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#THIS BETTER NOT BE A SCAM GEGE!!!
chrissy-dont-talk · 26 days
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Ain’t celebrating yet till I see his entire body STANDING FIXED AND ALL😭😭😭 cause gege is a BITCH😤
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psychewritesbs · 2 years
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Chapter 201: Direct Negotiations, part 2—THIS IS AMERICA! 
Happy JJK-Sunday. 
Actually... not really... Our boys are about to walk into insanity... Get your Kleenex box ready. Gege is up to no good...
He also made fun of and called out “America” and I love him all the more for it. Makes me wonder whether he’s keeping up with the USAmerican fandom and wonders how we’re reacting to the chapter.
We love it!
If anyone cares to read... I got super political and opinionated and personal. That’s what happens when you are a First Generation USAmerican born in the US but raised outside of the US--you see things differently.
THIS IS AMERICA
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Also, if you haven’t, go listen to the song by Donald Glover, This is America, a fantastic satire of a song and music video loaded with symbolism. The song and video were released in May of 2018 and depicted the deeply rooted societal problems plaguing American society. 
TW! The video is very graphic.
Not featured in the song and video, however, are...
The American Healthcare System: The fact that I can't afford to go to the Doctor or have a medical emergency without getting into ridiculous amounts of debt... 
Student loan debt: Not to mention the mountain of Student Loan debt I have because... #this is America and in the American Dream you get into debt to go to college to get better jobs. It’s a literal scam and millions of us bought into it. 
Far Right Christian Fundamentalism: Also, a group of judges took away federal protection for abortion laws. It’s feeling really Handmaid’s Tail up in here. 
Guns guns guns, USAmericans LOVE their guns: Did I mention my neighbors aren’t scared to publicly say that they’ll shoot you with their assault riffle if you trespass into their property and they assume you are suspicions? #Texas.
Talk about being a progressive society.
But hey...
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I think the biggest irony about the internal societal problems tearing down American society is intimately related to what Gege is addressing in this chapter... instead of focusing on fixing our internal problems, American leaders are hell-bent on colonization, conquest and dominating the political landscape outside of its borders. 
Cue Killing in the Name of by quintessentially American Rock Band, Rage Against the Machine.
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Yes, Gege. Say it.
And the whole implication about how the US uses its army to pursue this world domination agenda?
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I don’t care how cliché these American Villains are they’re painfully cliché... this whole thing is so on point.
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As a First Generation USAmerican, I honestly had second-hand embarrassment reading this chapter.
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Side note: I drive a 13-year old Honda Civic. I highly recommend Japanese cars. USAmerican cars are not that great.
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I am totally not surprised to see Gege addressing how the US government and media will manipulate public perception of certain political issues. 
“We’re not experimenting on Japanese citizens, we’re protecting them” reminds of the war in Iraq in the search for weapons of mass destruction that were never found.
Similarly, if you Google Project A119, the formal definition about it was presented to the public as having benign reasons. But who is to say it wasn’t about establishing dominance?
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Curious to learn more? You can read more about Project A119 and Operation Fishbowl by doing Google searches on these terms.
But I think most poignant is the implication that American leadership would think that it’s morally correct to experiment on humans.
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And Kenny totally has the USAmerican leaders eating right out of his hand by saying everything he knows they need to hear.
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We know Kenny is going around stirring the pot and getting countries pitted against one another.
But we haven’t seen what he has told the Japanese government. We also don’t know if Gege will write about the kinds of atrocities the Japanese government might have committed against its own citizens.
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Like other authors, Gege certainly doesn’t hold back his punches.
And, again, what’s most poignant about this whole ordeal is that we’re talking about governments and how they justify their actions while manipulating public perception of these issues.
That’s why I really appreciated the symbolism used to depict the ideal of what it means for USAmerica to be the world power that it is today (or at least was once upon a time).
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This is America.
And I love that, again, Kenny was just like...
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“Calm down USAmerica, you might have guns and muscle, but Japan has psychic warriors. Duh!”
That smug look on his face too... Let’s not forget that Kenny has been planning this ordeal and waiting for the right set of circumstances like an idiotic USAmerican President in office for at least a millennia
Anyways...
Yes, world. The clichés about USAmerica are mostly painfully true.
Ura-ume
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Talking to @justafrenchlondoner​ we were both wondering whether Ura-ume is going to turn on Kenny since Ura-ume appears to have a deep allegiance with Sukuna and Sukuna had a change of plans.
Similarly, if I remember correctly, Kenny was ok with doing away with Sukuna... something like that. Gotta go back to re-read parts of the Shibuya arc.
