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#madam reid
luminarai · 1 year
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@spookylestat mentioned sam reid’s waist and period gowns in the same sentence and my hand slipped?? oops
(I like to imagine louis reading a newspaper or something showing a print of madame x and lestat walking by, casually throwing out a ‘I wore it better’. louis doesn’t have a single hinged thought for the rest of the week)
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wardengrill · 6 months
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Madame Bouvier, I presume? One and only.
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yourlocaltoad · 18 days
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Some recent stupid doodles
the purple kiwi toon belongs to @phoandori
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deathcherries · 1 year
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The moment reid diggory lost his shit:
Realization rushed in, and hot blood rose to my face.
Fuck.
I was so stupid. So blind. My fists clenched as I pushed to my feet. Madame Labelle’s taunting smile faltered, and even Coco shrank back at the fury in my eyes.
Of course Madame Labelle was a witch.
And Mademoiselle Perrot was Coco.
And Coco was a witch. But not just any witch—a Dame Rouge. An entirely new species of witch, who practiced in blood.
And my wife—the fucking love of my life—was the daughter of La Dame des Sorcières. The heiress of Chateau le Blanc. The goddamned princess of the witches.
And everyone had known. Everyone except me. Even fucking Ansel.
~reid diggory, serpant and dove
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achillessleepy · 1 year
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Everyone's always saying how much Emily made hotch smile. Oh hotch only smiled around emily
Like bitch have we watched the same show?
Season 1 and 2 hotch had so much emotion in his voice. He smiled a lot more. And as the show goes on he just loses it. Becomes robotic.
Like yes I get you want hotchniss to be a thing but let's stop reaching so much
Also ps, penelope, Spencer, rossi, JJ hell even morgan probably make hotch smile a lot in the later seasons aswell. Oh and Beth.
I do have a soft spot for jotch. Idk why. They just seem like the mum and dad of the group. They seem to have a closer relationship. I mean Ik AJ said they had a different relationship than the others.
Once again no hate to those of you who ship Emily and hotch. But um, everyone go write fanfic about hotch x blackwolf or hotch x bouvier. They deserve so much more love. Idc they only appeared in one episode, one of them only had one scene.
I'm sorry madame bouvier only had one scene and yet they made hotch more flustered than any of his love interests.
And Thomas directed it aswell. Like Thomas is giving us fruity hotch, because he knows its what hotch needs and wants.
And don't even get me started on blackwolf and hotch. Hotchs first scene with him and he's leaning against the wall? Whatcha tryna do hotch? Pull? The sexual tension, yes sexual, don't lie to me. Go rewatch that whole episode. They, John, are openingly flirting and teasing the entire episode. And Gideon fucking knows it and you already knows he mentions it whenever he can. It brings out a different flustered hotch.
Like, 'so why am I still talking to you?' After hotch states they don't think he's the killer. Like John, Aaron. We both know why your still talking.
I will never not talk about my love for them.
I'm sorry I got so sided tracked that I don't even remember what this post is about. I apologise.
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hippography · 1 year
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Madam II. (977). 
The property of Mr. John Lett. By Luck’s All out of Madam. 
Chas. Reid. 
Sir Humphrey de Trafford, 1907, The Horses of the British Empire, Vol. 1.
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krys-loves-otome · 2 years
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Some Reference for My Otome OCs
A few days ago, @shamylicious-blog posted about wanting references for OCs for drawing practice, and I thought, hey, it was about time I had a visual ref post for my girlies, so I decided to make one.
All art posted below is mine.
Ikemen Sengoku Houki
She is an MC transplanted from a different game into IkeSen. An avid book lover that sometimes gets carried away in her readings and studying. Her suitor of choice is Mitsunari.
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Ophelia
Another transplanted MC from the same game as Houki. Ophelia wasn't happy with her previous life but had accepted it for what it was, up until she was accused of a crime she didn't commit. Transporting to Sengoku Era Japan didn't help matters either, coming to hate Nobunaga and striking out on her own to get away from him. Falls in with Kennyo and stays with him for a while.
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Ikemen Revolution
Madeline "Maddie" Fleming
Maddie is my Alice that was inspired by the constant pokes at Sirius's age in-game, so I decided I wanted a magical girl that was 30+. Her powers are tied to her singing, letting her influence non-magical things into having magical properties. Her suitor of choice is Harr Silver
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Ikemen Vampire
Dorothea "Thea" Reid
Thea was born of a want for historical clothing in IkeVamp, so she's a modern-day seamstress and fashion historian that happened to find her way to Comte's Home of Legendary Frat Boys. Depending on the AU going atm, she's paired with Theo or sometimes in a threesome with him and Arthur.
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Abigail "Abby" Clarke
Abby is a shy artist that had run away from home and ended up also at Comte's Home of Legendary Frat Boys. She learns to heal there and have confidence in herself before going back to the present day. Suitor of choice is Vincent.
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Ikemen Prince
Clara Laurent
Clara was swept into the royal life thanks to Sariel's search for a Belle to choose the next king. She's a no-nonsense book store clerk that feels like the princes are more trouble than their worth, but she comes to care for them as time goes on, despite their tendency to bump heads sometimes. Her suitor is Nokto.
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Obey Me
Miriam "Miri"
Miri wasn't in the best place, mentally and physically, when she was transported to Devildom to be a part of the student exchange program. As time passes, she starts to heal and learn about her powers, something that had before ostracized her in the human world, only to be embraced in the world of demons, angels, and sorcerers. As she's still relatively new, she does not have a set suitor yet, preferring to keep the familial relationship she has with everyone in Devilldom, but she likes spending the most time with Beel and Levi, sometimes Lucifer too.
