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#meanwhile good guys are teared to shreds if they show one (1) flaw
eldritch-araneae · 2 years
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Hmm damn it is so sad and weird to me how ppl just focus on one single moment when they talk about TFE Bee and completely ignore the rest. For the first time we get a multi-faceted Bee in shows and ppl just ignore it.
It's like ppl need a lot of time to get used to the idea that you can't put this Bee just into "uwu innocent boi" or "ohh he's an asshole!" box.
And notice, he shows his flaws couple of times and ppl put him into second box immediately, like such typical behavior uhh. No wonder I was anxious to watch the show bc ppl painted him as WFC Netflix Bee mixed with TFA Bee sdvsgvds
Idk, maybe bc ppl’s word usage is incorrect and the love to paint anything in those broad strokes. Because I’ve seen ppl using some really big words with specific meanings to exaggerate his flaws.
Spoilers of the show under the cut! 
Just because he’s flawed it doesn't make him an asshole. To me being asshole is more prevalent and deeply rooted trait that character usually needs to overcome.
This Bee, however, you show him compassion and he immediately drops this attitude. He notices if he says something wrong and backs away, even tho sure he needs to hone those social skills. He is understanding towards ppl he cares about and even comfort them. And yes he grew into Maltos very fast and he cares about them a lot more than an ancient rock that will save his species.
Sure, he’s can be annoyed with kids sometimes, but he doesn’t resent them or even mad at them. He was confused in EP3 when Thrash thought that Bee was mad at them.
He gets pissed with some types of ppl like this agent and tbh I cannot blame him fjnfjng.
He doesn't care about the Decepticons but he was pretty much born into the war and fought them all his life....and also consider, that maybe cons also hurt him as well and has a right to dislike them? Tbh we def need a lot more context here, but I suspect Megatron did something to him in past. It’s a tiny hunch bc I saw Bee’s reaction in EP8, but it really makes me wonder~
I just wish I could discuss my observation with people, but aside from few groups of ppl no one seem interested. Like I don't see ppl bring up other moments to talk about! Like about the whole cave scene in this very episode?? Or when he bonds with Alex over guy’s heritage? Or when Dot reassured him? Or when Bee tried to dig up Maltos and what came after that? And there is more!
There are so many little things, I love this so much))
Oh well, I guess its the nature of the beast, I do hope maybe someone appreciated my observations out there.
I'm having fun analyzing him tho and trying to guess writer's intentions with him! He’s so expressive! And it looks like writers went into the direction I wanted!
Ofc its too early but I've noticing some hints and excited to see if I guess right or not :D We will see~
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knightofbalance-13 · 6 years
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http://nerdgasrnz.tumblr.com/post/168146804389/you-bigoted-geek-ass-homophobic-transphobic
Old post I know but-
Point still needs to be made.
You bigoted geek-ass homophobic, transphobic, racist, sexist MOTHERFUCKERS still don’t understand what the problem is, do you?
Looks like you’re finally getting some self awareness.
Oh wait, you’re not talking about yourself? Huh.
This is not the “rwde community” looking to tear RWBY to shreds ever since Monty died or whatever bullshit excuses you keep coming up with everytime ppl critique this cartoon
My past two years say the exact opposite and what should I trust: my instincts or a liar?
This is the fact that REAL LGBT people watch this show; real NON-WHITE people watch this show; real WOMEN watch this show, and WOMEN are the literal lead characters of this show. But those parts of the audience wind up disappointed with the lack of care, consideration, or prioritization in this weak-ass writing, where only the art and animation salvage it.
Heh...
Then why are some of the most prominent fans of the community LGBT, Non-white and/or women? I mean, surely if this was handled so poorly they wouldn’t be so prominent. Unless of course, the issue isn’t with the show but a certain group of people with a similar thought process (that being “If it doesn’t pander to me, it’s bigotry!.’)
Diversity isn’t a fucking myth like you think just because you have less social aptitude than a fucking rock, or because you refuse to interact with anyone that isn’t the same as you.
Says the woman who rejects other LGBT/non white people for not thinking exactly like her.
Monty was GENTLY asked in a post-show interview if there’d be LGBT+ rep in RWBY, and he confirmed yes. That was 2014.
