#william munny
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"Deserve's got nothing to do with it:" Violence and Change in Unforgiven and The Patriot
Clint Eastwood's Unforgiven (1990) and Roland Emmerich's The Patriot (2000) are two films I've wanted to compare for a very long time. To begin, their protagonists have surprisingly similar backgrounds. Both are middle-aged men who engaged in violent practices when they were younger, later married and fathered children, and claim in the present that they are no longer the men they were. Both speak of their deceased wives as angels who showed them the error of their ways and turned them to a more righteous path. And yet both turn back to violence over the course of these films for, they claim, the sake of their children. Did they change, or only their circumstances? The films not only answer these questions very differently but conceptualize both violence and change differently.
Benjamin Martin's initial choice of violence in The Patriot is presented as no choice at all. Just as he warned the rest of the Charlestown assembly in the film's first act, their choice to join in the war for independence has borne consequences. The British have burned his home, murdered one of his sons, and convicted another as a spy without evidence. William Munny's choice to revisit the violence of his younger years is made under somewhat less dire circumstances. He sees that taking up the Kid's offer to split the bounty may help him care for his children more effectively than continuing to struggle with his hog farm. Moreover, the men he will kill are not a threat to him or his family; he has to travel a great distance to even find them. At the outset, Ben's violence seems more justifiable than Will's, but the impact of this violence on them bears a closer look.
I would point out that The Patriot is more gruesome than Unforgiven, fitting given that it deals with 18th C warfare. However, the bloodiest violence in the former happens to Ben's fellow Patriots while Will and his fellow bounty hunters are responsible for most of the deaths in their story. The deaths of Ben's sons are drawn out, anguished affairs. The British soldiers he kills, with a couple of notable exceptions, simply drop like flies. In Unforgiven, it is the men the bounty hunters kill whose suffering is on display. One is shown sweaty and in agony as he asks for water; the other holds his hands in front of him, terrified, begging for his life. While British soldiers make similar pleas in The Patriot, the camera is positioned behind them; we only see the faces of their killers. Ben's emotional response to violence is uneven at best. While he claims to still hear the screams and see the faces of the men he killed in the last war, he shows no hesitation to kill the British soldiers who take his son into custody and only protests killing surrendering British soldiers when it is too late. He offers mercy to one British officer only to admit to General Cornwallis that he orders his men to target officers first in their engagements only a couple of scenes later.
The Kid, when he arrives at Will's farm, has nothing but romantic notions about violence, but the film undermines those quickly. Ned, a fellow outlaw from Will's past, cannot bring himself to shoot the young man who is their target. Will does, but is so disturbed in the aftermath that he orders the dying man's companions to give him water. After the Kid shoots the other target, all his bravado about killing disappears. He confesses that this is the first death for which he has been responsible and vows to never kill again. Unforgiven's position on violence is best captured by Will's words to the Kid in this scene. "It's a hell of a thing, killing a man. You take everything he's got and everything he's gonna have too."
Nowhere is killing another person treated with such gravity in The Patriot. Ben Martin shrugs off his violent past with a dismissive "I was intemperate in my youth." But when his oldest son is also killed by Tavington, he seeks reasons in the past rather than the present: "I have long feared that my sins would return to visit me, and the cost is more than I can bear." Will seems to share the same fear as he insists to Ned no less than four times in a single conversation that he "ain't like that no more," that Claudia has "cured" him of the drinking that always precipitated his past violence. When Ned offers no argument, it becomes clear he is not the intended audience of Will's pleas. He is trying to convince himself that he has changed permanently, and he is unsuccessful. It is difficult to say with any certainty whether Ben changes or not because the standard by which the film judges him changes like the tide, for the convenience of the moment. Will, however, changes quite dramatically by the end of the film from rejecting the notion that his past defines him to affirming it. "Yes, I've killed women and children. I've killed everything that walked or crawled at one point or another. And I'm gonna kill you, Little Bill, for what you did to Ned."
