weeee redraw cooldown for tonight
(march 2024 - february 2023)
885 notes
·
View notes
Big Mama must have lost some serious standing in the yokai underworld because it’s gotten apparent that she keeps being beaten by a small group of teenagers and the occasional rat man, and when it’s not them then she’s taking L’s from her own schemes working against her.
And in the ensuing power vacuum, the Hamatos accidentally become the most feared crime family known to all the big bads of the Hidden City.
After all, they’ve publicly outplayed Big Mama multiple times, a couple of them have taken out the heads of two of the most well known criminal organizations, one took out Heinous Green, two are responsible for the destruction of Witch Town, they have ties to both the infamous Baron Draxum and Captain Piel, they won the Doom Dome death race, they’re Battle Nexus Champions, they’ve displayed insane feats of power and defeated impossibly strong enemies, most of them have been to jail, and they regularly mingle with humans.
You can just imagine the notoriety they’d accumulate from word of mouth alone.
725 notes
·
View notes
In TCP, Cardan was hella fast pitching attempts to make Jude beg. Seriously, buddy would not leave her alone. It was constant fan behavior pls.
Then we’re here in the beginning of TWK and the first bold move that beautiful lunatic makes on Jude is, “Kiss me again. Kiss me until I am sick of it.”
Literally begging. Dignity void. Pathetic. I love him.
474 notes
·
View notes
You know I didn’t realize after AA5/6 just how badly I needed a judicial assistant who was like. Respected and valued by their attorney. Seeing how highly Ryu thinks of Susato is such a breath air after so many variations of the Manzai duo vibes
In case 4 when Van Zieks insults her and Ryu IMMEDIATELY snaps back with “I consider her advice essential and her assistance invaluable. Please go ahead, Susato” he instantly became my favorite. Put some respect on her name
479 notes
·
View notes
hey! do you perchance have any xisumas. i just stumbled upon your corner here (if any of your art seems a little more, well, mildly gnawed than usual. that wasnt me)
im a firm believer of line eye 'sumas. i think hed look so silly Confused Little Guy who Does Not Know a Thing in your style. i feel like ive seen one before somewhere? but tumblr tag search is wack..
Oh boy I have not drawn xisuma in some time! If you’ve seen him in my style before, it was probably Evil X in the stuffed bird animation that I made!
I’m fairly certain that the last xisuma I drew is several years old by now, which is a shame, because I love his videos and his character! So in the absence of xisuma drawings, I offer you this sketch I’ve done just now :D
275 notes
·
View notes
In light of the info about the properties of souls in The Unwanted Guest, I want to shout out that Gideon — with no grounding in the theoretical underpinnings of the subject whatsoever — actually makes basically the same observation about the permeability of the soul at the end of Harrow the Ninth, when she's in Harrow's body and (with some justification) is pretty sure she's about to die in the River:
Harrowhark, did you know that if you die by drowning, apparently your whole life flashes in front of your eyes? I didn't know, as I died and took you along with me—having kept you alive for what, a whole two hours?—whether it was going to show me both. Like, at the end of everything, if it was going to be you and me, layered over each other as we always were. A final blurring of the edges between us, like water spilt over ink outlines. Melted steel. Mingled blood. Harrowhark-and-Gideon, Gideon-and-Harrowhark at last.
‘As we always were’! ‘Melted steel, mingled blood’! (Also interesting that despite saying earlier in the book that all she ever wanted was for Harrow to eat her (oh Gideon), the metaphors Gideon reaches for here are not about consumption ala what Ianthe’s deal and thus traditional lyctorhood is presented as in TUG, it’s about similar and equal substances joining together to a new whole, more like what we see with Paul. I personally feel like a Paul-style merging for Harrow and Gideon is not in the cards and would not be a satisfying ending — it worked as a bittersweet conclusion specifically for Pal and Cam because those two are utterly nuts in all their sanity lol, but I don’t think the series means to present it as The definitive answer to the central question of individuation vs. connection. There is something so moving to me, though, in the fact that right at the end this is what Gideon wants for her and Harrow. Not for Harrow to eat her, not simply to be of use to her, but to be made together from the same stuff. It’s a longing for connection and union that’s finally at least in imagery free from the imbalance within the ultimately hierarchical roles of necromancer and cavalier that Gideon internalizes through her corruption arc in Gideon the Ninth, understandably so as it’s the only model she’s presented with in their society to understand intimacy and attachment and devotion through. But Gideon says Harrowhark-and-Gideon, Gideon-and-Harrowhark at last, mutually and equally. And I’ve written about this before, but at what must be almost exactly the same time, the same process is happening in Harrow’s mind through the evolution in the symbolism of her dream bubbles. Help I am emotions now)
Palamedes is so right, Gideon is a lot smarter than most people -- including Gideon herself -- ever give her credit for.
721 notes
·
View notes
Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.
His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).
Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.
333 notes
·
View notes