Either way, gotta wonder about them...
And then the chapter ends...
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The perfect recipe for disaster.
800 soldiers with USAmerican guns and muscle against a comedian, an Angel, and two high school-aged Psychic Warriors.
I fear that here comes the culmination of this cozy feeling of safety that Gege created during the first half of the arc... and it is legit giving me anxiety.
I’m literally going crazy because I can see it coming. There’s a Gege-twist coming. I can feel it. And idk if I’m being paranoid but that’s how Gege rolls.
This man kills and hurts beloved characters without remorse just after you thought everything was groovy.
The Culling Game so far...
During the Culling Game, a literal Battle Royale twist on the Battle Tournament trope, with some exceptions, most of what we’ve gotten so far has been very lighthearted moments and battles and no significant deaths.
The Culling Game is about death but we haven’t experienced any deaths that we care about. Think long and hard about that.
Instead, Gege has bombarded us with Gege-style irony and humor.
Who could forget Yuta kissing a cockroach?
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Not to mention Yuta and Ryu’s bromance to wrap up the arc.
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Have we forgotten how incredibly annoying Charlie Bernard was?
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And how Kashimo vs. Hakari literally ends with them teaming up, stroking each other’s ego, and acting like they weren’t just trying to kill each other moments ago?
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What about Takaba’s awful jokes?
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Then there was Kappa-guy and Katana-guy...
And now that Naoya has died again... we’re back to where it all began: Yuji and Megumi willingly going on a suicide mission to save each other and their loved ones.
Now, during Shibuya, Yuji walked away scarred, not just physically, but emotionally and psychologically. Megumi, on the other hand, was protected by Sukuna.
This also just reminded me that, from my perspective, Megumi has shown us on more than one occasion that he doesn't seem to have much regard for the life of others. 
So I kind of have to wonder whether we’re about to find out just how much Megumi doesn’t value human life in general given the whole thing about how the most powerful sorcerers have an overwhelming sense of self and have no regard for others.
Who knows! Can’t wait to see how the rest of the Culling Game arc unfolds because when JJK is good, JJK IS GOOD.
Anyways. Happy JJK-Sunday! If you’ve made it this far, thank you again for reading my rant about USAmerica.
This is America
You know... the political rant about USAmerica aside, I must admit that living in USAmerica is quite the privilege that I am grateful to have.
I think that inasmuch as we, USAmericans have a bad reputation, we really are just like everybody else--doing our best with what circumstances we have been handed. 
For some self-disclosure: I lived in Houston, TX for a decade. Houston is a criminally underrated yet quintessentially USAmerican city...
Houston is no Manhattan, but it is the cultural capital of the Southern US and is one of the most culturally diverse cities in the country. And amongst the things that are quintessentially American are the immigrant communities that have made this country what it is today.
I understand that when Anthony Bourdain recorded the episode for Parts Unknown in Houston, despite Houston’s incredible gourmet foodie scene, he specifically asked to visit the hole-in-the-wall-type cultural nooks in the city because he wanted the episode to focus on the USAmerican experience of being an immigrant in this country.
I can tell you that while I lived in Houston, I had friends from Mexico to Nepal, and worked with people from Spain all the way to Korea. 
The private school I worked at had children enrolled from at least 50 different nationalities from the world over. What I loved most about working there was knowing that these children were being taught that it didn’t matter where you’re from because in the end we’re all just human.
Similarly, when Hurricane Harvey dumped a year’s worth of water on Houston in 2017, Houston was practically under water. The outpouring of support from the community in the midst of the chaos, however, was beautiful to behold. Your nationality or skin color did not matter, what mattered was helping other Houstonians get back on their feet.
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This is USAmerica. 
... and we’ve got deeply rooted societal problems, but we really are just doing our best with what we’ve got.
One final jab at “America”
I didn’t want to couldn’t help myself...
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sugarstickery · 3 years
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An Allegory Within the Dark
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This is an unofficial fan translation of chapter 3 of Jujutsu Kaisen’s first light novel, Departing Summer and Returning Autumn by Gege Akutami and Ballad Kitaguni.
Summary: Mahito stumbles across an unusual human in his search for a place to call ‘home’.
Featured characters: Primarily Mahito, with brief appearances from Hanami and Jogo, along with an unnamed novel-only character
Timeline: An undefined time prior to the events of the Vs. Mahito arc
An Allegory Within the Dark
If you want to hide a tree, you go to the middle of a forest.
So if you’re looking to hide a person, you should go to the middle of a city.