For all that Will kills his adversary for the same reason Ben kills his--vengeance for the death of a loved one--he shows Little Bill a surprising degree of grace. Ben agrees with Colonel Tavington, his sons' killer, that he (Ben) was "not the better man" because "my sons were better men." On the one hand, it is an assertion that both he and Tavington both fall short of the righteousness his sons represented, but it also underpins his own righteousness in that he is killing Tavington on their behalf. Then he stabs Tavington through the throat to assure that his words will be the last. Will, having defeated and disarmed Little Bill, gives him a chance to talk. He asserts that he does not deserve this fate because "I was building a house," and Will replies, "Deserve's got nothing to do with it." When he chose violence, downing a bottle of whiskey upon hearing of Ned's death, he also rejected any need to be the most righteous man in the room. He cannot judge Little Bill because they are are both violent men; Will is just better with guns.
Ben never accepts that his violence is a choice; perhaps that is why he finds the cost too much to bear. He wants the positive consequences it can bring about--land, independence--but also to retreat into domesticity to avoid the negative ones. In this, he has more in common with Unforgiven's antagonist than with Will. Little Bill's house, with its crooked angles and hole-riddled roof, is a metaphor for his failure to set himself above the "men of low character" that he terrorizes. The heap of failed rocking-chairs in Ben Martin's barn may be meant to both humanize him and hint at the temper that will come into play later, but I would argue it makes more sense to interpret it in the same way. These men attempt to set themselves up as judges of other violent men by building a home/raising a family, but the foundations are shaky at best. The quotation in this meta's original title came from one of Little Bill's deputies but could as easily be applied to Ben: "He may be tough, but he sure as hell ain't no carpenter."
Ben wants, and the narrative allows him, to have his cake and eat it too, a desire Unforgiven presents as ridiculous. Will knows that violence is not compatible with domesticity. That is why he chose to give up drinking for the sake of Claudia and continues to make that choice for their children after her death. But the view of change Unforgiven posits is bittersweet. It is possible for anyone to change, even someone guilty of all Will Munny's monstrous actions, if they choose to do so. But the change is never permanent; it is always possible to choose violence again. And once that choice is made, the consequences are inevitable.
#unforgiven 1990#the patriot#clint eastwood#william munny#benjamin martin#violence as theme#redemption arcs
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Unforgiven Ambient Music
#unforgiven#clint eastwood#westerns#western#red dead redemption 2#red dead redemption two#django#the good the bad and the ugly#western spaghetti#spaghetti western#movies#western movie#western movies#wild west#trilogiadeldollaro#revisionist western#neo western#modern westeros#unforgiven movie#unforgiven 1992#unforgiven film#william munny#morgan freeman#will munny#wyoming#cowboys#horses#horse#riding horse#cowboy
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Have you seen my son?...
His name is William!
#my art#stardew valley#sketches#i really really love him uwaaaah#do i even tag them?#fuck it we tag them#Munny (sv)#William (sv)#Oc time!(???)#WAIT I KNOW WHAT TO TAG THIS#Bunny Farm!#<- That's the name of my farm in Stardew valley fyi
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Weekly Wrapup 3/10/24
This Week's Rankings:
Utami Hayashishita - 88.9% smash
Jon Moxley (Dean Ambrose variant) - 84.6%
Eddie Guerrero - 80.5%
Edge and Beth Phoenix - 75.1%
KENTA - 75.1%
Unholy Union (Alba Fyre and Isla Dawn) - 74.3%
Carmelo Hayes - 71.6%
Bear Boulder - 69.1%
Pretty Deadly (Elton Prince and Kit Wilson) - 59.9%
Minoru Suzuki (Current Day) - 51.8%
Randy Orton with a mustache - 50.9%
Sami Callihan (CZW Era) - 26.4%
Gangrel - 24.1%
Gorgeous George - 21.4%
Average smash rating this week: 61.0%
More stats under the cut, along with my observations, commentary, and some of my favorite tags...
