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#sleep token lore
theforbiddeneden · 3 days
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SLEEP TOKEN SHOW FLYERS
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kaddyssammlung · 1 month
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The New Messages recorded and cut together
(I cut that together and it was thanks to the source on YT that I could so thank you for uploading the whole show so fast)
From Phoenix, April 30th 2024
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dumbbullet · 5 months
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SLAMS THIS DOWN AND RUNS
Through an odd series of events I got the opportunity to make some artwork for this playlist and the accompanying analysis exploring the chronology of Sleep Token created by one of the veterans of the community. It's that one that's been referenced by this article from Boolintunes about the lore. If I think about that for too long my brain will combust!
These two pieces took like.... holy shit it was only 2 and a half weeks but i really had a blast running around my room screaming about how Gustave Dore was a madman whilst trying to emulate his style.
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moonchild-in-blue · 6 months
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So, I have recently noticed that out of all of Sleep Token's discography, there are exactly only 3 songs where Vessel isn't addressing someone directly as a dialogue (doesn't use the words you/we), and 2 of those he still mentions someone in the 3rd person.
Atlantic - doesn't use you/we. The second person (you) is implied, but the song is mostly about Vessel/his inner monologue and memories. If I'm not mistaken this is the ONLY song that mentions him crying sobbing (I've barely begun and I'm already sad).
call me // flood me // weather me // etc
Alkaline - doesn't use you/we but spends the whole song describing someone and how she affects him.
she is changing me // her molecules // she's not acid nor alkaline // i'm caught up with her design // etc
Distraction - doesn't use you/we, and the main focus is on him. Vessel mentions someone in passing (in the 3rd person), but mainly it's all about him.
she is not like any other (...)
Worth mentioning that the ONLY song that breaks the you/we // dialogue rule, that seems to be solely about Vessel and doesn't reference any other person is DYWTYLM, if you go with the most common interpretation that this is Vessel talking to himself/his reflection.
[of course it's up to personal interpretation but to me this is what makes the most sense]
Why is this interesting? BECAUSE, in literally every other song, his feelings about the person, their relationship, and even his own position tend to change a lot.
Sometimes Vessel gets extremely passive agressive and angry at them (I see you Granite). Others he is just pouring out his love and desire, and being the most romantic individual ever. Sometimes they are someone to defend or be guarded by, others they are a menace and dangerous; someone to walk away from. All of these are things he says directly to them, even if he does flourishes and dances around the question.
And yet, in all 3 of those songs, they are always painted as someone who is "good" and "unlike any other", who protects them, who is "more than he could ask for". Someone whom he loves and is content with. In Alkaline, where he mostly just talks about her, Vessel describes her as "either born in hell or heaven sent" and goes on about the dichotomy of her being, but is ultimately "into it". At no point he shows remorse or discontent regarding her.
On the other hand, he is always suffering in them (technically he is always suffering anyways but-). In none of these songs does Vessel ever takes the role of someone who could retaliate. Of someone who is strong. If we look at Atlantic and Distraction (and DYWTYLM if you want to), the only songs pretty much solely about him, he is always in pain, on the verge of collapsing completely. Even Alkaline, he is glad to be consumed and entangled by her.
In those songs, Vessel is crumbling and sobbing and falling apart, and begging to be "put to sleep"; he is willing to be drowned because "it's too late for him", offering no resistance; he is wishing to be someone else, wishing to love himself and "smile back at him", as he knows he should.
When talking directly to them, Vessel is as loving and sweet as he is angry and hurt by them. And yet on the very, very few occasions he talks to only to himself, he is always seeking refuge and declaring his love for them, while running from himself and begging for death.
Also interesting to point out that, with the exception of DYWTYLM, all of them belong to This Place Will Become Your Tomb. The depression album. The "let me be taken by the cold waves and sink to the bottom of the ocean so I don't feel anymore pain" album.