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"But you owe no one unconditional love. Take it from someone who knows—when a person brings you more hurt than happiness, you're allowed to let them go. You do not have to follow them into the dark."
~Quote from Blood & Honey by Shelbey Mahurin
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efd6skzgzgz · 1 year
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4 5 1 7 8 9 2 6 3 0
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youcantcallmethat · 1 month
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So Netflix Marvel basically made the Hand start off as a Japanese clan of ninja with a side order of Chinese mysticism.
Turn into a blended Chinese/Japanese-inspired cult seeking to colonise a partly-Chinese mostly-blended-Asian area (but destroy it instead of colonising it because drama).
And end up as a vaguely Asian cult where a white woman is in charge of four POC and enslaves a WOC.
I mean. At least it resolves itself with Elektra and Colleen unintentionally working together to wipe them out but damn the Hand was a mess.
For the record, I love Nobu, Gao, and Bakuto, but the Hand really was a mess and they could have done so much better if they'd stopped before they made it Generic Asian Antagonists because it went all downhill from there.
(Colleen being half-Chinese, half-Japanese could have been even more of an amazing commentary on the Hand if they'd stuck to the idea that the Hand was a Japanese-origin ninja clan that attacked and wanted to steal from K'un-Lun and Gao alone was a traitor of K'un-Lun, instead of whatever they thought they were doing with Reid.)
(I'm not going to get into the issues around Tibet and China but I am not surprised that Netflix Marvel didn't bother to address that at all.)
(Also, I find it incredibly disrespectful that they not only introduced a white leader of the Hand who hails from an Asian country, but also that Sowande, the Black leader, was reduced to a gun-wielding gangster. I have no comments on Murakami other than being disappointed that they made him Nobu's puppet master instead of his replacement or equal.)
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septemberkisses · 2 years
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To be loved is to be known; to be seen.
Excerpts Sources:
Is it okay to say this? - Trista Masteer // Blasted - Sarah Kane // Reassurances to Hades - Kristina Haynes // The Seven Husbands of Evelyn Hugo - T.J. Reid // My Mother/Madame Edwarda/The Dead Man - Georges Bataille //"The Last Poem in the Book," These Days (Alfred A. Knopf, 1989); Over and over again - Frederick Seidel // My Mother/Madame Edwarda/The Dead Man - Georges Bataille // Adult Children of Emotionaly Immature Parents - Lindsay C. Gibson // She Satisfies A Fear with the Rhetoric of Tears - Sor Juana Inés de la Cruz // My Life Is Pathetic! - Heather Havrilesky
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thyme-in-a-bubble · 2 months
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cookie — cyma your fav fics you’ve written!
omg omg omg omg omg, okay:
you – darling, you get the fantasy extravaganza i'm currently posting (and writing): the eflorr trilogy, but more specifically the first one: fused with the foe, because to me, you are a princess i'd gladly bend the knee to.
@chvoswxtch – my love, you get lilac. duh. i feel like that's a bit obvious, but with how much we've talked about it and DROOLED over lumberjack!frank, i just had to.
@ghostlyfleur – you're always calling me your baker!gf, so here i give you a whole series with a literal baker!gf: buttercup.
@fettuccin-e – uuuuhhh, you get breakfast in bed, because yum domestic!matt smut <3
@fxllfaiiry – well, you deserve something autumny... something a little bit gothic... so, we're gonna go with can’t fight the moonlight.
@cosmal – okay, okay, okay, you're gonna get kelp. a little bit of yo-ho-ho pirate smut for you
@inkluvs – the palace guards, because YEESS! *now imagine that elmo fire meme*
@inklore – i have this feeling deep down that you're a murder mystery hoe, so you're getting the murder at evergreen university.
@reidslovely – well, you're obviously gonna get something with peter, so i'd say cake. cute little neighbours to lovers story.
@skullrock – ooohh, angel & devil!steddie, for sure! more specifically the story entangled or just the tip in that AU, i can't decide...
@appocalipse – daisy. 100% you're getting that story.
@bruisedboys – thistle <3 you deserve for a prince to be head over heels for you.
@bcyhoods – just get to me in time, okay? because 🥺 nurse!reader 🥺 hurt/comfort 🥺 A FUCKING CAT 🥺 SMOOCHES 🥺
@bradshawed – I almost forgot about this one, but orchid. cute old money vibes? enemies to lovers? yes please
@amorchai – yeah, that’s sprained alright. just an adorable little peter blurb for a cutie like you <3
@midniteluv – a little cutie reid blurb for you, madam: you’re pregnant?
@mystcldydrms – brrrr, my eye is twitching out of sluttiness because you get nothing more than a toy with raaaafe
@venuslore – okay but magical mimic because mmmmmm sex magic 😮‍💨
@bunmurdock – i'm gonna give you ring ring for the pure deranged horniness of it all.
@slvttyfied – teamwork... because...i mean...........you, my love, you deserve to be the centre of 7 men's attention <3
@chxrryhansen – uuhhh you gotta get sour summer! the prequel to the murder at evergreen university before all of the murdering when everyone was happy and didn't think too much about the consequences of their slutty actions.
@fushic0re – you get a little bit of boxer!steve rogers yumminess: I still got a few rounds left in me.
「 come join my 10k celebration 」
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We often mention here at Recycled Movie Costumes how much lighting can change the look of a gown. We also sometimes note how the proper undergarments can make or break a costume. This particular dress is a wonderful example of both.
This dress was first seen in the 2013 film La Religieuse (The Nun) where it was worn by Héloïse Jadoul as Armelle Simonin. It was later worn by Helen McCrory as Madame Le Notre in the 2014 film A Little Chaos, and appears to have been worn without any foundational garments, so its shape is not very well defined.