Following that logic, it makes sense for curses worthy of being the true humans to set up their hideout in the city center.
Cursed spirits would actually have it much easier if they spent their time in places crammed with fear where humans and the like can’t live: deep in the mountains or in densely wooded areas, for example.
But for a group of curses plotting to overturn the current era, a base in the heart of the city is crucial for invasion and seeking refuge. That being the case, it’s also better to try aiming for a location with a high concentration of negativity.
Anyway, that’s how some employees from a scam business ended up massacred.
“This really is the simplest way to handle it. All of them nest together up here away from the public eye, so clean-up is a cinch.”
Jogo laughed while trampling the burning remains of a corpse underfoot.
Roughly two minutes ago, there were about six humans in the office.
The curses considered a few ways to handle dispatching them but ultimately decided that burning was the fastest, so Jogo quickly turned them to ash.
“But humans used this building, didn’t they? Won’t it be a problem if there’s property management or something?” Mahito asked, poking at an ostentatious vase displayed on a shelf.
Apparently the concern was unnecessary. Jogo tried to answer with a grin, but a nonsensical language cut into their conversation.
“⏁⊑⟒⟟⍀ ⎎⍜⋏⏁ ⟟⌇ ☊⎍⌇⏁⍜⋔”
“Oi, bastard—! Stop talking, Hanami! It makes my head itch!”
Though Hanami spoke in nothing but meaningless sounds, the intention behind it was somehow transmitted directly into the minds of others. This was usually unpleasant and it irritated Jogo.
When he noticed Mahito still looking his way, Jogo continued to explain despite his frustration.
“Hmph... What? There’s no need to worry. I asked Geto what his aim was, and it looks like these were the kind of underhanded humans who got involved in plenty of unethical things.”
“Hm. So basically, other humans won’t actually come close if they get that curse stuff happens here.”
“Exactly. Any respectable, straight-laced human would never come near this place under normal circumstances. It’s the perfect city-center hideout.”
“Is it really?”
“...What is it, Mahito? You don’t seem satisfied. What’s there to worry about? It would put us in a great position to start preparing our plans for the city, and it’s great for a quick escape if we need one.”
“Mm... No, you’re right, but...”
“But what? Spit it out.”
“It’s just... This room is really tacky.”
“Huh?”
With a pop, a small eruption burst forth from Jogo’s head. His narrowed eye looked like a painting of a gently sloping mountain.
“It’s tasteless, isn’t it? Stuff like that gaudy gold lion in the sparkly jar or this cheap-looking sideboard.”
“What are you even saying?! I have no idea what’s gotten into you lately, but you’ve been so annoying!”
“Movies.”
“Movies? Are those overly-embellished portrayals of humans really that interesting?”
“They’re references for my studies on the structure of a soul,” Mahito replied with an ambiguous smile.
If humans could see him, they might be reminded of a proud elementary schooler discussing the knowledge they gained from a book report.
“If I’m being honest, I don’t find the stories that interesting either, but I don’t hate the sense of visual aesthetics that humans have. That said, this room has too many useless colors and really hurts the eyes.”
“Such bratty, selfish complaints... We can just burn or toss anything that’s an eyesore.”
“No need, I’m going to look for a place to settle down on my own.”
“What? Ah, hey— Where are you going?”
Not waiting for Jogo’s response, Mahito waved over his shoulder and vanished like smoke or a gentle breeze, off to who-knows-where.
“Geez… Maybe it’s because he was born from human fear, but even knowing he’s a curse, he tends to be way too frivolous. Watching movies and all…”
While grumbling out his complaints, Jogo took a pipe from his shirt pocket to put in his mouth.
Unlike human cigarettes, this wooden pipe somehow imitated a screaming face when smoked.
“But that Mahito...”
Jogo spun around to survey the room with his one eye.
“...He says that, but it doesn’t seem tacky to me.”
“⊑⏃⋏⏃⋔⟟”
“I already said shut up!!”
--
You can only find a hideaway that suits you by looking for it on your own.
Mahito wandered through the city with this in mind. He alternated left and right turns on a whim any time he happened across a traffic light, walked alongside stray cats, or sometimes simply went in the direction of clouds that he liked the shape of.
While traveling along his chosen path like this, he keenly felt just how laughable humans were.
Though the city belongs to them, no one walking in and out of it was more free than Mahito.
Everyone seemed constrained. They were captured by ties of obligation and vanity, living in a wide, deep, big city with such narrow outlooks.
