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#Just 10 movies that I think are worth watching for the season.
classichorrorblog · 8 months
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10 Movies From The 1980s To Consider For October/Halloween
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eloise-t-g · 1 month
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i think for me, the watcher situation comes down to this:
it's absolutely respectable that the watcher team wants to grow and produce better quality content. it's respectable that they don't want to stagnate and end up pushing the same content out over and over again. that's not satisfying for them creatively, i get that.
however, if higher quality, more heavily produced content is not what your fans are asking for, then you can't ask them to fund it.
this all-or-nothing method they've gone for is frankly bizarre. it feels like they leap-frogged all other alternatives to improving their finances and ended up here, alienating and frustrating the majority of their fanbase (the fanbase they thanked for getting them to where they are).
i think this could have gone a lot better if they:
Hadn't hyped up this video for a week.
Hadn't announced the worth it successor just beforehand.
Hadn't put out a wishy-washy, "boo hoo we're so sad about this", over-produced video.
Hadn't made it $6/month (more in a lot of countries given exchange rates).
Had considered that this means fans in specific countries literally cannot pay for the subscription due to geo/region-locking.
my ideas for improving their funds, aka things they could have tried before blowing their brand up: create their own website with two options - a free version with ads and a paid version without ads, OR make better use of their patreon/make their website extra content, not all their content, for example:
Put the ghost file debriefs on there.
Put shows like survival mode on there (or even shift that show from pre-recorded video to live-stream - live stream access to patrons and VOD access to everyone, maybe).
Put episode commentaries there.
Do reaction videos to their old buzzfeed content, talk about memories and BTS, and put that there.
Put one/two episodes of each show, per season on there (and ONLY there).
Put the episodes up there a few days early.
Make specific, website only content (that's not your main and most popular series aka ghost files and puppet history).
Record the live, in-person shows and put those VODs up there.
EDIT (thought of something else lmao): put extended or even uncut versions of ghost files on there. Paranormal Detour on Detune's twitch channel has shown that people will willingly sit through 6+ hours of a ghost investigation.
EDIT: idk, do livestreams once a week where you watch scary movies with fans on discord or twitch.
(side note: the fact that they're not taking down their patreon and instead shifting all of their podcast content on there, something the patreons who have been loyally giving them money for years didn't ask for, is ridiculous and greedy. add to this the fact that they don't even get a free sub to the new website, instead get 40% off - a measly 10% more than anyone else who subs before the official launch).
the thing for me is that they're claiming they want to make "television" and "television-grade content". that's completely fine. what's not completely fine is acting like your four episodes a month is equal to netflix's entire catalogue.
this really felt like it should have been something they told us they were progressing towards, not something they revealed to be on the imminent horizon. idk, it just feels out of nowhere. no, they don't owe us all of the info about their company. but something had to be better than this.
final thought - it's okay and valid to be upset at the team for this. for a lot of people, it's a complete betrayal (especially the comment that $6 a month is something "anyone and everyone can afford", i mean yikes). i do think some people's anger got the best of them, and some of the comments i've seen across youtube, twitter, and tumblr are plain bullying, racism, and harassment. until we have the whole story, we can't decide that one founder (aka steven in a lot of people's minds) is solely responsible. i know a lot of these awful things are only coming from a small minority of the fandom, but they still get seen.
at the end of the day, all three of them got up in front of a camera and made this video, together. that can only lead us to the conclusion that they made this decision together. acting like these men in their 30s couldn't stand up against it if they truly wanted to, is so strange and parasocial lmao.
tl;dr there were much better ways of going about this announcement, if it even needed to be made at all. however, that doesn't excuse the hateful shit being spewed at the team. for now, all we know is the three founders decided they were done with youtube, and done with their loyal youtube audience.
(i have so many more thoughts on this but i need to stop lmao. however i do wonder how different things could have been if 1. they had hired someone with actual business experience as their CEO from the jump, and 2. this video was more of a "hey we're broke! this is a last-ditch effort to save our company!". guess those questions will remain ... well ... you know ...).
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metalandmagi · 6 months
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A list of underrated Christmas movies for everyone who is getting tired of watching the same things every year:
This year, I wanted to make a list of a few Christmas movies that I feel are a bit underrated and under-appreciated, because I’m tired of seeing the same things all the time. If anyone has any suggestions for their own lesser known holiday movies, please feel free to include them!
Arthur Christmas: An animated movie that should be a classic, but it was unfortunately lost to time because it had a horrible marketing campaign that made it look like complete shit. Well, I’m here to tell you that it’s not complete shit. It’s actually fucking amazing.
Arthur, the clumsy son of the current Santa Claus is known for being a lovable idiot who tends to ruin everything he touches, but when a little girl’s present is accidentally left behind one Christmas, Arthur, an elf named Bryony, and his grandfather (a previous Santa…so grandsanta) embark on a chaotic mission around the world to deliver the missing present. Every character in this movie is so fucking funny and empathetic at the same time. Arthur embodies the true meaning of Christmas in everything he does. Bryony is just…on another level entirely. Arthur’s brother Steve (a strategic genius who wants to use his new technology to ensure his place as the next Santa) is a perfect antagonist that the audience still feels sympathy for. They all just have such a fun dynamic, and it’s a crime that more people haven’t seen this.
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Spirited: A fairly new addition to the Christmas movie ranks, since it came out in 2022 (but it was on AppleTV+ so no one watched it). Spirited is a modern, musical version of A Christmas Carol like you’ve never seen before (starring Will Ferrell and Ryan Reynolds, who are an amazing combination in anything). If you’re tired of seeing endless retellings of Dickens' story, just watch this. It’s hilarious, heartfelt, and it brings a whole new perspective to the story in a way that I’m not going to spoil. And the songs go so hard it’s insane.
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Happiest Season: A rom-com in which a woman named Abby desperately wants to propose to her girlfriend Harper over the holidays during Harper’s family Christmas party…only to realize that Harper’s extremely rich and conservative family doesn’t know she’s gay. Fun rom-com shenanigans ensue. Did I mention Abby is played by Kristen Stewart, and Harper is played by Mackenzie Davis? Also Aubrey Plaza, Alison Brie, and that guy from Schitt’s Creek everyone loves are in it.
This could easily have been a completely different movie if the cast wasn't so funny and didn’t have such good chemistry. It starts out as a standard holiday rom-com, but I was tearing up by the end of this the first time I watched it. If you’ve ever felt like you’ve been hiding your true self from your family or if you’ve felt like you’ve never been good enough for them, I think you’ll see a lot to relate to in this. 
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Violent Night: Another new addition to the ever-expanding list of Christmas movies, this aptly named action thriller also came out in 2022, and I feel like no one has spoken about it since, which is a crime because IT WAS SO MUCH FUCKING FUN!
When a grizzled, down on the world Santa (played by David Harbour) gets stuck in a rich family’s house while it’s being overrun by mercenaries, he has to Die Hard his way out and save the hostages (or at least the ones who are worth saving) before it’s too late. This was such a fun surprise, because violent action thrillers are so hit and miss for me personally. David Harbour is great. It’s just under 2 hours of watching shitty people get their comeuppance in unique ways. I’m so offended that it only has a 6.7/10 on IMDB, because this is a great movie to watch with a group of friends and some age appropriate beverages. Yeah, it’s not a masterpiece, and maybe my standards are low, but I had a great time with this.
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Tokyo Godfathers: An anime Christmas classic directed by Satoshi Kon in which 3 homeless people (a former drag queen, a runaway teen, and a grumpy alcoholic) find a baby in a dumpster and try to reunite it with its family. This was the movie that tricked me into thinking Satoshi Kon’s other works would be just as comedic and wholesome as this one. It’s got humor. It’s got heart. It’s got twists and turns that will keep you guessing in the classic Satoshi Kon fashion. And the English dub is just as good as the sub, so you can’t go wrong either way.
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Neo Yokio- Pink Christmas: Speaking of anime…I’ve talked about this one before, but I have to mention it again because it’s a staple for me every year. Pink Christmas is the Christmas special for the…anime (and I use that word in the loosest way possible) Neo Yokio…aka the one starring (and possibly made by?) Jaden Smith.
For anyone who’s never heard of it, Neo Yokio is a series on Netflix that is the closest thing to a professionally made Abridged Series we’ll ever have. The “plot” of the series revolves around Kaz, a pink haired guy who fights demons and does increasingly absurd rich people things with his robot mecha butler named Charles. The Christmas special involves Charles telling Kaz a Christmas story about the city’s Secret Santa competition for all the ultra rich people.
Look, there’s no good way to describe this one, but trust me when I say you don’t have to watch Neo Yokio to understand it, since even people who do watch Neo Yokio don’t understand it. In fact, I think it will be even funnier if you don’t watch Neo Yokio at all before watching Pink Christmas (but I encourage everyone to watch the series too, just because it’s more of the same insanity.)
Every line in it is pure comedic gold, not because it’s truly funny, but because it’s absurd and ridiculous in a way only Jaden Smith can be. I quote it incessantly while eating a Toblerone every year. 
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Cabin Pressure at Christmas: Molokai: Okay, it’s not a movie or even a TV special, but I love Cabin Pressure so much that I had to include this too. Cabin Pressure is a comedy radio show (not a podcast, an actual radio show) that aired on BBC Radio 4 in the early 2000s about an airline crew for the world’s shittiest airplane. 
For anyone who watched season 2 of Good Omens, you might recognize the name John Finnemore as one of the writers. Well, Cabin Pressure is made by (and stars) the same person. The Christmas episode is one of my favorites of the series, and you 100% don’t need to listen to the entire series to enjoy it. It captures the humor and despair of being stuck with your co-workers on Christmas eve, but it keeps up the spirit regardless. This is another one I quote incessantly, and the whole show has become hardwired into my personality. PLEASE FIND A WAY TO LISTEN TO CABIN PRESSURE! I’m pretty sure the whole series is available on iTunes as an audiobook.
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As honorable mentions, I want to include Rise of the Guardians and Klaus, because even though they have a fair amount of popularity, I still feel like people could appreciate them more. And sure, Rise of the Guardians might be more of an Easter movie, but it still includes Santa as a character, and he’s amazing. 
That's all for now. Sorry these are all specifically Christmas themed, but if anyone has movie suggestions for other winter holidays, please throw them in!
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mostrovskaa · 2 months
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Hi! I love your art, your color and shape work is amazing!!
I wanted to ask if you have any Polish media you can recommend to us non-Poles - movies, shows, stuff like that
Hi! Thank you so much for the ask! It is a great pleasure for me to share some Polish media to the people! I just have to preface this and tell especially my fellow Poles that: I am by no means an expert on the subject, I like a lot of bad media, I like a lot of children's media and mainstream media that I love to shape by my own creativity ok and I don't know every single niche thing so please don't come for me. Be nice please or I'll die of embarrassment! With that being said, here are just some of my picks of some cool things I like that I would recommend to check out! (Again I don't know about how available these are around the internet and what would be the subtitle situation but still, i love these pieces of media and think they are interesting to even just read or check out visually if anything!)
- The Akademia Pana Kleksa movies (Akademia Pana Kleksa, Podróże Pana Kleksa and Pan Kleks w Kosmosie) (1984-1988)- These children's fantasy and fable inspired beautiful movies based on a book incorporate beautiful puppetry and set designs, visually they are one of my biggest inspirations. Having both dark,whimsical and sci-fi elements they have been in my visual language since I saw them as a kid! Really really recommend looking into them, even though they may be wacky and strange at times! 
