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janumun · 3 years

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The Pirate's Symbol(s): NSFW Alphabet [IkeSen Motonari]

Game: Ikemen Sengoku Pairing: Motonari/Female Reader

Rated: NSFW/18+ Words: 2.5k

Warnings: stockings fetish, spoilers for Motonari’s ‘condition’, sexual intercourse, mentions of exhibitionism/semi-public sex, (non-sexual) bondage, innuendoes and dirty-talk, masturbation

Author’s Notes: Motonari’s entire self is a joy, his route gave me some much needed, invigorating enemies-to-lovers, and I officially love him! [Totally swiped my heart right up without warning!]

A = Aftercare (what they’re like after sex)

Motonari is quick — you’d almost say adept — at sweeping off a cloth, or container, placed by your bedside. Although, your touch and whatever fire you generate in between the two of you does not bother him, he does prefer you both cleaner of the mess and fluids when holding you close in his arms, afterwards.

Wiping up the remnants of your passionate and, often vigorous, activities off of quivering thighs he presses apart, in gentle strokes of damp fibers. Movements of the cloth soft enough it doesn’t shock you into over-sensitivity but not soft enough you relax entirely beneath him, because that scarlet gaze is always fixated on you — your body language. And if you give away even an inch, he’s ready and up for round two (or four). [Bless yer stamina, matey!]

If not, he’s still up and happy to listen to his favorite flower-brained woman’s amusing, outrageous tales she narrates in animated conversation. While he whisks up a quick, invigorating meal for her at the kitchen counter, just as she rests her happy self at the table. Garnet gaze seemingly fixated upon the task at hand — spices being tossed, ladle being stirred, eggs whipped to perfection — but his answers are prompt and alert, although still carrying that insouciant edge. Indicating his attention; equal division in between feeding you and hearing you speak.

B = Body part (their favorite body part of theirs and also their partner’s)

Motonari is fond of his mouth, and before you, he didn’t think of it as much of an achievement as he believes it now, when your jittery gaze seeks immediate relief (and lust) as soon as it lands upon that obvious smirk.

A single kiss and your thoughts are all but handed over to him on an elaborate platter. Your cheeks color dark and wide; restless eyes tracing across his mouth. Your own parting; pink tongue darting quick in a swipe across plush lips: all of you demanding more of him.

Yes, he is surprisingly (or not), in touch with a far more emotional side: Motonari adores your eyes, although you’re never hearing it from him. Your entire body speaks of honesty but the way he reads your thoughts so easy, in your gaze, there’s quite nothing as exhilarating or confounding as the love he captures in them. That quick, tight knot of your brow, your anger flaring in your eyes or the equally prompt melting, when he appeases you in gentle teases. He’s been so long used to not trusting that a person he sees this clearly through, and sees how she trusts; it’s not an entirely terrible thing to feel.

C = Cum (anything to do with cum, basically)

As mentioned above, the man doesn’t particularly care to leave you a mess post-coitus unless you ask it of him; there is little he’s able to refuse you. So when it does come (…heh) to cumming outside of your pussy, your mouth is a pretty (very pretty too) good substitute for him to ejaculate, without having to think of leaving external stains on you. Your throat clamping, then swallowing, around his orgasm, so he feels that slick slide of saliva and semen around him, as you moan.

Yer pretty darn hot, m’lady.

D = Dirty secret (pretty self-explanatory, a dirty secret of theirs)

There are times he descends — quick and furious — into an almost juvenile state of petty jealousy [he realizes the immaturity of it, he just cannot! help! it!] and ends up turning that lust on you, instead.

He’d never actually do it but visualizing — in almost exact, murderous details — how he’d like to drag you into an empty room whenever Kicho gets all up in your face, and fuck you so hard your throat tears through screams lough enough Kicho hears each and every single sound and moan.

Or, clasp your chin in his fingers, whenever Hideyoshi’s a little too close for comfort at an Oda banquet, and kiss you senseless and noisy [pirates crave a flashy exhibition!].

He despises making a show of you to anybody, so that idea only stays in thoughts but also it’s mind-boggling, since it does get him hard on the spot.

E = Experience (how experienced are they? do they know what they’re doing?)

Before you, it was only ever through terrible necessity (extremely dire straits) that he — if ever and very sparing — sought casual sex. The occasions hadn’t been plenty and he’d be frighteningly specific about how he wanted to take a woman to bed.

Bathed, no make-up, no perfume, no scented products or jewelry — anything extra that he could accidentally touch and trigger a reaction. A clean, unscented futon he’d provide in a bare room. Any bonds or cloths he could get his hands on (buying his own and discarding immediately after), to tie their limbs, keep their movements limited; Motonari used.

Of course, there’d be the rare prostitute who’d drop immediately after visiting a client, or one who’d perceive his conditions extreme and over-the-top and think they could ‘change his mind’. The moment they’d try and cross the line, he’d fling them off, almost violently, heart racing, sweat marking each inch of exposed skin. Nauseous and barely tapped, before he’d stride out of the room.

He’s also witnessed open and perverse brothels — and corrupt seething dens — where men and women fuck, for all to see, in his line of work, so he’s no stranger to how sex works for others either.

F = Favorite position (this goes without saying)

He’s learning to let go and touch (just you) without the added barrier of gloves and since you so seem fond of his hands on you, Motonari likes any positions that allow his hands to move your body upon his; he isn’t picky.

Palms curved upon your hips so that your ass slaps against his pelvis each time he pulls back, the movements of his cock into and out of your pussy — a place you are both connected and he likes that. Or even when he can spread your thighs wide, press them apart before hooking his hands over your abdomen and just focusing on moving.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

He’s a pirate he’s a vortex of a man and slips all over the spectrum. Motonari’s goading is far softened with minimum barbs, when he’s in(side you) in bed with you. More velvet — than leathery — questions, soft smirk-y and probing,: “Ya like that, flower girl?” —as his mouth hovers just close to your ear, nose barely touching and tucking sweat soaked strands away from your temple. Definitely lands firm and midway between too serious and entirely silly. But he’s all focus on you, make no mistake.

He’s still got a filthy mouth on him, but dirty romantic liners are more his style, in bed (he wants you warmed as well as turned on!), in contrast to the complete indecent filth he threatens you with (a good time!) when the two of you are out and about.

“Pipe down, m’lady. The way yer moaning, they’re gonna think I’m fucking ya, right on deck.” Those eyes are burnished rubies; smile wide, crooked and unashamed, as he ducks close. “But maybe ya feel like putting on a show.”

H = Hair (how well-groomed are they? does the carpet match the drapes? etc.)

He’s clean down below (and silver-haired, yes) — he doesn’t go the ‘complete waxed up, no-hair in sight’ route, but rather prefers keeping his hair short-trimmed and well-groomed.

He’s also kept his pubic hair short and neat, for the rare occasions he does have sex, and an unkempt mass down there would leave him more likely and exposed to his partner’s fluids staying on him. He despises that.

Motonari doesn’t mind blood, dirt and grime on the field, nor the brine of the harsh sea sticking to his skin, but as soon as he’s done with — or in between — jobs, he takes the time to wash and clean himself up thoroughly.

I = Intimacy (how are they during the moment? the romantic aspect)

[Also see G=Goofy] Motonari isn’t short with words of love. He isn’t reciting romantic poems but he is quick to let you know, in exact words, how much he loves you — and is loving being inside you — in the moment. Barriers definitely lower themselves — not all down, not completely back up — with this man, in bed.

J = Jack off (masturbation headcanon)

(As also mentioned in E=Experience) the man, previously, has sought intimacy only and only out of desperate necessity and when his hand is just not enough for him to relieve himself of his lust. Motonari, before you, jacked off, multiple times within a week, sometimes thrice (or more) in a single day. His desires, usually amped, following a particularly unsatisfying battle or raid.

After you, he still does take time off for some self-lovin’ (remember: stamina for daaays, and you’re mostly unable to match him so he makes do), just not as much as he used to, in the past.

K = Kink (one or more of their kinks)

You and Motonari share a love for (clothing) imports from the seas beyond. He’s always up for sharing and discussing trade secrets, doling out clothing advice and helping you work out modern clothing from whatever fabrics are available to you.

Stockings might be one of his favorite products.

The fabric feeling absolutely exquisite against his palms when he rounds you close into his grasp, stood in between his spread thighs as he observes and hums beneath you, seated. A harmless joke you make, about a stocking fetish and the ensuing explanation soon after, has him grinning and dragging you down to test the material against his teeth.

“Yer sayin’ I got a thing for yer fancy underclothes? Heh, don’t think so. Seeing you in it just makes me wanna tear it all off, meu docinho de côco.”

L = Location (favorite places to do the do)

Anywhere you’re afforded privacy; although a little flirting with danger is good and being pinned in between the door and his body. Watching you try and smother your moans into your sleeves, skews that grin wider, that cock harder.

M = Motivation (what turns them on, gets them going)

You. He’s got a dirty mind, it’ll do the rest of the work when its got its catalyst: you.

Nothing gets you results faster than being honest with Motonari, or expressing your affections (even chaste) for him.

Tell him he looked especially handsome, earlier on a job out: with his hair slicked back and how hard it was for you to have held back from kissing him, on the spot. That you love him—

He’s on you so fast.

“That brain’s just gotta keep sprouting its flowers, huh.” He murmurs, tugging at your chin to swipe his tongue into you.

N = No (something they wouldn’t do, turn offs)

Despite his treatment of you very early on in his route (the collar, the slavery deal), Motonari’s not into putting a collar on a person, romantic or otherwise. Collaring and hearing you call him your Master wouldn’t do much for him, playful or not.

He’s had to live a great chunk of his life as the Beggar Prince; experienced the devastating dregs of human society, including and not limited to being treated as one inferior, and having to watch people around at the very mercy of corrupt lords.

In retrospect, it isn’t something he might take pleasure in, in the bedroom.

O = Oral (preference in giving or receiving, skill, etc.)

Giving or receiving, both take some getting used to within the bedroom. He finds the taste of you pleasant, when he withdraws wet digits from inside you and takes a careful swipe of the clear fluid across his skin. And has expressed interest in, and gone down on you several times.

Receiving gets a bit more gentle coax-y and requires reassurances, with Motonari. He doesn’t particularly like seeing his release all over you. Having to work through those barriers of his mind, but once he allows you, he does enjoy the slow kisses, and the soft slide of your mouth against him.

P = Pace (are they fast and rough? slow and sensual? etc.)

His default setting is rough and furious. The two of you are usually frustrated passion by the time you actually get to his bedroom (he likes to prod and poke much too often in public, get you riled) so there’s only one way to go and it’s up. He’s spreading your thighs apart with none too gentle hands as he pushes through and into you, your own hold on him, white knuckled and almost delirious with the way his hips rock into you and his cockhead scraps across your front wall with his onslaught.

At times, however, especially after a high-risk mission; when he’s been close enough to stare Death in the face and survive, he likes to take his time being inside you, just being able to feel you. Once, twice, several times, he’s keeping you beneath, or mounted on top of him, coaxing your hips and your moans.

“Don’t look at me like that, flower girl. I’m alive, ain’t I? Com’ere. I’ll take those tears of yers.”

Q = Quickie (their opinions on quickies, how often, etc.)

Definitely! Any time he can have you, or get you close enough in private, you’re going to be fucking each other. He loves those little breathy, moan-laughters you make in half-panic/all arousal, each time he drives up to grind your hips close together, stuffed into a hallway closet.

R = Risk (are they game to experiment? do they take risks? etc.)

Semi-public quickies are a thing and the closest to risky as he gets. As mentioned previously, he’s demanding enough over you, he doesn’t like men Kicho touching you, let alone hearing you when you sound like that.

Other kinks, most kinks, he’s down to try with his favorite dirty, flower-brained woman. He does however, draw the line at any kinks that might involve him using harsh, ugly words to degrade you or your body and/or being soiled.

S = Stamina (how many rounds can they go for? how long do they last?)

All I gotta say is: Pirate’s got stamina enough to power his ships through horn alone, over an entire week!

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Toys translate to external objects. Which are always subject to germs, and need to be (excessively) cleaned by his standards, to keep them useful and usable. That’s far much more work than he’s usually willing to commit himself to.

And he has no need of them. Not when you respond plenty to his touch alone.

U = Unfair (how much they like to tease)

A lot! Motonari’s brand of filthy talk is polished to leave you damp in between the legs. He’s pulling the nastiest most wonderful innuendoes out of the most mundane of tasks.

“Ya like that old weapon?” He might ask of you, as you admire the carvings upon the handle of one of his clan’s katana. “Didn’t know ya liked the feel of handlin’ a sword between yer hands that much, m’lady.”

Leaving your mind reeling and cheeks flushing before withdrawing with a, “What’re ya cooking in that flower brain of yers? Heh... you’ve got a dirty mind.”

V = Volume (how loud they are, what sounds they make, etc.)

Heavy, sensual pants against your ears. His groans and grunts enough to fan the fires of your own arousal, to have you ready to come, from just the sounds that can leave his throat. Motonari doesn’t care to be heard outside your boundaries, but he also doesn’t care to withhold his own sounds of pleasure from you.

W = Wild card (a random headcanon for the character)

He almost swears (but will never tell you, in very direct words): the space in between your bare breasts smells almost sweet like flowers. He likes finding his way up and nosing in between your breasts — just skin-to-skin contact at a place he finds you’re at your most fragrant. Suckling and tugging at a nipple draws those moans and your scent more intense, so he nips and teeths around the place often.

X = X-ray (let’s see what’s going on under those clothes)

That beautiful cock — with the evidence of just enough silver at the base — is long enough it fits and curves snug into you, without entering into any discomforting places, deep. But he is thick enough, it takes you time (and many times) to not just hold your breath and tighten up around him on reflex, upon entry.

Y = Yearning (how high is their sex drive?)

(Read: S)

Z = Zzz (how quickly they fall asleep afterwards)

You’re almost always the one falling asleep first. Pirates are used to night raids and this one’s no different. He does prefer watching you sleep, late into the night, once you fall exhausted into slumber.

End Notes: Thank you for reading!

♧° Link to Master List °♡

#ikesen motonari #ikemen sengoku motonari #ikesen mouri motonari #ikesen motonari smut #ikesen smut #ikemen sengoku smut #ikesen fanfic #ikemen sengoku fanfiction #ikesen motonari x reader #ns//fw text #a pickle writes

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minor-solemnity · 3 years

Note

hi i love your work and am excited for your series. i was wondering if you can do a one shot where the reader comforts tom and let’s him fall asleep on her while she plays with her hair 😩 soft tom 😈

Yesssss! Soft Tom - I cannot resist! This may have gotten away from me a bit so I hope you enjoy 2.6k of fluffy comfort!

Tag List: @jinxqsu @naps-and-lemons @riddles-wifey @mainlynonsense @cakesarecute @crumpets-are-better-with-jam

What Equates to Worship

The door to your bedroom is open and you roll your eyes when you peer inside and find the source of your broken wards slumped in the armchair next to your bed. Tom’s best robes are in a heap at the foot of the bed, his smartest brogues are kicked into the furthest corner of the room, his hair - usually so neat - is disarray. He looks like the world’s most harangued man. “Good evening, my love,” You murmur as you make your way over to his side, kneeling on the floor so that you can take hold of his hands which are resting loosely in his lap. “You broke my wards again.”