Most total votes this week (most enthusiasm)
Jon Moxley (Dean Ambrose) - 364 votes
Minoru Suzuki - 361
Utami Hayashishita - 343
Edge and Beth Phoenix - 338
Eddie Guerrero - 303
And least total votes this week (least enthusiasm)
Sami Callihan - 178 votes
Gorgeous George - 187
Unholy Union - 206
Bear Boulder - 217
Carmelo Hayes - 222
The closest poll was Randy Orton with a mustache, who won 115-111
Top Ten Overall
Kris Statlander - 91% smash
Athena - 90.2% smash
Hikaru Shida - 89.7% smash
Utami Hayashishita - 88.9% smash
Minoru Suzuki (Young Variant) - 88.7% smash
Swerve Strickland - 88.3% smash
Toni Storm - 88.1% smash
Hiroshi Tanahashi - 87.7% smash
Hangman Adam Page - 86.4% smash
Bianca Belair - 86.4% smash
Bottom Ten Overall
Vince McMahon - 3.9% smash
Ric Flair - 4.6% smash
Kane (Corporate variant) - 10.1% smash
Miracle Violence Connection - 11.8% smash
Gene Munny - 12.4% smash
Spike Trivet - 12.% smash
Kevin Sullivan - 13.1% smash
Triple H (Terra Ryzing variant) - 18.6% smash
Eric Bischoff (NWO) - 20.0% smash
Gorgeous George - 21.4% smash
Top Women Overall
Kris Statlander - 91% smash
Athena - 90.2% smash
Hikaru Shida - 89.7% smash
Utami Hayashishita - 88.9% smash
Toni Storm - 88.1% smash
Bottom Women Overall
Eve Torres - 47.1% smash
Carmella - 47.8% smash
Nikkita Lyons - 48.2% smash
Julia Hart (Cheerleader Variant) - 49.8% smash
Kelly Kelly - 50.3% smash
Top Men Overall
Minoru Suzuki (Young Variant) - 88.7% smash
Swerve Strickland - 88.3% smash
Hiroshi Tanahashi - 87.7% smash
Hangman Adam Page - 86.4% smash
Hikuleo - 86.0% smash
Top Tag Teams
The Golden Lovers - 80.4% smash
Unholy Union - 74.3% smash
Best Friends - 66.7% smash
Motor City Machine Guns - 65.5% smash
Roppongi Vice - 62.7% smash
There were some new additions to the overall lists this week. Utami Hayashishita earned a spot on both the top overall list and the top women's list, and Gorgeous George just barely kicked Charlie Dempsey off the bottom overall list.
We've now had three polls on Jon Moxley, and the ranking is:
Current AEW Mox - 84.8% smash
Dean Ambrose - 84.6%
CZW Mox - 82.3%
Also, people prefer non-mullet Eddie Guerrero (80.5% smash) to Eddie Guerrero with a mullet (77.0% smash), and people prefer Randy Orton sans mustache (62.3% smash) to Randy Orton with mustache (50.9% smash).
Also like...88.7% of you would have done Minoru Suzuki when he was young, but only 51.8% of you would do old Suzuki? To echo the sentiments of a few reblogs, is this not the "sexualize that old man" website?
In actual blog news, the 250th poll was posted today, and we hit 500 followers a couple weeks ago but I forgot until now. Thank you so much to everyone who's followed, submitted poll requests, reblogged, liked, and otherwise interacted with this blog!
And now for some of my favorite tags and comment
@lghockey on Gorgeous George: #what in the revolutionary war is that haircut
@booboo-eyedbambi on Bear Boulder: #i need him to squish me like he's trying to get the last of his toothpaste out of me
@midcarder on Minoru Suzuki: #the only reason to not fuck suzuki is because you're afraid
@regalityandcoffee on Carmelo Hayes: #on one hand hes hot#in the other hand i once had a dream he tried to kill me so-
I once had a dream that William Regal put drugs in my suitcase as I was going on vacation with Mox. Wrestlers are rude af in dreams.
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The great Ethan Hawke once said “I’ve always had a thing for Westerns.” I, too, have always had a thing for Westerns. And a thing for Ethan Hawke. And, for the past year, a thing for Pedro Pascal. And next month all of my things are combining into one big thing. A film called “Strange Way of Life”, a Spanish western (anti-western?) about two former friends (lovers?) reuniting after 25 years apart.