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And they contain absolutely amazing songs :
youtube
Available to watch without subtitles unfortunately here, but worth to check out the visuals of all the movies in the series: https://www.ninateka.pl/vod/dla-dzieci/akademia-pana-kleksa/ 
- Poszukiwany, Poszukiwana (Man- woman wanted) (1972) (one of my favorite movies ever!) - a comedy film about a museum curator who gets accused of stealing a painting and goes into hiding as a maid. You would think with polish humor it would be the typical: haha man dressed as a woman, hilarious! type stuff but no! It’s funny, charming, sweet and smart and surprisingly based. Marysia, just one chance please queen. 
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available to watch with subtitles here (alongside many other great Polish movies): https://35mm.online/vod/fabula/poszukiwany-poszukiwana
- Ranczo (tv show, 10 seasons, I believe it’s available on Netflix) - the epitome of Polish society. This is just pure Poland in tv show format. A timeless classic, never gets old, never stops being funny and relevant. Watched it a million times and could watch a million more and not get bored. An American woman with Polish heritage comes back to her family village and chaos ensues. I think the characters are so well defined you don’t need to know so much deep Polish lore to get what is going on so I really recommend it!
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Other stuff you can find on Netflix I recommend are: 1670 - comedy show about 17th century Poland, Rojst (all seasons)- crime show set mainly in the 90’s.
And something that’s a Polish phenomenon that I absolutely love is media based around popular copypasta: a short film Fanatyk  based on this timeless classic of a copypasta, and a tv show called Emigracja XD - about polish guys finding work in the UK.
And obviously the shows I make art for are always something I encourage people check out like Czterdziestolatek (amazing old show with a cult following) and Ojciec Mateusz (absolute shitty formulaic 30 season tv show that i love with all my heart).
Thank you again, sorry for the long post! There’s obviously many more cool Polish media to watch but this is just what immediately popped into my head! :-))
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Kaiju Week in Review (March 24-30, 2024)
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A coworker asked tonight me how Godzilla x Kong: The New Empire measured up to Godzilla Minus One, and I responded, "Almost as good, but in a completely different way." If you like monsters (and if you're following me I have to assume you do), see it, no questions asked. There's about a million of them and they're all delightful. The franchise has long struggled to recapture the specific charms of the Showa era, and I think this comes closer than any of them. (It's the climactic tag-team battle... also Mothra returning to knock some sense into Godzilla). Pure junk food, but you can't just watch Oppenheimer all the time.
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Godzilla x Kong tore up the box office this weekend, performing well above expectations. Its $80 million opening Stateside was the second-best of the Monsterverse (after Godzilla). It added another $114 million internationally for the best overall opening of the (still-young) year. China was a big part of that with $44 million; giant monster movies are among the few Hollywood imports that still play well there. With a $135 million budget, lowest of the Monsterverse by a wide margin, it's a matter of when, not if, Legendary announces the next one.
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The Oxford English Dictionary has added an entry for tokusatsu, defined as "A genre of Japanese film or television entertainment characterized by the use of practical special effects, usually featuring giant monsters, transforming robots, and masked and costumed superheroes." It's part of a group of 23 freshly-acknowledged Japanese loan words; unclear if the timing is coincidental. Oh, and if you're curious, they added kaiju in 2018. As someone who remembers when the only English-speakers who used either word were in fandom, it's pretty wild to see.
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French company Extralucid Films will release Gappa on Blu-ray in June. The impressive-sounding bonus features are naturally all in French, but there's one that transcends language: 17 minutes of extra monster footage. The U.S. version of Gappa, Monster from a Prehistoric Planet, only has about 7 minutes worth of shots absent from the Japanese version, so I'm pretty curious about the other 10. It's also the first time this footage has been released in HD (Tokyo Shock blew it in 2020).
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Season 2 of Chibi Godzilla Raids Again is indeed receiving official English subtitles, starting the same day as the Japanese premiere, April 10. Godzilla Battle Line also added a hilariously busted joint Chibi Godzilla-Chibi Mechagodzilla unit, along with a Destoroyah variant. (Maybe Godzilla x Kong units are next month?)
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A new Monsterverse movie means new books to buy. The prequel comic Godzilla x Kong: The Hunted is out already (not recommended), but officially you'll have to wait until April 23 for the novelization and May 14 for the art book. Chalk that up to the late release date change, maybe. Unofficially, people are already getting the novelization from Amazon, because they're a monopoly that can afford to pay the fines from publishers for breaking street date. The audiobook version also released on the same day as the film. I don't have intel on what it adds and changes yet; adding everything from the film itself to Wikizilla is all I can handle right now.
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The San Francisco Giants are offering a Godzilla VIP Experience on May 17, a long-overdue acknowledgement of the savior of their city. Tickets are almost gone, though I think it's a shame that the promotion is opt-in to begin; what happened to giving these tchotchkes out to the first thousand fans? Well, figures that they'd make getting merch of the Minus One Godzilla in the States a hassle.
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itsclydebitches · 5 months
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It's weird to think Vol 10 of RWBY just straight up might never happen. much less further volumes. No matter how bad it got I would still have loved some form of ending but Barabas comments don't paint a hopeful picture. Alas fics of RWBY will go until the end of time.
It's very weird. Most shows I come across have either already concluded, or give their audience an estimate of when things will wrap up ('We're planning another two seasons and each takes us about two years to film, so...'). I have shows that unexpectedly get more content after providing an ambiguous, but still satisfying ending (Alice in Borderland), shows where each season is self-contained so it can end whenever without issue (Bake Off), shows that were cut short and had to scramble to wrap up (Sense8), and of course there are always shows that are straight up cancelled and can't do a thing to mitigate that... but RWBY feels almost, almost unique in this combination. It's a webseries rather than a traditional TV show. It's gone on for a decade with absolutely no indication of where it's heading. Each season feels threatened to the point where the fandom can no longer differentiate between a real cancellation concern and Internet exaggeration. The story has hit what's arguably its most important narrative peak - the team has traversed an alternate world, Ruby has "overcome" drinking the tea, Summer finally appears on screen - only for news of the story's future to remain frustratingly vague. Not only have we never had a sense of when RWBY's story will end, now we don't even have confirmation of whether it will end. That's such a frustrating way to approach storytelling given that your audience relies on some level of commitment to remain engaged.
I too want RWBY to finish up because I am not immune to the Sunk Cost Fallacy: I put this much time into the series and it needs to satisfy me with a conclusion, even if the conclusion itself will inevitably be unsatisfying. Outside of any normal disappointment with a story you love getting the ax, I generally don't mind embracing unfinished works. I read abandoned fics, watch cancelled shows, browse barely started comics, because getting a taste of the world is always worth it if it's compelling to me. I never regret meeting characters whose stories go untold because as a writer myself I can at least imagine that on my own terms. But RWBY? Losing it now would be a real kick in the teeth. I personally don't think the story is salvageable at this point, but at the very least fans deserve a conclusion: one that will likely please a lot of devoted viewers and allow critical fans to put a satisfying tick mark on the box in our heads labeled "RWBY."
Given its popularity I wouldn't be surprised if RWBY wound up cancelled and then concluded in a comics run, or a one-off movie. Beyond the fact that this would no doubt mess up the writing even more (now you have to iron out this mess of a plot on a time limit, in a new medium, with new authors!) it would, unfortunately, be kind of hilarious too:
[generic tour guide voice] "Hello. Welcome to RWBY. Our fandom is known for having copious side stories connected to the canon in confusing ways. Some are incidental to the main series. Some outright contradict it. Some are crucial to your understanding of the primary plot and must be engaged with in a timely manner. These texts range from comic runs to random bits of information in abandoned mobile games. Please note that this corpus did not grow naturally across decades of storytelling, as is the case with fandoms like Star Trek and Star Wars, but was rather cobbled together by RT in an attempt to 'fix' numerous, ongoing issues with the webseries. Our latest addition? The ending. Yes, if you would like to finish RWBY please refer to this index of sources that together provide a semi-cohesive conclusion to a ten year show. Now, on your left you'll see the ongoing brawl as fans attempt to determine whether this index is canonical or not. Please watch your step..."
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gothicbarbie · 5 months
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TOP 30 BL'S OF 2023
It's that time again! The end of 2023 is here, and 2024 is upon us! Once again, we were blessed with some truly amazing BL series and I have tried my hardest to rank them all. I could only narrow it down to 30 this time cuz there were so many good ones. If a BL is not listed, it probably means I haven't watched it yet, but it is likely on a "for later" list.
GOD TIER 10/10
1. The Eighth Sense (KOREA) Absolutely ADORE this series, it was so well done. Beautiful filming and locations, each episode felt very different in terms of setting, the pacing was nice, and the chemistry was really good too between the main pairing. It was great to get some nice kissing moments as well. Def. one of the best KBL's I've seen ever and easily fits into my top 5 BL's of all time.
2. I Cannot Reach You (JAPAN) One of Japan's best series imo. Very cute storyline, I found both characters extremely likable and fun. I love their cute friendship and subtle build up. I really enjoyed watching this one.
3. My Personal Weatherman (JAPAN) Another great one from Japan, with lots of high heat scenes. Parts of the storyline were a little confusing to me at times but I think a change of scenery could have benefited the series, but regardless, I still really enjoyed it week to week.
4. Kiseki Dear to Me (TAIWAN) Probably my favorite Tawain BL ever after We Best Love. I mainly just loved the chemistry between the two couples, they were both really fun to watch and had wonderful chemistry as well as lovely kissing scenes. Def excited to rewatch this one in the future.
5. Our Dating Sim (KOREA) It's hard to believe this was from 2023, but I recently rewatched the whole thing and it held up! It was a very fun and cute series, and the build up with the main pairing was so well done. It really felt like the writers took their time with this series.
TOP TIER 9/10
6. Stay With Me (CHINA) Shocking to see a chinese series on this list, but this is one of my all time favorite BL series. Some people might argue that it isn't BL, but I highly disagree. We got a few "cheek" kisses and most romantic scenes were heavily implied but for me, it was still worth the watch. The ending was rough to say the least, and I really hope we get a season 2 to sort of rectify that, but regardless, I really loved it.
7. My School President (THAILAND) Another series that feels like it was SO long ago, but is def. at the top of my list for Thailand. Gemini/Forth's chemistry was on point and I loved the cute moments and subtle build up in this one.
8. A Shoulder to Cry On (KOREA) My only critique with this series is the lack of a kissing scene. I know for some people that isn't important, but to me it is and I was a bit frustrated to get nothing after such incredible build up, but regardless, the series was really nice and I loved the tension between the main two characters.
9. City Boy Log (KOREA) This one is still ongoing and not quite a BL series technically, but its scripted, and we get lots of BL moments, so I will count it in my list. I am loving the web style filming of this series and both couples a lot. I hope the main pairing gets the opportunity to be in an actual series together.
GREAT 8/10
10. Utsukushii Kare 2 (JAPAN) Sadly haven't been able to see the movie just yet, but the 2nd series was pretty well done. Not as enjoyable for me as season 1 but I still really enjoyed watching the main pairing navigate their relationship.