Unaffected by the enormous sky sprawling out endlessly overhead, they box themselves into their concrete city with their own hands and limited perception of souls, passing the time by whittling their lives down further and further.
Mahito even learned the words for some of these human concepts to study later.
For example, they call it “morals”. They call it “common sense”. They call it “emotion”.
But a human soul isn’t anything more than the resulting mechanical movement that comes from external stimuli.
And so they let go of freedom and live tightly controlled lives, fearing the judgmental stares of others, stooping to flattery for society’s approval.
“...What a waste.”
Everyone is bound by ostentatious shackles of their own making.
That’s why these curses know there has to be a change, as far as humans go. Those who cannot do anything but crawl in such an unsightly way under the magnificent sky must hand over the world.
Mahito thinks. He ponders over any topic his soul turns toward. He walks wherever the wind blows him.
Before long, the time had come for the sun to descend in the western sky. He could hear the burbling of a river.
--
“Not bad.”
The hideaway Mahito found was under a bridge, across the river.
It was a tunnel, vacant and huge like a temple.
Pipes ran along the inside, clear water flowing from them and into the river. It looked like wastewater was drained here after being purified, so there wasn’t much discomfort.
Apart from the humid air and the moss that emitted a peculiar grassy smell, it seemed wide enough to splash and jump around in, and the concrete’s cool texture provided a refreshing welcome.
There’s a season that curses are partial to.
Negative human emotions accumulate from the end of winter to spring, and it could be said that the rainy season served as the so-called peak of their ripening.
The inside of the damp tunnel held the same atmosphere. There was a gloominess there in the dim lighting that could easily nurture fear. It gently moistened Mahito’s skin; he felt cozy.
“Yeah, let’s stay here.”
When choosing a place to live, it’s best to trust your instincts.
Perhaps humans should do the same, but what they can’t readily do, Mahito can decide without hesitation. If he’s free when he wanders, then he’s free when he settles down, too.
Mahito stepped into the tunnel in good spirits, knocking solidly on the concrete floor.
The soul’s metabolism smooths out in comforting spaces. But…
“Huh?”
After walking a short distance, Mahito discovered “that”.
He initially thought it was some garbage or something that a human illegally dumped. But before long, it became clear that it was a sack-like silhouette leaning against a wall.
At first glance, it perhaps looked like a mere collection of rags.
But the shape of a soul was there.
—Ah, it’s alive.
Yes, just as Mahito had realized, it was a human.
The tattered clothing and wildly overgrown hair and beard hid his shape, but it was undoubtedly a human.
His exact age wasn’t clear from his outward appearance, but whether he was 60 or over 80, he looked elderly.
Mahito thought it was a bit of a pain.
There was already a visitor living in his precious hideaway.
Of course, taking care of this issue would be an easy matter for him. But he felt the same discomfort as a homeowner finding a stain on the wall of their new house.
‘Anyway, if I’m gonna deal with this, let’s get it done,’ Mahito thought, reaching out toward the old man with a little sigh.
Whereupon, unexpectedly, the old man spoke.
“...I’m sorry if you’re displeased.”
“Hm?”
“I don’t know what you came here to do, but... I’m sure your mood has soured after stumbling across the home of an old fool. But I have nowhere to go, either.”
Mahito was a little taken aback.
The old man was clearly aware of Mahito and turned toward him to speak. This wouldn’t be surprising at all if he was talking to a fellow human.
But Mahito is a curse.
The eyes of a mere human can’t clearly perceive cursed spirits.
It isn’t impossible, though. If humans are born with cursed energy, it isn’t unusual for them to be aware of the existence of curses.
What caught Mahito’s attention was this old man’s lack of ‘eyes’.
As in, he had no eyes in the physical sense. Instead, in the empty sockets that once held them, there was a burn scar that was painful just to look at.
Even sorcerers rely on their eyes to view the world.
They depend on their field of vision to spot cursed spirits. That’s why so many of them use sunglasses and the like to conceal their line of sight, as it helps them remain unaffected. It also helps them maintain a balanced mind when their daily life overflows with curses.
However, that was not the case for this old man.
“Can you see me?”
When Mahito asked, the old man answered with a gentle nod.
“At the very least, I can feel you.”
“But you can’t see the world?”
“Naturally. That includes the scenery, what you look like, what color your skin is, and even your gender. Even so... I know you’re there.”
“...Are you a sorcerer?”
“Most likely not.”
“You’re being pretty vague, even though you’re talking about yourself.”
“For a long time, that’s what I’ve been the most vague about.”
Mahito began to notice something strange.
