim of senseless pain, I suspect kabru can’t yet make sense of senseless love. he gets to look down at their cause and call it selfish because it directly contradicts his lived experience.

kabru is an ethicist with a heroic streak

it's easy to glean that kabru wants to be the hero utaya should’ve had. while he's hardcore and intense, but not paranoid enough to do something rash. he uses violence as a means of achieving peace. he's self-aware enough to know his skill limits, which seems rational at a glance but the pressure he puts on himself suggests he views himself as inadequate until he achieves his goal. the races of humans are so split up and he sees that this is a matter of power first and foremost.

with the canaries, kabru submits to political pageantry to make a separate case for innocent people. senseless tragedy is unforgivable, but so is the "too little too late" reality of the canary system. he takes on the impossible task of rallying people together to save the dungeon. one read is that he's saving his childhood self from trauma perhaps by saving those like him… he's wishing someone did something before it got bad, wondering why nobody intervened when they had every opportunity to step in. it’s deeper than a sense of duty or fairness, this is about betrayal and retribution.

throughout his life, kabru struggles with the material inequity and limits of love. the human population is fundamentally segmented into a hierarchy due to lifespans and access to power/resources. his mother was the only one who loved him in utaya and she was ostracized because of his appearance and then she was killed due to senseless tragedy. his frustration with the elves encapsulates this idea perfectly, because he is aware of of the limits of their empathy as a long-lived race and adjusts his strategy and rhetoric accordingly. I think milsiril’s love for kabru is genuine, but still infantilizing and smothering due to the racial imbalance. this continues to inform his politics, as he views their perception of short-lived races with contempt. the worst offense is that their bigotry is nonsensical, meaning their hearts cannot be reasoned with.

dungeon meshi is a story about power and politics, yes, but genuine love and acceptance are the catalysts of change and equality. the "invisible gulf" that marcille is referring to is the inability to view other races with love and care. such is the essence of camaraderie. kabru's backstory, family history, and beliefs/motivations raise two important questions for me: who gets to be loved enough to survive, and then to thrive?

kabru is a monster

the emphasis on distinguishing between humans and monsters is quite interesting too. of all sentient beings, who qualifies as worthy of "human" treatment? who deserves empathy and acceptance? kabru seeks these answers to fix the world, but also to justify his place in it.

kabru's lack of self-worth is evident here, but what’s more interesting is he knows many humans suffer worse fates than some monsters. the dehumanization/neglect of fellow humans does not compute, if the premise is humans are superior to demi-humans/non-humans because mutual empathy and understanding. he clings to the superiority of humanity as an appeal to ethos to those in power despite what he might actually believe about himself. to kabru, the true injustice is that humans won’t even save “inferior” humans despite being the same. his unclear heritage manifests as guilt, as he feels directly responsible for his mother's suffering because he is monstrous. then here comes laios, a human who somehow can find it in himself to love monsters.

kabru doesn’t want laios to love him, per se, but laios’ love for monsters and for falin reveals life-altering possibilities for kabru: there is a world where someone could love him even if he were a monster. there is a world where somebody would go to extreme measures just to save him. kabru does not know the extent of laios' trauma but recognizes a sort of kindred spirit but inverse. taking off the ship goggles here--it has less to do with laios specifically, and more to do with what his beliefs/abilities represent for the trajectory of the world (because kabru studies how beliefs/abilities manifest into material reality, after all)

kabru is seeking the power of love

in a different story, kabru would be laios’ archnemesis. they would have a disastrous battle of opposing worldviews in their struggle for dominion. kabru has every right to want to take laios out bc while his affinity for monsters is sympathetic and even charming, it is still a natural threat… kabru has the true hero pathology. he believes he only deserves to live if he can save people for a variety of reasons/traumas. he should do whatever it takes to exterminate laios. but the expectation is subverted in chapter 76 bc we see kabru’s curiosity and ongoing quest for understanding win over his worst fears.