11. Never Let me Go (THAILAND) One of the better series from Thailand this year imo. I really liked the chemistry between pondphuwin and the episodes were packed with some pretty interesting storylines and build up, it was very fun to watch.
12. Ameiro Paradox (JAPAN) I've seen some people hate on this series, but personally I loved it. I found the chemistry between the leads to be super strong and I loved the build up to them recognizing their feelings. The kissing scenes were great as well. There were a few blah plots but overall I really enjoyed it.
13. Moonlight Chicken (THAILAND) Something about this series felt a bit more mature to me and it was a nice change from some of the cheesier bl's that try so hard to be funny? I really loved all the pairings in this series and the storyline was nice.
14. Tokyo in April (JAPAN) For me this one started out great but then kinda lost me near the end. I did love most of the storyline but other parts were super frustrating to watch. I enjoyed the manga a bit more I think? But still, it was nice.
15. Bed Friend (THAILAND) Loved this one on first watch but on rewatch it was just okay for me. I think some of the plots were just over-dramatic and too depressing. But the friends with benefits plot was well done and the chemistry between the main two was really strong. It was fun.
16. A Breeze of Love (KOREA) I might have enjoyed this one a bit more had I seen the eps slower. Because I binged it's hard to get a good grasp on it but I did really like it. I liked the chemistry between the main couple and there was a sweetness to it I enjoyed.
17. Love Class 2 (KOREA) I think I slightly preferred the overall storyline of season 1, but in this one I preferred all the couples. For me that was the biggest draw. It was a tad bit confusing at first, but then it started to come together near the middle. Not the absolute best from Korea but enjoyable.
Good 7/10
18. Bump up Business (KOREA) Great chemistry between the leads but unfortunately the plot fell a bit flat for me. I feel like they could have done so much more with it. The kiss was also extremely weak, but that was expected. It was a nice series to binge, but not one of my favs this year.
19. Destiny Seeker (THAILAND) Parts of this one were really odd and I think part of my issue was having wonky subs, but regardless, I really enjoyed the series and especially the chemistry between the main pairing. Loved watching their story build, their banter was so fun. I also liked the side pairing but wish they had a bit more focus.
20. Why R U Korea (KOREA) This one did not remind me of the OG at all, which is fine, but overall I found this series to be a tad slow. There were good and bad moments.
21. Love Mate (KOREA) Some of the KBL's this year get a bit confusing and I mix them all together... this is one that sort of got lost in the shuffle for me and I would need to rewatch to give a better opinion on it but I know I did enjoy it.
DECENT 6/10
22. HiStory 5 (TAIWAN) Sadly didn't enjoy this season of HiStory as much as past seasons but it was okay. I think it had some good moments but overall left me a bit underwhelmed.
23. The New Employee (KOREA) Didn't love this one as much as others have seemed to. I didn't find the chemistry to be that strong and I also am not fond of office romances, but it was okay.
24. Dangerous Romance (THAILAND) This one was forgettable but again, had some enjoyable moments. I think I liked it more in the beginning rather than the end.
25. If It's With You (JAPAN) Sweet series that simply just fell flat for me because it just felt too short so I couldn't really get invested in it. But it was cute.
26. My Story (FILO) This one was good, I liked both pairings a lot and there were some decent kissing scenes, but there were also a lot of cringey moments and moments I had to fastforward. For The Philippines I think it was one of the better series this year, but it's not at the top of my list.
27. Sing My Crush (KOREA) Another KBL that is so quick that you can binge in one night... this one didn't deliver for me as much as it did for others. The chemistry was good and it was sweet but I just found myself a bit bored of it. Still cute tho.
28. The Director Who Buys Me Dinner (KOREA) The plot is weird AF and I am not a big fan of like historical past lives romance type of plots but I did enjoy the chemistry between the main two. It might be a bit higher if the ending wasn't so weird...
29. Starstruck (KOREA) Another KBL that is a bit forgettable to me but from what I remember I enjoyed it.
30. Bon Appetit (KOREA) See above. lol.
Honorary mentions: These were good but not quite good enough for my list. I liked them but had small issues with them. Either cheesey or boring plots, or the chemistry was lacking for me. Also they are in no particular order:
1. His Man 2 (KOREA) - Not BL at all, but a reality series which was AMAZING. LOVE LOVE LOVED the ending pair... but couldn't put it on the main list because it's not scripted.
2. Minato’s Laundry 2 (JAPAN) -season 1 was amazing, this one didn't hold up. Hated how awkward they were as a couple and it just felt too unrealistic to me. Regardless, i still love the chemistry between the main two and liked seeing them again.
3. Hidden Agenda (THAILAND) - love joondunk and wish they would get a better storyline. This plot was all over the place but the chemistry was there. The kisses were top tier!
4. Only Friends (THAILAND)- i did love the messiness of this one and there were some fun pairings with hot scenes, but overall I felt the SL was a bit chaotic and some characters never really grew. I wish they had leaned into the sexy/messiness of it a tad bit more tbh.
5. Stay by My Side (Taiwain) - cute but a bit forgettable. I did enjoy the chemistry a lot in this one tho.
6. You Are Mine (Tawiain) - same as above, except the pairing wasn't as exciting for me.
7. Our Dining Table (JAPAN) - i know everyone loves this one and it was very cute and sweet, but a bit too slow for my taste.
8. End of the World With You (JAPAN) - some interesting plots and fun to watch, but overall a bit messy and problematic at times? lol.
9. Til the World Ends (THAILAND) - see above.
10. Jack O Frost (JAPAN)- decently cute series but the tone of it was a bit too depressing for me.
11. The Day I Loved You (FILO) -started great but was too emotional/sad for me after a few eps in.
12. Unintentional Love Story (KOREA) - seems a lot of people loved this one but it wasn't really my cup of tea. I found the plot very slow and the main couple was kinda bland imo. But I am willing to rewatch it and give it another chance soon.
13. Between Us (THAILAND) - technically this started in 2022 but it finished in 2023, so I'll include it. It was okay but not great. Much better series for bounprem but still found myself a bit bored.
Watched these ones in 2023 but they didn't make much of an impact in me. They had good and bad bits but to me, mostly bad. lol (No particular order)
1. Jun and Jun
2. Past-tenger
3. Love Tractor
4. Egoist Movie
5. Happy Merry Ending
6. Be My Favorite
7. A Boss and a Babe
8. Step by Step
9. Naked Dinner
10. Wedding Plan
11. My Dear Gangster Oppa
12. Cutie Pie 2
These series were forgettable or annoying imo and and I wouldn’t necessarily recommend them to anyone. However, they might be worth skimming through like I did? Good luck! lol. (In no order)
1. Hit Bite Love
2. Naughty Babe
3. Laws of Attraction
4. Remember Me
5. Love Bill
6. 609 Bedtime Story
7. All the Liquors
8. Be Mine Superstar
9. House of Stars
10. La Pluie
11. Our Sky 2
12. Venus in the Sky
13. Tin Tem Jai
14. Middleman’s Love
15. Future the Series
16. Tie the Knot
17. Luminous Solution
18. Bake Me Please
19. Our Winter
20. Stay Still
Shows I watched in 2023 but that are from previous years:
1. Bad Buddy (loved it!)
2. Advance Bravely (weird but enjoyable)
3. Why You Y Me (good)
4. Ghost Host Ghost House (okay)
5. La Cuisine (meh)
6. Win Jamie’s Heart (forgettable)
7. Kabe Sa Doujin (blah)
8. Catch Me Baby (skimmed for netjames only)
9. 21 Days Theory (what is this again?)
10. Innocent the Series (already forgot it)
Tried and Quit: I just couldn't get into these at all... I will probably not watch these ever.
Crazy Handsome Rich
Dinosaur Love
Low Frequency
Love Syndrome 3
If a show is from 2023 and not listed above, then likely I plan to get to it later. Either I tried the premiere and it didn’t capture me at first, I couldn’t find the episode when I tried to look for it, or I simply just haven’t had time for it yet.
A few on my list that i plan to watch because I heard good things about them are: I Feel You Linger in the Air, Lost in Translation, Beyond the Star, Shadow, My Universe. Plus many others. Let me know if there is a show you really loved that I didn't mention so I can check it out!
Oh, and here are all previous lists since TUMBLR is being a little bitch and not saving the tags.
2022: https://gothicbarbie.tumblr.com/post/705139242020618240/my-top-20-bl-series-of-2022
2021: https://gothicbarbie.tumblr.com/post/705227666795741184/my-top-15-bl-series-of-2021
2020: https://gothicbarbie.tumblr.com/post/705674738528354304/my-top-15-bls-of-2020
2019 and earlier: https://gothicbarbie.tumblr.com/post/705678223200174080/my-top-bls-of-2019-and-earlier
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animebw · 2 months
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Seasonal Reflection: Winter 2024 Anime
My feelings on the first anime season of 2024 can be summed up thusly: Most of my favorite shows from winter 2024 were continuations of shows that were already great from last season, not new entries. That's not necessarily a bad thing, and there were plenty of new anime I at least enjoyed watching. But it became clear about halfway through the season that aside from a couple fall 2023 holdovers, there was barely anything truly exciting going on here. Most of the adaptations I watched didn't do much to truly elevate their source material, and most of the few original series we got ended up the worst of the bunch. I can't say nothing good came out of winter 2024, but if this is any sign of how the rest of the year is gonna go, we may be in for a slog. For now, though, let's take stock of the anime I watched this season, and which ones are worth your time.
Metallic Rouge: 3/10
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If you asked me what the worst show I finished this season would be at the start, I never would've guessed Metallic Rouge. I mean, it's a cool-ass original sci-fi anime from Bones with slick 2D mecha animation, surely that's gotta be at least a little cool, right? Sadly, no. Because this is, without question, one of the most baffling scripts I've ever seen in anime. Almost every single detail of its world and plot are barely explained, if at all, and the mechanics of what's even supposed to be going on are so nebulous that every attempt at a plot twist feels like a twist on something that never actually existed. Characters are plopped into the story without even an introduction. At times it feels like whole scenes have been cut out entirely. The only thing I can compare it to is the original Suicide Squad movie from 2016: a story so cut to the bone in the editing room that you can barely tell what's supposed to be happening half the time, and yet enough of the original story remains to suggest it was never any good in the first place. The one thing it gets right is the prickly chemistry between its two leads, and then it fucking keeps them separated for like half the damn runtime! How do you even unforced error that badly?
Bucchigiri: 3.5/10
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Man, this was not a good season for original anime. Bucchigiri might not have been as staggering a writing trainwreck as Metallic Rouge, but its sin is arguably even worse; it's boring. It's a wacky, colorful high school delinquent romp with rainbow-haired Jojo's punks beating the snot out of each other with genie powers, it's sort of a re-imagining of Aladdin, it's got freaking Hiroko Utsumi at the helm, and it's boring. Why? Because this show gets absolutely stuck in the quicksand of its own status quo and refuses to budge an inch. Character growth is nonexistent, the protagonist is an aggravating loser wimp who never learns his lesson, and nothing of actual meaning happens from the first episode to the end. Literally everything you think is setting up a character arc where someone learns a lesson or grows as a person, all of it amounts to nothing. It's a limp, inert world that perpetuates the same overdone jokes and contrived, misunderstanding-based drama over and over again until all the outsized Utsumi visual personality feels like a tacky coat thrown on top of a lifeless corpse. What an utter waste.