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The veins in his hands and arms make me feral 😈
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tonguetyd · 4 months
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Ok ok I’ve been thinking about the UK presale code (which since the sales are all over now I feel like I can talk about it) ARCADIA. And I was initially like “hehehe sounds like Acadia National Park in Maine, STxThe Maine collab incoming”)
But then especially with the Teeth of God tour logo/symbol on Instagram coming out, and the tour poster artwork, and all the deer stuff I was like “…what if it IS with Acadia Park, there are a shit ton of deer up there…hell what does Arcadia mean anyway?”
Well folks.
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Does that remind you of anything?
Y’all…I think we may be going back to Eden.
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junkyardstrash · 6 months
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my thoughts on the new sleep token masks and what's next:
the boys have been hinting at this type of change for a while now, iii's paint slowly turning red and iv and ii taking off their masks at the show just before wembley. I think thr new album will be more metal and overall more heavy, similar to their songs vore and gods.
I don't think these changes are necessarily meant to be seen as a part of the TMBTE cycle, they quite literally said "a new era" on each of their posts, these masks are hinting at and showing us what to expect for the next era. Sleep Token is very deliberate with what they choose to do appearance wise and their lore so although these masks are a very drastic change, it's all part of the plan.
NOW for lore.... TPWBYT and Sundowning were kinda defeat albums, Vessel being at his lowest while TMBTE is a redemption album, Vessel taking control back in his life from Sleep and his insecurities/past faults. that being said- the next album will probably be Sleep fighting Vessel back. I think what's happening is that Sleep takes different forms of Vessels insecurities and past faults so Sleep is using this to their advantage, using the other vessels (ii, iii, and iv) as their puppets. the toxic back and forth cycle between Sleep and Vessel is ending so Sleep is taking the manipulation up a notch. the new masks look very intimidating and it's all deliberate, Sleep is possessing the other vessels and shaping them into Vessels (i) fears as a way to get to Vessel (i), I mean, what would be a better way to get to Vessel if not to use the band as a way to get to him?
people say the masks clash too much and they don't look consistent but I think that's exactly what's supposed to happen. Sleep is using ii, iii and iv as Vessels INDIVIDUAL insecurities. Vessel sees the others and its a mirror of his faults. or maybe they quite literally wanted to look more individual rather than have the same look as one another 🤷‍♀️
the next album will be like a videogame boss fight between Vessel and sleep
some other stuff I noticed and some more theories. do these mean anything? who knows! this is just me rambling:
Vessel has runes written all over his body, I couldn't exactly make out what they say but just going off the fact that it's runes- it can either be 1. a protection barrier from Sleep or 2. another way that Sleep is slowly taking over vessel
it seems like the mouths on the masks are getting wider and wider in order from ii, iv, iii, and then Vessel. while all the others have the band sigil across their eyes, ii is the only one who has it across his mouth. considering ii is the second vessel and Sleep is struggling to control Vessel(i), what if theyre going for ii? using him as the main vessel? he also imo has the most intimidating looking mask out of everyone so...
or maybe iii is gonna get a mic and thats why his mask is open HEHE
my sister pointed this one out- iii had gold on his hands as he was transitioning to the red body paint and as we all know, iii and iv are very touchy on stage, iii always lifting ivs mask up, them kissing, etc etc. now iv has gold on his mask, what if iiis gold paint from his hands transferred to ivs mask? what would this mean? IDK maybe it's another Sleep tactic or we're looking too much into it lmao
iv also has Vessels leg wraps on his arm? what's up with that?
ANYWAYS lmk your thoughts, my mind is going crazy rn and I think people are taking the mask changes at face value rather than thinking about why they look the way they do now and how it fits in the lore
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venomousiiserpent · 4 months
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I’ve never posted about any of the lore around sleep token because I never dove really deep into it. But lately I keep thinking—
Sleep is always depicted as super scary and draining vessel of the life inside him, but I kinda like the mental image that Sleep is a peaceful god. One who offered vessel peace and safety. So vessel willingly serves him as a thank you. Because Sleep just wants to offer him the chance to rest. Hence the name.