It’s late when you get home. There is a Very Important Case being tried in the Wizengamot and your boss, Gerald Montague, is running you ragged in an attempt to get the edge on the prosecution. It’s a nasty case, the defendant, Mr Vickers, is on trial for the kidnapping and murders of five women. His chances aren’t looking good - there is enough physical evidence to bury him and his alibi is flimsy at best. In private, both you and Montague are convinced of his guilt but that doesn’t matter when it’s your job to convince the Wizengamot and a jury of his innocence. Needless to say, it’s not been an easy couple of weeks.

Your shoes click against the uneven cobblestones as you make your way down the narrow road to your flat situated just off the main drag of Knockturn Alley. It’s not the best part of town, but the flat itself is double the size of what you would be able to afford if you lived somewhere more reputable. Besides, it’s not as though you’ve ever been scared by the less savoury parts of humanity and society - you’d be awful at your job if that were the case. You throw a couple of sickles to the hag that operates outside your building, and she promises you glory in the afterlife in thanks. “If you could promise me glory when I’m alive, I think I’d find that more useful,” You say as you fumble with your keys.

She laughs, “That will cost you more than a few sickles, love, try again tomorrow.” You chuckle and shrug a shoulder. It was worth try at least. The gas lamps that lead the way up the winding stairs to your attic flat are already lit, casting a dim, flicking light across the stairwell. You frown slightly as you make your way up the stairs; no one usually lights the lamps, leaving it up to you to light them when you return from the Ministry every day. Your curiosity is further piqued when you reach your front door and find it glowing a dim red, indicating that someone has broken through the wards. You have an idea of who it is, but you take your wand out just in case you’re mistaken. You have a few files from the Very Important Case hidden in the depths of your bedroom, which in the wrong hands, would be disastrous for you and Montague.

The inside of your flat is dark and cold and looks just as you’d left it this morning. With a sigh, you flick your wand at the fire and smile as flames begin to flicker and burn. Your flat is relatively spacious, but the fireplace is enchanted to spread the warmth further than a normal fire would and with any luck you’ll be toasty and warm within a few minutes. You shrug out of your travelling robes and kick off your heels, rubbing your aching feet with relish. Next on your list of things to do is figure out who has broken into your flat and if it's something you should be concerned about.

You pad through the flat, your stockinged feet making no noise against the polished wooden floorboards. The door to your bedroom is open and you roll your eyes when you peer inside and find the source of your broken wards slumped in the armchair next to your bed. Tom’s best robes are in a heap at the foot of the bed, his smartest brogues are kicked into the furthest corner of the room, his hair - usually so neat - is in disarray. He looks like the world’s most harangued man. “Good evening, my love,” You murmur as you make your way over to his side, kneeling on the floor so that you can take hold of his hands which are resting loosely in his lap. “You broke my wards again.”

He makes a small sound in the back of his throat which is honestly pitiful and you are struck by a burning desire to make whoever put him in such a state pay for their crimes. Tom should never look so downtrodden - it doesn’t suit him in the slightest. You rub soft circles against his palms, smoothing the tension out of his fingers with careful strokes as the quiet of your flat weaves a gentle spell of calm and soothing around the two of you. “Is it a good evening?” He mutters and when you look up at his face, you can see the hard lines of annoyance and defeat marring his forehead.

“Hmm, don’t frown, darling - you’ll ruin your pretty face.” This at least gets a small hum of amusement out of him which you count as a win. Heaven knows that when Tom gets in these moods it can take a lot more than gentle touches and murmured sweet-nothings to get him to smile. You rise from your position and move behind the armchair, resting your cheek on the crown on his head and your hands on his shoulders to kneed at his knotted muscles. “I assume that you didn’t get the job?”

You’ve been so busy with your own work that you’d forgotten that Tom’s interview with Dumbledore was today. If you had remembered you would have taken the day off because even the most optimistic person would have known there was a fool’s chance of Tom getting the Defence job. Despite everything though, Tom is an optimist. You would never have guessed it when you first got to know him, but underneath his taciturn facade is a terribly hopeful young man who still believes that things will turn out in his favour. His idealism is part of what you love about him if you’re being honest with yourself. It’s a good contrast to your cynical realism.

It’s ridiculous, of course. Tom, despite his young age, is the most qualified person you can think of for the position. He knows more about Defensive magic than anyone save for maybe Dumbledore himself, and beyond that, he has the right temperament for it. It comes as a surprise to most people who meet him that Tom would be a good teacher, but he really is. His love of Hogwarts, defensive magic, and his desire to impart that knowledge all adds up to someone who sees struggling students and wants them to succeed. If it had been anyone other than Dumbledore, he would have been a shoo-in for the role.

“You assume correctly.” His voice is still tight and muted with resigned anger, but he begins to loosen under your hands, his head lolling to the side and coming to rest against your forearm.

“Did he give you a reason why?”

Tom sighs and the sound is world-weary and destitute. At that moment, your hatred for Dumbledore intensifies. “He never intended on giving me a chance. He invited me in and lectured me about dark magic. He essentially said that as long as he was Headmaster I would not be welcome in the castle.” The worst thing is that Tom sounds so forlorn. Unlike you, who had decided after a year at Hogwarts that the only thing you wanted to do was leave, Tom’s fondness for the school is unparalleled. “Knowing him, that won’t be for another hundred years or so.”

“I’m so sorry, Tom,” You say, dropping a kiss into the dark curls of his hair. “He’s an old coot. Still so struck by the mythology of his own genius that he can’t see past his own prejudices.” He hums lowly in response and eventually, you feel him start to relax. It’s gratifying to know that it’s you over anyone else, that he comes to when he needs support. You know his friends and followers would do anything to gain his favour, but at the end of the day, he doesn’t seek them out. No, he doesn’t trust them to see him like this, to see him in his more human moments of vulnerability. He trusts you to understand him and comfort him. That in itself is a gift.

“Now, come on. We can worry about Dumbledore later, but right now, let me find us something to eat.” Food, in your opinion, can go a long way to right a lot of wrongs and you have a sneaking suspicion that Tom probably hasn’t eaten all day. He’s annoying like that, too wrapped up in his own thoughts to care about silly little things like eating and taking care of oneself. You can’t help but chuckle softly as he mumbles something under his breath and reaches for your hands to hold you in place. “Later, my love. I promise,” You say and disentangles yourself from his grasp.

Tom follows you out of the bedroom and watches you with a look of exasperated amusement as you search your kitchen. Your cupboards are sinfully bare when you go to inspect them, the rush of the last two weeks has meant that you’ve neglected a lot of your more basic chores. “And you accuse me of neglecting my needs. You hardly set a good example, my dear.” He murmurs from where he’s lounging against the stove. You roll your eyes as you shove your feet back into your heels and head for the door.

“Veeraswamy?” You ask and have to hide your smile when Tom’s eyes light up. It’s not often that the two of you treat yourselves to restaurant-quality food as neither of your jobs’ salaries really allow the indulgence, however, tonight, you think an exception is called for. “Feel free to look over the files I brought home - maybe you’ll notice something I missed.” You don’t even finish your sentence before Tom is digging through your work bag and pulling out the offending files. Typical, you think fondly. Tom is as curious as a cat and one of the easiest ways of making him feel better about anything is to introduce him to a puzzle.

Fifteen minutes later you apparate home with a brown paper bag of Veeraswamy’s finest selection of curries and sweet treats. As a rule, they’re dine-in only, as many of the restaurants in muggle London are, however, you’re not above a confundus charm to get what you want and you always make sure to tip splendidly to offset any guilt you feel for taking advantage. When you get in, Tom has the case files splayed out on the small kitchen table and you spare yourself a moment to admire the elegant curve of his neck and the way his curls fall in graceful arcs across his brow. Without looking up, he makes a space for you to drop the bag of goodies on the table and you collect plates and the bottle of wine that is the only thing you already had in your flat.

You discuss the Very Important Case over dinner and he indulges in your complaints about Montague’s refusal to even consider your line of defence. “Vickers says that he went to a Seer and was told that these women would die by his hand. I want to make the case that he can’t be fully held accountable for the murders if it’s already foretold.” Never mind that that isn’t how prophecies or fortune work, no one in the Wizengamot understands the intricacies of Divination well enough to know that just because something is said, doesn’t mean it will come to pass. “Montague is convinced that we can prove his innocence without resorting to asking for lesser charges.”

“And he’ll lose the case because of it.” He hums, sets his fork down and reaches for your hand, his long fingers looping around your wrist. “Have you considered the fact that Vickers may have been compromised? The file says that when he was found, Vickers was abnormally placid and made no attempts to hide the evidence that would have been easily disposed of? Maybe hire a mind-healer and see if he’s been the victim of an imperius curse,” He says nonchalantly as though he hasn’t just dropped the biggest break in the case in your lap.

“Tom. Tom, you are a genius. How did you even begin to come to that conclusion?” He must hear the wonder in your voice because a small, self-satisfied smile curves his upper lip and he leans over the table to press a chaste kiss to the corner of your lips.

“These things are obvious if you know what you’re looking for.” The knowing in his voice hints at something darker and your eyes narrow slightly. Tom’s proclivity for the dark arts is no secret, neither is his cunning and ruthlessness. You don’t ask and he doesn’t tell, but you suppose it’s probably a good thing that you’re training to become a defence lawyer. Maybe one day he’ll need one.

Tonight is not the night for those kinds of thoughts though. You doubt any night will be - if ever there comes a day when you have to reckon with Tom’s less savoury pursuits, you already know where your allegiances lie. With a soft hum of acknowledgement, you stand and lead him to the bedroom. “Enough maudlin talk for tonight, I think,” You say as you settle against the headboard and motion for him to join you. “You must be tired after today.”

Even though he tries to hide it, you can see that the day has worn on him. Shadows form like ink stains underneath his eyes, and he holds himself with a kind of forlorn regret that fills you with a feeling of sympathetic sorrow. He crawls up the bed and raises an eyebrow when you don’t move to make room for him. Instead, you simply lift an arm and smile, sleepiness and tenderness mingling into something soft in your eyes. After a few second of internal debate where Tom looks from you to the spot you’ve made for him, he gingerly lowers himself against you, his head resting in the hollow where your shoulder meets your neck. He lies unnaturally still and tense in the way a feral kitten might react to the kindness of a stranger.

Honestly, it’s more than a little heartbreaking. Slowly - carefully - you rest one hand over his heart and begin to card your other through his hair. You’re not entirely sure how he manages it - you’ve never seen a haircare potion in his vicinity - but Tom has the softest hair of anyone you’ve met. It’s dreadfully unfair, really. You rub gentle circles against his scalp and smile softly in the dim light as you feel him relax against you, the long hard lines of his body soften as you continue your gentle ministrations. Gradually, you sense him ease into a contented state as he seeks clemency from the day in your touch.

That you can do this for him, that you can be this for him is not something you would have ever thought possible. You remember vividly the uptight rigidity with which he had held himself throughout your time at school. The fervent dedication he had channelled to reach the top of the pecking order, never allowing himself a moment of softness or reprieve. You’re certain that if he’s not careful he will burn himself out before he’s had a chance to truly shine, and you know just how brightly he could if given the chance.

You brush his hair from his eyes and lazily draw abstract patterns against his chest, feeling the way his breathing deepens as sleep overtakes him. In this moment of calm, sleepy repose, you feel your heart expand with all love and care you think you might ever feel, and you brush a soft kiss to the crown of his head, revelling in the almost breathy sigh that escapes him. “You’re far too good to me,” He mumbles, half asleep and entirely too sincere.

“Agree to disagree, my love. I am exactly as good to you as you deserve.” He chuckles at this, nestling deeper into your side and flinging an arm across your waist. “Now, sleep - we have so much time for everything else.”

AN: Also before anyone accuses me of anachronisms, Veeraswamy is London’s oldest Indian restaurant. It was opened in 1926 and I’ve been there once before - the food was so so so good and it was disgustingly expensive. I’m assuming that it wasn’t that pricey in the 40’s

#tom riddle #tom marvolo riddle #tom riddle x reader #tom riddle x you #tom riddle x y/n #tom riddle x oc #tom riddle imagines #tom riddle imagine #tom riddle fanfic #tom riddle fic #tom riddle fanfiction #tom riddle oneshot #minific #asks #request #prompt fill #prompt fic #harry potter #harry james potter

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shihalyfie · 3 years

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Comparing the original Best Partner character song series and the new one, and what that says about the 02 cast

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So if you haven’t heard yet, a new series of 02 (it’s actually Kizuna) character songs dropped! Allegedly intended as a slightly delayed 20th anniversary project, the series is a callback to the original ��Best Partner” character song album series that released during 02′s actual airing.

If you know anything about the original Best Partner series, it’s one that sets an insanely high bar, even for Digimon standards (and that’s saying something, given the deep associations this franchise has with music). The series of character songs before it, Adventure’s “Character Song + Mini Drama” series, has a…kind of questionable amount of relevance to each character; it’s not like they’re super amazingly out of character, but they don’t really tell you a lot about each character beyond some gloss details (this is probably best demonstrated in how Mimi’s song is blatantly just an AiM single disguised as a Mimi song). Best Partner, on the other hand, very intimately goes into each character’s head and their relationships with their respective partners, even putting in direct words what wasn’t stated explicitly in the series.

So does the new series live up to the high bar its predecessor sets? Answer: on top of some abnormal attention to detail on the covers, it is very obvious that the new series not only has a lot of the depth of the 02 characters in mind, but also is made in direct response to the original series itself. Moreover, putting the original Best Partner series and this one side by side reveals a lot about each of the 02 characters and what they got out of 02′s story, in a surprisingly neat summary.

Let’s go into how!

Since this is something that has a deep relationship with all of these characters in regards to the series, this particular meta would not have been possible without input from multiple people who know these characters better than I could ever hope to by myself. Thank you for all of your help.

A bit of historical context

The original Best Partner series consisted of a set of albums, one representing each pair of partners in 02. Notably, even though nowadays there’s a specific order of the Adventure/02 characters that’s used in modern media, not only does the original series not follow that ordering (as it hadn’t been set in stone at the time), it also leads with the original Adventure characters and not the 02 ones, which is pretty unusual for a series that’s ostensibly supposed to be for 02 (modern lineups will usually favor leading with whichever group the relevant product is branded with).

A lot of this probably makes more sense when you realize that the original Best Partner series was released during the first half of 02’s airing. The final album was released on August 23, 2000, four days before the fateful 02 episode 21 (yes, that means the third track on Ken and Wormmon’s album is actually a spoiler). So in other words, while the original Best Partner series accurately reflects the older Adventure group’s character development and what problems they were able to sufficiently overcome, the 02 group does not have anything about their character development from 02′s second half reflected in it at all.

That’s actually a really huge disparity, when you think about it, especially because a lot happened with the 02 group in that second half – that second half was where the emotional payoff and the results of everything that had been building up over that first half came together. So in comparison to the Adventure group, composed of people confidently talking about what they’ve decided for themselves from now on, you still have the 02 group drenched pretty deeply in insecurity. Watch 02 to the end and listen to those songs again, and you might even think “wait, this is supposed to represent these characters?” So, in essence, the new Best Partner series serves to address that gap, and what the 02 group gained and learned out of 02′s second half.