Urusei Yatsura Season 2 (1st Cours): 5/10
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I'm still not quite sure what to make of the Urusei Yatsura remake. is it charmingly dated? Annoyingly dated? A welcome throwback or a sign that some things should stay in the past? If nothing else, it never fails to get at least a couple chuckles out of me every episode. But the more it tries to lean into being actually sincere, the more its inherent cheesiness and lack of depth starts becoming a problem. I'm sorry, this cast of characters is just too abrasive and purposefully insane to take seriously, and none of their relationships are healthy enough to unironically root for. Lum and Ataru are not a couple I want to see actually get together, at least not unless Ataru stops being such a fucking shithead. And if him being a jackass could be charming in season 1, then this season is really starting to test my patience with him. It's one thing to be a serial skirt chaser, but his actions this season regularly cross a line from womanizing to unambiguous sex pest, and there's only so many wooden mallets he can get knocked over the head with before it stops feeling like like he's getting punished as much as he deserves to be.
Undead Unluck (2nd Cours): 5/10
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Good news, everyone: Undead Unluck finally gave up on those awful groping gags that were ruining its central romance! Bad news: at the same time, it spontaneously developed one of the worst cases of recap padding I've ever seen! I'm not just talking overlong recap segments at the start of the episode, I'm talking constant flashbacks to events we just saw just moments before, straight up playing the same footage again just minutes apart, all climaxing in a truly unforgivable episode that spends seven goddamn minutes on recycled footage. Not even Tokyo Revengers was this bad with its time-wasting. And to add insult to injury, once it finally gets its feet unstuck and returns to a reasonable amount of recap for the final arc, it's probably the best arc of the entire show! It's some of the most bonkers high-concept emotional storytelling I've ever seen attempted, let alone pulled off so spectacularly. It's proof that there is so much brilliance to Undead Unluck, if it could just get out of its own way. But as long as it continues suffering from such massive systemic flaws, it's only ever going to be an also-ran.
Solo Leveling: 5.5/10
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Okay, look; is this show dumb as a bag of rocks? Absolutely. Is it as nakedly an adolescent power fantasy as any anime has ever been? Ditto. Does it solely exist for dweeby incels to feel like swaggering douchebag chads getting revenge on all the normies who looked down on them by becoming The Bestest Strongest Chadliest Awesomest Of All Time? You know it. But god dammit, it's actually fun. I cannot pretend I'm too mature and sophisticated to enjoy a big, helping heaping of dumb edgy schlock when it's actually done well. I'm the one person on the face of the earth who still caries water for Akame ga Kill, for crying out loud. And Solo Leveling makes two really smart storytelling choices that keep it (mostly) on the entertaining side of dumb fun: building a genuinely interesting and intricate world that exists well beyond the scope of the protagonist's actions (for now, at least), and making sure that no matter how stupidly overpowered Jinwoo gets, his opponents are always just a little bit even more stupidly overpowered, so he's still pushed to his absolute breaking point and barely scraping together a win by the skin of his teeth every time. There is an art to edge that's too often taken for granted, and this show is proof that being the living embodiment of a twelve-year-old boy's wet dreams is no excuse not to be at least a decent version of that. That said, let's be real, Jinwoo was so much more attractive before his supposed glow-up. Give my boy back his scraggly rat locks, you cowards.
Bang Brave Bang Bravern: 6/10
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What happens when a campy, cartoony 70s-style super robot anime crashes headfirst into a much grittier real robot anime? Well, what happens is Bang Brave Bang Bravern, the latest ten-car pileup of mismatched genres from the Cygames masterminds behind "What if horse racing but idols?" Take a desperate war story of survival against impossible odds, airdrop a skyscraper-sized superhero into the mix, and watch him completely shatter the original tone one cheekily ironic powerup and power-of-friendship speech at a time. It's a beautifully bonkers sendup of mecha tropes that has some of the funniest individual moments in this entire anime season, and the absolutely wild twist it pulls with the titular robot's identity in the back half is more than worth the price of admission on its own. Unfortunately, if it wanted to be as perfect a parody-until-it-isn't mecha series as Akiba Maid War was a parody-until-it-isn't mob flick, it probably should've tried being as long as most mecha series tend to be, i.e. more than just twelve measly episodes. There's just not enough time to develop any of the characters or world beyond the most essential parts, resulting in huge chunks of the supporting cast hanging around with nothing to do but take up space. And it leads to this show, which is trying to be so big and over the top, instead feeling so small and half-formed. Also, the secondary romance is gross. Like, really gross.
A Sign of Affection: 6/10
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I think this show has helped clarify something for me: I'm really getting tired of how quickly modern romance anime get their main couple together. As much as we rag on the endless will-they-won't-they of ages past, taking so much time to build up the characters and their relationship before they finally make it official can result in some truly one-of-a-kind storytelling when done right. I might agonize over how long Sawako and Kuronoma take to get together in Kimi ni Todoke, but the payoff is so transcendent that none of those complaints matter. Whereas Yuki and Itsuomi getting together so quickly in A Sign of Affection... I mean, they're cute, I guess? His cool demeanor plays off her sincerity very well? But it feels like the show's in such a rush to get to the good stuff- and so determined to make Istuomi the dreamiest, most perfect boyfriend ever- that it skips over so much of the careful character-building that makes all the best anime romances so special. It's a sugary sweet confection, but wipe the frosting away and there's just not that much cake underneath. Honestly, I find the side characters a lot more interesting because they're allowed to have messy internal conflicts with a bit more meat on their bones. But hey, props for putting a deaf heroine at the center of your shoujo romance and taking so much time to explore how that affects the way she interacts with the world. That's a cause well worth celebrating.
Sengoku Youko: 6.5/10
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Rejoice, everyone, we finally have an adaptation of a Satoshi Mizukami work that doesn't look like absolute garbage! After the flaming disaster that was Lucifer and the Biscuit Hammer's barely animated hackjob production, Sengoku Youko has arrived to give the cult fave manga artist a chance for his work to actually shine on the silver screen. As someone who only knows him through Planet With, I've always wondered if Mizukami deserved the reputation his manga gets, and with White Fox delivering as tight and intense a production as they gave Re:Zero, I guess it's time to finally find out. And the answer is... mostly? Like, the biggest problems in this sci-fi/feudal fantasy mashup are the characters being a little too eager to state the themes out loud and one pretty crummy death that's about as hamfisted and over-telegraphed as I've seen in a while. But there's a shockingly gripping narrative underlying it all, a story about the scars trauma leaves on people, of characters making bad decisions and facing real consequences for them, of hatred and poisonous ideology forced to reckon with the more complex reality of the world as a whole. And it all climaxes in an absolute barn-burner final episode that knocked my score up a half point all on its own. If future seasons can make good on all the potential this first season has set up, then I may just end up a Mizukami fan myself when all is said and done.
Blue Exorcist Season 3: 6.5/10
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I'm of two minds about Blue Exorcist's second return after a six-year gap between seasons. On one hand, it's clear the new staff is just nowhere near as talented as the folks who first brought this series to life at A-1 Pictures. The action is abysmal, the storyboarding is clunky, and the animation feels like it's constantly fighting for its life to maintain a passable standard. And it sucks that a series that once brought such great life to its story is now held back by such a mediocre production. But on the other hand... holy fuck, am I glad Blue Exorcist is back. I once described The Devil is a Part-Timer as the mathematical average of anime as a concept, but if you were to ask me what the best possible version of that mathematical average looks like? It would be Blue Exorcist. This is, hands down, one of the best straightforward shonen action stories in the whole medium, a reminder of why all the most generic and overused tropes were once powerful enough to become generic and overused in the first place. It's proof that even the simplest of "superpowered teens kick demon butt with the power of friendship" concepts can result in a wonderful goddamn series when handled with good old-fashioned storytelling fundamentals. And not even the rough-as-hell production is enough to keep season 3 from delivering on the thrills, tears, laughs, and cheers that make this series so magical. Just, please, give the next season more time in the oven so it doesn't feel like it's wading through molasses to hit those heights. Okay?
Delicious in Dungeon (1st Cours): 7/10
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Delicious in Dungeon's biggest problem is that it takes a while to really settle into itself. The opening scene of the protagonist's sister being devoured by a dragon sets the tone for an intense and desperate rescue mission, but the actual series that follows this harrowing opening is as lackadaisical as can be. And it's jarring to be thrust into a gag-filled, character-driven fantasy cooking comedy where the harsh tone of that opening scene and the ticking clock of Falin's digestion completely disappear from the characters' heads in favor of how beast to cook and eat the various fantasy monsters they encounter in the dungeon. Yes, it makes a little more sense once the mechanics of death and resurrection are explained later on, but it's a weird note to start on. Which is a shame, because once Delicious in Dungeon gets a handle on what kind of story it's trying to be, it's really fun! Its sense of deadpan comedy coupled with Trigger's expressive animation makes for some really unexpected gags, and the way it explores its fantasy cuisine is genuinely some of the most creative stuff I've ever seen in the cooking anime genre. Plus, with the dark tone coming back in at the end of the first cours- and landing much more naturally this time- I have high hopes for how this series will marry those two sides of itself moving forward. If the manga fans' reactions are any indication, I think we're in for a damn good time.
Frieren: Beyond Journey's End (2nd Cours): 8/10
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So remember in my last post how I said that it was kind of disappointing whenever Frieren turned into an action show because of how disconnected the fights were from the beating heart that makes this show so special? Well, apparently the writers heard me and decided what I meant was I wanted this peaceful, meditative tale about grief, change and the passage of time to turn into the goddamn Hunter Exams for ten episodes straight. It's one of the most shockingly ill-advised storytelling swerves I've seen in an otherwise good show, discarding all this series' strengths in favor of a half-baked tournament arc with tonally jarring grimdark elements and a bland, overstuffed cast of characters who only start becoming interesting in the rare moments they're allowed to stop slinging spells at each other and just, like, talk about life? You know, the stuff that Frieren's actually good at? Not this brainless slice of shonen envy that only avoids being a complete slog thanks to how spectacular the action is across the board? Ugh. Look, Frieren is officially the most beloved anime on the goddamn planet right now, and its best moments are so incredible that I wish I could join that chorus as well. But it's so disappointing to me that a show this singular and special has so often chosen to be the least interesting version of itself.
The Dangers in My Heart Season 2: 8.5/10
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It's official: director Hiroaki Akagi is the master of middle school rom-coms. No other creator so perfectly grasps the specific blend of immaturity, awkwardness, cringe, and heart-on-sleeve sincerity that defines the love stories of early adolescence. That was already clear with his work on Teasing Master Takagi-san, but now that he's pulled it off twice, there's no room left for argument. And just like with Takagi-san, the second season of The Dangers in My Heart takes a show that was already shockingly good and catapults it into all-time greatness. This is a coming-of-age triumph, a soaring tribute to embracing your own cringeworthy self, flaws and all, and sharing that self openly with the people who matter most to you. Ichikawa's journey toward maturity, Yamada's journey toward self-love, and the way their romance sparks the best in both of them is the stuff that dreams are made of. I laughed, I cried, I squealed like a little girl, and I felt my heart grow three sizes by the time it was done. This is a new gold standard for anime rom-coms, and if you can stomach a bit of groanworthy fanservice, it more than deserves your attention.