Part of what made me think about this was the conversation voiceovers at the shows. Sleep was the one telling Vessel - it’s alright man, they don’t want you to cry. It’s almost like the lyrics are sometimes so brutal cause he’s just helping Vessel work through the pain so the man can finally be at rest.
I’m not sure exactly how to word this but ya know what I mean??
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magefeathered · 15 days
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In honor of TMBTE’s first birthday I’ve decided to finally unleash my dissertation on my unusual interpretation(s) of Sleep! I’ve only ever seen one person who had a similar outlook to me, and they said they received some Negative Feedback on their views, so uh, don’t shoot me?
My favorite thing about this band's fandom is exploration of the lore, how open to interpretation everything is, and how welcome we are to find our own stories within the source material. I love reading how other people interpret certain songs, or the overarching story, differently from each other based on their own outlooks and experiences. That's what I think the point is. So I want to be clear that I'm not trying to say I'm right, I'm not trying to say anyone else is wrong, I'm just expressing my own opinion.
Grab a drink, it's a long one. I won't give a TL;DR because I don't want people to reactively shoot down my theory without reading my reasoning, but I will say it deviates from the more standard interpretations in two ways:
I don't believe Sleep is meant to be an actual deity, I think it's meant to be more allegorical, a metaphor for something real.
I don't think the music, or the story being told, is about Sleep.
I'm sorry if I've already lost you with the first point. I'm sorry if I seem like a party pooper. I love the aesthetic and the worldbuilding and the symbolism, and I love the creativity of the fans who build out the story on the premise of Vessel actually communing with and having some manner of relationship with this great, unknowable, ancient deity. The issue for me is that I can only read that story if I already have that story in my mind, if that makes sense. Sure, I can make the songs fit that narrative, but I never would have arrived at that narrative on my own, without first reading that the band was made to worship this deity. And in my mind, if I couldn't arrive at that conclusion naturally, without being led there, then it probably wasn't the conclusion I was meant to arrive at.
For a while, I could vibe with the idea that Sleep was supposed to be a metaphor for a lover, either present or former, and a toxic relationship he was struggling or had struggled with. But as I delved deeper into their catalogue I very much lost the impression that all of these songs were about one singular person, or even that all of the songs were about romantic relationships in general. And as I got more into the fandom and found out that there was more official dialogue from the band than just the "One Single Interview" everyone talked about, I realized that trying to fit the songs to all be about one person or thing would never work, because the songs weren't about Sleep, there were merely gifts to Sleep.
Now, I could have sworn that when I first got into the band’s lore I read on their official website that their songs are offerings to Sleep - not about Sleep, the way everyone seems to interpret them. That no longer appears to be the case. I have this screenshot that I took of part of what I remember reading, but I distinctly recall there being another paragraph or two in addition to what I cropped, and unfortunately my PC doesn’t show me the link the screenshot was taken on, like my phone would. And in re-reading the text in the screenshot, it does seem to be speaking about Sleep Token as a separate entity so I may be entirely misremembering how official of a source it was ¯\_(ツ)_/¯ Regardless, I’ve seen multiple articles that word it in this manner, that the songs are for Sleep rather than about Sleep, and nowhere in the official sources I’ve found is it said that the songs are about Sleep, so I’m going to assume I’m right and continue under the assumption I’ve worked under all along: that the songs are not, in fact, about Sleep.
They are, however, for Sleep. This has never been debated. The songs are tokens, or offerings, to Sleep.
So, let me share with you the official communications that developed my theory. In addition to what I've commonly seen referred to as their "only interview" before II's drumeo video, I've found (poor quality) scans of two magazine spreads, one from Kerrang! and another I'm unsure of the source of, both featuring Jaws. I read most of these after having watched videos of rituals and reading transcripts of the conversation between Vessel and, presumably, his mask, that took place on last year's tour, as well as the monologue from The Room Below. I started to notice a common theme between that more recent conversation and these much earlier interviews, that for some reason surprised me: Vessel had wanted the fans to project onto the music all along.