Best Partner (and its successor series for Tamers, Best Tamers) follows a uniform format: a solo song for the human partner, a solo song for the Digimon partner, and a duet between the two. (Given that, the original Best Partner series was really huge, at a whole 36 songs.) Recalling that, in the Adventure universe, a Digimon partner reflects the human’s inner self and psyche, it’s pretty extensive coverage: what the human has to say about themself, what place their Digimon partner is in relative to that, and what the nature of their relationship is due to that.

Let’s go into each pair of partners in detail!

Daisuke and V-mon

For those who love 02 and love Daisuke in particular, when you ask “what kind of character is Daisuke like?” or “what’s Daisuke’s best quality?”, you’re probably going to get answers like “forward-thinking” or “positive” or “good at uplifting others” – basically everything to do with how Daisuke is an encouraging presence who doesn’t give in easily and has a strong mentality of moving forward in the face of despair. Someone who appreciates and understands others’ best qualities, and loves them for everything they are. So when you look at his original Best Partner solo song, Goggle Boy…

But more than just saving the world I really don’t want to lose, you know

…Uh…

These goggles are my proof Given by a certain someone to me The precious thing he handed over It’s just like his Crest, you know Aren’t they cool?

…Well, that’s nowhere to be found.

This is the kind of song that might make you think “wait, this is supposed to be Daisuke’s representative song?!” (It’s possibly because of this that Daisuke’s song from The Bridge to Dreams, Tomorrow, generally tended to be far more favored among Daisuke fans, although it’s more relevant to 02 as a whole than it is to Daisuke in particular.) if you listen to Goggle Boy knowing about what Daisuke’s best qualities should be, this is almost a little frustrating, because this is the kind of thing he really shouldn’t be pigeonholed as – basically, begging for others’ approval and praise and focusing on idolizing others. Even his most insightful moments in this song come from his appreciation of something that came from someone else (Taichi), not from himself.

Well, the thing is, that was Daisuke’s character for most of the first half of 02. Of course, even in early episodes, there were many times where Daisuke’s potential for positivity and forward-thinkingness were starting to poke through, but most of the time he was rolling over trying to please others and chasing after his seniors. The real period of time he started to grow into his own about this was 02 episode 24 and its aftermath – when his time spent with his friends started to fill the void in his life and his need for validation, and the escalating situation, especially with Ken, led him to have a proper grasp of what was properly important and what needed to be done.

So when we get to his new solo, RUNNING MAN…

I’ll keep on running far ahead Let’s bring everyone along with me, today, too Really, always, thank you, Thank you so much Riding the wind, going past the sky Grasping your hands and flying I’m even starting to see beyond my dreams

Even in only one section, you can get an instant image of the Motomiya Daisuke we all know and love – someone who appreciates his friends’ role in his life, loves their company, and moves positively towards the future. Because, again, after the events of 02, and after being able to bond further with his friends and gaining his own strengths in leading everyone forward, he became able to more properly express his love for everything instead of constantly vying for others’ attention. Even the title reflects the change, from a “boy” who’s flashing the symbol of courage he got from someone else, to a “man” who’s positively running forward on his own merits.

(Interestingly, RUNNING MAN is composed by Ohta Michihiko, a legendary composer who’s made many of some of the most important songs in the franchise, and also composed many of the original Best Partner songs, including Goggle Boy. It’s interesting how RUNNING MAN is the one most like the original songs in atmosphere as a result – possibly representing how Daisuke is a simple-minded person who ostensibly doesn’t change drastically in disposition – yet has lyrical content that’s so starkly different.)

As a result, this is subtly reflected in the other two songs in each album as well – remember that V-mon is one of the partners who most “matches” his own partner in terms of disposition and mentality. So as Daisuke shifted his own priorities, V-mon did too; we go from Go Ahead! being about taking a stand and fighting, whereas Beyond the Future is about a similar forward-thinking mentality to Daisuke’s.

Likewise, the duets have different priorities as well; 2-TOP was composed of Daisuke and V-mon bickering for the most of it, and the most substantial point you could get about it was that despite their bickering, they made it work, whereas HEY-rasshai! has them almost entirely in sync (with one minor moment of deviance). It’s also interesting to see the topics covered in each; 2-TOP is about soccer, which ultimately is revealed to be a fairly incidental hobby for Daisuke, whereas HEY-rasshai! is about ramen making, which, while comical, also has a very strong tie to “Daisuke’s dream for the future, and his willingness to single-mindedly dedicate himself to something when it’s something he truly wants”. In other words, while Daisuke knew what he wanted since elementary school, it says a lot that he’s at a point where he and V-mon are now taking proactive steps to have that dream achieved, now that they’re able.

Ken and Wormmon

Like with his position in 02 itself, Ken’s is probably the easiest to see the contrast without trying too hard, but there’s still quite a lot to unpack!

When you think about it, in the modern era, it’s actually surprisingly hard to find stuff too relevant to Ken’s time as the Kaiser. The reason is, simply, that the series itself discourages this – Ken himself had an obvious aversion to dwelling too much on it, and the entire series itself has a strong theme of “moving on”. It’s not to say that the Kaiser doesn’t have a fanbase (I’m sorry if you’re reading this and find that I might be implying too hard that you don’t exist), but rather that there’s a franchise and fanart tendency to focus more on “Ken-chan” than “the Kaiser” these days, and old merch from the first half of the series will all too often get responses of “it’s really sad Ken-chan can’t be there…” Of course, 02 itself was also about accepting one’s mistakes, not pretending they never happened, so it’d be foolhardy to deny Ken’s dark history entirely, but it’s retroactively interesting to see such a prominent and persistent piece of merch like Ken and Wormmon’s original Best Partner album focus so largely on Ken’s time as the Kaiser when most of the franchise ended up trying to move on.

Starting with Ken’s solo songs, and his first one, ONLY ONE:

I’ve lived without showing my true feelings, wearing this mask

Well, this was easy to tell from the series itself, but the point driven home is that Ken didn’t want to expose his true self to others, putting on a front of “strength” and smashing his true feelings into the corner so that he could become more of the “perfect” person he thought he was supposed to be. There’s also another interesting line that one should pay attention to:

I polished the knife in my heart and put my belief in infinite power

Basically, putting up a defensive front to prevent anything from approaching his weaknesses.

Anyway, moving onto his new song, Never Ending:

If I want to be proud of tomorrow’s version of myself I wonder, what can I do? Never Give-up I’ll keep fighting, even doing someone else’s part No, I won’t be afraid anymore

First of all, the main theme of the song is about putting conscious thought into understanding how to stay true to himself – basically, understanding what it is he really wants to do and become, instead of putting on fronts and hiding it from others. Not only that, we see traces of what exactly he gained over the course of the second half of 02 – because so much of it involved constantly trying to blame himself for everything, this song is about what he came to learn in terms of proactively making it up and actively fighting forward. He’s working hard!

We also have this part:

The knife that’s pointed at someone, or at myself If it’s been let go of

Two things going on here: firstly, we have an explicit reference to the metaphorical “knife” Ken referred to putting up in ONLY ONE, talking about finally letting it go instead of bothering with this kind of front. He also points out that, in a sense, the knife was pointed at himself too, either in the sense of actually having hurt himself through this entire ideal, or in the sense that he constantly was trying to blame and punish himself for everything. None of that should be necessary anymore. Moreover, Never Ending contains a lot of references to “daily life” and the happiness that comes with the simplicity of just being alive – because that was indeed what Ken gained through his experiences, the ability to treasure living life in itself instead of aspiring to an impossible standard.

Another interesting thing about Never Ending is that it’s technically in a similar rock genre to ONLY ONE instead of being “soft”, like Ken’s personality is often thought to be. This was a surprise to a lot of people who commented on how surprisingly “cool” the song was, but this is actually completely in line with Ken arguably being one of the most openly assertive people in this group even after his reformation. Note that it’s very difficult to call this song purely angsty – it’s definitely positive and forward-thinking, and the chorus itself is partially in major key – but it has the vibe of someone who’s fully aware of everything that’s happened, is putting proper thought into it, and is pushing on despite everything. Remember, the intensity the Kaiser had originally came from somewhere; Ichijouji Ken is the same person, in the end.

In regards to Wormmon’s song, the contrast is also obvious: The Future You Dreamed of, the Future I Dreamed Of. is of course about Wormmon’s tormented feelings during the Kaiser’s abusive relationship with him, whereas can change it! is about its aftermath and how they made up (including copious references to the events of 02 episode 23). Even then, there’s a certain “forward-thinking” attitude that marks this song as being representative of being after 02’s events and not during – see the line “The mistake we made that day/is exactly the reason we’ll never let it happen again”, instead of the self-punishment and shame Stingmon expressed in 02 episode 26).

On top of that, the duet song Forever Adolescence also marks a subtle progression from the point they were at from True Strength – remembering that Best Partner 12 was released at a time when True Strength was actually a bit of a spoiler, while Ken and Wormmon obviously had made up by that point, the key line in it is still “everything truly begins from here”. So what, exactly, happened after that? According to Forever Adolescence, the decision made was to keep moving forward, and, moreover, to stay “the way they are”, especially with the nuance that it means it’s okay to not force oneself into the role of an adult and stay “young at heart”. This is really, really important in light of the events of Kizuna, the 02 group’s unusual role in it and its relevance to 02′s themes (more on this below), and how Spring 2003 referred to the pressure placed on Osamu as him being “forced to grow up too quickly” – in essence, Ken and Wormmon have firmly resolved to actively move away from that kind of pressure.

Miyako and Hawkmon

I’ve pointed out several times on this blog that the actual complex Miyako was going through in 02 was that she hated herself more than anyone else in the group would be willing to criticize her – and if you don’t believe me, it’s put in a pretty heavy-handed manner in her original song, Crash and Bingo!:

Fussing about it won’t get anything done But my selfishness and problems and panic keep coming out

…and even more viciously in her own and Hawkmon’s duet, Fly High:

I can’t do anything right, besides playing around with computers

Everyone would be still be fine if I weren’t there

If you thought it was subtle in the main series, it certainly isn’t here: Miyako considered herself good for absolutely nothing and unable to be accepted by others for being too useless – in these songs, despite Hawkmon’s attempts to uplift her, she criticizes her own messy tendencies and considers herself a burden. Best Partner is a positive series, so it still has the attitude of “we’ll try anyway”, but it’s clear that Miyako really didn’t have the highest opinion of herself at all. Hence, Fly High also shows off the worst of Hawkmon having to deal with the fallout – with Miyako flailing around in panic and considering herself good for nothing, he’s forced to carry her around.

But come Miyako’s new solo, From Spain with Love!, we see a huge contrast all over the place:

I, who have evolved into an adult make everyone do a double-take at me when I walk by!

Exhibit A: actual confidence in herself and ability to consider herself worth something;

If I can always, always be honest with myself Even if I don’t put together some program, even if I keep screwing up Ah, you understand me

Exhibit B: understanding that she’s worth something to others besides her utility abilities, and knowing that she has friends who’ll support her despite her flaws (which is very true);

When things are feeling hard, the first thing you should do is call me, okay? I’ll take the wings of love and purity, spread them, and get there as fast as I can Ah, I’ll open up any gate I need to

Exhibit C: indulging in her capacity for helping and supporting others;

Al mal tiempo, buena cara We laugh exactly when things are hard

Exhibit D: understanding the strength to get through hard times, instead of emotionally crumbling under the pressure.

Yep, that’s exactly what her character arc in 02 was about; 02 episode 31 was a huge turning point for her because, in the depths of her berating herself for her messiness and expecting Hikari to be secretly judging her the whole time, Hikari revealed that she was outright jealous of Miyako being able to speak her mind, and Miyako shortly after ended up showing her true capacity for reaching others who needed her help and supporting them, a role she ended up growing into for the rest of the series. Note that, other than the casual remark of confidence at the beginning, Miyako hasn’t necessarily become arrogant or anything – it’s just that, by focusing her energies into how much she loves everyone and turning her “nosiness” and “sticking herself into others’ business” tendencies into positive energy to help everyone, she gained more confidence in her ability to be loved and accepted by others.

This is reflected as well in her new duet with Hawkmon, where, instead of Hawkmon dragging her around everywhere, their differences and mismatched personalities are outright celebrated, and while Miyako still has awareness of her messy tendencies, she’s no longer letting it emotionally rip her apart and has confidence that Hawkmon can be by her side to help her through it. Perhaps reflecting that, Hawkmon himself goes from the over-the-top, dramatic, high-strung Knight of Love to the more calm and straightforward Gentle Tornado, perhaps because his own partner isn’t constantly bouncing off the walls recklessly nearly as much anymore.

Incidentally, it’s not like all of this is without nuance, either; even if Miyako’s become more of a confident person, she’s not all put-together. Considering that the entire song has her gushing about how she’d be willing to drop anything to go see her friends (which was pushed forward in Kizuna itself, what with her willingly taking the same request she’d refused to do earlier just because her friends were involved, and even inventing D-3 gate exploitation just to go see them), when you get to the end, and her gushing about her fun in Spain suddenly derails into reminiscing about the events of 02 episode 42, the implication is clear: for as much as she wants to be wholeheartedly enjoying this fun trip abroad for what it is, she can’t help but let her thoughts float back to memories and friends she cares about, and her bonus conversation with Hawkmon drives it in further that, ultimately, she dearly misses them too much.

Iori and Armadimon

Iori also went through some drastic changes in character over the course of 02, so when you look at My Conclusion, it’s basically Iori at his “worst” point of black-and-white morality:

Everyone, I will be speaking my conclusion Evil will not be tolerated Even evil in itself will be defeated by justice That will always be a certainty in the end

I mean, let’s even consider the fact that the song is called “My Conclusion” in the first place. Iori’s slamming this all down like this is the end-all of everything, and you can’t change his mind! He does briefly admit that there are certain things reason itself won’t change, but it’s more like he’s on the verge of having an out, because in the end, really…

Everyone, I will be speaking my conclusion Our enemies are beyond reason Again and again, to the very end They will certainly use cowardly means to come and attack us

Rationality. No feelings involved. Evil is evil, and justice is justice. No takebacks. Life exists by rules, and nothing else.

Message to the Future is possibly one of the most interesting songs in the original Best Partner collection, because it does actually provide hints about where Iori should be going in the future, and also has a lot of things that retroactively hit a lot harder from the meta perspective. The song fully fleshes out Iori’s feelings and concerns about how to grow up into a proper adult (which was hinted to be his real motivation as to why he was so strict with himself in 02), and that, most of all, what he wants is for his “feelings” to never change no matter what happens. Iori expresses concerns about how he might change as an adult to Armadimon, and Armadimon assures him that he’ll still be “Iori”, no matter what.

So, come the new character song collection, Iori’s new solo song is aptly titled “Things That Won’t Change” – because, in the end, despite everything that changed, his feelings did not. He says it himself: the important parts that he really wanted, the desire to do the right thing and to protect others, never changed a bit at all since “back then”. What did change, however, was his way of going about it.

Rather than what someone else has decided I’ve chosen my own future now

and again:

Rather than imitating someone else This is to shout out my own future

The emphasis on this being Iori’s own choice is important because Iori has finally decided not to live by strict rules imposed on him nor by imitating others (remember, part of the reason he kept doing what he did back in 02 was because he had such a strong belief “my father would have done this”). Others had been encouraging him to “make his own decisions” from the get-go – even Hida Chikara himself had told him that he was the one who needed to decide what to do in any moment in 02 episode 5 – and after dealing with a violation of his own morals in having to kill a Digimon in 02 episode 44, one episode later, in discussing with Takeru, Iori has to come to terms with the decision to continue fighting because “this is what I have decided myself”, because it’s not about whether he has an obligation to keep fighting for the sake of justice, but because he, himself, wants to protect others, and will do what it takes to do so. There’s no more of these strict rules of “because it must be this way” or the black-and-white morality that caused him to be so initially hostile towards Ken and Oikawa, but an understanding that these things need to be decided from the heart.

