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tellnotalespod · 17 hours
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List: Queer creatives to spend your money on instead half-arsed pride merch from Target 🏳️‍🌈🏳️‍⚧️
We're all aware by now that when you buy pride merch from one of Those Companies, your money is just going to a CEO who half-heartedly told someone to slap a rainbow on it and call it a day. So why not use that money to support an actual queer person who’s working hard to make art?
I've collected a(n incomplete) list of queer creatives who would benefit from your support this Pride Month - this is fairly limited in scope, as it only includes creators who responded to my call for links (or whose links were sent by friends & fans). It is also, for that reason, fairly audio-drama-heavy, but not exclusively so! It includes sections for crowdfunds, online stores, ttrpgs, and ko-fis and patreons for creators of a variety of different art forms.
The list is long, but worth a look through. Have a browse, see if anything appeals, and if you'd like to add any links, please do! Share the list around, shout out your friends and peers, boost your favourite artist, and vitally, self-promo is strongly encouraged!
Crowdfund campaigns:
Starting off strong with Forged Bonds @forgedbondspod — A queer, myth-bending audio drama retelling of Aphrodite and Hephaestus's love story.
This one takes pride of place as the inspiration for this post. Pine is working SO hard to make sure their cast gets paid regardless of crowdfunding outcomes, even if that means paying out-of-pocket. Help them avoid having to do that by supporting a truly kind and wonderful creator. (Crowdfund ends in a little over two weeks!)
We've also got a tight time-sensitive crowdfund for Waiting For October @monkeymanproductions — an upcoming queer supernatural audio drama series from the creators of Moonbase Theta, Out.
At the time of posting, they only have 13 hours left on their crowdfund, but they're 93% there! Help them cross the threshold and tell what I'm sure will be another gorgeous and wild story.
And for the horror lovers, a new crowdfund from The Morbid Forest — a deep dive into all things grusesome!
They are hoping to fund their fifth season, and it's looking to be their biggest yet. A lot of what they're asking for will be used to pay guest authors they're bringing in for the new season, allowing platforms for up-and-coming writers. Help them make this a reality!
All three of these creators also have Patreons you can subscribe to instead of (or in addition to!) their crowdfund: Pine Tree Pods, Monkeyman Productions, Morbid Forest
Buy yourself a little treat:
Saph the Something creates ethically handmade clothes made with vintage materials by a non-binary queer individual, with an emphasis on non-default clothes for non-default people.
You can find Saph's physical goods on xaer ko-fi (including a GORGEOUS loose-knit subtle trans flag tee)! Or support xem on Patreon for early access to content, behind-the-scenes updates, and more
For prints and pins of some truly stunning art, visit Survival of the Artist's ko-fi!
If you love gorgeous, unsettling underwater horror, you're going to absolutely love these prints
Eeler's Choice @eelerschoice is offering their season 1 soundtrack on Bandcamp!
Eeler’s Choice is a maritime horror fantasy podcast that serves as a reminder that the ocean never gives back what it takes unchanged. The music is GORGEOUS and if you love sea shanties, folk music, and eerie ambient instrumentals, you'll love this album.
They also have merch on sale, the logo sweatshirt is one of the best things I own
Pyon is an afro-latino freelance artist, writer, designer, and indie game developer
He is currently working on a visual novel magical girl project, @magicalwarriordiamondheart and you can buy prints, plushies, apparrel, charms and more from their store (or support him on Ko-fi!)
Xan Larson is an Illustrator, Comic Artist and Content Creator with a specialty and marked enthusiasm for mythological creatures of all kinds and all cultures.
She offers a huge range of treats on her website, including art prints (& original paintings), resin art, and books
Dylan Birtolo is a writer, a gamer, and a professional sword-swinger
Dylan has a huge number of books on offer, primarily fantasy, including anthologies, novellas, and novels.
TTRPGs galore:
(these also fall under the little treat category, but there were so many that I felt they needed their own section)
Sunken Rust are a game company run by married couple Dave Eisinger and Jazz Eisinger, and they offer a range of absolutely delightful TTRPGs, ranging from a wholesome GBBO-inspired micro RPG, to a solo journaling game about exploring an abandoned mansion.
Tea Witch Games is run by Anna Landin, a queer Swedish illustrator, comic artist and game designer. She offers games that run the gamut from sweet and cozy to weird, sad and spooky.
K. Petker offers games from wonderfully unique perspecitves including heroines of the princess council, children facing the apocalypse, and cats protecting their humans from the supernatural.
Christine Prevas is a writer, designer, PhD student & erstwhile librarian offering TTRPGs that range from two-player steamy horror to theatrical tragedy, and more.
