Tumgik
#1903
Text
Tumblr media
"Little Red Riding Hood"
French vintage postcard, staged and photographed by A. Bergeret, mailed in 1903
116 notes · View notes
nemfrog · 7 months
Text
Tumblr media
Trees on the march. The magic forest. 1903.
Internet Archive
6K notes · View notes
fashionsfromhistory · 11 months
Photo
Tumblr media
Wisteria Lamp
Tiffany and Co.
1903-1905
National Gallery of Victoria
5K notes · View notes
zegalba · 1 year
Text
Tumblr media
Stephan Sinding: ‘Adoration’ (1903)
5K notes · View notes
la-cocotte-de-paris · 1 month
Text
Tumblr media
Le Vertige, 1903
Oil on canvas, 55.2 cm x 40.2 cm
Hubert-Denis Etcheverry (1867-1950)
679 notes · View notes
souplover-69 · 2 months
Text
Tumblr media
i can’t explain it but this room was haunted
541 notes · View notes
kundst · 5 months
Text
Tumblr media
Henri Matisse (Fr. 1869–1954)
Pansies (1903)
Oil on paper on cardboard (49 × 45 cm)
478 notes · View notes
mioritic · 7 months
Text
Tumblr media
"I also will show thee the way that thou desirest to see."
Illustration of the Archangel Uriel, based on a design by Sir Edward Burne Jones (English, 1833–1898)
Archibald Duff (ed.), The First and Second Books of Edras (London: J. M. Dent, 1903)
693 notes · View notes
Text
Tumblr media
Cats on a vintage postcard, mailed in 1903
301 notes · View notes
nemfrog · 7 months
Text
Tumblr media
The jumping frog. 1903. Book cover art.
Internet Archive
610 notes · View notes
weirdlookindog · 2 months
Text
Tumblr media Tumblr media Tumblr media
Faust aux enfers (1903)
195 notes · View notes
fashionsfromhistory · 1 month
Text
Tumblr media
Bodice Ornament & Hair Comb
René Lalique
1903-1904
The Art Nouveau style caused a dramatic shift in jewellery design, reaching a peak around 1900 when it triumphed at the Paris International Exhibition.
Its followers created sinuous, organic pieces whose undercurrents of eroticism and death were a world away from the floral motifs of earlier generations. Art Nouveau jewellers like René Lalique also distanced themselves from conventional precious stones and put greater emphasis on the subtle effects of materials such as glass, horn and enamel.
René Lalique, 'the admitted king of Paris fashions', chose his materials for aesthetic effect and artistic refinement, not for mere preciousness or brilliance. Credited with introducing horn into the jewellery repertoire, he dazzled the public with a collection of ornamental combs made of horn. They were moulded and sculpted in the shape of flowers, waves and butterflies.
Victoria & Albert Museum (M.116A-1966 & M.116A-1966)
718 notes · View notes
zegalba · 7 months
Text
Tumblr media
Stephan Sinding: 'Adoration' (1903)
880 notes · View notes
mote-historie · 2 months
Text
Tumblr media
The Jewelry and Enamels of Louis Comfort Tiffany, Necklace, 1903.
Exhibited: Salon of the Société des Artistes Français, Paris, 1906 Peacock and flamingo. Enamel, opal, amethyst, ruby, sapphire, demantoid garnet, emerald, chrysoberyl, pearl, gold
Tiffany & Co., New York City, 1837–present.
Designer: Louis Comfort Tiffany, American, 1848–1933 Jeweler: Julia Munson [Sherman], American, 1875–1971 Marks: TIFFANY & Co.
157 notes · View notes
lepetitdragonvert · 4 months
Text
Tumblr media
Fairy with Frogs and Ivy
Circular gouache signed with initials : W. H. P.
1903
Source : ewbankauctions.co.uk
233 notes · View notes
vintage-sweden · 2 months
Text
Tumblr media
Women selling kringlor (sweet pretzels), 1903, Sweden.
132 notes · View notes