Noteworthy quotes from the linked sources, in roughly chronological order:
“Our verses are a token, crafted to magnify and embody the multitude of emotion that writhes in our subconscious. Sonically our voice is rooted in the resonation between the notes and your emotion.”
“As musicians we are inspired by the human condition [...]. As followers we are bound by a duty to combine our crafts to create music that conveys some of our most primal, and powerful emotions.”
“We are here to deliver a message; touch people in their hearts and subconscious minds.”
“There exists a considerable body of art that explores the deeper recesses of the human mind. Sleep Token serve as a means to explore this on an individual basis. The music is a representation of one individual’s deepest and most fundamental emotions and desires. This is what people connect to. They see themselves in this individual, and the music becomes about them.”
“The aim is to provide something people can engage with without being obstructed by the identity of its creator.”
“The ultimate goal is to engender a constructive emotional process within as many people as possible. Simply the basic concept of understanding oneself better, understanding others better as a result.”
“Sleep Token draw from the most profound experiences we have in life and, most crucially, where they intersect. [...] To see this within yourself, and then to see it reflected in others - this is the essence of worship.”
“We all desire to see the darkest, most profound aspects of ourselves reflected in the expressions of others. [...] We’re here to provide this expression, so it may serve as a device with which people might understand themselves better.”
"We are here to silently collect. To project ourselves onto one-another."
"Perhaps that is another reason why we are here. At the very least, we have all suffered."
"I think they just want to know that I am feeling something, feeling what they are feeling, perhaps."
"In order for all of this to work there has to be a certain boundary in place. They need to be able to project themselves onto this without anyone else's identity getting in the way. In turn, I need to be able to show my true self to them in a way that does not compromise their ability to connect."
"They, too, are pained. They, too, do not know who they truly are. They are each stood alone on a stage of their own. And yet, they are here. United by that sense of never truly belonging. They see something beyond their own bleak horizons, and they reach for it. Together. So let us join now, to reflect their joy and to serve as a conduit for their anguish. To swallow their fear."
And finally, from the Fall For Me music video: "So for now let me serve as a living drama of your pain. If we are to be submerged let us be submerged together."
When I place them right next to each other, it's probably easier to see the common theme that I caught onto. I cycled through a few ideas - including Vessel himself being Sleep, or Sleep representing music and the connection it can foster between people - but I kept coming back to the way Vessel has repeatedly talked about fans projecting onto the music, examining themselves through it, understanding themselves through it. Projecting ourselves onto him, seeing ourselves in him, trying to understand ourselves through our interpretations of his story.
He's a Vessel for us. The songs are tokens, offerings, to us. We, the fans, are Sleep. The songs are gifts for us to examine ourselves through, to help us delve into our own experiences and emotional responses and understand ourselves - and, in turn, understand each other. It isn't Vessel that we are worshipping, it's ourselves and each other that we see in Vessel. I could even get really sentimental and cheesy if I wanted and say that Vessel directly worships us as well, albeit wordlessly, with his deep bows and falling to his knees in appreciation of his audience.
And just to reiterate, I don't think the songs are about Sleep. Although I think an argument could possibly be made about the toxic relationship between Vessel and Sleep being a metaphor for the parasocial relationship between an entertainer and their audience, I... won't get into that. Today, at least. Although I think it's a really interesting take that deserves exploration, I don't genuinely think any of the songs are directed toward or written about the fans/audience. I just think he's sharing the story of his life with us and allowing us to project our own lives upon it, to remind us that none of us are alone in this world. None of us are alone in our feelings, or in our experiences, no matter how isolated we may feel in them.