Unseeliejess is a game designer and social worker, and my personal favourites from her offerings include Oops! All Draculas! and multiple sapphic-focused TTRPGs
Thoughty is run by Beau Jágr Sheldon, including innovative TTRPGs in a range of formats, as well as some games that break away from the table entirely.
Riverhouse Games includes a ton of fun concepts, including a micro-game about cleaning your kitchen and a game about telling your hot gay (dragon) boyfriend you love him. They also offer a guide to writing your own RPG!
E. Chris Garrison is the proprietor of Chris's Compendium of Free RPGs, one of the oldest game repositories on the web. They are also the designer of Saving People / Hunting Things, a TTRPG inspired by monster-of-the-week style television shows such as Buffy the Vampire Slayer, Angel, and Supernatural. They also have a ton of fantasy, supernatural, and sci-fi books on offer
Handsofblue offers a campy horror game about awful people and a serial killer, and a solo knitting game
Drazillion is an award-winning narrative designer, writer, and artist, offering a huge portfolio of games with a strong focus on queer narratives and themes. You can also support her on Patreon
Patreons & Ko-Fis:
Finally we have some ways to directly support the creators you love or their ongoing projects!
Soul Operator @souloperatorpod is a multi-genre fiction podcast, created to highlight solo ttrpgs.
If you haven't listened yet, you absolutely should - this show will rip out your heart and you'll be grateful for it. Support them for behind-the-scenes content, exclusive short stories, and more
Divine Rodentia Studios @divinerodentiastudios is releasing a new fiction anthology audio drama, Sixth Door to the Left
This is some truly intriguing and wonderful storytelling, and you can support them through the development of their upcoming project, The Loser's Game.
YamiKakyuu @yamikakyuu is a writer, photographer, amateur digital artist, and horror podcast enthusiast.
Supporting them will help an up-and-coming voice actor invest in decent equipment (a huge barrier to so many incredibly talented VAs breaking into the industry!)
Daisy McNamara is an *incredibly prolific* podcaster, the co-creator of Eeler's Choice and Waterlogged, and has contributed his talents to so many more
Daisy has made such a huge contribution to the audio drama world, so if you've listened to any podcasts to speak of, you've probably enjoyed some of her work. Your support can help him make ends meet and continue creating!
And finally (because I fave a few pals who'd kill me dead if I didn't do a bit of self-promo), I'm Leanne Egan, the creator of Tell No Tales, an audio drama about ghosts and the people who refuse to hunt them. While there is currently no way to support the show financially, my debut novel, Lover Birds, releases soon!
As a bonus, if you're in the UK, you can pre-order it from a North-West-based queer indie bookshop too!
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sourpatchsquids · 10 hours
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I NEED TO TALK ABOUT IN STARS AND TIME FOR A SECOND
Okay i just finished watching my girlfriend play ISAT and I felt the urge to dig into the music a little bit and lost a whole day to it. So i think i have to post about it. General spoilers below, read at your own risk.
Ok so Im gonna talk about the title theme and one other song here, which is a secret for later. (This part took like 2 hours to cobble together ill post the other one tomorrow)
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In the first statement of the melody, we have a very bog standard i -> III -> IV -> Cadential 6/4 moti-- wait a second.
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With where these lines intersect, the A in the middle voice actually dips below the bass voice for the statement of this chord, which means that the chord lands in a second inversion. You wouldn't normally put a i6/4 just after a cadential 6/4 unless you were actively trying to make the resolution feel weaker for some reason. As if you intentionally wanted the listener to not feel a strong sense of returning to the tonic.
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When the strings come in we are treated to lush root position 7th and 9th chords to really feel magical and detached from ourselves. Just as well, that cadential 6/4 turns into an entire tonicization for A major! I adore the way the strings milked the motion down from D to C# to C, its a perfect suspension of the old tonic into the tonicized dominant :>. The themes of not feeling at home continue from here. We get the briefest glimpse of a happy A major chord in measure 8 before we lose any sight of an A that feels at home in the harmony. Measure 10's A in the melody is completely unsupported by the G major chord underneath, and the only A's to play in measure 11 are in the bass and the frenetic synth line bouncing between left and right panning, as the upper string descend to a G and the melody completely skips over the A in otherwise stepwise line. I wonder why home is so hard to latch onto in this piece? You're only ever able to grab onto it for a little bit at a time, when you even know what you're listening for.