And he also fucked over his own show numerous times. He wasn’t exactly a good writer so him saying that would have probably resulted in a ham fisted, out of place moment of gay angst that would never be mentioned ever again.
What Miles Luna, Kerry Shawcross, and Gray Haddock have done, instead of giving us a named PROTAGONIST character to be the first instance of that rep, they made the first openly gay character a VILLAIN. (no, Matte Sky does not count bc the VOICE ACTOR named them, not the creators)
You mean the single sympathetic villain who would later get a redemption arc among the other straight villians who are portrayed as irredeemable and monstrous *cough* ADAM *cough*.
Oh no, how terrible. You get a complex and well written character instead of the edgelord. 
Nothing is groundbreaking about that trash. LGBT+ historians and fandoms have noted that in the media, villains were portrayed as gay, trans, or implied as such for YEARS. (it’s called “queercoding”)
And that’s called ‘bullshit’ because coding is only ever brought up in subjective ways.
Not only that: You were never promised something GROUND BREAKING. Show me where it was said that. 
Monty was GENTLY asked by fans at a convention when more brown characters would be in RWBY. He confirmed that Sun and Velvet have “cool” dark-skinned teammates. That was 2013. (after an animation panel at Supanova)
So no, this isn’t just “rabid tumblrinas” hounding the creators for the sake of being special snowflakes like you fucking think. These are real fucking people who love the soul of this show but don’t actually SEE THEMSELVES IN IT. And Monty, rest his soul, was so excited and earnest in wanting to be inclusive so this show could be shared and loved by more people.
Yeah and Miles and Kerry get death threats over this. That was proven in 2018. I could not care less.
And here’s the deal: If you cannot relate to a character because they do not share the same skin color as you, you do not DESERVE a character to relate to. Because creators are suppose to make compelling characters and skin color is NOT COMPELLING. Expecting me to find a character compelling because they are white is honestly INSULTING to me.
But the fact is that it’s not as inclusive as it could be. Even when he was alive, he made missteps too. And it’s not even like it’d be a big deal to fix. But hateful people go out of their way EVERY. SINGLE. TIME. to make it seem like it’d be such a lorebreaking addition to make a character brown, gay, or trans.
The fact that ‘it’s not as inclusive as it could have be’ is a flaw shows you do not actually care about the show. Because you care SO LITTLE about the show actually being good you try to prioritize something COMPLETELY DIVORCED from quality above all else.
And no one wanted them to just do it because it was not the right fucking time or place. Imagine a character in Berserk went off on a tangent about how gay they are. That’d be pretty cringy right? Now think of that same thing in MHA. Not even bad now is it? Because one is not built to support this and the other CAN support it.
Honestly, the way they handled Illa, from a purely writing standpoint, is the best way they could have gone about it. It’s used to emphasize her pain with Blake and quickly takes a backburner for Illa’s more personal and universal issues. They showed it was athing before moving onto more pressing matters.
It makes absolutely ZERO SENSE how a FANTASY REALM can be lacking so much variety in terms of its inhabitants. And Diversity is an AFTERTHOUGHT. Or a “lorebreaker” (remember the homophobic “how would you show gay characters? just have them make out during the chaos? That’d make no sense!” argument? Fun times!!!)
Damn near every single piece of fanart about Illa emphasizes her being gay, apparently that was an informed guess on their part. And honestly ticks me off since Illa is so much more than that.
How many times do we have to sift through the garbage comments on fanart (FAN ART!!!) of Blake being portrayed as black, as if that’s some huge leap from what she could have represented in the first place?
Representation doesn't matter here, it's the fact that these designs usually look like shit because the people making don’t care about good character design and use dark skin on a design that is built around light skin. It’s like if someone made a light skinned Emerald-it would look fucking awful.
How many times do ppl turn a blind eye to femslash fanart of team RWBY but suddenly complain when someone mentions the notion of one of the characters in team RWBY actually being canonically gay? Or bi? Or pan? Anything outside or in-between?
Never. I have literally never seen that happened. I’ve seen people be called homophobic for shipping straight ships before I say this.