The costume went on to be used in the 2019 first season of Sanditon on Anne Reid as Lady Denham. It appeared with much darker lighting, but with much better undergarments, giving the proper shape to the gown. The lighting change is drastic, making the gown appear drastically different than its appearance in A Little Chaos.
The costume made a fourth appearance on extra in the 2021 second season episode of Hulu’s The Great, in the episode entitled Dickhead.
Costume Credit: carsNcors Wardrobeoftime Anne81
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achillessleepy · 1 year
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When you don't actually ship Hotch with any of the main characters (only certain side characters who's turn up once and never again.. *looks at Blackwolf and Bouvier*) so you take your wrestling OC and place the poor soul in cm world.
It's difficult to ship him with any of the team when I see them as a big family and Hotch as the main parental figure.
And everyone's gonna hate me saying this but Emily and Hotch look like siblings to me, I'm so sorry Emily x Hotch shippers, please don't hurt me.
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rapha-reads · 14 days
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Some IWTV s02e02 thoughts in no particular order:
Daniel: "Are you going to keep finishing each other's..."
Me: sandwiches.
Daniel: "Oh, I'm done thinking. Bring me the tequila and some popcorn, let's flip to channel 300-something, it's a Univision night!"
That, and the whole telenovela thing: MOOD. I love that guy's sass.
The vampire who goes and kills a guy behind Loumand flirting, and when he catches the head, goes "Merci !". That. I love that. I want a gif of that. But with the sound.
Louis goes and reads Daniel ('s mind, or, just reads him) whenever he feels like his own memory is lying to him, or when Danny boy strikes a chord he'd rather stay silent. But Daniel apparently has his own demons. That scene with Loumand teaming up to invade his mind was chilling actually.
Okay, can I be unnecessarily and gratuitously nitpicky for a minute? Because I'm gonna be honest, a good 75% of the French in this episode was not. Good. I mean, it was passable, but man did it grate on my ears. Also, I AM from Toulouse, and I'm sorry "Madame" but that was not a Toulousain accent. The couturière's def native French, and I wonder if Armand's French during the Murder Manoir scene is Assad himself or dub, because when it's Assad, his "Théâtre des Vampires" is uuuuh yeah, that's alright, but come on, for a vampire who's been living in Paris since freaking Charlemagne lui-même, ton accent laisse à désirer, l'ami. Il y a comme qui dirait des relents britanniques... Enfin. Je dis ça, je dis rien.
Oh, speaking about the Murder Manoir, I love the episode insider! Jacob describing the chaos during the filming of that scene was adorable. And Delainey's giddiness is so cute too!
Anyway, I love how that episode shifts tone and genre from one scene to another. Opening with the cliché Parisian ouverture, only thing lacking was the béret, I swear, then going full telenovela, and then straight into noir gothic, with some meta, vaudeville, pantomime when we're with the company... Oh, and full romantic drama during the Letter scene.
Now can we have Lestat back, I miss Sam Reid's unhinged presence.
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The Way Back Home (Spencer Reid x Reader ) - Chapter Five
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The Way Back Home (Spencer Reid x Reader) - Chapter Five Reader Insert: she/her pronouns Word Count: 6718 Warnings: major angst, major fluff, mentions of murder, graphic descriptions of dead bodies, crime scenes, near-death experiences, slow-burnish romance, death, canon violence, rape, swearing, guns, knives, prostitution, canon cuteness of the team. Spoilers: Maeve's death, mentions of previous cases or canon events from seasons 1-10.
Spencer and you have an unspoken connection with one another. Nothing has ever happened between you two, especially since everything went down with Maeve, but your love has grown and overcome and is now clear as day to everyone. However, just when Spencer builds up enough courage to ask you out officially, you're requested on an undercover mission that halts your budding relationship in its tracks.
Months go by without a word from you until bodies of prostitutes start showing up in New York and the BAU is brought in to help. Spencer and you finally reunite as both your cases collide, but your lives and your love are both on the line now.
Will you and Spencer be able to find the way back home this time?
Prologue | Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5 | Chapter 6 | Chapter 7 | Epilogue
~~~
You watched from your place against the wall as Spencer, Kate and Hotch left the Pit, keenly aware of Spencer's eyes seeking you out and adjusting your hiding place accordingly. But you kept eyes on him, and when his own turned away from the Pit in defeat, you let yourself relax.
You hadn't been expecting your old team to come down and put pressure on Madame Lacroix, especially not tonight when a meeting had already been arranged. As long as they didn't allude to what they know, you thought, everything should be fine.
The plan would remain the same: you would meet the seller, play it casual, seem willing and pliant, gain as much evidence as possible that would expose him and the rest of the managers, then high-tail it back to your team ready for the take down.
You rubbed your temples as opposed to your tired eyes to avoid ruining your makeup. All Madame Lacroix had said about the meeting was that you would be summoned sometime tonight. And while you knew you needed to be focusing on the upcoming meeting, on the seller, on taking him down, all you could think of was him.
Dr. Spencer Reid, with his brilliant, amber eyes that could freeze you in place with one look. Dr. Spencer Reid, with his strong hands - the hands that held you close to his body only minutes beforehand. You'd initiated the contact, but it had been instinct, a defence mechanism as Serena Vanderguff. Once you'd realised the position you'd placed the both of you in, you knew you had to pull away as fast as possible.
He'd looked at you like he had that night in the office. Looking up, the soft light of the booth had illuminated his eyes to appear warm and alive - and so full of admiration you could hardly believe such a wondrous, more beautiful sight existed on earth.