I feel like I’ve been projecting a lot but bear with me... a huge part of kabru’s character is him trying to figure out how to matter to people, or figuring out why people matter to others in general. it’s not to say he doesn’t matter to his friends or milsiril, but why else would he bother with all the manipulative people-pleasing? it would be less meaningful if he had ulterior motives like greed or power, but he plays into people's expectations/desires for a disastrously noble cause. he’s still actively living in his trauma as a deeply traumatized adult. it’s pure serendipity that laios can send him right back to his past and then pull him right out again. I don't think it's crazy to say kabru (correctly) projects a lot of shit on laios bc he doesn’t know how to deal with those injustices and barriers between people himself.

this is also why I believe kabru's beef with laios is as personal as it is strategic. we have to consider the trajectories of their character arcs (their big missions, respectively) in relation to one another as foils. if laios' love for falin can move mountains and do impossible things, kabru is subconsciously drawn to the magnitude of that love like a magnet. his response to cognitive dissonance is quite remarkable as well. at the root of his unbelievable capacity for understanding and curiosity is the deep wound of being unloved and unprotected. kabru does not avoid or run away from his fears, he quite literally keeps running toward them and follows it down to hell. he wants to identify the true source of his deepest wound.

to me, this omake connects his childhood curiosity to his search for love, almost as to ask “is there enough room for me to be loved?" and the same can be said for marcille's character arc/ backstory. her biracial heritage has caused her great existential pain and social isolation.

in dungeon meshi, the issues of protection and justice continue to be interpreted through love. if kabru were to go back in time and save utaya, he would’ve needed incomprehensible magic, a supernatural power to save himself, his mother, his hometown. in contrast, laios' mission to save falin is just one manifestation of the surreality of love, all of the impossibilities it permits. the touden party wade through invisible gulfs to save falin, but also each other. kabru doesn’t hate their story, he just can’t fathom it yet.

kabru is a skilled strategist and communicator. and does not listen to his heart or body until he’s absolutely forced to do it. he has insane goals and expectations for himself and will go to great measures for those goals. as cerebral and cold as he might seem, it’s critical to understand that his character arc is about love too. in my opinion, it’s almost as if he’s trying to change his reality in hopes of finding love. my favorite thing about kabru is that he has all the narrative makings of the perfect misunderstood villain who self-destructs at the end of the story. but kabru is too smart for that, too focused on the big-picture impacts and the historical trajectory of the cause. instead, kabru finds the wherewithal to stand down once he understands that laios is capable of loving humanity like he does, or that he could help him see the value in humanity at all.

to love is to understand, and then to surrender.

#dungeon meshi #kabru #kabruganda #labru #dungeon meshi meta #long post #dungeon meshi spoilers #hits post and runs away #unfortunately everything is about love to me

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dunmeshistash · 3 days

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Do you have anything on the clothing of fashion of different races? Specially half-foots, but all are appreciated!

The new adventurer's bible and kui's blog have some pages about clothing! But there isn't much about half-foots specifically, theres pages about tallmen elf and dwarf fashion. I'll try to put everything I have here with the translated versions for the ones I can find (without much organization hope that's ok)

#dungeon meshi #clothing #for referencing #cosplay reference #I think?#worldbuilding #The Canaries #Adventurers Bible #Daydream Hour #long post #dungeon meshi races

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ottosbigtop · 1 day

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Am I alone now?

#Wolf 359 #wolf 359 fanart #alexander hilbert #isabel lovelace #long post #Feat some others. You know em.#head in my hands.#art :0]

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revvethasmythh · 2 days

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"I reached out a lot." "I know." "But you still got me through."

#critical role #bells hells #orym #orym of the air ashari #dorian storm #dorym #my gifs #my favorite part of this is watching the cookie-stone from e49 get progressively eaten #mans sent THREE messages that episode #long post

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thankstothe · 2 days

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the master of slipping “I CARE FOR YOU” in the most backwards way imaginable

#house md #gregory house #james wilson #hilson #screencap #s02e21 “Euphoria: Part 2”#long post #longpost #like pls house now is not the time #proving his point btw #its not even snarky everyone knows you care for wilson

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habken · 2 days

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really admite your way to make the characters always feel so... balanced???? I tried learning from your style and how you piece apart characters, but I feel like I'm missing something in keeping them like- idk- even still, I feel improved a bit? We'll see with my next drawing haha!