Hateful people are like “u should be thankful” when they’re having a buffet of representation and we only get, not just breadcrumbs, but moldy ones that the ants are crawling on. Then, when we make our own stuff to satisfy us (again: FAN ART! FANFIC! HEADCANONS!!!) they’re suddenly so defensive and wanna police our shit???
A. Nobody has ever just eaten certain foods because of their color,
B. You actively REFUSE to accept any character that isn’t EXACTLY like you and proceed to try to hurt REAL PEOPLE over this. Mold crumbs with ants on them is more than you deserve, honestly STRAVATION is more than you deserve.
C. Making fanart and fanfics that are fundamentally WORSE than canon and calling it ‘fixed’ or ‘improved’ like these people always do is insulting. You are actively pissing people off.
Oh and D. I have seen people ATTACK OTHERS over them not following their headcanons.
RWBY’s first dark-skinned character was a villain. That’s not representation, that reinforces racist beliefs that black people are thugs and thieves that can’t be trusted and need to be put down.
Yes, a dark skinned character with understandable motives, symapethic beliefs and conflcits about her actions.
Meanwhile, the white guy Adam is portrayed as an edgelord monster who seeks genocide and talks like a Nazi.
RWBY’s first openly GAY character is a villain. That’s NOT representation. That reinforces homophobic beliefs that lesbians are predatory temptresses that seduce your daughters and sisters to lead them down a path of hellfire and brimstone.
Yes, the sympathetic lesbian who has shown more love and care and respect for Blake than her straight abusive boyfriend.
Adam pretty much exists to DISPROVE your shit on this front. All the bullshit you complain about in Illa ACTUALLY EXISTS in Adam except WORSE.
RWBY has been making transphobic jokes since volume 1 (Penny’s “*gasp* Is she a man?” reference to Blake) Those jokes reinforce the transphobic belief that trans people wear disguises to bait unassuming people so that they can harm them eventually.
A. Name me a single trans person who said that, let alone enough people for me to even consider that.
And B. Adam is cisgendered and a genocidial Nazi. Good luck beating that.
It’s not rocket science. Rooster Teeth’s animated show, “RWBY” has a problem not just with it’s writing, but with diversity. Pure and simple. And this show has had since 2014 to improve. But you’re still surprised that some of us are fucking mad.
And yet every single example you gave not only doesn’t work but would set a standard for STRAIGHT WHITE PEOPLE to complain about their representation. 
You and everyone in RWDE are mad because you WANT to be mad. It justifies the immoral bullshit you pull on a daily basis...
Huh, exactly like Adam.
Guess you guys ARE represented after all. And quite accurately.
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babypunter3000 · 7 years
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The only good things about Netflix’s Death Note Movie
1. Willem DaFoe Green Goblining it up as Ryuk. 2. L for the first half before Watari got Death Noted. 3. The rockin’ soundtrack. 4. The time that-Okay, you know what? No, I can’t even leave just one fully positive post about this you know how much goddamn BULLSHIT it was that Mia/Misa and L were adapted as waaaay more in the wrong than Light was? In the manga and anime, Light was CLEARLY the main bad guy, careening himself farther away from “well-intentioned” and “maybe he has a point” and into “irredeemable soulless fascist dictator” with every chapter and episode. Hell, in the FIRST BOOK AND EPISODE, he clearly states that he will be “the God of this new world,” and his general “I don’t give a general fuck about other people” attitude could already start to be seen. In this adaptation, Light’s all just love and an old soul wise beyond his years who wants to HELP the world out of the goodness of his heart and sense of justice. And at first, it’s not to bad, you think to yourself, “hey, this could be alright. A narrative about how absolute power corrupts absolutely with a kid who only wants to kill the really bad guys, and even then is super freaked out about it. sure, whatever” But no. NO. It NEVER turns that way! Light ALWAYS only kills for “the greater good” and is constantly portrayed throughout this movie as this well-meaning kid who’s just in so much over his head you gu-uys! 