But that voice in the back of your head, Serena's voice, nagged at you. Not yet, she said, it's too risky. But hadn't you risked it all already? Hadn't you done your duty to the fullest? No. That voice belonged to you, and that was what pulled you away from him, what made you send him away.
'What would you have said? That night I asked you out. Yes or no?'
It wasn't that you were surprised he asked the question. It was inevitable, and you had practiced your answer everyday since you'd left, hoping you'd get to finally say it to him.
What surprised you was how he said. It was like his whole life surrounded the question, like it would determine how he would live the rest of it according to your answer. It was important to him, but something as trivial as an answer to a date didn't seem like the thing Dr. Spencer Reid would be hung up on almost a year later.
But Spence - your Spence - would. The man behind the facts and figures, statistics and books; the man you'd befriended; the man you had stood by and who had stood by you in return through the hardest of times. The man who'd quoted you Shakespeare when you were tired, and made you laugh by recalling a memory of you two you had sealed away so carefully you'd almost lost it.
The question was important to Spence, in all his vulnerable glory, and it was for that reason you did not answer him. The mere thought that you mattered to him in the way he mattered to you was too much to handle, especially now.
A gentle hand on your shoulder jolted you from your silent state. It was Ajani, worry creasing her gorgeous, dark features.
'You good, Serena?' she asked, observant eyes raking over you in a quick check.
You nodded, using the action to bring you back to the present. 'Yeah, I'm fine,' you answered, slipping back into your Serena Vanderguff costume. 'Just feel a bit crowded in here, you know?'
'That's why I stay behind the bar,' Ajani quipped, and you were thankful for the break in solemness.
'Then what are you doing with us peasants out here?" you asked, a cheeky smile pulling your lips up.
Ajani pushed your shoulder she was holding lightly, her laughter making it feel you were in your own little bubble. 'You're in luck, it seems,' she said, and your stomach dropped along with her smile. 'Madame wants you in the loading dock.'
You didn't question it. The request could only be one thing. You nodded your thanks and made your way through the masses towards the loading dock. Making sure no one was watching you leave, you opened the door partly and slipped through the small gap before gently closing it behind you.
You were met with Madame Lacroix at the garage entrance to the dock, three men in black S.W.A.T.-like outfits, mouth masks, and a limo behind them. None of the men moved at your appearance which told you they were trained guards of sorts, maybe ex-military. You noticed one of them had a tattoo peaking out from under his pushed up long sleeve shirt. It was a tail of sorts, maybe an ancient Chinese dragon's tail.
You switched your focus back on Madame Lacroix and approached her, the perfect picture of calm and grace. You didn't flinch as you spotted each men with an assortment of knives attached to their legs, and a gun each holstered at their hips.
Madame Lacroix stepped closer to greet you, a hopeful smile adorning her red lips. 'It's time,' she said, taking your hands in hers, giving them a squeeze, and leading you to the limo. The men didn't move as you approached, instead waiting until you were closer to make a move. The middle one - the dragon tattoo guy - stepped forward as you approached, a canvas bag in hand.
'Is that really necessary?' you asked, pulling your head away slightly.
He raised it to your head. 'Nothing personal. Just protocol.'
You scowled at him but didn't argue further, allowing the man to place the bag over your head. Your world went instantly pitch black, and then you were moving again towards the car thanks to the men and Madame Lacroix. She sat next to you in the car based on the hand that still held yours, and from the sound of the other door opening on the opposite side one of the three guards was sitting in the back with you, too.
The car trip was silent and an hour almost passed before the car pulled to a complete stop, the engine rumbling down to a soft purr, then silence. You'd counted the minutes that passed in your head as an anchor. Not being able to see made you a little anxious, and counting kept your mind occupied. It also helped you listen out for anything happening outside of the car.
The men and Madame Lacroix had been careful not to speak the entire ride, but that allowed you to hear the blaring of car horns and city traffic fade about twenty minutes into the trip. You'd noticed the slight change in road when that happened too; slick tarmac like a highway. The road became increasingly rougher the longer you travelled, and the last ten minutes you turned off the highway and onto a long dirt road.
Out of town, you concluded internally. Secluded, off the beaten track, south bound. While these people were bringing you into their elite circle, you couldn't shake the feeling that something might go wrong. It was important you had some idea where you were in case you needed to escape.
You were gently tugged out of the car by Madame Lacroix, who had never let go of your hand the entire time. In an odd way, it was comforting, knowing someone was there supporting you, looking out for you. Even if it was someone as shady and two-faced as Madame Lacroix.
Your opened toed heels tripped on gravel and dirt, lodging a few loose stones between the straps. It was summer, but the cool breeze of the night had you shaking in your skimpy red dress. Yep, definitely off the beaten track.
You heard a tin door open by the way it echoed and creaked with the motion, and you were guided into a darker place where the moon couldn't illuminate the bottom edge of the canvas bag that kept you connected to the outside world. Immediately your nose was hit with the sterile scent of bleach, like a hospital. You mentally counted your steps, mapping out at what number you turned left, then right, then right again, and finally straight for about ten paces. One of the men fiddled with a door handle, but this one sounded more solid, not rustic like the outside one.
Another ten paces forward and you were pulled to a stop. The door behind you closed, and finally the canvas bag was taken off.
You blinked a few times, gaining your eyesight back and catching your bearings. Once both had returned, you found yourself in a room with a long table and thirteen chairs around it. In eleven of them sat men and women, some of whom you recognised as your old managers like Alfred Royalton and Melton Jones.
Behind them stood women, all different, but all undeniably beautiful. But for some, being called a woman was a stretch. Some of them couldn't have been older than eighteen at best, their faces too youthful, too innocent. And yet they were here, standing behind their bosses like trophies or handbags. You couldn't tell which label was worse.