To celebrate this momentous collaboration of all my "things" I would like to submit to this website a small collection of Westerns I believe would be helpful to watch before the release of Strange Way of Life next month. I’ve tried to give each film in the list a summary and a small explanation of why I included it in the list.
Some of these I’ve included simply because of how wonderful they are, some because I believe they’re going to inform Strange Way of Life in one way or another, and one because I, no lie, watched it in a movie theater with Ethan Hawke himself at a film festival he put on.
(@the-ginger-hedge-witch hi! I hope its okay to tag you the western queen in this! I thought maybe you would be interested in this western love fest.)
Without further ado:
Westerns I believe would make wonderful companion films to Strange Way of Life:
Red River
How does one delicately say….the scene in which Montgomery Clift meets John Ireland is so homoerotic and so sexy it’s almost unbearable. Have you ever wanted to watch two cowboys compare the weight and size of their dicks by trading guns? Well you’re going to love this film! To put it simply, as a wonderful youtube comment said, “give me one heterosexual reason for this scene. SPOILER there isn’t one!!” Exactly. This film has been hailed in film history for 2 things: the first being that Montgomery Clift burst onto the scene in this movie with a new way of acting (the method) that was so incredible it changed film acting forever. Literally. FOREVER. The second being, this is one of the gayest westerns ever filmed and has been viewed as one of the brightest examples of how homosexuality always found its way past censors. Clift and Ireland were lovers in real life and wow does that come through in every second of this film. Yes, sadly, John Wayne is in this film, but please don’t let this deter you. It’s simply incredible.
Summary: A father (John Wayne) and his adopted son (Montgomery Clift) feud over the management of a cattle drive from Texas to Kansas.
Unforgiven
What happens when one of our greatest Western actors ever, Clint Eastwood, thinks "actually Westerns promote an unrealistic black and white version of history and a kind of violence that is unrealistic at best and actively harmful to our society at worst"? You get THE Western to end ALL Westerns. (Note: please heed trigger warnings for this film!)
Summary: After a sex worker is assaulted, William Munny (Clint Eastwood) comes out of retirement to take one last bounty job and must finally confront the violent and reckless past he thought he left behind.
The Wild Bunch
One last job goes bad trope? Check. Men who have aged just enough they cant understand the modern world that now surrounds them? Check. Men driving themselves to madness after they violate their code of ethics by betraying a friend? CHECK. This film has it all, and it's why its considered one of the greatest Anti-Westerns ever made. And, as I've now mentioned twice before on this site lol, the wine scene in the Strange Way of Life trailer is, I believe, a direct retelling of a scene in this film.
Summary: An aging outlaw gang on the Mexico–United States border plan to retire after a final robbery but find themselves having to adapt to the changing modern world of 1913.
Hud
Paul Newman is HUD! Would you believe I added another Anti-Western to this list?? A father and son fight after their cattle falls ill. Thats the simple summary. My summary: What happens when masculinity becomes so toxic it's like a disease infecting everything and everyone around it? HUD is what happens. This is one of the films I watched at Ethan Hawkes film festival, Paul Newmans West, earlier this year. It's staggering. Hawke has clearly spent a long, long time thinking about Newman, Westerns, and his own life and career. Its hard for me to imagine he didn't carry at least a piece of this performance with him into Strange Way. (Note: please heed trigger warnings about this film as well!)
Summary: Honest and hard-working Texas rancher Homer Bannon (Melvyn Douglas) has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud (Paul Newman).
The Power of The Dog
ANOTHER gay anti-western?? Yes. YES. One of my favorite films. Loneliness and internalized homophobia destroy, we all know that, but it feels like it's never been said more powerfully or put more fully on display than in this film.
Summary: A domineering rancher (Benedict Cumberbatch) responds with mocking cruelty when his brother (Jesse Plemons) brings home a new wife and her son, until the unexpected comes to pass.
Brokeback Mountain
The film that started it all! Almodóvar famously turned down directing Brokeback Mountain in 2004 because he felt the studio would stifle his vision.