Meanwhile, Misa has been taken from her canon form as a devout Kira worshiper who was used and abused by Light to his own ends without a shred of emotion for her and has been turned into the love of Light’s life and THE REAL VILLAIN OF THE STORY! You see, Light didn’t really want to kill all those people and usher in a new era of Kira rule! It was all MIA’S influence and hen-pecking that drove Light to kill all willy-nilly! I mean, there’s this scene in the movie where Mia is showing Light a pro-Kira website where people are suggesting new people for Kira to kill, and Light brings up a point where some of the criminals could just be regular innocent people that have a beef with the poster. Mia basically tells him “Who cares? Any kind of petty crime or personal slight is good enough of a reason to kill for me! Let’s make out!” and they both go on their merry ways writing in the book. Like, fuck the writers for tossing out Light’s original characterization and motives to turn it all into a sexist, lazy, “It was all the EVIL WOMAN’S fault for tempting that poor boy!” narrative. And then Mia is killed off by Light on screen right after they have a fight where she is portrayed in the most clingy, shrewish way possible. She even says that she only killed all those people to get closer to Light. She had no justice-dog in this fight like the original Misa had. She was just in it so that Light would date her, and she somehow turned out to be the most murder-happy one after Light introduced her to the whole thing. And I’m sure that the neanderthal who wrote this drivel is patting himself on the back for writing such a great fucking script. And you’re supposed to feel bad because of course she dies by falling into a giant flower display and of course she has to be pretty when she dies. Fuck you. And while we’re on the subject of this movie going out of it’s way to justify and excuse A MASS MURDERER, let’s talk about how the movie treats L. For the first few minutes of his screen time, I honestly thought they did a good job. True, all he was doing was copying L’s mannerisms from the show and being deductive, but it was nice to see something from the books being portrayed accurately in this tire fire of a movie. But you know how everyone loved the original manga and anime for Light and L’s high stakes game of cat and mouse and how they would constantly one-up the other using their wits and intelligence and plenty of insanely thought out plans? Yeah, that’s also tossed right out the goddamn window in this one. Instead, we get an hour of L and Light basically shouting “Come at me, bro!” and emotionally lashing out at one another until one of them finally does something stupid enough to lose. It’s a race to the goddamn bottom, like the mental version of watching a drunken fistfight in a back alley. There’s no finesse, there’s no skill, just watching two guys shouting, “I KNOW YOU’RE KIRA!” and, “YEAH, WELL, FUCK YOU, KIRA’S THE GOOD GUY AND WHAT DO YOU KNOW ANYWAY?!” at each other for an hour. And L gets such a raw deal in this movie. I think he technically lives at the stupid non-ending (you don’t see Light die in the film, btw. You see Mia die, of course, because she’s an EVIL WOMAN!1! who DESERVED IT!!1, but of course not fucking Light), but even then he has even less dignity than in the manga and anime where he dies halfway through. L, in the manga, anime, and this trainwreck of a film, is the eccentric big-time elusive detective who picks up the task of finding out the identity of Kira to stop him. The only difference is that the manga and anime didn’t go out of their way to fucking destroy him. And I’m not just talking about the plot point in this failure of a motion picture that has Light easily put Watari’s name in the Death Note (yes, Watari is his real name in this and they just parade his name and face around without a worry in the world, I mean, what did you expect to happen?) that puts L into a tailspin. I’m talking about how the narrative treats L, the guy who’s trying to stop A MASS MURDERER from killing, as another bad guy, clearly in the wrong, because Light’s just trying to make the world a better place, yannow? First, he falls apart because Watari is missing and is in the hands of Kira, which okay, I don’t blame him, but he never gets past that. For the rest of the movie, he’s on the verge of tears, he can’t think straight, he’s blinded by emotion. He only manages to figure out a key point at the very end, and this was after Light openly confesses to what it is. Secondly, L is never able to officially out Kira. In light of this, his higher-ups unceremoniously fire him, leaving him an even bigger wreck. This happens around the exact same time Light is explaining to his dad what his master plan in the climax was, which is the only kind of smart thing that ever happens in this movie and is almost reminiscent of it’s source material. Point being, the narrative wants you to believe that Light is competent, L is incompetent. But you know what scene was the ultimate “fuck you” to L’s character as well as containing a horrible implication and clearly