If you made it to the end of this, thank you for hearing me out! \owo/ I had been wanting to make a post about this for a while as it seemed a very clear-cut take to me that I didn't think would be controversial. Speaking with the person I mentioned at the beginning who had a similar theory kind of scared me off it, since they said they received some outright hate for it, but talking to them also really got me excited to dig into my theory and provide my sources and show everyone the breadcrumb trail of how I arrived at this conclusion. So I hope at least a couple people enjoyed it!
If this is received well maybe I'll be brave enough to actually post about some of my song interpretations ^^; As I said, I don't think they're all about any one thing. My favorite quote from the ones listed above is this one: "Sleep Token draw from the most profound experiences we have in life and, most crucially, where they intersect." The intersectionality of it all is what's most interesting to me, so that quote was a little bit vindicating to read, lol. It's not all about romantic relationships, to me. It's about how every experience we go through in life, how we feel about them, how we react to them - all of those experiences overlap and intersect and color each other. It's about how everything you've ever been through will affect everything else you ever go through. But now I am genuinely rambling ¯\_(ツ)_/¯
Thank you again for reading, and feel free to slide into my DMs to talk about this god-given band whensoever you wish.
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comp-lady · 6 months
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SO ABOUT THOSE MASKS
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1: I love them. If you don't then I don't care, don't come at me whining about them or I will go buy a gas station tuna sandwich and hide it in your HVAC system.
2: oooohhhh so many thoughts
They're all muzzled
Visiually, anyway. The logo over ii's lower face, the black on iii's mask and the gold on iv's. But iv still has the gaps over his mouth, because there has to be a concession. He does the screaming. Now of course both ii and iii have mesh over the mouthplace of their masks as well, but it just isn't as visible as it is on iv.
They're muzzled, but their eyes can easily be seen. Vessel's mouth is free, he is the mouthpiece of Sleep, but his eyes are obscured.
ii's is the plainest, he's been around the longest. iv and his jacket have so much character to them, and he's the newest.
Is that iii's real hair? I am legitimately dying to know, it moves like real hair. Either way at least he now has hair to headbang
so many thought and trying to nail them all down is like trying to catch gnats bare handed.
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theforbiddeneden · 3 days
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THIS PLACE WILL BECOME YOUR TOMB - PREVIEWS
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kaddyssammlung · 5 months
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All the transcripts from the Revolver Special Edition mag
in one post
Sundowning
This Place Will Become Your Tomb
Take Me Back To Eden
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take-me-back-to-eden · 7 months
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"The truth is I am due a harsh lesson, in truth itself and how bitter it can be.
Will you teach me?
The truth is, I am ugly, I am inadequate, I am lost.
I am no God.
The truth is, I want, to want, to live.
And so do you.
I just can't do this any longer.
I am afraid. Are you afraid?
I want to understand what it is to let go.
So for now let me serve as a living drama of your pain.
If we are to be submerged, then let us be submerged. Together."
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moonchild-in-blue · 9 months
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Vessel and the New Lore
So the new messages got me thinking and connecting dots. I don't know coherent this will sound, but I think there's something here? Anyways. Something about the relationship Vessel has with himself vs. The Mask.
I thought it'd be interesting to link the parallels between the Room Bellow show and the Fall For Me video messages, with the new ones and the album. Long post ahead so I'll put a cut somewhere.
(This is the second time I'll be writing this cus tumblr decided to be a hoe and deleted my entire draft so if it seems weird, you know. Pro tip: never use the app for long posts.)
Disclaimer: I'm in no way endorsing or encouraging any type of discourse about Vessel's irl identity and/or other [Redacted] and such. Unfortunately I do know things, but not everyone does. Respect the band; don't spoil it for others. If you know, keep it to yourself.