You noticed an empty seat. No doubt Madame Lacroix's place at the table. That made the twelve establishments. But there was still one more person sitting down, appropriately at the head of the table.
He was a burley man, white button up under a grey suit jacket barely holding in massive muscles. His dark hair was slicked back from dark, slitted eyes, pale face glowing with health under the fluorescent light. The Boss, you concluded. The Unsub. His ringed hands were clasped in front of his face, and you forced yourself to hold your ground as those slitted eyes narrowed on you.
The emptiness you found in his eyes scared you more than anything. You expected him to be lecherous, perverted and possessive in all aspects of his being. That was how you profiled him after learning of the sadistic manner the girls were killed in. But he showed nothing but a void of emotions or care.
And a man without feeling was a man worth fearing.
You held his gaze for a moment longer before he waved a hand in the direction of the empty seat. 'Madame Lacroix. So good of you to join us. And I see you've brought a guest.'
Like a proud mother, Madame Lacroix grabbed your arm with one hand and wrapped her other around your opposite shoulder, red lips drawn back in a wide smile. 'Yes! Everyone, some of you may know her already, but this is Serena. She'll be hanging out a lot more often after tonight.'
'Bold of you to assume I will approve of her,' the Boss said, and his gaze returned to you. 'You know I have... requirements she must meet.'
'Trust me, she will, Walter,' Madame Lacroix said, her smile slipping into a scowl as she narrowed her snake eyes on him. 'Besides, if you'd stop killing off our girls, we wouldn't have to keep bringing in new ones to teach everything all over again.'
You held back your surprised gasp. So she did know this whole time he was the killer. She'd practically just called him out in front of everyone, and none of his men were in the room to protect him if things went south.
Agreeing murmurs dribbled around the room, but a single raise of the Boss' - Walter's - hand silenced them in a second.
'You'd do well to remember your place, Madame Lacroix,' he said, deathly calm as he returned his hands to clasping one another, his dead eyes locking onto her. 'You may make money off your girls, but I'm the one who still owns them; therefore, I suggest you keep your accusations to yourself unless you don't want to have any employees tomorrow.'
Walter either truly didn't kill Roxy and the others, or he wanted the managers to be looking over their shoulders in constant fear that they would be next. Either way, by not out-rightly admitting to it, he retained power over them all because it was too ambiguous to determine whether he did or didn't kill those girls. And you didn't get a confession.
Like it would've been that easy anyways.
The threat was enough to dull the ire in Madame Lacroix's eyes, lowering her gaze from him in defeat. You looked between her and Walter, terrified at how such a man could tame - no, make cower - a woman as bold and powerful as Madame Lacroix. He re-offered his hand to the empty seat, and you followed your manager as she followed his silent order without question.
'Now, anyone else have something to say?' Walter asked, but the room remained silent, every spokes girl with heads bowed and every manger looking sheepish as they avoided his steel gaze. Walter leant back in his seat. 'You know I will not tolerate insubordination. I have given you lives, prospects, something to call your own. Those girls... met an unfortunate end. Work with me, and I can protect you from that same fate.'
Again, he danced around the confession. He spoke with such threat, but acted like a protector. It frustrated you. It was like he was taunting you specifically, knowing that you were recording-
Your breath escaped you as fear crept into your bones. What if he did know? What if you'd already given yourself away and he was just biding his time until he could finish you off himself?
The thought niggled at the back of your mind as the meeting continued. They talked about stock and other deals, all the while the spokes girls remaining silent as the managers discussed business. The thought had almost slipped your mind until the end of the meeting came about.
'What do you want us to do about the FBI?' Alfred asked. 'There are only so many lies and half-truths we can tell to cover for all this.'
You watched Walter's reaction carefully. But he didn't flinch at the thought of your team getting closer. Confidence oozed from his every movement as he sat back in his seat, arms resting on the chair's arms.
'Leave the FBI to me,' he said. 'The feds won't be a problem much longer I can assure you, Alfred. For now, it is business as usual. Everyone is dismissed.'
All the managers stood up and made their way to the exit door, their girls walking promptly behind them. You waited for Madame Lacroix to stand, but she never did, and neither did Walter. You all remained at the table even when the last person left, agonising silence suffocating you as you waited for someone to break it.
Walter broke it. 'So you're the Serena I've been hearing so much about,' he said, his dead eyes flicking to you, his face not giving anything away.
You waited for him to continue, but you quickly realised in the following silence that he wanted you to speak. 'Only good things, I hope,' you said, offering your best flirtatious smile. If there was one thing you had learnt over your eleven months in the business, it was that men like him always softened for a confident smile. 'Or, you know, bad things, depending on how you look at it.'
To your luck, the corner of his lips lifted in a slight smile. The void in his eyes changed then into desire and a weird sense of admiration as they raked over your body, as if just realising how skimpy your outfit really was. 'Confident,' he said after he stopped gazing at you. 'I like that.'
You held your smile as he stood up from his chair for the first time that night. He was a good head-and-chest taller than you, causing you to strain your neck to look up at him as he came around to you. You forced yourself to keep breathing evenly as he stood over you, dark eyes alight with lust and desire.
'Six of my different establishments in eleven months,' he said. 'Some would say that was suspicious.'
'Or just ambitious,' you challenged, not allowing him to continue. 'You're not as sneaky as you'd like to believe, Walter. But I'm not one to kiss and tell. All I ask is to be let in on the secret. You've heard about me, so I don't need to tell you what I'll do to be let in the room where it all happens.'