Any tips moving forwards??? I really want to start being able to draw scenes and stuff, but I just don't know how to get my poses to feel balanced and not looking like their seconds from falling over

I tried doing that study tip where you take artist’s you admire and ‘referencing’/‘breaking down’ their style

It's important to think about weight distribution and centre of balance. There's definitely people that can explain it better than me but generally, the character's head is going to align with their centre of balance, and the rest of their body weight should be equally distributed on either side

here's some examples in my stuff, I'm not always exact exact with it, but it's good enough that the weight and balance is believable

If we take this drawing of deku, just lifting up his one leg and keeping everything else the same would make him topple over. He needs a counterweight to stay balanced, which means bringing the foot that's still grounded further under his head and pushing his hips out to counteract the weight on the other side

Looking at this pose you drew, I think it would benefit from the same thing, the foot grounding the character should be further under them to make up for the weight of the raised leg and the back arm. This also helps create a much stronger line of action!

Hope that helps!! Your sketches look super cute !

#ask #art tips #long post

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0fps · 2 days

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WUTHERING WAVES ❖ battle beneath the crescent

#wuwa #wuthering waves #wuwaedit #gamingedit #m:gifs #m:*#long post #jinhsi #jiyan #geshu lin

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allergictocolor · 2 days

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The Addams Family Through the Years

Before I get into character profiles, let me first do a run-through of the incarnations of the Addams family through the years.

As I wrote in my first post, Charles Addams created the nameless, bizarre family in some of the many comics he drew for The New Yorker starting in 1938. Morticia and Wednesday were named in 1962 when dolls of them were released. Charles Addams was asked for a list of names and descriptions for them and the other family members when the TV show was in development in 1963, but had little other involvement with the show.

The show ran for two seasons from 1964 to 1966, totalling 64 episodes. This was the same time that a similar show, The Munsters, was also on the air. Both shows were about wacky families of monstrous weirdos living in American suburbia. Both were in black and white, and both were canceled in 1966, possibly due to the rise of color television.

After a cross-over with Scooby-Doo, Hanna-Barbera produced a 16-episode animated series in 1973 which featured the family on a road trip in a creepy camper that looked like their mansion. It featured the same actors who played Lurch and Fester voicing their previous characters, and a 10-year-old Jodie Foster as the voice of Pugsley!

There was a reunion special in 1977, which reunited most of the cast of the show, called Halloween with the New Addams Family. The original show had remained popular, running in syndication for years. It was especially popular in Australia. According to one fan, this was because the Addams family was “less American” than the Munsters.

In 1991, a feature film was released after a tumultuous production. Raul Julia became the new face of Gomez Addams in the popular consciousness. It was followed by a sequel called Addams Family Values in 1993, and in between there was another animated series. John Astin reprised his role as Gomez in that animated series.

There were plans to continue the film series, but Raul Julia suffered from stomach cancer and died suddenly in 1994, canceling those plans. Although both films performed poorly at the box office, they gained a loyal following on home video and remain popular to this day. In 1992, an Addams family pinball machine was produced featuring original voice acting from Raul Julia as Gomez and Angelica Huston as Morticia. It became the most popular pinball machine of all time, selling over 20,000 units.

In 1998, a TV movie called Addams Family Reunion was produced by Saban, featuring Tim Curry as Gomez and Daryl Hannah as Morticia. The only returning actors from the 1991/93 movies were Carel Struycken and Christopher Hart's hand, who played Lurch and Thing, respectively. I have not seen it, and can not attest to its quality, or lack thereof. That movie was also meant to be the pilot for a TV show called The New Addams Family, but most of the cast was different. It ran for 65 episodes, none of which have I seen. (Hat tip to @tenthirtyone for pointing this out.)

After a try-out in Chicago, a musical debuted on Broadway in 2010. I was lucky enough to see that for my birthday that year. It starred Nathan Lane as Gomez and Bebe Neuwirth as Morticia. It was pretty entertaining. It would have been better if Lane wasn’t trying to be Raul Julia. He did a very fake Spanish accent, and it was terribly distracting. The musical was panned by critics and didn’t last long, but it was popular enough that it is now performed by high schools across the country. In fact, my friend Sarah and my cousin Charlie were both involved with different productions of it this past Spring.

That same year (2010), the rights were purchased by Illumination Entertainment, and they announced that they were going to produce a stop-motion film with Tim Burton. However, he decided to go with computer animation instead. That eventually turned into the 2019 film, after Tim Burton dropped out. This version was the closest in appearance to the original comics. Although the characters are rendered in 3D, the animators aimed to make them look as much like Charles Addams’ drawings as possible.