So, starting with the first message:
Mask: Why am I here? What is my purpose in all of this? Vessel: Your purpose is twofold. You protect me, from them, and you also protect them from me. Mask: How is it that I serve to protect anyone from anything, that makes no sense. Vessel: In order for all of this to work there has to be a certain boundary in place. They need to be able to project themselves onto this, without anyone else's identity getting in the way. In turn, I need to be able to show my true self to them in a way that does not compromise their ability to connect. Mask: So that's what I am? A boundary? Vessel: Yes.
We have here a confirmation of what he has told us many times before, either indirectly or not. The Mask/the Vessel persona serves as a way for him to connect and engage with us, while keeping both parties safe. We get to project onto and take from him some sort of comfort and catharsis, without any external factors to influence and skew the way we interpret his music, and He gets to expose and deal with his pain and negative thoughts in a protected environment. Who he is is irrelevant, we're merely here to share and understand each other.
Through the anonymity the mask offers, he is free to be as vulnerable and open with us as he wants, while keeping his identity safely stored away. The Mask serves as the physical reminder of how much we are allowed to know about him, and in return, how far he can (or should) expose himself without compromising his true identity. By living as Vessel and forgetting himself, he is ironically free to bare his most fragile and imperfect parts of himself on display (much like how we're all infinitely more honest about our struggles behind a fake online name than in irl.)
(curiously, this seems to be a contradiction to Higher's second verse, which feeds into the idea that Sleep is not the protector Vessel sometimes claims Them to be - "With all that you believe / You still refuse to shelter me")
From the Room Bellow:
"I experienced a great deal of pain in my life, however I do not believe I have suffered as you have suffered. Perhaps that Is another reason why we are here. At the very least, we have all suffered."
Lore wise, we are told time and time again that Vessel is a "sacred guardian", a messenger, a weapon, a tool - a physical vessel - for Sleep and Their message. He is the answer to Sleep's necessity for connection with us. And for that to work, he willingly gives up his identity for Sleep. For us.
Mask: I don't believe you. I believe there is more to it than that. I believe you are afraid of something. Vessel: We are all afraid of something, are we not? Mask: What is it you are so afraid they will see? Vessel: That I am exactly like everyone else. ... Vessel: I think I am afraid of becoming you. Mask: What does that even mean? Vessel: My life is becoming gradually consumed by you. Before long, all that I am will be contained within you. Then, one day, when I no longer wish to wear you, there will be nothing else left.
"I am afraid, are you afraid? I want to understand what it is to let go." (Fall For Me)
At the end of the day, Vessel is just some guy - he fears, and aches, and bleeds the same as us. We're equals. But as Vessel, he can't allow himself to crack, to break the illusion. As Vessel (and to connect to the lore, as the vessel of a god), he poses as someone we can look up to, someone who's there to carry our pain for us, almost like a symbiotic relationship of sorts - we feed on each other's emotions and energies.
From the Room Bellow:
"To love oneself is not the easy task we are sometimes told it is. (...) My own path towards greater self acceptance is paved with the art that I create. It is a path I continue to stumble down at the expense of everything else."
Without getting too much into it, it seems Vessel/Sleep Token were created as a sort of coping mechanism to deal with whatever it is that He went through. And he seems to have achieved that - he escaped his former self and became "Vessel", someone who's allowed to cry and rage and let his feeling loose. Someone who receives praise and comfort for it, someone who is finally understood.
Except that somehow, that same safety the Mask offered him backfired. Because how can you tell what's you and what's not? It appears that the lines between Vessel vs. Him have blurred beyond recognition. Because "Nothing lasts forever", so once ST ends, and Vessel is no longer a necessity, who does he become? Can he go back to his old self? Is there even a self to go back to?
Do you ever believe that we can turn into different people? It's getting harder to be myself. Do you wish that you loved me? Could we ever release? Is it better to just not feel?
I think it's worth mentioning DYWTYLM. Usually when I listen to it, I just interpret as being about self-love/esteem, suicidal thoughts, insecurities, yada yada yada, BUT! I think it kinda fits this right?? Like a conversation between Vessel and Him, the guy behind the mask.