'That's Mr. Khan to you,' he said, lust and desire trading in for dominance. His stare was cold, but you held it. Men like him who craved power and dominate would react to a headstrong, daring woman like you in one of two ways:
They get angry at being made impotent or an imbecile compared to a woman, and the anger is most of the time physicalised in violent actions against women; or
The man will admire the woman's confidence, and reward her for not backing down from his otherwise dominant presence.
You were hoping for the latter.
And when his gaze softened with that lust and desire once more, you knew you had won.
'But maybe one day that will change,' he said, and he held out his arm towards a door at the back of the room. 'You're impressive, Serena. I will admit. But there's just one last test I'd like to put you to.'
You looked between him and the doorway cautiously, keeping in the back of your mind the notion that he might actually know who you are. But seeing as it was only you, him, and Madame Lacroix left in the room, your odds of refusing him and leaving unscathed were low. So you smiled like the obedient employee you were and said, 'If you say so, Mr. Khan.'
'Be gentle with her, please,' Madame Lacroix said, remaining in her seat. She sounded defeated, tired. It made you wonder how many girls she had handed over to him before you and Roxy like this. Maybe she really did care for her girls, for you.
'Always, Madame,' he said, then ushered you in front of him towards the door. 'Don't bother waiting around. We're going to be a while.'
You repressed the shiver of terror that wanted to run down your spine. That doesn't sound good, you thought, but smiled appreciatively as Walter opened the door and allowed you to enter first. The click that echoed through the dimly lit hallway when the door closed was like the hammer of justice used in court, sentencing you to whatever horror he had hiding in the shadows.
You couldn't help the gasp that escaped you when Walter's hand pressed firmly into the small of your back. Your dress was thin and did nothing to stop the cold that came along with his touch.
'I won't lie to you,' Walter started, walking the both of you forward steadily. 'I've been following you for some time now, Serena. But usually those who climb my corporate ladder, so to say, come through me first. So where did you come from?'
You made sure to keep your features relaxed as you twisted your neck to look up at him. You've presented yourself as a confident woman now. The moment you show otherwise he'll start to suspect you. If he hasn't already, that is. 'Like I said, I'm an ambitious woman, Mr. Khan. If there is something I want, there's nothing I won't do to get it.'
'And what is it that you want, dear Serena?' He leaned in closer, warm breath brushing your cheeks. You were even more conscious of his touch on your back and arm now. You wouldn't be able to run even if you wanted to. Just relax, just relax, just relax.
'I want what everyone of those other girls want,' you answered, turning your attention forwards again. 'To have control over my life. To make something more of myself than what this wretched world had predestined for me.'
You were pulled to a halt out the front of door. You'd been walking for sometime, so whatever place this was had to be big. That wouldn't be easy to hide. But instead of opening the door, Walter turned you to face him, his hands now holding your arms in a grip that bordered between gentle and harsh.
'I don't believe you,' he said, a coy smile tugging his lips. 'You don't strike me as the kind of girl that is like every other girl. If you were, you wouldn't have bothered worming your way up to where we stand now, Serena.'
'You make it sound like dirty work,' you quipped.
'That's because it is.' For a moment, his eyes softened, and you saw a kind man. Maybe he once was before. But you quickly realised it was the face of a liar, a mask he put on to get people to believe him and his cause.
You would not be another victim to his lies.
'So tell me the truth,' he demanded. 'Why are you here? Right now?'
You couldn't exactly tell him the truth unless you had a death wish. But he'd already seen through your practised lies, so another one wouldn't work. So you settled on a half-truth. 'Because I want to be as powerful as I can be in this world, to protect my own and deal out punishment accordingly to those who wrong me. It is, after all, a dangerous world out there. I just want to be one that makes it so.'
He contemplated you for a moment, for the first time that evening looking shocked and unsuspecting of what just occurred. But that quickly dissipated into a devilish smile, dark eyes burning with promise. 'See? I knew you weren't like the other girls.'
You had no time to respond as he opened the door and once again allowed you to go in first. You hesitated at first, as the room was pitch black so you couldn't see what potential trap you were heading into. But you walked in anyways, Walter right behind you. You held your breath as he closed the door behind him and blanketed you in darkness briefly. Your eyes didn't have time to adjust as you heard a switch flick, and fluorescent lights flickered on.
You blinked, but not from the lights, but from the sight that met you underneath them.
Girls. In a cage.
The cage was positioned along the back wall of the long room, cramming what seemed to be thirteen or so girls crammed into the small cell. You took a step closer, both out of horror and a need to help those girls, but also so your camera got a clear view of the girls. Horror coursed through you like cold water, and you had to bite your inner cheek to contain the urge to hurl at the animality of it all.
The eldest girls of the group couldn't be older than thirteen, their youthful faces smeared with dirt, littered with cuts and painted with bruises. The more you looked over them the more you saw how diverse they were in race. Caucasian, Latina, and African-American. He had them all.
You bit your cheek harder when Walter seized your arm and pressed his mouth close to your ear, trapping your gaze forward. 'Welcome to the Warehouse, Serena,' he murmured, his tone almost proud of what you were seeing. 'This is where all the magic happens.'
You couldn't speak even if you wanted to. Your throat was clogged trying to hold back bile; your voice was silenced, and words escaped you as you couldn't believe someone could actually do this to young girls. What sickened you even more was the space in the middle of the warehouse, littered with hay like a manger. A chain hung from the ceiling above the hay, straps for wrists dangling on its end. And off to the side laid a table of all kinds of tools and instruments one could mistake for sex toys. But you guessed otherwise.
You'd profiled Walter to be sadistic and all about the message. Those tools weren't for sex. They were to teach the girls he kidnapped who was in charge of them, who owned them.
This was where he brainwashed them.