The Apothecary Diaries (2nd Cours): 8.5/10
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Most of the time when I cover a two-cours show on these seasonal reflections, I end up in a pretty different place by the end of the second cours than I did at the first. Either it sort of fell apart in the second half, or found its footing and took it to the next level, or it changed in some interesting way that affects how I view the show as a whole. But The Apothecary Diaries has stayed the course from the first episode all the way to the end. Start to finish, it's remained pretty much the same show, with the same ideas and attitude, exploring the same themes in the same ways. And you know what? When you're as good as The Apothecary Diaries ended up being, there's nothing wrong with that. This is a spectacular historical drama that builds such a rich, compelling world for its equally rich, compelling characters to inhabit. It's a powerful exploration of how old society treated the disadvantaged- women, poor people, people with all severities of disability- and how one deeply abnormal girl carves her way through this viper's den with her body and soul intact. It's the kind of mature, thoughtful series we so rarely seen done this well, and with the announcement of a season 2 already confirmed, we may well end up with close to 50 episodes when all is said and done. That, folks, is what a true shoujo/josei renaissance looks like. And I'm so happy such a deserving series is leading the way in reminding us how damn good women's stories can be when they're given a chance to shine this brightly.
DROPPED
Cherry Magic: Dropped at 2 episodes for looking like butt and the central romance feeling pretty lifeless.
High Card Season 2: Dropped at 1 episode because I realized I didn't care anymore.
Ninja Kamui: Dropped at 2 episodes for being dull tryhard edgy bullshit with overdone fight scenes that are impossible to follow.
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dearsholmes · 2 months
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Autism movie/show deep dive and my very general thoughts on them!
(everyones different these are my own opinions as an autistic woman please watch for yourself and share any additional thoughts you have on them!)
Music (2021)
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Enough said.... had to get this one over with 0/10
Adam (2009)
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I found most of these movies to be outdated BUT I actually really appreciate Hugh Dancy's recreation of an autistic character (those who know him as Will in Hannibal would probably also agree). Even though originally I wasn't a fan of the ending I came to appreciate it that he wasn't 'saved' by romance and that it proved he was able to be independent and had great character growth while still respecting himself and his passions. I think it offered a decent insight to the different aspects of autistic joy, passion, while still including the difficult aspects with socializing, navigating relationships, grief, and meltdowns but now being overshadowed by them or 'becoming a problem'. However, I do love space so that could've also been responsible for my love for this movie. 8/10
Heartbreak High (2022)
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I absolutely love Chloé Hayden who is autistic herself so her character in the show feels real and more relatable. Pretty much what I said about 'Adam' but to an extreme I think the script and character interactions are such a fantastic and understandable demonstration of what being an autistic women is like (granted everyones experience is different). Cannot wait for the next season! This show is such a great modern day representation and not based in stereotypes like others are 10/10
Big Bang Theory (2007)
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I will never not defend this show - I know people tend to hate this because Sheldon is heavily stereotypical but I find him incredibly relatable as I do fall into a lot of these stereotypes myself. Once again everyones experiences are different so I don't understand why people write this show off completely. Love it 10/10
Atypical (2017)
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Unfortunately I don't have much to say about this show in regards to his autism because the constant inconsistencies during scenes deserve their own post and were too distracting to focus on anything else. Another thing that upset me about this is that the show is meant to take place in Connecticut yet they filmed in one of the most recognizable aquariums in the west coast. This show probably could've been good if it was just made better/had quality control. The only thing I remember liking was the pros and cons list because I also do that. 4/10
Mozart and the Whale (2005)
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I'm going to preface this one specifically that I know everyone's autism presents differently but I almost found her... offensive? I think this is because it was made in 2005 and is just outdated but I felt like a lot of the characters especially hers were more caricatures than characters. Sheldon being stereotypical is one thing but this felt kind of insulting? I'm having a hard time putting it into words. There were moments I liked though - it was a weird back and forth. 5/10
What's Eating Gilbert Grape (1993)
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Other than the mistreatment/beating/abuse I actually am pretty fond of this movie. Once again, outdated. But almost... endearing in a way (minus the mistreatment once again). I hope anyone who has seen it will understand what I feel. I did find the love interest annoying but that is unrelated to this post yet I felt the need to warn you all, I don't like her. 7.5/10
My Name is Khan (2010)
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I watched this movie six years ago in school before my diagnosis and I didn't even remember or realize he was autistic but I do remember having generally positive thoughts on this movie ?/10 (someone let me know if its worth a rewatch.
A Brilliant Young Mind (2014) ((also called X+Y))
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There is a lot of downtime in this movie so it can be kind of boring but it is honestly one of my comfort/go to movies. Of course its the whole "autistics are math geniuses" thing but the movie itself I think is sweet. It shows his diagnosis, he loses his father, he has almost a fill in father who coaches his math, his mother is really supportive of him but not in a savior kind of way, he experiences going out of the country for a competition, struggles with socializing/overwhelm, romantic interests, and there is another character who is autistic and his struggles are also shown in a relatable way, nothings (in my opinion) is annoyingly over exaggerated like it sometimes can be in movies. 9/10
The Good Doctor (2017)
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I never actually finished the show because the person I was watching it with kept making fun of me by relating myself to him. Since then I also haven't seen much of a positive reaction from other people either but please let me know your thoughts on it! ?/10
The Imitation Game (2014)
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Alan Turing himself was autistic and so even though it's not a main focus of this movie I still wanted to include it because I love this movie! 9/10
Sherlock Holmes (timeless)
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I have to also through him in here, obviously some versions are more autistic coded than others but I'm going to generally say all of them are great autistic representation <3 10/10
Not Dead Yet (2023)
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Like in Heartbreak High, Rick Glassman an autistic actor plays an autistic character and I think its another great modern day representation. It obviously isn't the main focus but they honestly do a pretty good job being educational in regard to social situations/difficulties and explain it in a way that people can learn from. 10/10
Bones (2005)
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I honestly can't remember if they ever say it but Temperance is 100% autistic and I think this is a very endearing show. Since its not the main focus I don't have much to say other than sharing my recommendation 9/10
Criminal Minds (2005)
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I mean... enough said. I love Reid with my whole heart. He is very much the 'autistic genius' again but you can't not love Reid! 10/10
Community (2009)
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Abed. Another one that doesn't really need much to be said about it. Abed is great 10/10
Dr Who (timeless) ((quite literally and figuratively))
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Now this could be considered a reach or projection but Dr Who... autistic! simple as that 10/10
House (2004)
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I had to just throw this one in at the end because its really just another version of 'Holmes' and 'Watson' now as 'House' and 'Wilson'. Sherlock, previously said as autistic means House is also autistic 10/10
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mickedy · 2 months
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1!
(1. A cartoon you remember that nobody else does.)
I would say "Popee the Performer" but it has a large enough circle of dedicated fans. I really enjoy Ryuji Masuda's other works though I feel like not enough PTP fans have checked out "Mr. Stain on Junk Alley" it's REALLY GOOD. It's got that surrealist feel of PTP, but it's less horror-esque and more bittersweet and heartfelt
There's so many other things I could say for this one, I spent such a huge amount of my childhood watching Blockbuster VHS tapes of the god damn weirdest cartoons ever. Do you know how many times I watched the film "Kimba the White Lion"? I was obsessed with that one.
Trying to think of one of these forgotten cartoons that I'd actually vouch for. Hmm. "The Little Mermaid" (1975) is really heartfelt and tragic and in some ways I prefer it to the Disney one.
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(3. A cartoon you don’t like but everybody else seems to.)
*looks back and forth really quickly.* I watched Over the Garden Wall a couple years back and I thought it was kind of boring and disjointed. I feel like a lot of the plot threads didn't connect in a very satisfying way. I guess I can appreciate it artistically but I wouldn't say I particularly enjoyed myself while watching it. I've failed you cartoon siblings everywhere
I also don't really like Hazbin Hotel and I thought that it was kind of unanimously agreed to be not very good But it trends pretty often on here... I had to unfollow the aromantic tag because all I was seeing was that one character and it made me realize that I was sort of in the minority for not liking it 💁‍♀️ I didn't really like the pilot when it came out and knowing what we know now about Vivziepop I just don't see a reason to give the show a second chance
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(4. A cartoon you wish would be forgotten.)
STOP WRITING NEW SPONGEBOB SQUAREPANTS EPISODES we don't need anymore spongebob okay. it's okay. Take my hand. no more spongebob it's alright it was a great show for 3 maybe 4 seasons. it should have ended with the first movie please stop wringing this poor sponge for all he's worth
(10. An animated character you hate the most, and why?)
I hate Rick Sanchez from Rick and Morty and if I talked about everything I hate about him and his asshole family and his stupid show I'd be here all day. I have particularly heated feelings about this entire cartoon, and I feel like Rick popularized the "nihilistic tragic asshole" archetype I hate so much
Message to all shows everywhere. Your tragic asshole will never be Bojack Horseman stop trying to be Bojack Horseman
(21. Something you would like to see more than anything in a cartoon.)
More cartoons that play with the format. More concepts like "Learning With Pibby". Video games seem to have nailed meta storytelling and I'd like to see it explored more in television (specifically cartoons because there's so much more you can do)
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classichorrorblog · 8 months
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10 Movies From The 1990s To Consider For October/Halloween
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thealogie · 6 months
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like many in this confessional of an askbox, i have a dt problem but its like. inverted. the thing is that yes i grew up on dw so i knew him and i liked him well enough but not anything special. and then like. in 2018 2019 somewhere in there. i got haunted. and i know that sounds crazy but in my defense it was my special seasonal depression time and i was super manic and stressed about collage. anyway. i got haunted by his stupid ass he was showing up in everything i watched. like in fucking everything. the gotv trailer dropped and i went oh neat i love that book. oh hi david. and from then on i was fucking CURSED the motherfucker was everywhere EVERYWHERE.
he was in shitty movies my friends suggested. he was in plays i pirated. he showed up in fucking GENLOCK which is a nasty little mecha anime made by rooster teeth of red vs blue fame, a shitty production company w too much money (michael jordan was there too. but dt was very alarming to me. personally.). one night me and a friend tried to watch hamlet, explicitly avoiding his, and when we went on some shit piracy site and we clicked on each of the version they had they would all redirect to a tiny thumbnail image of his hamlet. and then automatically close. i was so upset but at least i had a witness then. i started avoiding watching anything that had half a chance of him in it. watched a nature documentary on netflix. called spy on the ice. ill give you one guess who narrates it. i have a note on my phone where i was documenting sightings. he was my own personal poltergeist.
it got so bad that twice while sitting in the cafe between classes i caught in the corner of my eye a skinny white dude in a long brown coat walking past me, and i lurched halfway up in stopping myself from launching myself at him. to enact violence. anyway he is my favorite actor now on account of how much ive seen but i NEED to kill him. my roommate says he would be my own personal martyr.
im fine now but defintitly there is a residual attack kill instinct when i enjoy his acting too much. i think he should be in a play or maybe a videogame about a timeloop he could kill it on the madness and silliness aspects necessary for a good timeloop. thumbs up 👍 oh speaking of hes funny in just cause the video game. you can find a compilation of his voicelines on youtube. it's worth the 10 minutes it takes to watch it.
This is by far the most haunting DT obsession story of them all. He followed you around!!