And really, if you think about it, I think this dialogue is the basis of what TMBTE is. It's Vessel facing all these different facets of himself, the past versions, the ugly sides, coming to terms with them and learning to move on. And in the end, we see he finally does realize, albeit somewhat reluctantly, that there is more to it, than he can "be someone new", even if it means he needs to shed and let go of past versions of himself.
(of course, this is putting aside the whole trilogy and the story we've been told about Sleep/Vessel/Whatever romantic entanglement he was involved in. i'm merely giving this some other meaning and choosing to look through a very specific lens. call it a parallel universe if you want)
It's him accepting that although there may not be a version of himself to come back to, his Eden so to speak, there is finally something more waiting for him. But I'll get more into it later.
Also worth mentioning, this part of conversation-
Mask : Do you think they want you to cry? Do you think they like it? Vessel : Not as such, I think they just want to know that I am feeling something, feeling what they are feeling, perhaps. Mask : Do you think that this amount of crying is healthy for you? Vessel: I don't know. But at least I feel something, if I don't feel anything than why would I even do this?
-seems to be directly co-related to those lines on DYWTYLM. He wonders if maybe would be better not to feel at all, as if really asking himself, "should I continue to live as Vessel?", because that is his/The Mask's function.
(I almost forgot to mention the "Smile back at me" / "I can only ever see them smiling. That's good, I want them to smile." co-relations, but you see where I'm going right?")
Mask: It seems you have forgotten who you are. Before you had me you were nothing. All of this artifice, all this pathetic conjecture about your identity, it is nothing but a manifestation of how short-sighted and solipsistic you have become. I lifted you from misery and obscurity. You would be better to become me. You are nothing without me. You always were nothing without me.
"I am nothing without this music. I am nothing without this mask." (Room Bellow)
Sleep is a dickhead. And there it is - another confirmation of what we all assumed, of what he has also told us many times before in different words. Vessel, or better yet, Him, struggles with imposter syndrome, and a part of him seems to believe his worth is exclusively tied to his ability to create music and perform. Because who matters is Vessel, not Him. The praise and adoration, the glory, belongs to solely Vessel (in-lore, to Sleep).
He does not matter. He is insignificant. He is nothing.
So it makes sense to see how much he wishes to be someone else. How dependent he on his Mask (on Sleep). He can't shed that new identity away, because somehow, it became is ONLY identity. And yet, he knows that one day that must happen. And from a creative/artist standpoint, when you expose yourself the way he does into your art, almost bleeding into it, if that outlet is taken away, you really are left with nothing.
(yall, read the poem "about the PEN conference" by Bukowski).
"The truth is, I am ugly, I am inadequate, I am lost. I am no God." (Fall For Me)
And can I just say, how incredibly heartbreaking it is to hear him talk about himself like that? I have so, so much love and respect for Ves, it's almost ridiculous to think he is only worth the weight of his mask. I would give him a million hugs if I could. Whether or not he still believes that, I hope he one day can look at himself the way we do, and be proud and happy of the amazing human that he is.
I also think that, and this is just me rambling, their sudden explosion to fame must've taken some sort of toll of sorts. It must be SUCH an amazing feeling to see this many people connect and dedicate themselves to something you created, to be able to read between the lines of you thoughts, but it must just equally as scary. Suddenly there's SO many eyes on you, demanding and picking apart every gesture. Viciously clawing at the mask for a glimpse of the fragile soul within. It must not be easy to cope - and this goes to everyone in Sleep Token. They have to deal with so much unfairness, it's disgusting.
Vessel: You. Are. Wrong. In the end, my fractured sense of self was only another piece of fuel for the fire that burns in the eyes of these people before us. They too are pained. They too not know who they truly are. They are each stood alone on a stage of their own. And yet, they are here. United by that sense of never truly belonging. They see something beyond their own bleak horizons. And they reach for it. Together. So let us join now. To reflect their joy and to serve as a conduit for their anguish. To swallow their fear. To Worship.