He can feel the shape of a human’s soul.
He knows the movement of a soul’s metabolism, whether it takes on a harsh form, withers weakly, or flickers with liveliness.
However, this old man’s soul was hardly metabolizing.
It was like a meadow with no wind, or a still sea, or the blue sky on a cloudless day.
No, it would be most appropriate to compare it to a stone.
His soul was like a stone on the side of the road.
No fancy ornamentation, no polishing. Unmoving, unwavering.
Calmly passing the time while growing moss.
That was the shape this old man’s soul had.
No matter how calm or how old a person is, the human soul always flickers.
As the years stack up, common sense doesn’t disappear, selfishness isn’t eliminated, and fear isn’t conquered.
But this old man was different.
The old man’s soul was at peace. He had sincerely accepted that everything would decay with time, but that didn’t mean he would throw his life away. It was truly similar to the way in which nature existed.
It was Mahito’s first time meeting anyone like this.
--
For a while, the tunnel became something of a den for Mahito.
He had gotten a hammock from somewhere, which he hung up between the pipes. He lounged in it and read, passing the time in comfort.
In a movie about life on a deserted island, a human who was desperate to survive made a hammock. Through it, he was able to regain a little peace of mind.
Since it looked surprisingly comfortable, Mahito gave it a try and it worked out nicely.
The arguments and fights of the outside world didn’t reach the inside of the tunnel, where only the burble of the small stream could be heard.
It provided a good environment for soothing the soul.
While leisurely absorbing new knowledge from his books, Mahito would sometimes absentmindedly gaze up toward the ceiling, or glance down at the corner where the old man squatted, looking as he always did.
“How do you live like this? It’s pretty mysterious...”
In the end, Mahito didn’t kill the old man.
It’s important to note that the old man wasn’t much of a hindrance for him. If it would make no difference whether he was there or gone, then Mahito figured getting rid of him would be more of a hassle.
The old man was just there, even quieter and more carefree than a stray cat.
Mahito knew the phrase: ‘man is only a reed, but he is a thinking reed’.
He found it hilarious and also genuinely liked it. It simultaneously boasted about being trapped in thoughts of the soul, while also showing that humans were frail as weeds.
It could be said that the old man was an unthinking reed, then.
No – he was even quieter than that; more like grass or some type of moss. In any case, the old man said nothing and simply carried on living.
Every now and then, the old man would suddenly shuffle off elsewhere, but he would be back to sleep before Mahito knew it. He was surely getting food from somewhere, but he never seemed to gain weight. If he lost any while in the tunnel, he would eat just enough to gain it back when he left, and no more.
It was a style of living so close to nature that it seemed more like a phenomenon than a life.
“That’s why I seriously wonder if you can see me.”
The suspicion was uttered suddenly.
Mahito wasn’t exactly speaking to the old man. Rather, his tone was that of someone talking to themselves.
But when he noticed that the old man’s soul didn’t waver even after hearing him speak, Mahito finally addressed him directly.
“How long have you been here?”
“Let’s see… I think a few winters have passed, but I’m not sure,” the old man muttered, his reply quiet.
Since they were two beings with souls who were aware of each other’s existence, Mahito felt it would be more natural to chat every now and then.
“Don’t you get bored?”
When spoken to in a soft tone, the old man also responded softly.
“I’ve forgotten how to be bored.”
“How do you usually pass the time here?”
“I don’t do anything, really. I just listen to the sounds.”
“The sounds?”
“The sounds of the water flowing.”
“...Is it fun?”
“It’s not. But I forgot how to have fun a long time ago, too, so it’s not an issue.”
So it was like that. Mahito nodded.
If this old man could no longer even feel the pain of boredom, perhaps his soul was worn down.
Humans of the city gasp and struggle through the hurt of not having enough, yet always wish for more even when they get what they wanted. Their souls grew fat and tattered through the rich accumulation of these negative feelings.
So in that regard, from Mahito’s point of view, the old man had a thin soul – but it could be said that was clever of him.
A fat and full human soul leads to a fear of losing the gratifying present moment, which in turn gives birth to curses.
“It’s hard to get your attention. What’s your name?”
When Mahito asked, the old man looked into the air for just a second.
“I left that behind. You can call me whatever you like.”
“There are humans without names? Even curses have them.”
“If you don’t meet other people, you don’t need a name.”
“Isn’t it a problem if you don’t have one?”
“When is it a problem?”
“When it’s time to be buried.”
“I don’t need a gravestone with a name. I can just be stuffed into a common grave, or maybe I’ll rot undiscovered and return to the earth that way.”