demonstrating a crucial flaw in the movie? Near the end of the movie, L has a gun pointed to Light’s head in a back alley. He’s desperate, and Light is shouting about the page of the death note stuck in Mia’s textbook that’s the key to saving Watari (because he’s such a GOOD GUY, you guys!) Since L has no goddamn idea what Light is talking about, and just knows that he’s the guy who killed 400 people and possibly his only friend, he ignores him, and turns to a man who just walked out of his shop, begging him to help and shouts, “He’s Kira!” The man stops and gets clarification that yes, Light is Kira, and then proceeds to knock L unconscious with a wooden plank to the head because he’s a fan of Kira as Light runs off to safety. Did I mention yet that L is black in this movie while Light is white? A black detective who’s implied to be the best of the best and is completely in the right is struck down because the bystander was a fan of the white mass murderer he was trying to stop. It doesn’t matter that “Oh, but Kira was only killing bad guys!” because fuck you, the movie itself established that Light and Mia were killing people on a whim and not bothering to check sources for libel. I will repeat, THE MOVIE POINT BLANK HAD A BLACK PROFESSIONAL STRUCK DOWN TO PROTECT THE WHITE MASS MURDERER THAT THE NARRATIVE TRIES TO PLAY OFF AS INNOCENT. Seriously, this whole movie exists around the premise that a greasy white boy who murders people needs to be cared about and protected from a woman and a black man who somehow convince him to commit more murder against his will because boobies or want him to stop committing murder at all costs. Ryuk, the death god that patiently walks Light through how to kill someone, doesn’t even get as many “DANGER! THREAT TO LIGHT’S SAFETY!” vibes as Mia and L do. The narrative is like, “Yeah, he’s a death god, what do you expect? BUT THIS WOMAN AND BLACK GUY ARE GONNA BE THE DEATH OF THAT POOR NAIVE BOY!” This kind of shit belongs in a trump rally, not in my movie based on a story where the main, privileged, young man was portrayed as an honest to God mass-murdering dictator who yes, must be fucking stopped. And you wanna know the dumbest thing about this movie? There are no stakes. None. The narrative wants you to care about the lives of a couple of murderers because they make a cute couple and are a pair of “good kids” who have glitter on their tongues (yeah) and are white (or at least, that’s what I’m guessing, since the only black character in the movie is treated as a hindrance and a joke even though he was in the right the entire time). Everyone in the movie’s world that isn’t a cop LOVES Kira. The movie is forever showing you pictures of people at Kira shrines, or holding, “I Love You, Kira!” or spraypaint on the walls that says “Kira Lives!” We never see the dystopian hellscape that ultimately was Kira’s world, where everyone was scared fucking shitless because Light was killing anyone who so much as looked at another guy funny. And don’t tell me that there was no crime ever in that world, there was just unreported crime. And we never see any followup to the scene where they just decide to kill people because anonymous sources online told them to. We never see any distraught partners breaking down on the news because their husband died of a heart attack for a crime he didn’t commit. We never see any innocent people die, or at least innocent people who are quickly brushed off as “cannon fodder” and are never mentioned again after they are killed (ie, the twelve FBI agents). Kira is just worshiped by EVERYONE to the point where if he just came out as Kira, nobody would be able to touch him because they’d be coming out of the woodwork to protect him (as demonstrated in the paragraph above). The only reason he DID possibly die in the end is because Light gave L the means to. If he never mentioned the Death Note, he would basically be unstoppable, because everyone in this movie is either SO DUMB or SO IN LOVE WITH KIRA. And while this movie is so bad it’s hilarious to watch and deserves a good MST3K-ing, it’s also so fucking infuriating with it’s fucking worship and embracing of this fucking white boy mass murderer to the point where they had to make characters from the original work into worse versions of themselves to prop him up while decrying anyone who opposes him as “the real bad guys.” These writers are the kind of people who pass a gang of white kids vandalizing a car to call the cops on a black kid sleeping in one. These writers are the kind of people who would say, “Well, of course she got raped, she constantly teased boys with her short skirts!” The writers are the kind of writers who would describe a white male shooter as, “teen genius suddenly snaps! Unfortunate incident for former varsity football player. His friends talk about what a great guy he was on page six.” Seriously, the next time someone scoffs at you for suggesting that white male privilege exists, show them this goddamn movie a bunch of grown ass adults made and went, “Yep, this’ll do!”
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