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youchangedmedestiel · 3 months
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I had a convo with @morallygreyintrovert about an idea of a fic with songs for Sam, Dean and Cas (like in Zoey's Extraordinary playlist for those who know this show). Her post is there if you want to take a look. I told her I had a list of songs somewhere, so there it is, I thought I could share it with the class while I'm at it.
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Sorry Dean, but I would have loved to see that (and there is definitely some singing in SPN). Anyway, here are the songs I thought about:
Separate Ways (Worlds Apart) by Journey (for season 4) Dean could sing this to Cas when he is still bind to Heaven (and goes through repetitive brain washing sessions). Jensen would totally be able to perform this song like in the video and I would pay a big amount of money to see that, and Misha walking like the girl in the clip with his own trench coat, I can totally picture that one in my head.
I feel you by Depeche mode (for season 4-5) Cas would be the one singing this one and it would be about the famous profound bound between them, when Cas starts feeling for the first time, doubting, and being drawn to Dean, to his "precious soul".
Never tear us apart by INXS (for season 4-5 or 8) Cas again would sing this to Dean, the "two worlds collided" in the song could be Heaven and Earth, angels' world and humans' world that could never tear them apart. Despite their differences, Cas loves Dean’s "precious heart".
Couldn’t stop caring by The Spiritual Machines (for season 5) this one is only for Dean, he would sing this one for himself, while he is fighting against the destiny (the “she” in the song), while the Apocalypse is about to happen and the angels are pressuring him to say yes to Michael, insisting he could be the one to stop it because it’s his destiny. And the title, I mean, it's Dean, "the most caring man on Earth" as Cas said it himself (15x18).
The way I feel by 12 Stones (for season 8) That’s just Dean in Purgatory, while searching for Cas. Feeling how much he needs him and how much he hates feeling like this. And the praying part, well you, "I prayed to you, Cas, every night" (8x02).
Next to me by Imagine Dragons (for season 8-9) This one is for Dean not feeling he is worth anything, but despite everything bad he did (not being able to save Cas from Purgatory, kicking him out of the bunker, etc.) and feeling like he let Cas’s down, well Cas stays by his side and Dean doesn’t understand why.
Killed or Be killed by Muse (for season 9) It’s MoC!Dean, it has fear, love, demons and fate in it. It has everything and it’s just perfect.
I wanna be your slave by Måneskin (for season 10) I don’t know if someone thought about that one before, maybe I’m totally wrong but I think it could be Demon!Dean about Cas, because despite being a demon Dean would still not be normal about Cas and without his human filters it could totally go that way. Too bad we didn’t see more of Demon!Dean with Cas, otherwise we would have seen this. You know in the karaoke bar, Cas enters and Dean is on the stage drunk singing this to him. Just imagine.
I won’t say I’m in love from Hercules (for season 13) When Cas comes back from the Empty, Dean would totally sing that and the muses that sing here could be Balthazar, Metatron, Crowley, Charlie, and Sam (maybe they could be even more, like Benny for example could also be here, but there’s only five muses in the movie). 
Stole my heart by Tanner Cherry (for season 15) I don’t know why but I can totally picture Cas singing this to Dean in the dungeon instead of that heartbreaking confession, and it’s already funnier to think about it.
Bonus:
I’m so excited by Pointer Sister Dean should sing that to Cas if he can’t use his own words to say what he feels, plus it would be fun to see that. Another big amount of money I would spent just to watch this happen on my screen.
Let’s have intercourse by Crazy ex-girlfriend Dean could sing this one to Cas, and of course, there would also be the dancing part.
I was made for lovin’ you by Kiss I don’t know why but I can totally picture that one too, where Cas sings this to Dean. Same thing, lots of money to see that.
Country boy by Alan Jackson the last one but not the least. Do you know who would sing that to who? Dean to Cas, human or without his wings, and it’s even funnier because those two idiots in love met on September 2008, which happens to be the date of release of this song. So it’s destiny, plus the country thing with cowboys hat and all, this song is obviously about them. Like almost every other songs on the planet since I saw them meet on my screen.
Anyway, I think I rediscovered all my playlists with Destiel ears and that's how you got what's above. Hope you'll like the ideas, or at least the songs. There's FOR SURE more songs that could be there, don't hesitate to share with the class.
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10 comfort shows
I was tagged by @imlivingformyselfdontmindme for this thing. Thanks! The instructions are simple: "List 10 comfort shows and then tag 10 people." But I'm not a big tagger, and a lot of folks I know have done this already. If you haven't, though, and you're interested, please do!
The instructions said "10 comfort shows" not your favorite 10 comfort shows or the ones you watch the most often. So I made a list and I picked the ten that I immediately thought of something to say about. i'm all about comfort viewing and watching things repeatedly so I had to leave quite a few things off of this list.
Future Boy Conan
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I've lost count of how many times I've seen this series. It really is one of the most life-affirming, wholesome (in the real way) pieces of media I've ever encountered. The first time I saw it, I went into it expecting to see a fairly run-of-the-mill anime series with some early glimmers of Miyazaki's aesthetic and themes. But it's a frickin' masterpiece. Themes and visual mannerisms you see throughout Miyazaki's career are already here, full-blown, but it's also distinct from his other work in a way that makes it feel really fresh even if you've gone through his whole movie oeuvre. Mostly it just always has its heart impeccably in the right place.
Pride and Prejudice (1995)
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Don't talk to me about that movie. This is the adaptation against which all others must be measured. Faithful as heck to the book in most respects (we won't talk about Wet Darcy either), with an incredible cast, not to mention the costumes, set design, and locations. Watching this miniseries as a teenager could be the reason I'm still obsessed with shows and movies where half of the story is told through meaningful glances.
To My Star (1&2)
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I really lucked out having this show as one of my first BLs, except that I nearly squandered the opportunity because I wasn't paying close attention and missed a lot of the subtle details. And this is a show that is full of really subtle details! Talk about telling a story through meaningful glances. There's a lot going on on a nonverbal level in this one. It helps that the leads have such a great, nuanced kind of chemistry together and both just seemed to show up for these roles ready to dig deep and be present. Thank goodness I went back and rewatched this one after that first attempt! I know for some folks the second season premise was really painful, but I found it to be completely worth it in the end. I'd happily watch a third season if they made one. In the meantime, I continue to rewatch both series (sometimes in movie form) regularly and I notice different things each time.
Spaced
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This show was there for me at a time in my life when I needed comfort shows the most, when I was rebuilding my life after the abusive relationship that consumed most of my 20s. It's usually described in terms of the various pop culture references it uses, the movies the director and one of the co-writer/co-stars went on to make, or in some kind of generational terms as representing a demographic.
But I don't think those things are what make it interesting and rewarding. I guess the thing it boils down to at the end of the day is that it's very much a found family story. And an unconventional love story in which the two leads may or may not get together--after the series--but no matter what type of relationship theirs turns out to be, it will have changed them both for the better. In the meantime they’re facing their fears, honestly fixing their mistakes, and broadening their horizons, and they’re always lovable while being riddled with personal flaws.
Also, after having been raised on Coen Brothers movies and coming of age during the heyday of The Simpsons, I'm a sucker for a really quotable piece of media.
Tinker, Tailor, Soldier, Spy (1979)
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When it comes to adaptations, I usually have a strong preference for one while writing off the others. In this case, there are things I appreciate about the Tomas Alfredson film that this adaptation doesn't do as well, but this version has a great deal to say for itself too. The adaptation really captures Le Carré's voice, the cast is incredible, and the whole miniseries just has this wonderful pervasive tone to it that's not like anything else. (The soundtrack is unobtrusive but very effective, and it has a lot to do with that.)
I don't know if it's the fact that this series came out when I was a toddler and has the look and feel of a lot of shows my parents would watch on PBS when I was a child (heck, I bet they watched this very show on PBS), but this suspenseful spy thriller makes me feel relaxed as hell. Having seen it a ton of times helps, too. There's never anything resembling a surprise. But even if this type of series doesn't feel like your childhood and even if you're going to be surprised right and left by the plot, I think it's an incredibly well-constructed piece of work that almost anyone could enjoy.
Emma (2009)
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I'm very picky about my Austen adaptations. Emma has been adapted quite a bit, and I've found at least something to like about every version I've seen. But this is the best one by a good margin. I always love Romola Garai in anything, and she's lovely here--assertive, vulnerable, annoying when she should be and charming the rest of the time. She does a wonderful job portraying all of the subtle gradations of self-awareness that build in Emma throughout the story.
But I think the decisive factor has to be the screenplay and direction (not to mention other behind-the-scenes aspects). The folks behind this version just seem to have prioritized capturing the subtleties of the novel more than others. There are a few points where this is particularly apparent. One example is how this adaptation treats Frank Churchill. The 2009 version of Frank shows what a capricious, moody, immature person he is, but it also shows his good nature and the ways he tries to be open (in the novel, he attempts to tell Emma about his engagement to Jane Fairfax on multiple occasions and mistakenly believes she understands him). Hewing to the novel makes for a more complex, engaging character than the two-dimensional cad most other adaptations make out of Frank. The portrayal of the Box Hill incident is another example. This version of Emma has the most uncomfortable, unsparing rendering of Emma's insulting comment to Miss Bates that I've seen, but it also tempts us to laugh along with Emma. The scene in the novel is exactly the same way--it's complicated and makes us acknowledge our ambivalence. This adaptation keeps all of these strands alive in the story and the miniseries is better for it.
Buffy the Vampire Slayer
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It's weird looking back now on how BtVS seemed back when it was new. Our standards were different for a reason. TV really wasn't as interesting or as progressive as it is now, and the range of both was narrower. Having a cishet white dude showrunner who would willingly utter the word "feminism" seemed like a remarkable piece of good fortune. And of course, we didn't know what was going on behind the scenes.
I imprinted on this show like a baby chick back then. It's not really possible for me to be objective about it. If I think it's good, how much of that is its actual quality and how much is the fact that it seemed like such a gift back then compared to what we were all used to? Well, some of it at least was actual quality, but I can't tell how much. So this show is special to me partly because it's grandfathered in due to circumstances and partly because it's actually good.
I remember when it seemed wild to me that there were people who could talk about  a TV show and discuss episodes by title. BtVS was the first show I did that with myself. Eventually, it didn't seem that remarkable. Basically, this was the show that made me into a fan.
This is another show that was there for me after my abusive relationship ended. I remember at times when I was lonely (which happened a lot; not only was I newly single, I also had to start almost entirely from scratch when it came to friendships) I would look at my little dvd binder thingy with my pile of Buffy discs and tell myself, "If all else fails, I have all these shows to watch until things improve."
She-Ra
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There’s that found family theme again! How could you go wrong with a story that starts with foundlings raised by a witch and a clone soldier to fight in their evil army, then follows them as they slowly get their consciousnesses raised and find their own identities and meaningful connections? It's a remarkably subversive and deeply queer show. We were in a miniature golden age for high-quality, politically progressive, LGBTQ+ friendly American animated series for a while there, and this show was not only a part of it but a particular highlight. It's been tapering off for a while now and it's sad to see it come to an end, but at least we got shows like this one and we can keep watching them and introducing people to them.
Star Trek: Deep Space Nine
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I don’t know why a series that’s so steeped in existential dread feels so cozy to me, but it does. Well, I guess it’s because the show is about finding your people, your coping strategies, and the unapologetically weird little hobbies that will help you to muddle through war, loss, spiritual crises, and the challenges of long-term love.