“Can’t you take a joke?”
“…Was that a joke?”
The old man didn’t laugh. Neither did Mahito.
But Mahito had the feeling that this old man was childish, contrary to his appearance. His lack of attachments created an unsullied disposition that might make him younger than he looked.
His interest in the old man simmered and surged.
It was his first time seeing this type of human, his first time feeling a soul with this form. For Mahito, this was a rare specimen.
What kind of path must life take to make this kind of human? What would be the most intriguing shape to make with a soul like that? What uses could one plan for such a person?
And what kind of curse would be born from them?
With these questions fueling his curiosity, Mahito started to chat with the old man.
“Why are you here?”
“…Why?”
The old man looked up toward the ceiling through his unruly bangs.
His eye sockets were empty, but it seems like even without sight, humans tended to stare into nothing when they were thinking. One curiosity of Mahito’s was satisfied.
“You weren’t born and raised in this tunnel, right? As a human, you must have been in that noisy city.”
“Ah, that. I lived a fairly busy life a long time ago. I inherited the house, worked, made money and supported my family.”
“So you were a human in a pretty good position.”
“In human society, yes. Looking back on it now, it was all meaningless.”
“So... what, you basically started living in a hole like a mouse, then?”
“I did that because I lost everything that I needed up to then. I lost my social status, my money, and a place where I belonged.”
“You lost it all?”
“I was tricked. That’s when my eyes were burned, so I lost my sight then, too.”
Mahito incidentally recalled the company Jogo attacked.
“You got tricked, huh? You seem pretty good-natured about it.”
“That’s because I didn’t care much about being tricked.”
“You’re a weird old man. Is this some kind of hobby where you get your kicks when people deceive you or something?”
“I’m just saying, that’s the kind of person I was back then. The ones who tricked me were my old friend and my wife. My eyes were burned in that so-called “accident”¹; they claimed I wasn’t of sound mind and body after that, and under the guise of caring for me, they stole everything I worked for before I knew it.”
“That’s a pretty flashy way to trick someone, isn’t it? You’re talking like it’s someone else’s problem.”
“Those two loved each other, and I was loved by no one. Knowing that was more monumental to me than being tricked.”
It was hard for Mahito to interpret what the old man said.
Love. Is it really such an important word?
It’s said that curses born from love exist in the world. It seems there are tremendously powerful ones among them, too. But Mahito doesn’t understand how the mechanism by which people love each other is any different from a cat’s attachment to a blanket.
Still, Mahito knows for a fact that people are obsessed with it.
“Didn’t you curse them? The ones who tricked you.”
“Not really.”
“’Not really’, huh. You know, normally a human in that situation would get angry and hold grudges, and it would make the shape of their soul deteriorate.”
“It’s true, though. I don’t think I had the energy to even consider seeking revenge or hurting them.”
“...I get it.”
Mahito nodded, filling in the blanks.
Regardless of whether or not he can guess the trends in human emotion, Mahito has studied many movies, novels and poetry so far.
Then there were the humans he tinkered with. Mahito could put together the pieces he gleaned from those things and use them to break down the old man’s story.
“So basically, you were in despair. So much despair that it was like your soul was about to die. That’s how you broke through the creation of grudges and curses and ended up like this.”
The old man slowly shook his head.
“I may have been disappointed, but I don’t believe I felt the intense despair you’re thinking of.”
“Are ‘disappointment’ and ‘despair’ different?”
“They are; this is just my personal experience.”
The old man raised his face, following the memories.
“There was no burning resentment or turbulent sorrow. It’s just... I was tired, I guess. Between work, assets, reputation, my life situation and duties, dealing with others, caring about the family name... I think I was probably just tired and worn out because of it all.”
“And that’s why you didn’t get mad even after being tricked?”
“I was at peace. They say the soul gets lighter after going through disappointments.”
The old man’s voice was calm.
It had a cool quality to it, like muddy water that had been filtered clean.
“I couldn’t see, I had no money, I had no love... But as I was walking through the city with nothing to my name, it all suddenly became inconsequential. And then, as I looked around, I saw the city in a new light.”
“Even though you can’t see?”
“Yes. When you can’t see anything, it’s just sound and wind that goes on forever anywhere you are. I couldn’t even see the walls blocking the city in. It was just endless darkness spreading out forever, like a starless night. For the first time, I understood how wide the world was. And I thought to myself... ah, I’m free, aren’t I?”
Mahito blinked rapidly.
This old man’s thinking didn’t fit any other case he had gathered so far.