Moreover, unlike My Conclusion, Things That Won’t Change isn’t written like Iori’s turning in some school essay, but rather, more than half the song is in casual-form Japanese (which was associated with Iori when he became more emotional and wasn’t keeping himself in check anymore), and is more of a thoughtful reflection of his own feelings rather than trying to pass itself off as following rules because he must.

Thus, while the duet Choo Choo Tryin’ isn’t as heavy-handed as Message to the Future, Iori and Armadimon acknowledge that they need to be forward-thinking and keep going (generally tied to the message of 02 in itself), and Iori outright discusses the potential pitfalls of becoming too stiff. Furthermore, the song has copious rap portions, which seems rather unfitting for Iori on its face – until you realize that not only was Iori sometimes willing to indulge in more fun even back during 02 (just because he was strict with himself didn’t mean he was a complete killjoy), Iori’s also just a lot more flexible-minded in general, and has a penchant for wanting to do things right when he’s given a task. (His delivery of the rap in the song isn’t monotonous nor overly emotional, but has the nuance of someone who’s trying to recite all of it with caution.)

The part that’s particularly striking from the meta perspective is that Iori and Armadimon are no longer voiced by the same voice actress; Message to the Future was essentially Urawa Megumi talking to herself. So now, Iori has a new voice actor, and in many ways has become very different from Armadimon – but because Armadimon sounds a little like Iori, you could say he’s helping preserve the childish side of Iori that’s more important than ever to hold onto, especially since Iori himself worried about changing too much. And so, Iori’s still willing to indulge in a sort of “fun” song like this, and in the end, despite everything, you understand that they haven’t drifted apart at all in the slightest.

That’s not to say that Armadimon himself hasn’t changed either – in fact, he’s changed himself in response to how much Iori has. His original solo song had a lot of easygoingness to it, and some constant reminders for Iori to please, please chill – but his new one has a much stronger sense of resolve and forward-thinking attitude, reflecting that, while Iori himself technically had to learn to embrace more emotional uncertainty through the events of 02, it was also able to give him much stronger resolve that this was something he was doing because he was emotionally prepared for it, not out of some sense of moral obligation.

Takeru and Patamon

I’ve already covered Takeru’s original Best Partner song Focus and how it’s probably not about shipping as much as the fanbase tends to pin it as, but in any case, the operative part is here:

Before I knew it, I was watching over you Still standing at a skewed angle from behind The focus of your heart I wonder, is it on me, or… No, I can’t ask

Takeru couldn’t bring himself to ask sensitive questions or be straightforward about his emotions – which is basically what was Takeru’s lingering problem over Adventure and 02, that he kept swerving around or even lying about sensitive topics and holding everything inside, until one of his triggers was hit and everything exploded. Therefore, even when an important question about someone else comes up, he “can’t ask”. Moreover, for all Takeru is known as a lighthearted and kind person, Focus is a really turbulent song with a really harsh arrangement, and it’s a pretty accurate view of all the complicated and sometimes even negative emotions that Takeru was (badly) coping with over the course of 02.

This was the whole issue with Takeru and Iori’s Jogress arc in 02 episodes 34-36 – that Iori felt he couldn’t understand nor communicate well with Takeru, and had to eventually take matters into his own hands in order to properly understand his feelings. Takeru’s further interactions with Iori were significantly more straightforward for the rest of the series, and the experience also led to Takeru being able to more openly communicate with Ken as well, since the two had been on awkward speaking terms for most of the third quarter of the series.

So when we get to Step High Step…

You lament, you don’t have confidence in yourself I’m saying this to you as I’ve been watching you You’re amazing at all times

The song features Takeru being fairly straightforward about his feelings and opinions instead of just dodging it and going for an “everything’s okay” keeping-the-peace attitude, and not only that, he’s commenting on someone else, something that he probably would have refrained from in 02 for being intrusive. Of course, Takeru was always a nice person, but he wasn’t exactly straightforward about being nice back then – and yet here we are.

Since Focus is probably about his relationship with Patamon and how he kind of wasn’t exactly straightforward about his worries with him either (see 02 episode 34), it’s also interesting to compare Takeru and Patamon’s duet songs as well. Steppin’ out does portray a progression from Adventure in that they’ve accepted they can “do things over” again after things crash down (presumably referring to Angemon’s death and rebirth), but you’ll notice there isn’t much in the way of actual communciation between the two – something that’s not only present in Le Lien, but also portrays them as outright in-sync to the point of “telepathy”. We’re talking about a pair where the fanbase has historically had doubts about how similar they were back in 02 because of how “mismatched” they seemed!

Which, incidentally, they weren’t actually – you can see Patamon pretending he’s not about to cry in his original Best Partner song Don’t Stop Pata-Pata, much like how Takeru would cover up his own emotions, and gritting his teeth and resolving to fight harder. Meanwhile, while Ring of Smiles ostensibly continues to have Patamon be “sweet and cute”, it contains a lot of important nuances of “appreciating daily life with friends”, even if Patamon himself can’t quite find words for it – in other words, it’s actually some rather insightful and thoughtful sentiments from Patamon about the importance of being with and connecting with others, mirroring what Takeru himself learned in connecting with the others around him, especially Iori.

Hikari and Tailmon

Remember, Hikari has two lines (one in Adventure and one in 02) that basically summarize the main “issue” she was dealing with in both series: she was selfless to unhealthy levels, and would prioritize others’ welfare over herself to the point of self-destruction. So in her original solo Best Partner song, Gentle Rain, she puts it pretty explicitly:

I want to always be wearing nothing but smiles But I can’t be cheerful all of the time

or:

So that I can become a greater version of myself Please give me strength

All things considered, Gentle Rain is full of Hikari’s own insecurities, and her belief that she doesn’t have enough strength to do anything for herself. She makes references to being pulled to the Dark Ocean, mainly because – as she says – she doesn’t want to go there, but she doesn’t have enough strength or willpower to resist it. In fact, Best Partner 11 is full of a lot of angst; Gentle Rain is Hikari angsting about her own weakness and inability to do much for herself, Getting up is Tailmon angsting about her painful past and everything to do with it, and Shining Star is basically a plea for both of them to be able to do anything despite all the pain. It’s all pretty severely heavy content, despite the initial sparkly-looking sentiment of it all.

Considering the circumstances, it’s not really all that surprising. Hikari spent her time in Adventure and the first half of 02 very “emotionally isolated” from the others, to the point very few people could understand what she was thinking, and while she’d never hesitate to put herself out for other people, anything to do with herself, like getting pulled to the Dark Ocean, would result in resignation “it’s over” and “I can’t do anything about it”. Tailmon came from the background of being effectively raised by the abusive Vamdemon, so 02 was really only part of the earliest portion of her moving on with her life and being able to spend happier moments with Hikari. But, of course, the real turning point was 02 episode 31, when Miyako finally managed to break through to her and convince her to not accept the inevitability of things happening to herself, to accept help with the support of others, and to not take things happening to her as a sign she’s doomed.

So when we reach Hikari’s new solo song, Tomorrow’s Blue…

I want to chase after my dreams and hopes, it’s fine even if they’re incomplete I won’t lose, I won’t stop, I’ll do this to stay true to myself

The most striking thing about the song is that it features Hikari assertively talking about her own desires and feelings, when back in 02 she basically tried to kick them out of the picture for the sake of everyone else (and, really, even in Tailmon’s new solo song, Tender tale, she outright calls Hikari out for still prioritizing other people over herself). It’s not demeaning herself, it’s not resigning herself to anything, it may have a slight admission that she’s not super-confident about everything yet, but it’s still her looking forward and choosing to pursue what he wants. It’s a big deal!

And instead of the constant angst that permeated Best Partner 11, the new album is about Hikari and Tailmon talking about their feelings towards each other – something that neither of them really verbalized that well over either Adventure and 02 – and contextualizing their importance to each other over the course of their “story”. Hikari talks about Tailmon’s role of assertiveness in helping her break out of her shell, and Tailmon generally provides an extremely accurate description of Hikari in a nutshell – that she’s a bit mysterious, that she’s emotionally sensitive, that she’s cheerful and lifts others’ spirits. What’s more, Tailmon makes a reference to the same kind of “pain” and “losing things” she referred to in Getting up, but instead of angsting about it, she positively accepts it as something that may happen in the process of protecting others. (Oh, and it and the new duet A Tale of the Light also make reference to Hikari’s photography hobby in 02, contextualizing it as something Hikari did to chronicle their precious memories.)

So in summary, Hikari and Tailmon have both been able to accept 02′s philosophy of becoming forward-thinking, positive, and accepting the help of others in order to move forward. Not bad!

Conclusion and digression

Despite how these songs are almost polar opposite in portraying their before-and-after development of the 02 kids, nobody’s really argued that any of them are out of character! In the end, it’s a pretty succinct depiction of what these kids were dealing with and what they grew into by the end of the series. Seriously, I never, ever want to hear that these kids were underdeveloped nor that they didn’t go through any significant development over the course of 02 ever again. That’s just not true at all, and this simply happens to be one of the many illustrations of how.

Moreover, the songs themselves and the “conversations” that came with the new albums solidify firmly that the 02 group has extremely tight relations with their partners even at this time – with Daisuke actively consulting V-mon for help, Miyako, Takeru, and Hikari actively dragging their partners everywhere with them, Ken having Wormmon be his effective alarm clock, and Iori being so close with Armadimon that his Nagoya dialect is rubbing off on him. Daisuke, Miyako and Hikari have a huge point made that, regardless of the rather easygoing way they’re going at it, they’re very aware of what they want to do from this point out and are following it with gusto (and while it’s not stated in words, Iori carrying a huge textbook, presumably a law one, with note markers all over it drives the point home that this applies to him, too). It’s a really, really huge contrast to what was going on with the directionless Taichi, Yamato, and Sora effectively neglecting their own partners back in Kizuna – and further reinforces the reason the 02 group was in such an unusually favorable position during the movie.

#digimon #digimon adventure 02 #digimon adventure last evolution kizuna #shihameta

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vaguely-concerned · 3 years

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The Mandalorian Chapter 15 rewatch thoughts

- mayfeld does hear when the droid talks to him the first time, you can see him pretending not to like he hopes he’ll just go away haha. I also guess he’s had a lot of time to think, picking apart pieces of the large fascist machine he used to be a part of and going over everything he clearly regrets

- hahaha fennec and boba are in the back intensely keeping watch the entire time they’re on the prison planet. I suppose a good two thirds of this crew is uuuuh extremely wanted by the new republic lol

- the thing din’s voice does at the end when he says “but you still know your imperial clearances and protocols. don’t you.” is beyond fucking words, it sends a chill right through me

1) din fiddling with that panel; I think he’s phenomenally nervous behind the helmet here, that’s the sort of keeping his hands busy he does when he’s anxious and 2) why the hell does boba have this many chairs instead of like space for cargo haha does he throw bounty hunter parties in here or what

- ngl boba correctly guessing at a glance what sort of ore they’re mining and informing everyone in his sardonic deadpan voice is Big Sexy

I love how he and fennec are standing together when they’re both present in these opening scenes too, first at the very back when they’re keeping a lookout:

and then in the foreground while they discuss the scan

it’s a nice subtle way to get across that they already have a dynamic, they’re somewhat used to working together as a unit at this point. (she’s also looking over at him when she asks what they might be mining in there, like she’s mostly asking his opinion instead of opening it to the floor. they’re talking the mission out between them before din enters the conversation)

- the inside of slave 1 when the ship’s moving makes me a little bit motion sick, I really love seeing it but I hope we don’t stay in here too often haha

- aaaw the small weary sigh din gives upon realizing none of his bros can go with mayfeld. I’m sorry about basically your entire life buddy

the awkward way din adjusts the helmet like he’s trying to get used to the way it feels ;______;

- ah the distinct implication that mayfeld is needling din about this because he’s actually feeling super uncomfortable being back in empire gear and he needs to transfer that discomfort over onto someone else so he won’t have to feel through it... very psychologically understandable and such a fucking piece of shit asshole character trait to give in to haha

- din’s level of side eye is so epic you can see it straight through the helmet fhaskjfhd

- neat detail: din’s head turns slightly toward mayfeld when he calls mandalorians a ‘race’. (it’s sort of cool that we as the audience know why that bothers him, but mayfeld probably didn’t even pick up on it). also shows that mayfeld doesn’t actually quite understand what he’s talking about, even when he makes decent points he’s caught up in his own myopic nihilistic point of view. ‘we’re all the same’ ------> ‘everyone’s secretly as shitty as me deep down’. (which also betrays a lot of self loathing, since we see later he does have the capacity to NOT be that shitty when he chooses to. rick famuyiwa manages to get a LOT of really interesting nuanced stuff into this character in two short episodes, that’s super impressive)

the bright sunny look on mayfeld’s face when din finally gives in and takes the bait tho fsajdkfhasj he’s awful but that’s very funny

- rip all these excellent dudes who really only wanted to accomplish the noble goal of ruining the empire’s entire day and didn’t know they were also trying to blow up My Dad Who Does Not Deserve Any Of This, it’s honestly just really sad that there’s no moment to talk that out

well at least they blew up the entire refinery on their way out, I’m sure that’s the way they would have wanted their memories honored lol

- the comedy beat of din running out of ammo for the first time ever and the music briefly cutting out for it is so so good for me

hahahaha din seems to actually take a moment to be a little aghast at that dude who ends up crushed under the treads of the tank thing, he’s just sort of staring for a few seconds too long and that’s how pirate nr 2 takes him by surprise and shatters his shoulder armour

- I feel a bit bad -- two of the ‘pirates’ try to hold on to each other for balance and then din punches them apart and off the tank :( I mean it’s not like he could just let them murderate him either but like. ouch I’m guessing this one might haunt him for a while for several reasons huh

(the sequence is actually this guy, let’s call him pirate 3, swings the spear at din and misses, instead hitting his buddy who’s trying to get to his feet, then looks horrified and grabs for him to make sure he doesn’t fall off, and then... mando’s forehead happens to them haha)

- poor fennec and cara just running up that hill while everything’s on fire, they must be wondering what the FUCK is going on (at least cara knows that things blowing up is a sure sign din djarin is in the middle there somewhere)

- everything about carano in real life aside for one second -- I do like that we get this contrast in build between our main female characters of the episode and the way their costume designs enhance it

- awwww the little gesture din does with his hand after he removes it from mayfeld’s chest after stopping him from leaving, it’s just so... sweet. it’s a little bit appeal, a little bit reassurance, it just lightens/softens the tone of what he says a bit (he has quite a lot of like... not conciliatory mannerisms exactly, but small touches here and there that are there to communicate that he’s not angry/aggressive or trying to be a dick about it even when he’s emphatic. I keep wondering how much that is just him being him and how much is him being practiced at settling other people’s hot tempers)