That, and it reminds me of my mom.
A lot of ink has been spilled over this series so I won't try to explain beyond that why it's so special. But I will say that it is absolutely the best Star Trek series. It's unpopular with a certain type of fan, but those philistines dislike it for exactly the same qualities that make it so great.
Kikai Sentai Zenkaiger
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I'm indecisive and bad at picking favorites, so I'm not sure what I'd consider my favorite tokusatsu series or even just my favorite sentai series. Zenkaiger would rank pretty high up there in both at the very least. But this is a list of comfort shows, not favorite shows or the best shows, and that's a category in which Zenkaiger is completely unbeatable. It's hopeful, funny, idealistic, and more than anything, definitely the sweetest toku show I've ever seen. It's also easy to pick a random episode and watch it out of context because of the villain-of-the-week thing (not that the larger-scale arc of the series wasn't also compelling).
This is yet another found family show. Families of origin are still very important in the series. The central characters are all trying to find, help, or learn about one or more of their family members. But it's also about blending your found family and your family of origin into a group so inclusive that it includes aliens and robots.
I'm only picking one gif for each show on this list except for this one. I couldn't pass up having one for Kaito, one for Stacy, and one for Zox.
(Edited to add: I switched out the three gifs here for a single replacement because I realized two of the ones I originally used were made by someone who requests that others not repost them.)
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Our Favorites Of The Year (So Far), Part One: April 2024
By Bradley Christensen & @jakeh2987
At the end of every year, I’m always amazed when peoples’ yearend lists come out, because it takes me awhile to fathom that it’s really the end of another year. Aside from Christmas, which is what most people associate with that time of year, I love “list season.” Publications of all kinds put out their yearend lists, and I just love seeing what people have been into the entire year. It feels like yesterday I was talking about my favorite media from the entire year, so I thought I’d “check-in” in the beginning, middle, and (obviously) the end of the year. I’m not doing this alone, however, because I thought I’d bring along my buddy Jake. We worked together on a yearend piece last year, too, and I thought it would be fun to work on something like this again, at least checking in periodically with each other and seeing what we’ve been into throughout the year, as well as how the year’s been going when it comes to media of all kinds. With that said, it’s good to have you back, Jake! It feels like deja vu, because it feels like we just did this, but I digress, how’s this year been treating you so far, Jake? How do you think this year has been in comparison to last year?
First of all, thank you for having me back to do this! I had a blast working on our year-end wrap up last year, so I jumped at the chance to do something similar. To answer your question, though, I feel like this year has been really stacked in terms of new releases in not only music, but a lot of different forms of media. Last year was incredible, for sure, but I feel like a lot of it was backloaded in the second half of 2023. This year, on the other hand, I felt like there’s been at least one or two new things to be excited about every week really since the start of the year, but especially so in the last couple of months. I had a look at my top 10 albums, and I think almost all of them have come out after the first week of March, which has been great. But, we’ll get to that later. For now, though, I say we take a look back at the broader picture for a second! Last year, we talk about how we often found ourselves falling back into old comforts, whether that be favorite artists, that TV show you’ve binged far too many times before, and so on. For the first bit of this year, I kinda feel like I’ve been a lot more open to discovering new things and stepping outside of my comfort zone, so I’m curious, how does it feel for you?
Last year definitely had a theme of listening to what I call “ol’ reliable” types of media. A lot of my favorite pieces of media were from old favorites, whether I was revisiting them again for the first time in awhile, or old favorites releasing new albums, movies, or shows that I could easily get into and gave me a nice sense of nostalgia. I would say that this year, at least so far, is a mixture of both being adventurous and discovering some new things and still revisiting some of those same “comfort foods,” so to speak. Looking at the big picture of how media has gone this year, it’s certainly been steady since March with at least one album per week that I’m listening to (almost my whole top ten is from the last couple of months as well), and we’ve been getting a steady stream of movies and shows that are worth watching and talking about. Speaking of which, let’s start with movies and TV, what have you been watching this year?
Okay, this is where I get to gush about the new Fallout show that just premiered on Amazon Prime Video a couple weeks ago. I’m not super familiar with the games, having only put a few hours into Fallout 4 way back in 2015, but when the first trailer for this show dropped, I knew I was gonna be in for this. I’m a sucker for a sci-fi/post apocalypse setting, and from what I do know from the games, there was gonna be a blend of dark humor/satire along with the high-stakes drama. I ended up watching the whole season in about a week, and I really loved it. The creative team behind the show did about the best thing you could do for a video game adaptation; it’s set within the universe and continuity of the games, but it’s a new story with new characters, so they were able to tell their own story while still nailing that Fallout vibe. Also, come on, Walton Goggins playing a post-apocalyptic cowboy bounty hunter, how can you not love that? But for real, this show was a blast, and I’m happy it’s already been renewed for a second season, because I can see this show being a great time for many years to come.
Aside from that, though, I did see the Mean Girls musical movie from earlier this year, and while I don’t think it was all that great (and I don’t necessarily love the original, either), it’s pretty clear why Renee Rapp is a rising star, she was great in it and can definitely sing. I’ve also been making my way through a super casual Criminal Minds rewatch, it’s been a long while since I’ve watched a lot of the early stuff, so I like having it on in the background while I do other things, but I still love this show a lot. How about you, though?
When it comes to TV and movies, I haven’t watched as much stuff as I’ve listened to music, but I’ve got a few things I’ve been watching. The second half of the second season of Invincible, also on Prime Video, premiered last month, and that was a lot of fun, especially after loving the first season a few years back. Animation has been on a roll this year, between that and X-Men ‘97, which has been a show that I’ve been eagerly watching every Wednesday. That show’s been an absolute blast, and despite being rooted in a show from the past, it doesn’t let the nostalgia overtake the show itself. I haven’t really been watching a lot of movies this year, surprisingly enough, but I need to catch up. I need to watch Fallout, though; I love dystopia and post-apocalyptic universes, so I need to sit down and watch that front to back. What about video games? I got a couple that I’ve played this year, not necessarily new but new to me; and that’s been a whole lot of fun.
Final Fantasy 7 Rebirth came out at the end of February (on the leap day, no less!), and I've been playing it basically non-stop since then. Rebirth is the second part of a trilogy of games that are remaking/reimagining the original Final Fantasy 7 from back in 1997, greatly expanding upon and making tweaks to various things that were in the original. This is also a game that adopts more of an open-ended structure, featuring several pretty big zones filled with a ton to do. As of writing this, I've put about 100 hours into it, and I'm just over 60% of the way through it. This is a game that''s so incredibly easy to get lost and immersed in for hours, and I think that comes down to three things. Firstly, your main party of characters is so enjoyable to be around; it really hammers home that feeling of being on a grand adventure with your friends, and even when you're doing a seemingly mundane open world activity, you still get little interactions with the characters that makes it worth it. Another factor for me is the combat. I said after the first part came out in 2020 that it had maybe my favorite combat in an RPG, I really loved the seamless blend of real time action and strategy with the ATB system. Rebirth's combat is essentially more of that, but the improvements and enhancements make this combat sing in a way that very few games ever have for me. Swapping between party members, using the new synergy abilities, and popping ATB abilities feels so seamless and flows super well. It's just a blast to play. Finally, I wanna give a shoutout to the minigames. I won't give all of them away, but there are so many different minigames to play, and this is where Rebirth gets to really lean into its silliness more often than not. Your main story can often be very dramatic and emotional, so I appreciate that these side activities are a way to provide a tonal balance and gameplay pacing. And aside from maybe one or two I admittedly wasn't a huge fan of, all of them were really fun to play (shoutout Queen's Blood in particular, I would buy a standalone version of that in a heartbeat). Oh, and I would be remiss if I didn't mention the music. It's incredible, and even when you're walking around in the open areas, you get hit with yet another really cool music piece, and that's before you even get to the big set pieces or boss fights, which also rule. I could just gush about this thing forever, really, but I'll top this off by saying it's been a really special experience and I'm so excited to see where it ends up. How about you, though? Have you been playing anything in particular?
Man, Final Fantasy 7 Rebirth sounds great! I always love when a piece of media, whether it’s a game, movie, or album, can really suck you into its story or sound. I can’t say I’ve played any new games, but I got a couple things I’ve been playing so far this year. I spent the last few months playing Mafia III, especially after seeing it was on sale for the first time in awhile, and I absolutely love the first two games. Now those are games that you can get lost in, especially its story, world, and atmosphere, but I’d say the third in this trilogy is the best. Instead of taking place the 1930s or 1940s, like the first two games, the third one takes place in the 1960s, let alone in a New Orleans-type of city with different “districts” that are composed of different kinds of people. This game also tackles issues like racism and PTSD, especially where the main character is Black and a Vietnam veteran. It’s got some hard hitting and still relevant themes, despite coming out in 2016, but it’s still relevant today. The game does have a couple downsides, such as the combat and side missions between story missions being repetitive (despite still a lot of fun), but it’s the story, characters, and the world itself that really draws you in. The music is also a big part of this game, as it features a lot of 50s and 60s blues, rock, soul, pop, and lots of different songs that you can listen to on any car’s radio, and the songs really bring everything to life. It’s a wonderful game, and it’s the best of the three, hands down.
As for the other game, thanks to the new Fallout show coming out, I decided to download Fallout 4 on the PlayStation Store, because it was only $4.99, and I’ve been playing it for a few days now! It’s a lot of fun, despite how I’m still getting used to its world and mechanics. I’ve always been curious about Fallout’s story and lore, but never knew where to start. There’s so many games and lore to sink your teeth into, but that’s what makes the show so good — it’s its own story, like you said, so you don’t need to know everything about the games. The show eases you into it, but if you enjoy post-apocalyptic stories with retro futuristism aesthetics, along with a killer soundtrack (that I enjoy, thanks to my niche taste of 30s, 40s, and 50s music), you should get really into it. The game itself is cool, too, and it also eases you into the story, especially if this is your first go-around. I’m excited to play more, since I haven’t had anything I’ve really dedicated my time to after finishing Mafia III.
With all of that said, let’s get to our main event — 2024 in music. We discussed this a bit earlier, at least our overall first impressions, but this year has been off to the races when it comes to new music. I swear that almost every week since the start of the year, there’s been something new to listen to, but a lot of my favorite albums this year have been from March and April. Let’s not beat around the bush anymore, though. What are your favorites of the year so far? Hell, what are some albums that have been resonating with you this year? They don’t even need to be new, but stuff that you’ve found that you’ve just been into this year, regardless of when it came out.
Both Mafia III and Fallout 4 are games I wanna revisit sometimes, for a lot of the reasons you've said. I do remember Mafia III getting a bit of criticism for its repettitive open world structure and missions, but I loved what I played of it for the setting and characters and how it tackled heavier subject matters in a game like this. And I did redownload Fallout 4 as well, I played a few hours of it when it first released in 2015, but the show has made me wanna give it another go, though at this point I'll probably end up starting a new save.
Anyways, yes, let's get to the main event, our favorite music! I feel like since we both have the same number one, at least I think we do, let's save that for last, but for now, I'm gonna highlight a few from my top 10, in no real order (at least not for the purposes of this piece, I do have a proper list for myself). First, an interesting thing I noticed about my list is how a few of these are from bands/artists you recommended to it. Cory Wells' Harbouring the Hurt I Cause is a really good acoustic/emo album that I had never heard of before you suggested it, and that new Fluorescents album that just dropped, Scream It At Me! gives me such great mid/late 2000s neon pop-punk/pop-rock vibes but with a modern polish to it. You also turned me back on to Neck Deep; their self-titled album is just a really damn solid pop-punk album from a band I admittedly kinda wrote off in recent years.