"So for now let me serve as a living drama of your pain. If we are to be submerged then let us be submerged together." (Fall For Me)
And this is the part that really breaks me. He knows how much we need this, how much we rely on his music, on his words. He fights against his own claims that he has no value - he serves a purpose and that purpose is to serve the audience. Us. To take our struggles, our desires, and make it his own. To basically serve as a sacrifice for our well-being. To suffer, to feel together. To serve as a living drama of OUR pain.
"I will smile through the agony for you".
Because in the end, we're all equally broken. Because that's what the Mask is for, the anonymity, the mystery, the band - for us to "project ourselves" onto him, onto them. They are vessels, servants, worshippers of a god who shelters them; much like how we interact with their music, much like how Vessel thinks his purpose is for.
(and I could expand on this weird worshipper vs worshipee cycle, but i'm tired and i can't ramble on for too long. someone more clever than me feel free to expand)
(a post edit: peep that "fire that burns in the eyes of these people before us" vs "those eyes like fire, I'm a winged insect, you're a funeral pyre" parallel. Vessel sacrificing himself to us, for us. Performing and being Vessel as something he cannot but feel compelled to do.)
From the Room Bellow:
"We are here to silently collect. To project ourselves onto one-another. We are here to remember. We are here to forget."
WHICH BRINGS US TO EUCLID.
No, by now The night belongs to you This bough has broken through I must be someone new
If we are to take the messages as a complement to the album, then this definitely marks the "shift" in Vessel's perspective. He CAN be more, and he NEEDS to be more. To be new.
The night does not belong to god - it belongs to US. To Him. Not just Vessel, but Him. Obviously this is all speculation, but it really feels like he's ready to let go of so many things, and move on. To renew himself, to stand up and fight. To finally "bite back". He doesn't seem to be completely changed, as there are things he still seems to hold on to (just listen to Euclid). But it´s different now. The "vicious cycle is over."
"They see something beyond their own bleak horizons. And they reach for it. Together. So let us join now."
Vessel seems to emphasize the "collectiveness" of what Sleep Token is and represents quite often. So in a way, it´s him saying "We´ve all suffered together, we've all experienced so many things together, so let us reach for something better as one. Let us all become new. You are not alone in this, and neither am I, so hold on to us and be happy."
WHICH IS!!!!! JUST!!!!!
I think this shift represents something important. My guess, like many others have said, is that Something Big is going to happen in/after Wembley. I don't know what, I don't know if it's truly the end of the road for ST, as many speculate, but something is definitely going to happen. Whatever it is, I hope this is a positive change for them, and specially Vessel, and I am just so so grateful to be part of this amazing community of ours.
(if you read the whole thing, I love you and thank you and I'm sorry. My brain was itching real bad and this had to be let out. Don't take this a proper analysis or whatever, this is me squeezing excess water off the old rag that is my mind)
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Ivys neck is gorgeous
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tonguetyd · 1 month
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Hey if you don't mind me asking, what's the 'holding up 3 fingers' thing for The Love You Want? Not sure what it means sorry!
Oh of course anon!!
So back in December while Sleep Token was doing their Germany tour, they announced after 2(?) shows that iii had to suddenly leave for family reasons. Obviously, everyone was worried about him and wanted to do something to show him love and that we were all thinking of him, so during TLYW everyone in the crowd held up 3 fingers. I think there were like…4? shows they did that for thru the end of the tour and by the 2nd the guys were also doing it.
There is an absolutely *devastating* video of Vessel holding up 3 fingers and then it pans to iv who is visibly shaking and frantically wiping his eyes and it breaks me. Every time. I will see if I can find it in here and reblog it for you - might take a second. It’s PAIN!!
Anyway that’s what the tags on that post meant, I’m sure they just took out TLYW to make room for Missing Limbs (which. also fucking devastating.) but I am a menace to myself and take everyone down with me 😇😂
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