- this shot is just... genius

it’s din seen entirely from the outside, with nothing of what we’ve learned to recognize as him for almost two seasons now in view -- not even his face, which we have at least a tenuous fledgling attachment to from before. it’s like we get introduced to him almost as if anew again and again in this episode, just like he’s getting introduced to new aspects of himself and what he’s willing to do and having to struggle to find ways to have that fit with who he is. his discomfort and stress is our discomfort and stress. it’s so interesting

- I can’t stop cackling at this moment even in all the tension -- you only get a sliver of din’s profile but you can feel the sheer MURDER radiating off him sdhfasjk

- aaaaaaaagh the way you get a whole different view of din’s habitual impassiveness when you can actually see his face... the way he keeps appealing to mayfeld ‘just don’t make more trouble, just shut up’, the way he goes completely silent and watchful and frozen..... those are all really obvious trauma responses, and it leads you to wonder how often he touches into that even when he’s in his element, when he’s got the full armour on. hmngh my heart

- ‘the believer’ is such a galaxy brain title for this episode, because it could be referring to either of the three men around this table or all of them at once. (and crucially the only person whose beliefs aren’t in a living, breathing state of adapting to the world around them is the empire officer, with his horrific inhuman ideology. mayfeld thinks he believes in nothing, and proves himself explosively wrong by the end of the episode, and it’s redeeming for him in some capacity. din is facing a more internal dilemma of different parts of his (and his culture’s) beliefs/values clashing and having to decide which one’s more important, to his identity and to how to exist in the world as a person (and love for the baby wins out supremely in the end. of course it does Y_____Y). the empire dude only sees the same sterile fascist world at the end of his shit rainbow that he’s clearly always done, even when faced with proof that it’s untenable. (I mean he wouldn’t give a fuck that it’s immoral because he’s y’know evil, but he’s not even fazed by the fact that the empire provably FAILED, and failed so quickly) his belief is a dead and deadening thing to contrast the others. man when this show goes off with the themes it goes OFF haha)

- love the triumphant heroic mando music kicking in as we’re finally getting to pick off imps, love that for us

- din’s protective instincts at work again, he helps mayfeld to his feet and makes sure he’s safely on board before going further in himself ;_______;

- fennec’s professional approval at mayfeld’s shot hahaha. well I guess he was supposed to be a sharpshooter back in the day huh

I do Not think she likes mayfeld even after all that, though, the withering look she sends him on her way past... should have killed him stone dead on the spot

- seeing din back in the armour is like a physical relief, I can breathe again haha

- tfw you catch yourself thinking ‘at least when all this is over we can go back to the razor crest and everything will be normal again’ and then you rEMEMBER 😭😭😭😭😭😭😭😭😭😭

#star wars #the mandalorian #the mandalorian spoilers #the mandalorian meta #honestly I could add a lot more of my boba thirst in this lol (idk din is always Dad not Daddy to me but boba's Doing something for me haha)

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wheelofmeta · 3 years

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The Androl Problem

So! Something I’ve been meaning to get around to for a while.

Androl original appeared in Winter’s Heart with a few lines, reporting to Logain. Toveine had a point of view where she looks at him, thinking about for all he’s wearing a signet ring (traditionally something on nobles do) he looks more like he’s an apprentice who shaved off his mustache. It’s during a scene where the men loyal to Logain are reporting to him on things. That’s the only time we see him before Towers of Midnight. And easy enough moment to miss.

Excluding that moment he’d been named, everything else was a creation of Sanderson’s.

So, you may be staring at me. Then what’s the problem?

The problem is Sanderson quite literally gave Androl too much to do.

Androl was the result (in part) of Sanderson wanting to do something with a character who actually was, for lack of better term, a true teleporter. Someone who actually took full advantage of how to use Traveling. So Sanderson took a canon Asha’man (Androl) who’d had limited screen time and could serve as a blank slate for his writing purposes. Which is exactly what he did.

Okay, neat, great. Honestly gotta agree a character like that needed to exist because wow. Was Traveling underutilized when it came down to it. Taking advantage of named character who had limited affect on the previous storyline to do that made sense.

The thing with Androl is that in many ways Sanderson used him to fill in basically any hanging plot threads that Jordan hadn’t given to a previous character. So things like the fight for the Black Tower, he used Androl to lead that. He used Androl to save the Andoran forces. He used Androl to get the seals. He used Androl to do the double bond shit with Pevera.

Androl, Androl, Androl.

Androl, a character who basically had no previous affect on the plotline now has an absolutely massive one. And we know, per Sanderson’s own words, that Androl and everything he does is his own creation, though he is filling in the blanks for certain plot threads that remained from Jordan’s writing, such as the Black Tower stuff. So yeah, Sanderson deciding to use what’s basically his OC to fill some of that makes sense.

What’s aggravating is how much that then meant Androl overshadowed previously introduced Asha’man, such as Narishma. It’s heavily hinted early on that Narishma is going to be important in the future (he’s fucking mentioned in the Prophesies of the Dragon), but during the Last Battle we see him maybe twice, and he doesn’t do anything distinct beyond heal Lan post his fight with Demandred. On the other hand, Androl seems to have his hand in everything *but* the fighting at Shayol Ghul. Yes, that’s an exaggeration, but not as bit of one as it really should be.

Seriously. I understand the desire to have your OC do things, but you can’t over do it.

The other thing is, that in Androl’s ‘backstory’, Sanderson also had him have too many adventures. Seriously though, it seemed every time he and Pevera spoke, he brought up a different thing he did and none of them where anywhere near each other. She does too, but she’s also a hundred plus year old Aes Sedai, so she’s had the time to do a lot of shit. The issue there is, per Toveine’s point of view in Winters Heart, Androl should be only in his twenties. Based on her mental description of him (looking like he could be an apprentice), it means he looked young. Almost every apprentice who appears on page is implied to be under thirty. But if you don’t remember Androl’s original appearance, based on all the things he tells Pevera it would be fair to think he was closer to his late thirties, early forties. And men generally start channeling on the later side of things, so he shouldn’t even be slowing that soon (I think Androl may even have been specified as not starting to channel on his own but needing to be taugh, in contrast to Logain or Taim).

On top of that was a pretty common issue of Sanderson’s; namely, his habit of dropping and adding random character aspects (hello the fact apparently Mat can’t fucking write a letter that isn’t full of grammar and spelling errors, even though we’ve seen him write on-page before and it was just fine; obviously this is a major pet peeve of mine). Like, a really interesting thing he could have done with the original bits? Explain why Androl was wearing a signet ring, especially with the explanation that apparently he was a leatherworker. Was he pretending to be a noble? Was he actually a noble? Who the hell knows because Sanderson never followed up on that detail.

I would have much preferred it if Sanderson had actually allowed the previous appearing Asha’man to play more major roles during the Last Battle rather than over using Androl (and he was overused). Narishima, again, should have played a bigger role. We never get an explanation for the ‘he will follow after’ stuff; is that supposed to hint he’d eventually lead the Asha’man after Logaine? Again, who knows since Sanderson never wrote anything about that.

(And before someone asks, at some point I will be doing meta about Sanderson’s penchant for dropping character traits/apparently forgetting certain plot threads. Like it wouldn’t be so aggravating for me if I didn’t like Mat so much and found Sanderson to just not be very good at writing him.)

#androl #pevera #logain #the black tower #asha'man #wheel of time #wot #unreasonably attractive fandom

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deldeldel90 · 2 years

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It's always cold in the mornings - especially since Maria lives in the tallest tower. She's not complaining, it keeps her awake, but the breeze is more than chilly as she opens the first of her books.

The books came earlier than expected, Maria noted, as she fought back a yawn.

Billy Bob's experiences in The Noble World - the rats, the moles, and the peacocks was more eye-opening than she expected.

The author - Billy Jones Bob - was a merchant who built himself up to be the arrogant son of a forgotten Duke, but in reality, he was a complete nobody. Royalty all believed because of the way he acted, and they didn't bat an eye whenever he messed up, because they were all too afraid of what he might do to their status.

Of course, when he got caught - it was only when he was ready. Billy Bob died when he was ninety, yet everybody (even when he was revealed to be a fraud by himself!) still treated him as if he were a credit to their world.

Maria's eyes widened, as she kept turning the pages, rereading the book-marked ones over and over again. "Fascinating," she mumbled. "If only he were alive today…"

A stark contrast to that book was Anne, the Prettiest Doll in her Kingdom; a biography by Williamsburg Smith.

Unlike Billy Bob, Anne Roslyn used her personal charm of a low-class (as the more rude nobles described her upbringing), yet adorable girl to her … advantage!

She would be overly affectionate to absolutely everyone - even if they were complete scum to her, but she wasn't a pushover at all, even if some believed that.

Anne Roslyn became rich beyond belief, and she got whatever she wanted with just a simple "oh… I've been really wanting that lately, but it's far too expensive! If I had that, I'd be the happiest girl on earth!" along with a sweet-sounding giggle.

Nobody ever wanted to upset Anne, so they would give her delicious cakes, stunning dresses galore, and even her very own manor … just to see her smile again.

Maria book-marked some pages she found important, and then moved onto the next book of her very many collections as if her life depended on it.

For the next four hours, she read until her eyes would well up from being opened for so long, and as a response, she'd blink and start reading again.

'Madame' was for a married woman, 'Miss' was for one who was unmarried. She became well aware of the Grand Dukes and Duchesses, Barons were of the wealthy, and she couldn't help but be aghast at the fact she didn't even have a royal court.

Apparently, it was really important in some kingdoms for a princess to be knowing of her position, but not to abuse it in an obvious way. To put on a facade, like everybody else did, to play in a strange game of chess - where pawns were knocked out daily, and the game restarted with new pieces every time.

Maria closed her latest book - The Neverending Conflicts Between the Plaid and Herringbone Kingdoms - and placed her head on her desk, using her crossed arms as makeshift pillows.

How long had she been up, anyway? Maybe she was overreacting. After all, she always loved getting up late, sleeping in. Maybe this kind of learning would help her.

Miss Emily walked in her room, hands in front of her cleaning apron, "Princess Maria! Miss Molly said that Breakfast was ready! Have you enjoyed your-"

Drat. Maria shook her head hard, jolting herself awake. Putting on the brightest beam she could, she said, "just one moment! I'll be there in a second!"

Breakfast was fine, but her gaze kept averting back to the door where all her books laid in neat stacks.

"Are you alright?" Jamie - only ten years old - asked, concerned.

Maria's grin turned real, "I'm great. Just thinking about taking up a hobby.."

Her father perked up. He was rarely home, but when he was, he was as doting as possible, wanting to make his daughters happy - no matter what exactly they wanted. "Like what, dear? Painting, cloth-making, perhaps-"

"I want to go to the latest royal meeting," Maria twisted her expression into one of earnest - yet doubtful - desire. "Among other things, Father. You know, it's just I read this romance book…"

Hook.

"I really, really want to get involved in our kingdom! You're always gone, so I just… want to help out, you know?"

Line.

"It'll help Gwen and Jamie, too. They'll be safer knowing that I'm going to be in charge. Please, Father. Can't you do this for me? For our family?"

Sinker.

He sighed, before putting on a gentle smile.

"Of course, Maria," he said dotingly. "But there's gotta be some rules…"

She hummed, but did not listen as he spoke. It wasn't like he was around to enforce them, anyway.

She ignored how Lorena looked at her as if she'd grown a second head.

Maria only took another bite out of her blueberry waffles, and wondered if she was a Anne Roslyn or a Billy Bob.

Perhaps she was both combined.

#cursed princess club #cross posted on ao3 #cpc Maria #ayo rhis why is this making me feel happy??

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remythologise · 3 years

Note

Hello! I found your blog via you amazingly summarizing all that's going on with the spn drama. Due to my schedules, rl stuff, some of the arcs that didn't vibe with me, my availability to find a place to watch...the rollercoaster I was used to with this fandom was more me binging it in a weekend to going months to over a year without watching it. I still haven't watched the last season(but with a fandom this big it's pretty impossible not be spoiled so I more or less know what happened) BUT oh great one I ask of thee for more information if you have it...other than being busy and whatnot, I'm not really one to keep up with the actors as well. So could you also maybe do a summary of all the stans? I'im seeing terms I haven't seen before. Who is Kelios(sp?)? Hellions?? probably messed it up but like...I guess what are the name of each legion? Who do they have alliance towards? What was their desires? Que paso?!?!?!?

Hi there! 'Some of the arcs that didn't vibe with me' me emotionally quitting Supernatural in Season 7 after they killed Castiel 😂 Anyway I totally get it, I went through the same culture shock mid-last year when I got back into SPN and tried to find where fandom was at! There's really a LOT of lore and content after 15 years though so I'll just do the broad brushstrokes based on my impressions and personal stereotypes PLEASE remember this is oversimplifying groups and individuals to tendencies and I'm very biased! Also important that there are sub-factions within sub-factions - again, I'm simplifying here!

I've also linked to the 'Super-wiki' in terms of some definitions because the Super-wiki has pages for them where the Fandom-wiki does not. Great introduction actually - only in the Supernatural fandom. There are two Supernatural wikis. One, through curation and twitter activity, supports BiBro/Wincest factions and does not support Destiel users. One is more neutral or Destiel-friendly (I don't know that the Fandom wiki has a personality/social media presence per se). You cannot make this up. There is a factional war... within use of fandom wikis.

Destiel faction

People who primarily ship Dean/Cas, love Castiel and (often, although not always) Jack, and the 'found family' of Supernatural as well as the brothers, and like the post s3 seasons too. Hated 15.19 and 15.20 for killing Dean and ignoring the other characters/narrative arc of the show. Nicknamed 'Destihellers' by the Wincest faction as a derogatory term, 'reclaimed' and shortened as 'Hellers', a nickname they use affectionately to describe each other. See more info on nicknames here.

Sometimes also ship ‘Cockles’ (the ship between Misha Collins and Jensen Ackles) although generally speaking they're more respectful of the wives of the actors than J2 shippers, who are notoriously responsible for... a vast series of insane-fan misdemeanours. Historically most were also good at keeping RPF to themselves and not harassing celebrities with it directly, although recently, particularly with younger twitter fans, that has not been the case.

Sub-factions:

The ‘Desticule’ or ‘Destiel tumblr’ - general grouping of Destiel-shipping tumblr users around 20-30 years old, usually LGBT+, most who came back to the show post-15.18 after leaving it for various reasons including getting sick of the queerbaiting. Funniest bitches alive etc. and responsible for the best text posts you’ve ever seen. Can also start stupid discourse and in-group drama when they’re bored.

'POLOL' - People of Lots of Letters, a discord group (of tumblr and twitter users) that ran on the assumption Andrew Dabb was playing a hugely intricate game of 3D chess to do with gnostic symbolism among other things, and would make Destiel canon. Have since had their own factional sub-wars and fallen apart a bit. Some of their meta was and is good and interesting! Some of it was wildly off the mark. Now generally insist that Dabb/the writers were all pushing for Destiel canon and the network is entirely to blame.

Twitter fans (TikTok edition) - younger fans around 18 and younger who (FOR REASONS BEYOND ME) started watching the show around 2018-2020. Definition of 'stans'. Tend to be very loud and aggressive on twitter when Events Happen, which like. I do get, because they've grown up in a completely different media environment and this kind of Dinosaur Politicking around LGBT+ issues is beyond them. Fancam central. Anyway stream #CASTIEL for clear skin!