This was where he killed them.
Girls looked at you with tired eyes, but none called out to you. You saw tear streaks cutting through the layer of dirt on their cheeks, but still they remained silent. He'd already taken their voices.
You never knew you could hate a man as much as you hated Walter Khan.
'Well, what do you think?' he asked, walking around to block your view of the girls. 'Isn't it just... magnificent?'
You wanted to slug him, kick him, bite him, shoot him if you had your gun. You wanted to scratch his eyes out with the fake talons the nail salon called nails. He liked what he saw, and you wanted so badly to make him regret enjoying someone else's pain, let alone young girls'.
You didn't say any of what you truly felt, however. Instead, you forced yourself to look at him, trained your voice into a steady tone as you said, 'They are magnificent.'
His grin widened and he squeezed your arms. 'Welcome aboard, Serena. Come now, we have much to discuss.'
He guided you towards the door again, but not before you looked one more time at the girls and mouthed, I'll be back.
You concentrated on steadying your breathing as he closed the door behind you, as if there was more air in the tiny corridor than the Warehouse. After he did, he guided you down the hallway a little before he spoke again. 'Now, where were we?'
Before you could answer, a phone dial blared, pinging off the walls of the corridor. Walter quickly realised it was his phone that was ringing, and fished the phone out and answered the call. 'Rufus... Yep... I see... I'll be right there.'
He ended the call then turned his attention back to you, pocketing his phone in the inside pocket of his suit jacket. 'Business never sleeps, I'm afraid. You know the way back right? One of my men will meet you there to take you back to the Chateau.'
'Of course,' you said, offering an understanding smile.
He picked your hand up and kissed the back of it, like he thought he was some gentleman. You resisted the urge to hurl everything up on him at the delusional thought.
'Until next time, dear Serena,' he said lowly. 'I'm very much looking forward to the future with you here.'
'So am I.'
He turned away and walked down the corridor, the opposite direction of the meeting room. You decided to head back to the meeting room slowly, but your mind was reeling with what you'd just seen.
Those poor girls. You couldn't get their faces out of your mind. How they silently pleaded for help with big, doe eyes that were weighed down by dark circles of exhaustion and starvation. How could anyone do that to a child let alone a group of them, you would never understand. But after meeting Walter Khan in person finally, the man behind all the trauma and deaths, you had someone to be angry at.
You halted in front of the door back to the meeting room. You knew a man in a mask was waiting on the otherwise, and that if you stayed any longer than was necessary, he'd suspect something wrong and come find you. I've got enough, you told yourself, I have enough evidence to get this man to court.
But you didn't have a confession. And if he was as feared and powerful as everyone claimed him to be, he'd get out of it without so much as a slap on the wrist.
The girls' faces haunted you as you stared at the door, hand unable to bring itself to open the door and walk away. I should go. I need to go, your training screamed at you.
But your heart...
The door suddenly opened, startling you out of your frozen state. One of the men that brought you there stood in the opening, eyes narrowed in confusion. 'What are you doing? We've got to go.'
You reacted before your mind could convince you otherwise. You jabbed your hand to his throat, punching hard to silence any cries for help he'd try to make in the next few seconds. He choked at the sudden loss of air, reaching for his throat with both hands. Big mistake.
Next, you drove your knee into his groin, sending him sprawling to the ground in a choking, gasping heap of pain and agony. You crouched by his hip and pulled out the gun holstered there, and just as he started to regain air, you slammed the butt of it into the back of his head.
He was unconscious before his head hit the ground again.
Knowing you didn't have much time, you grabbed the man's shoulders and dragged him under the table somewhat out of sight. It wasn't a full-proof hiding place; someone would find him eventually. But it would buy you just enough time to do what you needed to do.
Running on your toes so as not to clack your heels, you quickly made your way back to the Warehouse, checking your surroundings before entering and closing the door gently behind you.
You surveyed the room, gun aimed ready to fire in case someone else was there. It might've been luck or someone looking out for you from above, but it was just you and the girls.
'You're that girl from before,' one sweet voice said across the long room.
You ran over to the girls, hand pressed to your lips in a quieting motion. Only once you were crouched close enough did you speak again. 'Don't worry, girls. I'm going to get you out of here.'
'Who are you?' The question came from one of the older girls, dull brown eyes narrowed at you with scepticism. Sadly, you didn't blame her.
'I am with the FBI,' you answered. 'My name is Y/N. How long have you been here?' When no one answered, you noticed their scared eyes, darting away from your sight. They didn't trust you.
'Look,' you started, 'I know you have no reason to trust me. I can't imagine how many lies these people have told you to trap you here. But I promise you I am not with them. I've been searching for a way to stop this from happening for a while now. So please, let me help you now before anymore bad things happen to you.'
Some lifted their gazes back to you, and you were happy to see a glimmer of hope shining in them. Gosh, how long had they been trapped for?
'Some of us only a few days,' the girl with the dull eyes finally replied. The way she spoke made it out that she was the leader of the group, as some girls nodded in support of her. 'Others a couple of weeks already. He's... done things to us, you know... down there.'
Your anger came roaring up from inside you with such ferocity you wanted to scream. He raped these girls? They were children.
You silently vowed to slaughter that monster if it was the last thing you would do.
But you remembered where you were and composed yourself, pushing your anger down to speak again. 'He won't do that ever again to you, I promise.' You looked around the room and saw another door just off to the side. Looking upwards, you noticed a window high above shining moonlight into the room. An exit.
You stood back up and moved to the lock on the cage. It was heavy duty, but you weren't good at undercover missions for no reason. You unclipped one of your hoop earrings and inserted the pointy end into the keyhole. You listened for specific clicks, twisting and turning the earring until you heard a resounding click and the lock unlocked.