“(Strange Way of Life) could be like my answer to Brokeback Mountain."- Almodóvar
What more is there to say? A watch (or re-watch) is imperative.
Summary: In 1963, rodeo cowboy Jack Twist (Jake Gyllenhaal) and ranch hand Ennis Del Mar (Heath Ledger) are hired by rancher Joe Aguirre as sheep herders in Wyoming.
Extracurricular Films
Westerns staring Ethan Hawke:
The Magnificent Seven
In a Valley of Violence
The Kid
The Good Lord Bird (miniseries)
Westerns staring Pedro Pascal:
Kingsman: The Golden Circle
Triple Frontier
The Mandalorian (series)
The Last of Us (series)
Films shown at Ethan Hawke's Film Festival, Paul Newmans West:
The Left Handed Gun
Hombre
Hud
The Life and Times of Judge Roy Bean
Buffalo Bill and the Indians or Sitting Bull's History Lesson
Highlights from Pedro Almodóvar's directing career:
Women on the Verge of a Nervous Breakdown
Tie Me Up! Tie Me Down!
All About My Mother
Talk to Her
Bad Education
Volver
Parallel Mothers
#I love movies yall! if you wanna talk about ethan or pedro pascal or movies or westerns that would be swell just reach out!#Ethan Hawke#pedro pascal#movies#Pedro Almodóvar#strange way of life
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"Deserves got nothin' to do with it." William Munny
This is a funny reaction montage to the bar fight scene.
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“No, ‘Rudy’ was on and then, uh… ‘Unforgiven’ and then I was too jacked to sleep, so… research.”
Reference: Rudy, Unforgiven
Episode: 9x13 “The Purge”
Writer: Eric Charmelo & Nicole Snyder
Spoken To: Sam Winchester
Media Type: Movie(s)
Timeframe: 1993 (R), 1992 (U)
Description: (R) Rudy (Sean Astin) has always been told that he was too small to play college football. But he is determined to overcome the odds and fulfill his dream of playing for Notre Dame.
(U) Retired Old West gunslinger William Munny (Clint Eastwood) reluctantly takes on one last job, with the help of his old partner Ned Logan and a young man, The "Schofield Kid."
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“Reducing huge consumption of polyphenol containing plants down to reasonable -lets’ say 5 servings a day down to 5 a week- might be of more benefit than the jump from zero to one a day.”
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William Munny call him Dollar Bill
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FAVORITE WESTERNS of SCOTT RITTER.
Today I am going to present Scott Ritter's 3 favorite western movies, which is as good as any talking point. These movies are...
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1 THE SEARCHERS
2 UNFORGIVEN
3 OPEN RANGE
(LONELY DOVE) TV SERIES
Though not to muy surprise, John Wayne's THE SEARCHER I must confess John Wayne is not a favorite of mine and I dislike how he comes across with this snug Irish gunslinger demeanor about him which rings totally false, but Scott pricked my ear. So I am going to take it upon myself to see it
The Searchers is a 1956 American epic Western film directed by John Ford and written by Frank S. Nugent, based on the 1954 novel by Alan Le May. It is set during the Texas-Native American wars, and stars John Wayne as a middle-aged Civil War veteran who spends years looking for his abducted niece (Natalie Wood), accompanied by his adopted nephew (Jeffrey Hunter).
The film is considered a masterpiece and one of the greatest and most influential films ever made.
In 1989, The Searchers was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and selected for preservation in its National Film Registry; it was one of the first 25 films selected for the registry. The Searchers - Wikipedia
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Unforgiven is a 1992 American Western film starring, directed, and produced by Clint Eastwood, and written by David Webb Peoples. The film tells the story of William Munny, an aging outlaw and killer who takes on one more job, years after he had turned to farming. The film co-stars Gene Hackman, Morgan Freeman, and Richard Harris.
The film won four Academy Awards: Best Picture and Best Director for Eastwood, Best Supporting Actor for Hackman, and Best Film Editing for Joel Cox. Eastwood was nominated for the Academy Award for Best Actor for his performance, but he lost to Al Pacino for Scent of a Woman. The film was the third Western to win Best Picture, following Cimarron (1931) and Dances with Wolves (1990). Eastwood dedicated the film to directors and mentors Sergio Leone and Don Siegel.