Twitter fans (AO3 edition) - older fans around 30+ who kept going with the show but either don't have a large tumblr presence or just prefer twitter. A lot of fic writers, GISH-ers, and BNFs in this group. Some of them are very cool and reasonable in their opinions, some of them act like the younger stans. Some of them too accepting of what happened wrt 15.19-20 in my opinion, because, in contrast to the younger twitter stans, they grew up expecting Destiel to NEVER be canon or respected. 'Can't believe we got this far' etc.

Multiship faction

Multishippers or shippers of things not as large as the two main behemoths . Sub-factions based on shipping, e.g. Megstiel and Sastiel. I don't think these groups are very large though, and seem to have very little influence in the Discourse.

Wincest faction

LARGE overlap with the 'BiBro' faction and their opinions, which I'll get to. Ship Sam and Dean romantically. Often pretend to be BiBros on places like twitter and reddit in order for outside groups to take their opinions more seriously. 'Wincesties' etc. are derogatory nicknames given by the Destiel faction.

Sub-factions:

Multiship fans - ship Sam and Dean but respect Castiel/the 'found family'. Politically overlap with the faction of multishippers, I think. I don't have a lot of insight on this group of people honestly, but I know they exist.

Bronlies - the typical BiBro and 'Wincest' shippers most people think of, twitter user 'Kelios' is one of the would-be ringleaders of this faction - typically tend to be older white midwestern women. Historically have been pretty nasty on twitter (leading to Robert Berens, writer who made Destiel canon, occasionally subtweeting Kelios). Also tend to ship 'J2' - and take it very seriously as a legitimate thing that is really real. This is called 'tinhatting'.

BiBro faction

People who think the show should JUST be about the brothers, love Supernatural s1-3 and everything after it should have been just like Supernatural s1-3. Hate Castiel, Jack, and the 'found family'. Largely loved 15.20. Go to literally any comments section on any Supernatural article and You Will Find Them complaining about how the show should just be about the Brothers. Tend to be older, straighter, and more conservative/Republican (and male) fans. (I am aware that the definition of 'BiBro' used to refer to people who just liked the brothers but there's no definitional difference now in the discourse.) The Wincest and BiBro faction are generally much more wealthy than the Destiel faction (they being younger and more diverse/queer/left-leaning in general) and would be the biggest revenue generators at conventions etc.

Sub-factions:

Reddit bros - literally anyone who visits r/supernatural. Well, that's not fair - there are people who post reasonable opinions on there, but it's pretty rare and they get downvoted a lot. Like to talk about 'toxic Destiel fans' 'ruining the show' and how Dean is a straight man who is straight and could never possibly be gay. Might even think the confession was platonic despite all evidence to the contrary. I'm Not Homophobic I Have Gay Friends, But No Gays on MY Show!

Old Guard - group of older fans who overlap strongly with the Wincest faction, but might not necessarily ship Wincest.

GA faction

'General Audience' - These are the group of audience members that aren't 'online' so to speak; most watch the show on TV as a Casual Viewing Experience (are therefore also sometimes referred to as 'casuals'. Mostly their opinions tend towards BiBros, but they have a vast range of baffling views thanks to being Not Online and usually Not caring about Supernatural that much or thinking that deeply about it.

Sub-factions:

People who simply watch Supernatural on TV and then don't think about it very much after that.

I said they weren't 'online' but that's not entirely true; I'd probably classify people on Supernatural Facebook Groups as GA, along with friends of friends who post statuses about how 15.20 was a neat finale that wrapped up the series.

Conclusion

Supernatural is famously the show that appeals to both Republicans and Democrats, literally All Orientations, so there's a WIDE range of factions. However, most warring online boils down to Destiel vs. Wincest/BiBro - the war that started in Season 4 and has simply never ended. In terms of the 'actors' and their stans, in general, Wincest/BiBro fans love Jared, like Jensen, and dislike Misha. Destiel fans love Misha, like Jensen, and dislike Jared. Of course as with everything, there are variations and this is just a generalisation. But that's the summary of it, from my perspective!

This didn't even get into Sam girls, Dean girls and Cas girls. God. Anyway.

Hope that answered your question, anon!

#for some reason read more does not work on my blog main page now? you'll have to click the permalink #season 17 time for a theme change tumblr has broken this one too much sigh #ask #anonymous #this might be the most controversial thing I've ever posted or I might escape with nobody noticing it. Only Two Outcomes #didn't mention any other factional ringleaders because well #I value my life etc.#unironically who will fund me writing the PhD on supernatural fandom etc. etc.#the graphs. the statistics. the sociological insights #kira for ts #supernatural spoilers #spn spoilers

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isolemnlyswearpevensie · 4 years

Text

Paper Cut Part 2 | Edmund Pevensie x Reader Soulmate AU

Warnings: Making out/kissing

Time/Era: Modern AU but the Pevensies have been to Narnia.

Word Count: 2.5k

Summary: Y/N confronts Edmund about the intense injuries she had received in the past.

A/N: Here’s the second part to paper cut :) If you haven’t read the first part, link below! Please send requests :D Enjoy!

Part 1 | Part 3 | masterlist | read on ao3

“Edmund, I think you have a lot of explaining to do.”

Edmund’s face was unreadable, almost as if it was made of stone. He stayed quiet; the only sounds that filled the air were the shuffling of the barista and the espresso machine. Y/N wished he would just say something. The silence was damning.

“Edmund?” His gaze didn’t falter at his name but stayed glued to Y/N’s hand. His eyes traveled up her arm, taking mental notes of every scar, bruise, bump, or cut. Edmund stood up without a word, the chair making a painful screeching noise in his path, and walked out of the coffee shop.

Meeting her soulmate had been completely different in her head; maybe they would fall into each other’s arms in the streets of London. He would sweep her off of her feet after noticing a small scar on her neck and say something disgustingly romantic. “I’ve been waiting for you, Y/N, you’re even more beautiful than I could have ever imagined.” Then, they would fall madly, deeply in love, and adopt a dog. Fall wedding perhaps? Maybe summer? But here Y/N sat, one hand on her stomach, the other gripping a foreign notebook. Before Y/N could process what was happening, Edmund was out of sight and she was left to her own thoughts.

“Y/N! Wake up!” Y/N was startled by Y/B/F/N shaking her awake. “Don’t you have a final in like an hour?”

That sentence felt like a bucket of ice water. Y/N sprung up from her warm bed and scrambled to get ready. The clock seemed to run dangerously fast and by the time she opened the door of her lecture hall, the test was being passed out.

“You have three hours and because I’m in such a good mood, you may use your study guide.” The professor continued to pass the packets around the room. They looked thick and time-consuming. Time management had never been Y/N’s strong suit.

When she was handed her paper, all she could do was take a deep breath. This professor was a harsh grader, so unless her answers were 100% correct, there was no way Y/N would pass. She took the unfamiliar notebook she received from Edmund out of her bag and opened it to his scribbled notes.

His handwriting was somewhere in between messy and neat; some of the words ran into one another and they were all slanted to the right slightly, yet the letters were beautifully constructed and entirely intelligible. Edmund also took it upon himself to highlight passages he deemed important with a note at the beginning that read: my sister had to take o chem. I asked her what’s important. That was sweet, Y/N thought.

It seemed as if Edmund knew what he was talking about, too. Each answer was answered completely with further background information to make it easy to understand. Why would you willingly take this? Seems like hell… was written in the margins next to one of the boxes of text. I could say the same about law, sweater boy.

By the time Y/N had finished her final, the three hours had turned into 10 minutes. She was one of three students left in the classroom and the other two were looking beyond panicked. Most of the class seemed to have either blazed through it like it was an 8-year-old’s math homework or given up halfway through and accepted their loss. Y/N, however, had to pass this class so she triple-checked her answers, took a daydream break, then checked it again. She would be lying if she said her daydreams didn’t consist of Edmund. She wondered if he would ever text her again.

The young girl hurriedly walked out of the classroom, happy to be done with the semester. She wrapped her jacket tightly around her and braced herself to brave the aggressive weather.

“Hey,” A voice from her right called out. It was Edmund; he was leaning against the wall lazily. His nose was a bright pink, as were his cheeks, and his hands were pushed into his pockets for warmth.

“Edmund? What are you doing here? You must be freezing!” Y/N walked over to him and looked him once over. A simple long sleeve shirt, vest, and jeans. Y/N slung her wool scarf around his neck.

“Oh, uh, thanks…” He pushed himself off of the wall with his shoulder. Damn, his shoulders were huge.

“I’m sorry about the coffee shop, I didn’t mean to jump you like that,” Y/N apologized bashfully. He smiled but it didn’t reach his eyes.

“No, I get it. I would have the same reaction. That’s, uh, why I’m here.” Edmund was awkward, looking anywhere but her eyes. Instead, he observed her freckles, eyebrows, and cheeks. “I was wondering if we could, uh, talk? Maybe somewhere private? Like my dorm?”

“Oh, so you want to take me, your newly discovered soulmate, back to your dorm?” Y/N had a hint of mischief in her eyes and a teasing smile on her lips. Edmund’s eyes grew wide and he started to sputter.

“That’s not what I meant! I would never! I mean unless you wanted to, but no! I just meant to talk,” His cheeks are red again, but this time it wasn’t from the cold.

“I’m just taking the piss, let’s go, vesty.”

Edmunds dorm was not what she was expecting. One side looked like it was hit by a tornado, but the other was very organized. Even on the floor, there was a distinct division between the two sides. The neat side, which appeared to be Edmund’s, was very plain. His bed was made with a red duvet and black pillows, his desk was blank besides a small pencil cup, and the cork board hanging above his desk had reminders and pictures.

“Those are my siblings,” Edmund noticed Y/N’s wandering eyes. “They’re practically dying to meet you, Y/N.”

“How did you know my name? I never told you,” She crossed her arms and strained her neck to look back at him.

“Ah, so I was right, you don’t remember me. We took a few classes together during first and second years. I always thought you were cute, so I guess it stuck.” Now it was Y/N’s turn to blush.

“You think I’m cute?” Her arms uncrossed and turned so she was facing him head-on.

“Well, yeah. You are my soulmate, after all, Y/N. Don’t be silly,” Edmund seemed to be growing more and more comfortable. He was enjoying watching her blush because of what he said; it made a sense of pride grow in his stomach. This was his person, and she was standing right in front of him.

“Speaking of soulmates…” Y/N trailed off and looked towards the floor. Her hands grasp the zipper of her jacket and unzip it, before rolling up the bottom of her shirt. The jagged scar was on full display, a stark contrast against the skin of her abdomen. Edmund eyed it guiltily; he knew the exact pain she had to go through to get that scar. She had to go through that pain because of him. His own hands found the bottom seam of his own clothes and pulled it up to reveal a matching mark.

“I can explain but you won’t believe me,” His honey-brown eyes met hers.

“Try me, Pevensie.”

He led her to sit on her bed and sat next to her. Y/N hastily kicked off her shoes so she could sit with her legs crossed on her bed. Her shoes tumbled to the ground with two thuds. Edmund, on the other hand, just bent one leg and let the other hang off the edge. He took her hands in his.

“You have to promise me to listen to it all before you ask questions,” Edmund fidgeted nervously with a ring on Y/N’s fingers as they spoke. Y/N didn’t know if this was on purpose or a subconscious action, but it comforted her all the same.

“Well, when I was young my parents sent my siblings and me to live away from home. When we were there, my little sister Lucy discovered a wardrobe in one of the spare rooms. Well, inside the wardrobe was this beautiful land called Narnia. It was gorgeous and huge! And when I say huge, I mean HUGE!” He caught himself rambling excitedly and reeled it back in. “Well, uh, anyway, there was this woman, we called her the White Witch and she manipulated me into basically selling my siblings out. The entire nation of Narnia got into a huge battle and the White Witch stabbed me.”

“Did she lock you up somewhere cold?” Y/N asked, disregarding her promise to stay quiet.

“Um, yeah. She locked me in this big ice cell. It wasn’t fun. I’m pretty sure I almost got frostbite but my body rejected it because I started warming up randomly.”

Y/N smiled. The paper towel.

“But that scar on your stomach,” He took his hand away from yours and gently touched your stomach. “Is because she stabbed me. But again, my sister Lucy had this special liquid that could heal any injury.”

Edmund seemed to smile at the memory. “Long story short, my siblings and I got crowned Kings and Queens of Narnia and ruled for a number of years. We then got sent back-”

“Wait, wait, wait, Kings, and Queens? Who are you? Alexander the Great?” Her tone was teasing and unbelieving.

“Edmund the Just, actually. And I told you to listen!” His smile reached his eyes this time. “Well we came back to earth through the wardrobe and we were kids again! About a year later, we returned to Narnia and met our good friend Caspian. We had to fight Caspian’s home country. In the end, Aslan helped us and Caspian became a king as well.”

“Who’s Aslan?” Y/N was doing her best to keep up and believe the information, but it was quite hard.

“He’s a big lion, he’s kind of like the ruler of Narnia. I guess you could say a God? I guess…”

“A big lion god? Edmund…”

“I know it sounds crazy, Y/N. I know but you have to believe me! I went one more time with Lucy and my cousin. We were on a big Naval ship with Caspian and we had to find a bunch of swords-”

“Edmund, love, just tell me the truth.” Y/N was sad that right off the bat her soulmate was lying to her. Edmund’s eyes seemed to lose their sparkle.

“I would never lie to you, Y/N. Here, look.” He took off Y/N’s scarf and gently placed it on the bed before pulling his vest and shirt over his head. On his rips was a beautifully drawn tattoo of a lion that appeared to be roaring. And on his collarbone was a sword. Y/N delicately reached her hand out and ran her fingertips against the drawing of the weapon. It had insane detail and the way it was drawn made it look sharp. Y/N retracted her hand and sat back.

“That’s one of the swords we found during my third trip. It was gifted to Caspian by the lord who owned it. And this is Aslan. His roar was the most powerful magic in all of Narnia.” Edmund searched Y/N’s face for any emotion she was feeling. Right now, she was staring at the sword with a pondering look on her face.

“Okay, say you were a king-”

“I am a king.”

“Fine, you’re a king. What exactly did you do, ya know, as a ruler?”

“Well, me and my brother Peter ran the army and trained them for battle. Along with other things like managing trade and creating political policies.”

“So, fighting? You fight?”

“Yeah, I fought in many battles, big and small. I got stabbed, remember.” His smile was cheeky and he pulled his long sleeve back on. “Once I got good, I didn’t even use a shield. I fought with two swords.”

“TWO? Aren’t those things heavy?”

“Well, yes, but when you went through all of the training I did, it gets easier.” Edmund could tell he was starting to believe him.

“Tell me more.”

The two spent the next few hours discussing the ins and outs of Narnia down to the floor plan of Cair Paravel. Y/N had decided that Edmund had way too much detail to be making it up, and even if he did, it was so magical that she wouldn’t even be mad.

“Okay, vesty, I believe you.” Y/N says after Edmund gave a lengthy explanation about all the gifts his siblings received and what they do. He stopped mid-word and stared at her.

“You believe me? Really?”

Y/N smiled and nodded. “Yes, Edmund. I’m going to be spending my life with you, your highness, so I may as well get familiar with it.”

“Please don’t call me that,” Edmund scooted closer to her. “I hated it even when people in Narnia called me that. I don’t need people outside of Narnia calling me it. Especially not you.”