Even hearing about his past, he couldn’t understand the old man’s thoughts.
But even from Mahito’s point of view, the old man was certainly free.
Without so much as leaving the middle of this tunnel, he knew that the sky was vast.
Perhaps he knew it better than any member of high society walking around freely in the city. He knew the wide spread of the sky, the soft caress of the wind, the gentle sounds of the water.
This old man, who looked like a simple rakugoka², had no property or social standing. He even lost his connection to other humans... And maybe that’s precisely why he could uncover the elusive meaning of the word ‘freedom’.
He was just existing, just being alive, without attachments, grudges or curses.
“So basically ‘not all those who wander are lost’?”
“Yes, though quoting Tolkien’s works might be a little tedious.”
Mahito smiled when the man immediately caught the reference to a book he just happened to read.
“Were you a bookworm?”
“All I did was cram a lot of information in.”
“It’s good to be well-read.”
If curses are born from the fear that humans feel, could this old man even be considered human?
As Mahito is, he struggles with the expression of human emotions.
But he was calm.
For the first time since coming into contact with humans, he had a feeling of peace.
“I think if everyone in the world was like you, I wouldn’t have been born.”
Mahito looked back at his book.
The old man, staring into nothing as always, fell silent again.
Curses are born from humans, but they also kill humans. There is no way for the two to coexist.
But in this tunnel, a curse and a human were doing exactly that.
Though distorted, this peaceful period of time flowed by gently.
--
It’s only natural for humans to hate and fear other humans.
Since they can’t see souls, they can only make guesses about the feelings of others, and they’re swayed by their own emotions.
They don’t understand that these things are just a reflection of the soul’s metabolism. They don’t even know where their soul is.
Mahito investigated the matter.
This blind man lost his sight and his connection to others, so his soul received less stimulation.
And so, no longer influenced by unnecessary things in the physical world, he spent a lot of time facing his inner world and reflecting.
“It’s kind of like a monk’s training. Through strong introversion, a person looks at their soul more often.”
Mahito walked around the city, skimming through a beaten-up copy of the Heart Sutra.
It was a sutra handbook that focused on controlling the soul. It looked like humans of the past did their own research into freeing the soul from the material world.
The old man’s life ended up in a similar state without him setting out to do it on purpose.
That was likely how he learned to feel other souls through the darkness he lived in. Mahito concluded this was the reason he was aware of curses.
“I think he was already predisposed, but... seems like it’s easier for introverted humans to show promise.”
If he gave the old man’s situation even deeper consideration, he could probably make a lot of guesses about a sorcerer’s training. There’s even a way to encourage the first manifestation of cursed energy.
In that case, it should also be possible to take a talented person and ‘make’ them into a sorcerer or curse-user.
Unleashing a curse-user made by a curse onto a sorcerer...
That might be a fun experiment. It’s easier to shake up a human’s soul by having them fight other humans, rather than just exorcising curses. Sukuna’s vessel should be no exception.
Although...
—Maybe it’s fine to do that a little later?
Yes, Mahito thought it over at his leisure.
He is free. When it’s time to move, he moves. When it’s time to rest, he rests.
And he was not in the mood to launch that plan into action.
Rather, for the time being, he just wanted to gather knowledge and indulge in thought. He also got some new books and wanted to read fantasy novels while basking in the quiet comfort of the tunnel.
Mahito’s gait became lighter. While walking alongside the throng of people, he even began to hum.
Suddenly, a loud voice rang out from between two buildings.
“—so damn annoying, yeah?”
Looking over that way, he saw two young humans: a man with long, thin hair, and a muscular skinhead. They were undoubtedly people who looked like trouble.
The long-haired man listened as the skinhead rambled on with his complaints, seemingly in some kind of sullen mood.
“Damn, it’s seriously freezing. Anyway, every last one of ‘em just puts on shitty airs, but it’s all just talk. Nothin’ but excuses. Ah, I wanna kill ‘em all...”
“You say that, but come on. You talk big about wanting to beat these guys to death when you’re pissed, but could you actually kill someone?”
“Sure. Ain’t like killing’s hard.”
“Seriously?”
Mahito squinted and listened, the conversation going in one ear and out the other.
It’s not that he disliked the way they acted or how they spoke bluntly about their heart’s desires. But Mahito knew people like this were all talk.
“Yeah– seriously, anyone’s fine, I just wanna kill someone.”
Then maybe you should do it without saying anything.
Better yet, he thought about practicing some killing methods on them. But Mahito felt the light weight of the book in his hand as he reached out, and he stopped.