Swift hands took the lock off the door and swung it open, offering your hand to one of the young girls to take. 'Come on, we don't have a lot of time.' Thankfully the girl understood your urgency and took your hand, and you guided her and the others to the exit door.
You were met with a cold breeze as you stepped outside into a cleared lot of the woods. Looking around it seemed you were on some sort of hidden farm, as you couldn't see any road beyond the tree line except for the driveway out of there. Bright lights lit up the entrance to the facility where cars were parked and men in black guarded, guns ready in their hands.
Okay, stealing a car is not an option, you concluded. You looked to the woods, but found only darkness staring back at you. You could risk it, but who knew what wildlife you'd meet.
You looked around desperately. Come on! There has to be something! But when the answer didn't hit you straight away, you looked up to the moon. Hang on, you thought, eyeing the moon's positioning. You'd concluded you'd driven south bound. And since it was near early morning, the moon's arc would be more to your left if you were looking north.
You twisted yourself to stand in such a way, and once you'd gotten your bearings, a mental map of New York State entered your mind. Even before you went back undercover, you'd always helped Spencer with geographical profiles, having looked at pretty much every state's map once or twice. While you didn't have Spencer's eidetic memory, you prided yourself on image relativity and mentally mapped out big landmarks you recalled from the map in relation to your bearings.
Even when he wasn't here, Spencer Reid was there to save the day.
You crouched by the girls, bringing them closer to listen to you. 'There should be a set of train tracks about two miles east of here, okay? We're gonna head in that direction, and when we hit it, we're going to head north, or left, until we get to a station or New York, you hear me?'
The girls nodded, and you were about to start moving them when an angry cry echoed from the Warehouse. 'The girls are gone!'
You pulled the girl with the dull eyes towards you, making sure she looked you in the eyes and understood what you were about to say. 'You girls go now. I will hold these guys off and I'll catch up. But whatever you do, don't stop. Follow my instructions and don't look back.'
'You're leaving us?' the girl asked, fear shaking her voice slightly.
You grabbed ahold of her shoulders and said in a low voice, 'What's your name?'
'Ellie.'
'Okay, Ellie. I know you're scared, but I need you to be brave for me and these other girls right now. Lead them to the tracks and run along. Find the police and tell them everything. You think you can do that for me?'
'I-I guess.'
'That's good enough for me.' You clapped her shoulders before standing back up and pointing towards the woods, easterly. 'Now go!'
Ellie nodded, and grabbed two young girls' hands before taking off in a run in the direction you pointed. The other older girls followed Ellie's lead and grabbed or picked up some of the younger girls and disappeared into the dark woods, knives of moonlight cutting through the trees occasionally to light their journey.
You didn't allow yourself to ponder them any longer as you heard hurried footsteps behind you. You unlocked the safety on the gun and didn't wait to be shot at, firing the first bullet as some of Walter's cronies came running out of the Warehouse.
One man fell with an agonising cry, but the second ducked back inside briefly as you shot. By now, other men had noticed the commotion and had started running over to you.
I'm not getting out of this alive. The realisation came as you fired another shot before running towards the second man in the warehouse, shooting him down as you sought refuge back in the room. You weren't scared, you realised, to die fighting for those girls. But a sense of regret gnawed at your subconscious.
Just as you stepped inside, however, your face exploded with pain as a ringed fist slammed into your nose, producing a resounding crack. You gasped as blood ran like a river down your face, into your mouth and down your chin. But your attacker didn't give you time to recover, slamming another fist into your stomach and sending you stumbling outside and onto your back.
The gun fell from your hand in the fall, leaving you disoriented and flailing as you tried looking for it. But a strong grip on your throat stopped your movement. You spat blood as you gasped for air, desperately clawing at the hand in your weakened state. Your vision was blurry from the lack of oxygen, but you had a second of clarity which revealed your attacker.
'Oh Serena,' Walter Khan drawled, his tone more like a disappointed parent than angry. 'Or is it... Agent Y/N L/N?'
Your eyes widened with fear and surprise. He did know. You wondered how long for. Had your mission been compromised from the start?
'I knew the FBI would try something like this eventually,' he said casually, his grip never slipping. 'Which is why I had my people look into you when you started making yourself... more useful to us. I must admit, I admire your commitment. How much did it kill you to help with all our illegal dealings?'
You didn't respond, only kept clawing at his hand with your bloody ones. More of his men arrived, guns aimed at you, but Walter halted them with one hand.
'I thought you'd do the smart thing and just go back home, no doubt deliver all the information you knew about my operation to your little FBI friends. And I was going to do what I did to the others in your own home before you could, just to show those FBI fools that they aren't as smart as they think.'
His eyes raked down your body, and you flinched as he leaned in closer to the camera button on your dress. 'Did you guys hear that? You think you outsmarted me? Think again.'
With his other hand, he ripped the button off and dropped it to the ground where he stepped on it, shattering it completely.
'They'll.. find me,' you managed out, spitting blood in Walter's face as you did. 'My team... They will find me... and take you down... When they find those girls...'
'They're not going to find those girls,' Walter interrupted, arrogance radiating from him as he leaned in close to you 'You want to know why? Because you're going to tell me what direction they went and where you told them to go.'
You gathered blood and saliva in your mouth and spat it all in his face. 'Over my... dead body... bastard.'
For the first time since meeting him, his arrogance slipped and anger took its place as he stared directly into your eyes through the blood and spit, his own eyes again void of any emotion. 'Careful what you wish for, Agent.'
His free fist hit the side of your head before you knew what was happening. The world went dark before you even hit the ground.
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