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In 2004, Unforgiven was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant". The film was remade into a 2013 Japanese film, also titled Unforgiven, which stars Ken Watanabe and changes the setting to the early Meiji era in Japan.
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Eastwood has long asserted that the film would be his last traditional Western, concerned that any future projects would simply rehash previous plot lines or imitate someone else's work. Unforgiven - Wikipedia
Open Range is a 2003 American Revisionist Western film directed and co-produced by Kevin Costner, written by Craig Storper, based on the novel The Open Range Men by Lauran Paine, starring Robert Duvall and Costner. Open Range (2003 film) - Wikipedia
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
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Unforgiven (1992)
Director: Clint Eastwood
Starring: Clint Eastwood, Gene Hackman, Morgan Freeman
Retired Old West gunslinger William Munny reluctantly takes on one last job, with the help of his old partner Ned Logan and a young man, The “Schofield Kid.”
‘Unforgiven’ is set in 1880, a time when law and order did not exist in the same way as today, and people often took the law into their own hands.
When…
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William Munny joins Sideshow's Clint Eastwood Collection
William Munny joins Sideshow's Clint Eastwood Collection #sideshowcollectibles #unforgiven #clinteastwood
Announced during its Spooktacular event, Sideshow has revealed the latest addition to the Clint Eastwood Legacy Collection. Inspired by Eastwood’s critically acclaimed, multi-award winning film Unforgiven (1992), the officially licensed William Munny 1/6 Scale Figure has been personally approved by Eastwood himself. Every detail has been meticulously designed and expertly tailored to his…
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Clint Eastwood‘s greatest movie. 1992
Both and directing and in starring in. Gene Hackman is credible as a villain
“You be William Munny. Killer of women and children. “
“That’s right. I’ve killed women and children. I’ve killed everything that’s walked or crawled at one time or another. And I’m here to kill you little Bill. For what you did to Ned….”
Scene gives me goosebumps every time. It is a masterpiece of a movie.
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2.998. Llega un pistolero (Russell Rouse, 1956)
Me ha gustado mucho. Un tópico tras otro, pero funciona muy bien. Metraje muy contenido pero no de Serie B. Una guapa Jeanne Crain, tan exuberante como siempre en un papel típico como las mujeres del Oeste, acompaña a Glenn Ford, que de torturado por su pasado tiene unas cuantas películas y a Broderick Crawford, una de mis debilidades como actor: un hombre capaz de todo, metódico y creíble, verosímil y con una capacidad para transmitir emociones importante.Primera película que veo del Director, y me ha gustado mucho. El evidente que el arquetipo de William Munni, el vengador de una de las mejores películas de Clint, de Sin Perdón.Brillante coreografía la del baile en la cantina del vaquero con dos palas, realizada por Russ Tamblyn, uno de los hermanos de Siete Novias para Siete Hermanos.
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Weekly Wrapup 1/28/24
This Week's Rankings:
Toni Storm - 88.1% smash
Finn Balor - 83.7%
Claudio Castagnoli - 73.0%
Penta el Zero Miedo - 70.4%
Daniel Garcia - 69.5%
Tanga Loa - 68.7%
Tyler Bate - 66.5%
Oro Mensah - 62.6%
UltraMantis Black - 50.9%
EVIL - 41.0%
Baron Corbin - 37.8%
JD McDonagh - 27.7%
Corey Graves - 26.1%
Gene Munny - 12.4%
More stats under the cut, along with my observations, commentary, and some of my favorite tags...