She turned her head so she was staring right at him. “Why not me?” Y/N’s speech came out as a whisper. They were so close that she didn’t need to speak loudly.

“Because if I really was your highness, it would be kind of weird for me to do this.”

Edmund placed a hand on Y/N’s jaw and leaned in. His lips barely brushed her lips before pressing firmly against them. Y/N’s eyes closed shut and she happily kissed back.

When people described kissing their soulmate for the first time, they always explain it as an electric spark igniting throughout their entire body. They explain it as a firework show full of magnificent colors. Kissing Edmund didn’t feel like that. Kissing Edmund felt like home. She felt safe, secure, and loved as if kissing this boy was what she was meant to do for her entire life. The way he tasted, like peppermint and candy, was the best thing she had ever tasted. And they way he held her, one hand on her jaw and the other holding her close to him by her waist, felt like the warmth of a favorite blanket. The way he moved made her knees feel like jelly.

As their lip lock continued, his fingertips danced across her back until it landed on the other side of her jaw. He pulled away from their kiss, pressing a quick peck against her nose and jaw before leaning against his headboard.

“I’ve been wanting to do that for my entire life,” Y/N said, her voice gentle and soft.

“Me too. The thought of kissing you, Y/N L/N, was the only thing that got me through some tough times. I had to make it to be able to feel what it was like.”

Y/N was silent for a long moment.

“Edmund, love, do you think I will ever go to Narnia?”

Edmund looked at her for a long moment then smiled with half of his mouth.

“I don’t know, darling, but anything is possible. Especially when it comes to Narnia.”

#edmund pevensie #edmund pevensie x reader #edmund x reader #edmund pevensie fanfic #edmund pevensie fanfiction #the chronicles of narnia #the chronicles of narnia fanfic #the chronicles of narnia fanfiction #narnia

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anntoldst0ries · 4 years

Text

Lost in Translation

If someone told me a couple of months ago how invested I’d be in OH and the story, I would laugh at them. But here we are, isn’t life full of surprises :)

Apologies for mistakes, if you notice any please feel free to let me know!

Pairing: Ethan Ramsey x f!MC

Word Count: 2,358

Summary: What happens when it’s just Dr Ramsey and his thoughts?

Warnings: None, just a tiny bit of angst & fluff. A lot of introspection!

~~~~~~~

After what felt like the longest shift ever, Dr Ethan Ramsey finally entered his apartment. He closed the door, leaving the whirlwind of his professional life outside.

A biscuit golden retriever jumped at him with all the might in his paws and the sore muscles of a 37-year old diagnostician almost gave up under the pressure of furry ball of fluff.

“I’m happy to see you too, buddy. But you need to go easy on me today.”

Jenner just stared at him with those big black eyes, licked his hand and went back to solving the most important problem of the day: how to cadge some real food, the one hooomans eat.

Although he was far from contemplating whether dogs have what resembles an intelligence (it was someone else’s specialty) he couldn’t help but think Jenner knows. This constantly salivating, instinct-driven creature somehow understands what it is that Ethan asked him to do and why.

“Great, Ramsey. You are going crazy, may as well admit yourself to the psychiatric ward right now. Dr Keller will be delighted to see you. And all the predators of Edenbrook will finally have a proper fodder - Ethan freaking Ramsey has officially freaked out.”

Having poured himself a decent glass of scotch, he stood in front of a giant window overlooking the bay. The waters were quiet and calm, a total contrast to the fire burning inside him after taking a long sip. There was something soothing in the almost painful feeling. 10 years ago downing a whole glass of neat scotch was way beyond his repertoire. One of the perks of being over 35, he guessed. It was scientifically proven that man’s tastebuds change drastically after reaching certain age. He had to admit, there was at least a grain of truth in this. The gold liquid was no longer just bitter and harsh; it had texture, flavour, a complexity - something he wasn’t able to appreciate before. As a doctor, he also knew that he’s got 20, maybe 25 years of this experience left - until ruthless time and ageing will blend all tastes into one.

The lights of the night danced around the spacious living room, their gold reflections creating an aura of mystery in a dimly-lit apartment. He looked around and his gaze landed on antique vase, a present Naveen brought him from Greece for his 35th birthday. It complemented tasteful interior design, expensive decorations and custom furniture perfectly.

As beautiful as they were, all these things made him feel nothing. It was almost ironic that this unquestionably beautiful property, paid for with his own blood, sweat and tears, he couldn’t possibly care less about. Right now, he could have been in some shithole in Roxbury, sipping cheap beer and it would make no difference whatsoever. Except, it would have saved him a mini fortune, which he was now spending on this goddamn penthouse in Beacon Hill. A place he never ever spent more than 4 hours at a time in.

He smirked at the thought - that’s exactly what Naveen said about his own lake house before saying goodbye to his mentee last year. Back when he thought he was going to die soon. Was it surprising? No, everyone was expecting that Ethan will one day take Naveen’s place as the best diagnostician in the world. He considered this not so much an honour, but rather a tribute to his biggest idol, his friend, his father figure. If he was to ever repay Dr Banerji for everything he’s done for him, there was only one way - he needed to be the best among the best.

They called him the best diagnostician of his generation. Although he resented the title, this label given to him by the mutual admiration society (that he had zero respect for), he was very much aware that he was exceptional at his job. Ethan never thought of this as bragging, because bragging made people vain. He liked to think of it as self-confidence, which, as it grew stronger, made him work for his patients even harder than he ever thought possible. The people whose lives he saved, they had to have confidence in him. They had to believe that he knows what he’s doing. And how could he instil a sense of confidence in them, had he not had it himself?

“You can’t give what you don’t have.” - the sentence kept echoing in his head. Tobias used to say that to him all the time, he lived by these words. It was probably the only relic of their once unbreakable (or so they stupidly thought) bond and also the only thing relating to Tobias that didn’t make him want to gag.

So Ethan accepted his role as a successor of the greatest diagnostician in the country. Because there was a mission and a responsibility behind this fate. Because there was a sense of safety in predictable realms of medicine. Also, because… it felt like kicking Tobias right in the crotch. Although he’d never admit this to anyone, least of all himself, the unwritten competition they were subject to for the past 17 years, helped him keep a laser focus on the tasks in front of him. And every time he was able to wipe the smile off Mass Kenmore’s ‘star’ handsome face, Ethan felt satisfaction.

Becoming the man he was today required a lot of changes. He got rid of all the needs of usual Everyman. First, he swept his feelings under the carpet of indifference and cynicism. Then, he learned how to live among people, but without delving into deep and ‘meaningful’ relationships. This was his bauble and he was perfectly… content with it. That is, until it hadn’t been smashed to pieces because something happened to him.

Someone happened to him.

Oh fuck.

He made a desperate attempt to try and stop the inevitable, but it was too late.

His head was instantly flooded with images, followed by ubiquitous tingles that filled his body. In his mind’s eye, a face shaped instantly, the image so vivid that he was almost blinded by it. It’s as if the person was standing right in front of him. The feeling was as mesmerising as it was painful.

Damn it. She didn’t even have to be here to do things to him. To make him see things. Smell things. Hear things. Feel things.

Ethan and The Feelings. This band rarely played together. Ethan wasn’t really a team player and The Feelings were loud, untameable and too unpredictable for the likes of him. He had to learn to tolerate them, because wherever she went, they followed.

He couldn’t rid of her presence, no matter where he was or what he did. Not that he wanted to - he just couldn’t, for the love of god, comprehend all this. Having been a king of self-control and master of his own life, it was beyond Ethan’s understanding how this woman, almost a decade younger than him, managed to turn him into… well, Jenner. He’d do anything she’d ask him to do. He was an electric ride-on, the one they buy for children. And she was holding the remote.

No, this wasn’t the most fortunate comparison. Because an electric toy was not capable of feeling things. And he was. A lot. More than he ever thought possible and more than he wanted to.

The fear of being misapprehended stopped him from telling her that sometimes he hated what she was doing to him. Not her, he could never hate her. He hated this unexplainable power she had over him and wasn’t even fully aware of. It frightened him. That she clawed his composure back so easily. That her youth, enthusiasm and energy were like a tornado to the illusionary beach he used to inhabit in his head. The force of her personality wreaked havoc on the well-oiled cogs of the machine that was once his life.

It took all the strength he had to stay away, from the day he first saw her. No, that’s not right. From the first time he felt her. Ethan’s mind was definitely against him today, because the images materialised within seconds, before he even managed to fully accept the presence of the thought.

He was sitting in his office, wondering why the hell has he agreed to help Harper with reading pages of blabber from wannabe surgeons and doctors. They were all the same and if he got a cent for every time they got under his skin, he’d be a millionaire. But Harper was an old friend and his ex, he had a lot of respect for her. She’d just been promoted to the Chief of Medicine and although she was more than capable to do the job, he understood that transition from theatre to bureaucracy was scary and challenging for her. It was the least he could do to help and certainly a task way easier than being a shoulder to cry on.

Having gone through pages of “I wanna change the world and find a cure for cancer” he almost fell asleep on his desk. Not that there was something wrong with medical research or a quest for deeper meaning of one’s career - but what he read in those applications sounded like an extract from a beauty pageant. And, frankly, when he looked at some of the photos attached to applications, he couldn’t help but think beauty pageants were a better fit for some of these people than a hospital.

“Christ, are they giving away medical degrees for free these days?” He sighed loudly, sending another handful of pages onto the pile of would-be Grey’s as he called them, because he was more than certain that majority of these people derived their idea of work in hospital from the TV series Grey’s Anatomy. All Ethan knew was that he’s never seen anything more divorced from reality, having watched one episode after all the nurses kept chirping about Dr Derek Shepherd for a whole week.

Fully prepared for yet another disappointment, he turned the front page of next file. Looking at him was a young, beautiful woman with raven hair. Her gaze was daring and gentle at the same time. Even though it was just a photo, he couldn’t shake the feeling that she looked right through him.

Things only got better as he kept going through the next pages. Her application was a riveting read, it was honest, filled with passion and well written, all without being cliche. He saw the most incredible potential, but more importantly, he felt it. She made him feel things, even though he never met her. It was all just pouring from the pages. Ethan would always remember how excited and nervous it made him feel. He almost suffered from a head-on crash with gurney whilst running to Harper’s office, because he had to make sure that she gets the residency position in the hospital. His own feelings played no role here, she simply deserved this position and he knew Dr Emery won’t even question his judgement.

And then he met her.

To be honest, he completely forgot about the interns’ induction, he’s seen so many in his life already that he couldn’t care less. The new case Diagnostics Team took onboard was occupying him completely on that day.

Looking at it now, he couldn’t help but think of one of his favourite movies, Picnic at Hanging Rock. There was this line that he always felt drawn to, but could never fully understand:

“Everything begins and ends at exactly the right time and place“

He was walking down the long corridor, when he heard Danny, one of the nurses, screaming. A minute later Ethan was on his knees, next to a woman in her 50s. He figured out quite quickly what was happening to her, but if his diagnosis was correct, he was going to need some help. Having lifted his gaze, he looked for a familiar face. But there was no one around. That’s when he remembered about the stupid intern induction.

“Damn it, where are the doctors?!” - he asked out loud.

“I’m a doctor!” - responded an unfamiliar voice. Ethan turned around and saw a young woman with black hair in fresh scrubs. He never saw her before and figured she must be one of the new interns.

“You, Rookie. Come here!” - he literally wouldn’t mind if she was an actress playing a doctor, he needed an extra pair of hands. Right here, right now. She kneeled on the patient’s left side, her sight piercing him, waiting for instructions. That’s when it hit him.

It was her.

The fate didn’t spare her - Ethan knew as well as she did that having to deal with Hemothorax on your first day was a tricky business. But she was brilliant. A little nervous, yes, but brilliant.

All she needed was a push. That’s why he picked her to pieces, leaving her confused and probably upset. She will understand one day and she will be grateful.

He said what he had to say and then he just disappeared behind the corridor. He couldn’t be around her more than necessary. Because she made him feel. And this was the last thing he needed right now. Or ever.

What the hell?

Dr Ramsey shook his head and woke up from his daydream. He felt his loyal furry companion licking his hand with a pleading gaze. Suddenly, the weight of the thoughts crushed him like a tidal wave, the feeling so intense that his legs instantly turned into Jell-O, forcing him to sit down. That’s exactly what he was afraid of. The moment he’s had a minute, he immediately gave into thoughts. That’s what she was doing to him. Every part of him wanted to take an extra shift, but common sense and medical knowledge prevailed. He needed 8 hours of uninterrupted sleep, otherwise his body would give up soon, making him no use to anyone, especially not all the patients who desperately needed him.

But he was a fool to assume this was going to happen.

~~~~~~~~~~~~~~~

Tag list (please let me know if you wish to be removed, I tagged the accounts I follow and truly admire!): @terrm9 @openheart12 @openheartthot @rookie-ramsey @alwaysmychoices @brooks-eden @drethanramslay @starrystarrytrouble @justanotherrookie @caseyvalentineramsey @incorrectopenheart @heauxplesslydevoted @perriewinklenerdie

#open heart #ethan ramsey #ethan x mc #edenbrook #pixelberry #open heart choices #play choices #ethan ramsey x mc #open heart fanfiction #open heart fic #choices fic writers creations #fics of the week

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boycottyashahime · 4 years

Note

Hello! Anti-Sessrin person here. You said if this couple becomes canon it will ruin Sesshomaru's character development. I would love it If you could elaborate on that because you're always so eloquent and smart. It's ok if you don't feel like it, though. Have a nice day!

I've actually been looking for an excuse to sit down and write out a cohesive post on my thoughts about this. Contrary to what the shippers want to believe, my interpretation of Sesshoumaru and Rin's relationship doesn't have anything to do with my moral objections to child grooming. I happen to think there's plenty of evidence for a filial interpretation in the text.

First, I'd like to preface my little essay here by saying I'm going off the manga alone. I haven't seen the anime in a long time, because I dropped it when I got a little tired of trying to reconcile the inconsistencies between the two mediums. So, if you read this and have an impulse to say, "hey, what about that thing in episode such-and-such...", keep in mind that I probably just don't remember what you're thinking of.

So, let's go back, alllll the way back, to Sesshoumaru's first appearance. Here's a guy who tears off a dude's head for no other reason than to get the attention of his subordinates to demand a boat. Here's a guy who's spent a long time looking just about EVERYWHERE for his father's remains, not to pay respects, but to plunder them. Here's a guy who feels ENTITLED to rob his dad's grave for treasure he deserves simply for being his father's son.

Sesshoumaru begins his journey as a selfish, spoiled, entitled brat. He doesn't fit the usual profile of a kid throwing a tantrum on the street because he wants the expensive toy sitting in the window; he's very posh and very reserved, but fundamentally, his motivation comes down to the simple fact that he wants Tessaiga. It doesn't even really have anything to do with respect and admiration of his father, otherwise he wouldn't have been so eager to rifle through dear old dad's bones to get at a sword when he had another heirloom right there at his hip. Only Tessaiga was representative of the sheer destructive force he wanted to wield, so he ignored the fact that his dad didn't seem to want him to have it.