Secondly, I wanna talk about two final releases from two of my favorite bands, but they're final releases for very different reasons. Sum 41 are pop-punk legends at this point, and sometime last year, they announced that after their new album and some extensive touring, they were calling it quits. It's always nice that when a band does break up, they do so on their own terms and while going out on top. I really had a lot of fun with their final (double) album Heaven x Hell, it felt like a love letter to the band and everything they do well, and I'm happy they were able to go out with that. On the other hand, though, we have Too Close to Touch's For Keeps, and this one is very bittersweet. Vocalist Keaton Pierce passed away unexpectedly in March 2022, and many fans like myself weren't sure we were ever gonna hear from the band again. So, it was a very welcome surprise when they announced a final collection of songs, but it was also a little bittersweet that they decided to call it quits, although it was for a very understandable reason. For Keeps, I think, turned out as well as it could have, and is a very solid sendoff for a vocalist and a band who were so close to taking that next step.
Outside of this year, I did wanna highlight Linkin Park's recently-released greatest hits album, called Papercuts. It's a very nice little collection of songs from their career, and it's been a lot of fun revisiting my first favorite band.
Okay, now I'm gonna throw it back to you, what's some music that you've really been resonating with so far this year?
Yeah, Mafia III got some criticism for the repetitive open world structure and the missions being pretty much copy and paste, such as killing certain enforcers, and interrogating informants, but it’s still a lot of fun every time you get to unleash carnage on an unsuspecting group of bad guys (or are they, because this game does tackle how the main character might not be as good as he thinks he is, and that’s a real interesting idea). I got through a bit of Fallout 4 already, though, and despite a rather annoying combat system that I still need to master, I enjoy it a lot. It’s pretty cool, especially with its story and the lore that the game has already built up for itself.
As for the main event, we can save that specific album for later, but I have a feeling I know what it is, too, and it’s a doozy, that’s for sure. I figured we could highlight stuff from our top tens, really in no particular order, but that’s really neat! I always love recommending stuff, but if I hear something that I think you’d like, I always throw it your way, even if it’s not something I’m as into. Anyhow, my top ten is mainly from bands and artists I’ve already been a fan of, and with the exception of Fluorescents’ debut, Scream It At Me, it’s all stuff that I’ve both heard of but haven’t listened to in awhile. A few of my favorites, in no particular order as well, are Neck Deep’s self-titled and Fluorescents’ Scream It At Me, especially for really wanting some catchy pop-punk at this time of year. Neck Deep’s new one came out in the beginning of the year, but it just hits differently now, and it’s really grown on me. I’ve also been enjoying a handful of metalcore albums, including two that just came out last week. The new Ghost Inside and SeeYouSpaceCowboy albums, respectively titled Searching For Solace and Coup De Grace, are a couple of metalcore albums that really hit what I’ve been looking for, especially really catchy and hard hitting stuff. The new Justin Timberlake album, Everything I Thought It Was, is another album that I’ve been playing a lot this year, and it’s a solid little comeback album for him.
A couple of albums on my list, too, aren’t from bands who released their last albums, although those two albums you mentioned were pretty good, but they’re from artists I never expected to really love a new album from. Thrice frontman Dustin Kensrue dropped a country album, entitled Desert Dreaming, and it’s a wonderful throwback country album that sounds like it came out of the 1960s and 1970s. Augustana, and indie-pop / folk-pop band, also dropped their first album in a decade, called Something Beautiful, and it really hit me, especially for being so catchy. Lil Dicky also dropped a new album this year, his first in almost a decade and I wasn’t expecting to enjoy that as much as I did. I also binged his show, Dave, that has been on for the last few years and it’s a pretty funny show, and I forgot to mention that earlier, but the album, Penith, is supposed to be the “soundtrack” to the show.
Now when it comes to music this year that I’ve been that isn’t new, I got a couple of things, such as getting into the last Hot Mulligan albums after seeing them live with Fall Out Boy a couple months back. I also have spent some time with the last couple of James And The Shame records. That’s the brainchild of Rhett McLaughlin, most famously known from YouTube duo Rhett & Link, but it’s a retro-style country project that has a lot of themes about religion and his overall deconstruction from the church, and it’s very interesting stuff. I’d like to check out that Linkin Park greatest hits, though; they’re a band I feel like hits better with their greatest hits, although their first two albums are really cool still.
There is one album that we haven’t talked about yet that we’ve alluded to, because it’s both our current favorite album this year, so would you like to introduce it?
You know, this is actually kind of a funny full cirlce thing, because Bayside was another band you originally introduced me to, I wanna say about a decade ago, around the time Cult was coming out. I really enjoyed that album, but their next album, 2016''s Vacancy, was what really won me over and made me a huge fan of theirs. So, naturally, you could say that their new album, There Are Worse Things Than Being Alive, being my number one album of the year so far is a bit of a no-brainer, but I really do think this is one of Bayside's best albums, and it really showcases the band at their peak and what they do best, whether it be guitarist Jack O'Shea really letting it rip with some killer guitar parts and solos, Anthony Raneri's ability to paint a picture and tell a story with his lyrics, or the band's penchant for memorable hooks. It's all there in full force on this album, but what I will say, is that if you really think about it, it's not really all that different than what they've been doing. So, I wanna turn it back to you and ask, what was it about thsi album in particular that really clicked and led it to also being your favorite album so far this year?
Bayside is a band that I’ve got a lot of nostalgia for, because I found them on a 2007 Alternative Press compilation. It was an acoustic version of “Dear Your Holiness,” and I really loved it, I picked up 2007’s The Walking Wounded and immediately fell in love with it. It’s still one of my favorite albums today, especially for its great hooks, awesome guitarwork that was really heavy for a pop-punk album, and very poignant lyrics that still hold up today. I have enjoyed their subsequent records, but Bayside ended up becoming a band whose albums all sound the same to me.
Despite how good they are, especially 2016’s Vacancy, you know what you’re getting with an album from them, which can be a good or bad thing, depending on where you stand with them. Aside from The Walking Wounded, nothing else they’ve done since has really blown me away as much as that album. I was somewhat eagerly awaiting There Are Worse Things Than Being Alive, especially because it’s been five years since their last album came out, but what really surprised me was how this album feels oddly refreshing compared to their last couple. Not that they were bad, or even bland, but this album reminds me a lot of The Walking Wounded.
Like you said, this album is a classic Bayside album on the surface, but they prove that they can tweak their formula a bit and make it really interesting. This album is both the heaviest and catchiest I’ve heard Bayside in a long time; their hooks are sticky sweet this time around, but their guitar riffs are some of the thrashiest and most heavy metal-ish that I’ve heard from them. Raneri’s lyrics are also some of the best I’ve heard in awhile, too, and a lot of this album gets lodged in my head for the best reasons. I bet it was a shock to you, especially as someone that hasn’t been crazy about their last few albums, that I was over the moon for this album when it came out, huh?
I was definitely pleasantly surprised when you said you were loving this album as much as you do, but at the same time, especially after hearing you talk about it more, I do kinda get why this one maybe hooked you more than they have the past few albums. Sometimes all it takes is some tweaks/refreshes to the formula, and sometimes, something will just hit you in the right place at the right time, even if maybe it normally wouldn't as much otherwise. But, I love that we both have this at number one; thinking back on years past, I think this has only happened a handful of times, most likely with Fall Out Boy, since they're another band we both love.
It's really hard to believe we're already a quarter of the way through this year already, isn't it? I'm glad we got together to do this again, though, it's been a blast looking back on all of it so far, and I really can't wait for what's still to come.
I really was surprised to love this new album as much as I did, but you’re right, sometimes all it takes is a tweak to the formula to really hit you at the right time. I think by having a catchier and heavier sound, the album was able to hit me harder because it reminded me of when I first listened to them all those years ago. It just hits in the right way, but I truly love it. Not many albums this year have really hit me in that way, but this record is their best in a long time. It’s really hard to believe we’re almost a quarter done, though, so much good stuff has come out and so much is going to come out in the next eight months. It’s been an absolute blast doing this with you again, but before we close this out, what are some albums you’re looking forward to, whether they have a confirmed release date or not?
Just today, as we're writing this, The Home Team announced their third album, called The Crucible of Life, is coming out on July 12th, and I know that album is gonna be amazing. They're really about to be the next big thing, and I can't wiat. The other big one for me is The Early November, whose self-titled album is coming out June 14th. They're a band sorta like Bayside, in that they have a pretty storied legacy in the scene and have still been at it, putting out great music for over 20 years now.
Got anything on your radar coming up?
No way, they finally announced their new album? I hadn’t seen it yet, so that’s awesome. I can’t wait for that, so that’s easily a most anticipated. I’d say that off the top of my head, the upcoming Knocked Loose is my most anticipated, and that comes in a couple weeks on May 10th. Those guys are currently one of the biggest heavy bands in the scene, and their last album was easily my favorite of 2019, so I’ve been looking forward to this for a long time. It’s gonna be a good rest of the year, for sure, and I can’t wait to do this again with you. I hopefully plan on doing this again here in another three or four months, and then at the end of the year, but it’s been a lot of fun being able to work on another one of these pieces with you, so thanks for being able to indulge me on what we’ve been into this year so far!
Yeah, this has been so much fun, so thank you for having me! I'm looking forward to meeting up for this again, as I'm sure we'll have plenty more to talk about.
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bunnymajo · 8 months
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Top 10 pieces of Keroro merch?
Keroro Plush (Any)
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All Keroro plush are valid but I recommend getting a larger one both to hug and to use their giant squishy heads as pillows.
2. Messenger Bag (Any)
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I used one of these in college to carry stuff. Very roomy, will repel unwanted attention, do recommend
3. Keropla (Gundam model kits but it's Keroro)
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very fun & easy to assemble, lots of room to modify if desired. Baby's first foray into figure mods.
4. Keroro nano Figures (Megahouse)
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These came packaged with the 17th volume of the manga in 3 different editions. I like the nano figure line so I've been wanting to hunt down the Pururu one at least for ages
5. Mystic Heroines Prize figures (Megahouse)
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Natsumi, Aki, Mois & Koyuki all got these nice prize figures but Mois here is my favorite but she loses points for falling apart over the years. Still think she has a really nice sculpt for what she is though
6. Keroro Platoon figures (Kaiyodo)
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these figures by Kaiyodo are really decent quality for an interchangeable figure similar to Nendoroids. watch out for bootlegs though.
7. This snowglobe
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Made to promote the 3rd movie, I just think it's neat it exists
8. Nazca & Dark Keroro figure
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Also made to promote movie 3. Nazca's design was recycled from Mine Yoshizaki's doujinshi days so I think it's neat that she got a figure.
9. Keroro Dragon & Shion figure
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made to promote the 4th movie. Kinda weird but Keroro's dragon form is cool so I think it's worth having
10. Keroro Blu-Ray discs now available from Discotek, Wow!
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I still can't believe this shows in print again here, you should support Keroro's invasion efforts by owning him on home video. the 3rd & 4th seasons got released this week as a matter of fact!
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