You’d think Tim Burton had been involved since at least the 1991 movie, but he hadn’t. Black and white stripes? Bats? Other goth things? That sounds like Tim Burton, but oddly enough, he actually hasn’t been attached to any Addams Family property until the Netflix show in 2022. It’s a natural pairing, and perhaps he would have been great friends with Charles Addams, had he been born several decades earlier.

Now the Netflix show, centered on Wednesday, is in production for its second season after its first season was one of the streaming service's most popular shows to date. It's not the first time the Addams family has spawned a viral dance sensation. Way back in the 1960s, the original TV show started a dance craze called “the Lurch”.

In coming posts, I’ll go into how Charles Addams originally portrayed each of the nine characters in the Addams family pictured above (Gomez, Morticia, Pugsley, Wednesday, Fester, Grandmama, Lurch, Thing, and Cousin Itt) and how they evolved, or didn’t, over time.

#the addams family #charles addams #long post

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cheatsykoopa98 · 2 days

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1 AM ramble but someone just pointed out to me you can see zooble's room in their pin wrapping background

not only do we get to see what their room looks like, we also get an official look of the zooble box, and a mirror for them to look at themself. now I think this might be important. pomni had a scene in ep 1 where she looks at the mirror in disbelief that she looks like that now, and we know zooble changes their parts every day. I think caine did that to "help" zooble with figuring out their gender identity, which maybe or not be helping, considering what I hear of people experiencing gender dysphoria not liking to see themselves in the mirror.

and I do think the mirror is important, we get to see a little bit of the others' bedrooms as well, kaufmo, ragatha and gangle's, and none of them have mirrors from what I can see. maybe caine noticed pomni looking in the mirror and thought pomni might want one in her room just like zooble, not realizing pomni probably hates to look in the mirror and not see herself

also lets look at the other characters bedrooms

ragatha seems to be very tidy (assuming everyone has to clean up their rooms and considering how messy pomni's room is) and not have that much stuff. a box of toys that she might or not play with considering its positioned as a seat for the piano. we dont know if she knows how to play (according to goose she knows the cello, so she could know the piano as well) and having so little fingers in her hand might actually not let her play the piano properly. caine could have just heard she likes music and put a piano in her room. also notice the piano is in the middle of the room taking center stage and we cant see a bed (yet). ragatha has mentioned nobody needs to sleep even though they can. do you think she (tries to) play the piano at night while everyone else assumedly sleeps? there is a song sheet at the piano but I cant read if it has an actual song name written on it.

also she has a shelf full of things that might be of her interest or template things caine put there. like balls of yarn, books, a gloink (how did she have a gloink before ep 1?) and a framed picture, which if it has an actual photo of someone there could open up a lot of theories to who is there. also the gloink being there points to either ragatha having already lived through a gloink adventure and keeping one in her room or keeping one after an adventure where she was hurt by kaufmo and abandoned by pomni. why would she want to keep it if thats the case?

gangle's room is very dark with black walls. we cant see much but I believe she is in a really deeper depression than pomni. I believe to the point where she doesnt have the energy to try to escape, just mask as much as she can before her happy mask is broken again, poor gangle :/

we dont get to see kinger or jax's room, even though I think there is a kinger door in the corridor. maybe kinger is too paranoid to sleep in his room. jax's only shows his door with the void breaking into view. maybe we wont get to see his room until the very end. also I remember there was a theory jax knows where the exit is, but doesnt leave. I dont think its true considering goose said jax deserves to be stuck in the circus, implying he cant leave just like everyone, but since he "has keys to everywhere", what if he has been to the void without caine knowing? pomni never made it through the end but if jax did, maybe what he saw there pushed him to be how he is now. maybe he doesnt see hope in escaping and thats why he turns into such a bad person, he could be a nihilist in that way

anyway sorry for the long post, I just had a bunch of ideas popping up in my head from this little detail I should have noticed when pomni's pin was released

not only do we get to see her room but we also see the blocks spelling CBA, not sure if the B is supposed to count or not but its the second time pomni is associated with C&A, I do believe she was an employee there

#the amazing digital circus #tadc #ramble #long post #tadc theory #tadc merch #pomni #kinger #ragatha #jax #zooble #bedroom #pin #tadc lore

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