This is important, because at first, Sesshoumaru doesn't seem to think of his father in terms of the guy's intentions or the steps he takes for the sake of his sons. Like most rich spoiled kids, Sesshoumaru views the Inu no Taishou in terms of his prestige and how that priviledge can be appropriated for selfish ends. Sesshoumaru wants Tessaiga not because he needs it, but because it's a birthright, and reinforces his legitimacy. When it's clear that Tessaiga seals Inuyasha's youkai blood, keeps him from going berserk, Sesshoumaru loses interest in Tessaiga - it's just a crutch for Inuyasha, and there's no prestige in taking it from him or using it for himself.

Sesshoumaru doesn't start to REALLY consider his father's intentions for the swords until later in the manga, when it comes out that Tenseiga was originally part of Tessaiga, and Inuyasha was meant to get the Meidou Zangetsuha attack eventually as well. It's at this point that Sesshoumaru starts to question if daddy actually HATED him, to give him a rather neat power disguised in a lame shell, but only to develop it so Inuyasha can have it instead, even after Inuyasha already got Tessaiga in the first place. It kind of looks to Sesshoumaru that Inuyasha gets all the powerful cool shit their father left behind, and that there might have been some favoritism coming down HARD on Inuyasha's side.

Above, you can see Sesshoumaru has two interlinked but distinct issues that are addressed throughout the story - his lack of compassion and empathy, and how tied his identity is to his father's favor and prestige. These two are somewhat separated in the narrative; there's a kind of pause in Sesshoumaru's development while a bulk of the middle of the story deals more with other characters and their development, but there is a little bit of a thematic connection between the two halves.

We'll start with the development of Sesshoumaru's compassion since, well, that's where the story begins working on his character. Right before Rin shows up, Toutousai let's Inuyasha's group in on the sword Sesshoumaru carries around and what it does, indicating that Tenseiga requires a compassionate heart to function. A bit ham-handed, but RT isn't very subtle most of the time, so we'll allow it. This sets up the next few scenes in which Sesshoumaru is unable to move and must play captive audience to a little girl doing the literal opposite of what he's used to. Sesshoumaru's habit is to show up and kill things, with no thought to the years of history, relationships, thoughts, emotions, etc that he's snuffing out. But while he's reclined injured in the woods, Rin demonstrates actual LIFE and the preservation of it, that part Sesshoumaru never gets to see. It's made all the starker by how BAD Rin is at caring for herself, let alone the strange monster she found in the woods. She does exactly nothing to help Sesshoumaru, despite how hard she tries, and is even injured by others in her attempts. She is the very picture of vulnerability, the opposite of the strong and capable Sesshoumaru.

This is a stark contrast, because anything less wouldn't be enough to create the necessary awareness of Rin's struggles that Sesshoumaru needs in order to use Tenseiga on here. And I know I've said this before, but I really cannot stress enough how obvious I think the symbolism is when Sesshoumaru uses Tenseiga for the first time; a phallic object gives life to a child, and the object's owner looks after that life throughout the rest of the story. He's not very good at looking after it, and it's clear that he's not sure about taking responsibility for Rin at first, because she pleaded for him to come back for her when he and Jaken left her behind to requisition a sword from Gaijinbou. To me, it's reminiscent of a teenager who knocked someone up, and ended up having to learn to give a crap about the result.

But, even if you don't accept that symbolism as particularly significant, Rin being a child, and human, and weak, unable to survive on her own, are important characteristics to how Sesshoumaru's compassion develops. Sesshoumaru is one of the strongest characters in the series, and he rarely has to worry about his own safety. And since he's in the habit of just murdering everyone he comes across if they're in his way, he's never had to worry about the safety of anyone else, either. When Rin comes into the picture, though, Sesshoumaru is faced with the uncomfortable reality of vulnerability in general. Through her earnest and incompetent attempts to foster survival in a world that can and does crush her, she's opened his eyes to how the disadvantaged, those without a powerful youkai lineage to rely on, have to struggle.

Rin herself has nothing to offer Sesshoumaru within this context of supreme vulnerability. She's not a friend, because she can't offer mutual support or use a skill to their benefit as a team. She's not a lover, because, well, she's a child and sexual/romantic attraction are conditions that wouldn't allow Sesshoumaru to extend his compassion beyond just her. As a mostly helpless kid, Rin has to rely upon Sesshoumaru and his power to survive, and Sesshoumaru employs his strength to keep her alive, getting nothing but a sweet smile out of it all. She gets all the benefits, he has all the obligations. This is PURE compassion - using one's advantages to another's benefit because you care about them, and not because you derive something from it as well.

This is why making Rin into Sesshoumaru's lover is a REALLY thoughtless take. It puts conditions on the compassion and muddies the message.

Moving onto Sesshoumaru's continued character development in the latter part of the story, the sword drama starts back up with slow, when Toutousai shows up and offers to reforge Tenseiga into a weapon. Sesshoumaru discovers that because he got angry enough to break his primary weapon in defense of Kagura's honor, he's triggered the next evolution of Tenseiga into something that can murder. Which is what he wanted at the beginning, yay! I want to point out here that Toutousai says Tenseiga noticed a change in Sesshoumaru's heart - anger for the first time for the sake of another. This implies that what Jaken said about Sesshoumaru getting tangled up in the fight against Naraku because Naraku kidnapping and using Rin to manipulate Sesshoumaru hurt Sesshoumaru's pride is actually accurate; he just really hated the thought of Naraku trying to use him, even if it was a failed attempt.

After going through HELL to develop the Meidou into a full circle (literally), Sesshoumaru then learns that the Meidou belongs to Tessaiga and Inuyasha, and that it's supposed to be handed over. Now, part of Sesshoumaru's angst over this idea, I think, is not just "did daddy love Inuyasha more?", but also the assumption that Inuyasha would have to KILL him in order to retake the Meidou Zangetsuha into Tessaiga. Thinking that your father meant for your little brother to kill you at some point to take your stuff is a pretty disturbing thought, to be entirely fair to him. This is why, when Sesshoumaru jumps into the meidou to take back control of the Naraku-possessed Tenseiga and breaks it deliberately, he spends the rest of the time in there moodily resigned to disappear. He genuinely believes that his father meant for him to die at this point, and even after they get out of there, he seems genuinely depressed.

This is Sesshoumaru's lowest point as a character. He's lost something he thought his father had meant for him, at his father's own wish, and he can't help but question why his dad would give him something just to take it away and give it to Inuyasha. It looks for all the world like favoritism, and since the Inu no Taishou is dead, there's no asking him what the hell the meaning of all this is.

This is all leading to one of the most infuriatingly ridiculous scenes I have ever seen in a manga - when Magatsuhi has crushed Sesshoumaru and everyone thinks he's been killed/absorbed, Magatsuhi is blown apart and rendered unable to reform by the shiny new sword clutched in Sesshoumaru's newly regrown arm. I could talk your ear off about how having Sesshoumaru stop being an amputee is erasure of consequences for his actions, or how being given back an arm is kind of a slap in the face for actual amputees, and where the mother f*ck did that sword come from anyway, but that's not what this essay is about, so I'll just keep all that to myself. The point of this is articulated by Toutousai when he says that Sesshoumaru had to let go of Tessaiga and his father's heirloom to stand on his own as a daiyoukai.

We've already gone over how Sesshoumaru is one of the most powerful characters in the series, who rarely has to worry about his well-being. He's just really strong without having to try. Sesshoumaru had already learned that he didn't need Tessaiga ages ago - he knew this when he learned that Inuyasha needed Tessaiga to keep from tearing himself apart eventually. But when he thought he had been passed down something from his father that was truly meant to be his, only to put all this work into it so that Inuyasha could have it, that embittered him again. It's not that he wanted the sword necessarily, but the thoughts and consideration of his father, who seemed to be putting everything he had into Inuyasha.

But his previous experiences protecting and considering someone (in some cases, multiple someones) weaker than him should have tipped him off. During the very battle in which he got his new arm and sword, he was actively helping those around him avoid Magatsuhi and keeping them close because he had a plan and the strength to carry it out. He was willing to take the extra step to protect Inuyasha and friends before trying to take care of Magatsuhi though, and that was the point. He put everyone else's needs ahead of his own, even Inuyasha's, and he did it without even thinking.

Toutousai just articulated what Sesshoumaru should have already intuitively known by that point. He never needed his father's heirlooms, the swords, his dad's power. They were unnecessary for him from the start. Inuyasha needed a leg up, because his own BODY could kill him after a while. But Sesshoumaru always had the capability of being great on his own. He just needed to finally separate his ego from who his father was and become his own person; stand on his own as a great youkai. While I don't agree with the execution, I can get behind the big lesson - don't rely on your daddy's wealth and influence to prop you up, and do the work to build a personality and identity of your own.

Which is ANOTHER reason why making Rin into a lover would be a thoughtless take. It would walk back Sesshoumaru's final lesson about being his own person apart from his father.

So, there you go. A comprehensive post regarding my take on Sesshoumaru's character development. I could add in a bit about Sesshoumaru coming to understand his father's consideration and the lengths he went to for the sake of protecting Inuyasha by having to give similar consideration to Rin, but I think this post is long enough, and that one statement on that aspect pretty much sums it up. Let me know if you would like me to elaborate on any of this, or if you would like to argue any of the points, I'm up for it. Might take me a minute to respond, mind you, but hopefully it won't take as long as it did to draft this behemoth.

Take care.

#inuyasha #rin (inuyasha)#sesshomaru #sesshoumaru #character analysis #character development analysis #i pulled out all the stops for this one #anti sessrin #i know this doesn't match the perfect prince characterization Sesshoumaru usually gets #but i just calls it as i sees it

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obscureoperations · 3 years

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12."is that a drawing of me?"👉👈

Cute!! I really wish I could draw for numerous reasons! There’s only so much you can convey with your words. And if you’re anything like me( a dumbass) words always seem to fall short

There weren't really any downsides to seeing Martin… most of the pros outweighed the cons. Sure he was silent, almost eerily so-- but that was just in the very beginning. He warmed up to you quickly enough, at first you were thrilled to call him a friend. Whenever you would step into the room, his eyes would light up-- a stark contrast to his usual somber demeanor. You were beyond thrilled the first time you got him to smile, his laugh was almost musical. So relaxed and carefree, as if he had never known a day of pain in his life. Unfortunately you knew the truth.

His fingers lightly ghost over the books on your shelf, wiping away stray specks of dust. The two of you were set to go to the beach, he waited in your room while you changed. Every now and then he could hear a thump and muttered curses echoing from the bathroom. “ “Y/n… are you alright?”

“Y-Yes-- um.. I’m fine.. Ow!”

He had to bite down on the insides of his cheeks. You were trying in vain to shimmy into your swimsuit. The thing had way too many straps. He helped you pick it out, already knowing it was a bad idea-- he had to practically help fit you into the piece. With your limbs flailing about, trying to ‘help’ You fit into the scarlet red suit nicely.

He was bored, he couldn’t wait to hit the road, this would be the second time the two of you had gone to the beach. Memories of the first time periodically popped into his head, causing him to blush profusely. This could only be even better. This time you were his.

He continues to absentmindedly inspect various items on your shelf. Things he’d notice in passing before you took it upon yourself to distract him. You had so many books, that explained why you seemed to be an overflowing fountain of knowledge. He could listen to you talk for hours. There were several old notebooks, most of them with dust coating the edges-- they were all stacked up in a neat pile. One of them however was flipped down resting on the desk, with an array of pencils next to it.

There was another loud bump from the bathroom. “Y/n… are you alright?!”

“Yes! Yeah Martin.. I’m fine… Im just putting on some sunscreen.”

He exhales through his nose slowly, ignoring the laughter brewing in his chest. He could help you with that later if you wanted. He already knew if he said that he would never hear the end of it. Martin loved how you actually brought out his sense of humor, the two of you would go into hysterics over the silliest things. Sometimes all it took was a look for him to be sent over the edge..it was almost as though you could read his thoughts.

With a sigh he picks up the notebook and begins carefully leafing through the pages. He always knew you liked to draw, you had shown him a few sketches in the past. In his opinion, you were too hard on yourself. They were beautiful, he kept telling you that you should submit them somewhere. He liked to watch you draw sometimes as you sat at the windowsill, notebook in hand. With your brow furrowed in concentration, teeth digging into your lower lip. His eyes would always be directed to your hands, which were equally as beautiful as the sketches. Your fingers delicately wrapped around the pencil in a warm up, drawing circles across the page. You liked to draw things from outdoors, you seemed to have a strange fascination with construction sites. Large buildings, and lamp posts-- old abandoned houses. Your entire sketchbook if you ever published it could be entitled “Day in the life in Braddock.”

As he continued to skim through the pages, he was surprised as you began to draw faces. You always claimed that people weren’t your strongest point when it came to sketches… “They had too many fingers”. There were several ovals, pictures of eyes… individual drawings of hands. They were all in his opinion, equally beautiful. It was almost fascinating to witness the process. Random faces as he leafs through the pages, there was one boy that you seemed to really like to draw. He always looked so somber, one knee drawn towards his chest as he sits on the steps. His chin propped up against his chin as he stares off into the distance. Who was this? He looked oddly familiar, and yet not. There was something about the mannerisms that made him want to nod in solidarity. He gets it. But yet the face...It was so beautiful, almost perfect looking. It reminded him of the old paintings of angels. As if that was how any of them even looked.

He continues to leaf through the pages, not really paying attention to your voice behind the door. His eyes were fixed on one drawing in particular, the familiar boy seemed to be asleep. Covers bunched around his hips, he could only imagine what could have happened beforehand. There was a peaceful expression on his face, with his brows relaxed, he almost looked like him!

Surely not… it wasn’t possible!

The bathroom door creaks open in a haste, he drops the notebook.

“Wallah! What do ya think?”

“I um--” His cheeks were already bright red, he begins to try and kick the notebook under the bed.

“Beautiful… y/n… Lets go! I ah.. I think we’re ready..”

You begin to walk towards your dresser and his heart nearly sinks into his stomach.

“Cool, I just need…. To.. put… fuck! Where the hell’s my notebook?”

“Hmm?”

You begin to frantically palm around your desk , glancing underneath it all to come up empty.

“Shit… I have something really important in there… Martin, can you please help me look?!

His heart threatened to explode out of his chest, just why did he have to pry. It was him right? In the drawings…

With a deep breath he finally speaks up, after aimlessly rifling through your drawers

“Check under the bed.”

You sank down in an instant “Oh my gods…Yes!”

You emerge seconds later, clutching the notebook to your chest.

“Martin, thank you… you're a genius!”

He manages to wipe a stay bead of sweat from his brow.

“I just… I really can’t lose this notebook. It’s really important to me.”

“I understand.. y/n” He moves in to wrap his arms around you, you practically relax into the embrace out of sheer relief.

His chin rests atop of your head as his hands soothingly move down your arms.

“ Did you glance at them… Martin? What do ya think?”

His breath practically hitches in his throat.

“I just really wanted to draw you. You looked so wonderful that morning. Please don’t be mad…”

You hand him over the sketchbook and he actually gets to leaf through the pages in full. So many drawings of this odd young man… but It was actually him. He wished he could see himself the way that you did. There was almost an ethereal glow about him. Every microexpression captured to a tee… On some pages he looked so carefree. Was that really how he looked? Maybe that was just how he felt when he was around you. You continue to explain each of the pictures, as Martin tries to ignore the lump forming in his throat. Finally he lays his head against yours, casually placing the notebook to the side.

“Thank you.. y/n… thank you so much!” He whispers, as his arms wrap around you tightly.

#martin 1977 #martin (1978)#martin/you #martin/reader #martin mathias

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