Most total votes this week (most enthusiasm)
Toni Storm - 385 votes
Claudio Castagnoli - 341
Finn Balor - 332
Daniel Garcia - 331
Penta el Zero Miedo - 277
And least total votes this week (least enthusiasm)
UltraMantis Black - 161
Oro Mensah - 182
Gene Munny - 194
& 5. Tanga Loa and Baron Corbin - 201
The closest poll was UltraMantis Black, who won 82 to 79
Top Ten Overall
Kris Statlander - 91% smash
Athena - 90.2% smash
Hikaru Shida - 89.7% smash
Minoru Suzuki (Young Variant) - 88.7% smash
Swerve Strickland - 88.3% smash
Toni Storm - 88.1% smash
Hiroshi Tanahashi - 87.7% smash
Hangman Adam Page - 86.4% smash
Bianca Belair - 86.4% smash
Hikuleo - 86.0% smash
Bottom Ten Overall
Vince McMahon - 3.9% smash
Kane (Corporate variant) - 10.1% smash
Miracle Violence Connection - 11.8% smash
Gene Munny - 12.4% smash
Triple H (Terra Ryzing variant) - 18.6% smash
Charlie Dempsey - 22.1% smash
The Boogeyman - 22.6% smash
Brock Lesnar - 23.2% smash
Marty Scurll - 23.8% smash
Ranjin Singh - 24.7% smash
Top Women Overall
Kris Statlander - 91% smash
Athena - 90.2% smash
Hikaru Shida - 89.7% smash
Toni Storm - 88.1% smash
Bianca Belair - 86.4% smash
Bottom Women Overall
Carmella - 47.8% smash
Nikkita Lyons - 48.2% smash
Julia Hart (Cheerleader Variant) - 49.8% smash
Sherri Martel - 63.1% smash
Aubrey Edwards - 66.1% smash
Top Men Overall
Minoru Suzuki (Young Variant) - 88.7% smash
Swerve Strickland - 88.3% smash
Hiroshi Tanahashi - 87.7% smash
Hangman Adam Page - 86.4% smash
Hikuleo - 86.0% smash
Top Tag Teams
The Golden Lovers - 80.4% smash
Best Friends - 66.7% smash
Motor City Machine Guns - 65.5% smash
Young Bucks - 43.8% smash
Ink Inc. - 25% smash
Average Smash Rating
Week 1: 52.7%
Week 2: 57.7%
Week 3: 54.4%
Week 4: 62.9%
Week 5: 58.4%
Week 6: 55.9%
Week 7: 59.6%
Week 8: 56.7%
Week 9: 53.3%
Week 10: 57.6%
Week 11: 55.6%
AEW's Blackpool Combat Club has been completed! Their rankings are below:
Jon Moxley - 84.8%
Wheeler Yuta - 77.1%
Claudio Castagnoli - 73.0%
William Regal - 65.6%
Bryan Danielson - 46.8%
Every one of these guys received over 300 votes, with Bryan Danielson passing the 400 vote mark waaaaaay back in the first week of this blog's existence.
We also have results for Haku and family:
Hikuleo - 86.0%
Tanga Loa - 68.7%
Tama Tonga - 65.9%
Haku - 30.6%
Short wrap-up commentary this week due to not feeling well. Next week's will be late because February 11 is my anniversary and I will be busy celebrating being married.
And now for some of my favorite tags and comments
@pavlovean on Corey Graves: #great mysteries of the world: who built the pyramids?#what happened to db cooper?#how the fuck did corey graves pull carmella?
@tache-noire on Penta el Zero Miedo: #most smashable faceless man excluding slenderman in 2013
@pavlovean on Finn Balor: #i am so sorry his face reminds me of a very small kitten that has had too much milk to drink
@madduchessal on JD McDonagh: #He's the equivalent of 'we have Finn Balor at home'
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FİLM TAVSİYESİ : UNFORGİVEN HAKKINDA BİLİNMESİ GEREKEN 15 DETAY
UNFORGİVEN HAKKINDA BİLİNMESİ GEREKEN 15 DETAY
1993 yapımı Affedilmeyen – Unforgiven, Big Whiskey kasabasında bir hayat kadınını yaralayan iki haydudu avlayan acemi bir kovboyun, emekli katil William Munny ve partneri Little Bill Dagget ile birlikte atıldığı ölümcül macerayı konu alıyor. Kuzey Amerika kırsalında kovboy devrinin sonlanmaya başladığı 1880’lerde geçen Unforgiven, Amerikan tarihinde…
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