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As we approach the end of the phrase, we finally get a reasonable resolution to the tonic! We made it! However, it is nowhere near as harmonically pleasing as it should sound. Even with the faster pulse flipping back and forth between the ears and the actual stepwise enclosure of the tonic, when a tonic chord finally rings it quickly darts back, and what we get is empty. The 3rd of the tonic is played for the length of a eighth note and is quickly kicked out of our aural memory by the staccato E in the same instrument. And then all previous accompaniment leaves, save for the strings, as the piano enters to play one last statement of the B theme. The title theme makes very clear, we are allowed to approach home, but we are not allowed to linger. As quickly as a taste of it comes about, we realize how much it tastes like nothing.
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Finally, we are rewarded with another cluster of A's and E's to leave us feeling empty and full of ennui. Truly we are meant to interpret this piece as Siffrin feeling lost and alone, no home to return to, nowhere to truly rest. That about wraps up my analysi-- hey wait a fucking second.
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HEY WHAT THE FUCK.
youtube
If you listen at the very end, the strings jump back up to a D chord at the very end of the piece. D, the key we originally thought we were in. This single chord completely recontextualizes the entire piece and im not kidding in the slightest. If everything that happened while we thought A was the home key was actually just elaborating the dominant, then what does it actually mean? And more importantly, why is it so quiet? What is the purpose of the final D chord, the actual end chord of the piece, when it is so removed from what feels like the real ending of the piece. It's as though it's being intentionally kept at bay, as if we as listeners are actively pushing it away. It's like song itself doesn't want to really end.
Oh.
Studio Thumpy Puppy, if any of you ever read this, please know that I am in absolute awe of your ability to bake in the themes of the story into 42 seconds of music.
Not only does the title theme convey Siffrin's emotional pain from not being able to remember his home country, it manages to tell the listener the crux of the plot before a single line of exposition hits the screen. Siffrin doesn't want his party to leave him alone, he doesn't want their journey to end. He is so desperate to prevent his party from returning home without him that he breaks the structure of the piece, hides the final chord, from his own god damn opening theme. To stop the journey from ending.
If you've gotten this far, please support the artists behind this amazing game. If you haven't bought and played ISAT yet, go do it, and while you're here, also buy the soundtrack. Give these people money!! They're really good at what they do!
Next up: We're With You! Look forward to it, it's also amazing.
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godflesh · 1 day
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pride month promo!! attempt #2
hi i'm daniel. white (slavic) bisexual trans man who loves brutalism, industrial/noise/experimental music and cure (1997) directed by kiyoshi kurosawa. check out the gay mags tag, if you please 🖤
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NO PRIDE IN GENOCIDE 🍉
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vaporwave · 13 hours
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20ctrl · 3 days
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where buy it?
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listen or die
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qyriad · 8 months
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thebridgesandtunnels · 6 months
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it's spotify wrapped season again and you know what that means! time to plug that wrapped playlist into hype machine's merch table tool and see if it turns up any bandcamp links where you can directly support your favorite artists of 2023! the tool is definitely not perfect or infallible, but it's a great start if you want to start compensating the artists whose music meant the most to you this year at a rate higher than the peanuts they got from your spotify streams!
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everydaylouie · 4 months
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RAT TAXI 🐀 🚕
new album! funky and crunchy. you're a rat cabbie in the big city and this is your soundtrack
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nyancrimew · 8 months
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epic games and songtradr need to fucking die and give the bandcamp union ownership of bandcamp, i am so done with capitalism ruining art. let the artists and workers own the platforms we depend on. bandcamp is like MADE to be worker and community owned. bandcamp is MADE to be a cooperative. yet it is being used as a gotcha in a legal case by epic and as a toy by some vc backed shitty exploitative startup.
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womenofnoise · 6 months
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WOMEN OF NOISE FOR PALESTINE
41 tracks from great experimental artists. All proceeds will be donated to the Palestinian Children's Relief Fund. Listen and purchase HERE:
As always, thank you for your support!
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lottieratworld · 1 year
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figured id share this update here for those wanting to keep up with the bandcamp union Bandcamp United and how their efforts have been going
https://blog.bandcamp.com/2023/05/19/bandcamp-and-bandcamp-united-release-joint-statement-on-union-vote/
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postpunkindustrial · 8 months
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Ugh
Download your music off Bandcamp soon.
I predict fuckery will begin soon
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genderoutlaws · 1 year
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Another union shout out — Bandcamp workers are organizing with Tech Workers Union Local 1010 and need your support! Email [email protected] with your support for the workers and their right to organize, and follow Bandcamp United on twitter to keep up with their campaign for equity in the workplace.
edit: embedded link to their linktree !
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meanbossart · 5 months
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our futures bound, our bodies broke
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possessedpasm · 2 months
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Stink Animal and the Bad Smells, 1975
A poster I made for Stink Animal and the Bad Smells on Bandcamp!
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