Rather than sparing any consideration for this, he just wanted to go back to the comfort of the tunnel and read.
“I’ll kill ‘em.”
The skinhead’s grumbling voice sounded like a spell.
But the words would find no power or heart to shelter in. Shut away between these buildings, the most a person can do is talk to themselves. It’s best for humans like this to stick to the narrow back alleys, foolishly thinking they’re enjoying a wide world.
Mahito averted his gaze and made his way back home.
--
“Why did Gregor become a bug?”
Mahito suddenly asked the old man, not taking his eyes off the novel.
It was a famous book by Franz Kafka.
A story in which a human unexpectedly turns into a poisonous insect.
“The most popular theory is that the bug is a metaphor.”
“Metaphor?”
“It means he was a person who was hated and oppressed within society, treated the same way a human would treat a bug. Kind of like an old man who was suddenly blinded and tricked one day.”
“Is that a joke?”
“Not exactly.”
It was detached and dispassionate, but an answer would come back any time Mahito said something. When conversing with the old man, it felt like talking to a dictionary. He had a lot of information.
He knew about things like the inner workings of the mind and human culture, and he was smart enough to explain it simply in discussions.
For Mahito, who analyzed human souls through books and movies, this old man’s knowledge and conversation helped in its own way.
When do humans get angry? Why do they grieve?
How do they trust and in what ways are they betrayed?
Mahito lived with a different sense of ethics when compared to humans, so there were many things he struggled to interpret. The old man explained them and helped him understand.
He had a strong interest in the experiences of the old man, who had once lived among humans but didn’t act like them.
“After becoming a bug, Gregor eventually hid away like he was told to, but he still ended up being spotted and it led to his death. Jii-san³, why do you think that is?”
“You cannot find peace by avoiding life.”
“That’s a quote from Virginia Woolf, right?”
When Mahito immediately and correctly guessed the source, the old man raised a brow slightly.
“You’re a pretty avid reader, too. Conversations with you are really stress-free.”
“Do you have to go back to living with other humans, then?”
“If you don’t have any attachment to the human world, there’s no need to run from it or stand against it⁴.”
“I see,” Mahito murmured to let the other know he was listening, eyes still on the book.
Even if he wasn’t looking at it, the old man’s perpetually calm soul was aglow in the dark like always.
Mahito read his book in the dim room lit by the brilliance of that soul instead of a candle.
Time quietly flowed through the darkness.
Outside of the tunnel, signs indicating the end of summer crept up.
--
The end came abruptly.
One day, when Mahito was heading back to the tunnel with an abandoned poetry anthology that he picked up on an aimless walk through the city, he felt a noisiness that shouldn’t have been there.
There were one, two, three swaying souls.
One had a very familiar shape, but it was terribly frail. It was like the dying flame of a candle weakened by the wind.
With the same unchanging gait as always, Mahito stepped into the tunnel.
As expected, the old man was there.
But the unusual thing was the crumpled, strange position that he was in.
He was also sandwiched between two younger men who were looking down at him.
“Oooi, isn’t this bad? Did this guy seriously die?”
A man with long, thin hair spoke in a tone that was not particularly anxious.
“Didn’t I say it? I said I could kill,” a muscular skinhead replied, his voice casual.
“But ain’t this just impulsive?”
“Yeah, well, the old man had some real cheek, looking down on us when he’s this weak. So why not just kick him?”
The skinhead likely played sports, given that his legs were as thick around as logs. Kicking an old man to death would be easier than crushing a can.
The two didn’t seem to have a single scrap of interest in the old man, his life or his soul.
There was no reason, no grudge, no clear murderous intent.
It seemed like they simply arrived at the tunnel somehow. They took the opportunity to do as much violence as they wanted. They beat him on a whim.
It could be said that this way of being is freedom for humans.
Mahito crouched down, peeking at the old man’s face.
The beaten visage of the man with burned eyes came into view. But even at a time like this, his expression was as calm as always.
“Are you going to die?”
Mahito searched for even a mumbled word or two in response.
“...Seems so...”
The old man answered in a hoarse voice. He likely barely had the power left to speak now. It appeared as though the two men didn’t hear him over their loud conversation.
He intently inspected the old man’s soul.
The peaceful soul was not flickering, nor did it hold anger or grief; it was simply coming to an unhurried end.
Mahito was impressed.
This old man had found the true meaning of freedom. He really was released from every tie of obligation in this world. Even on the verge of death, that didn’t change.
Being able to make sure of that with his own two eyes, Mahito felt considerably relieved. In the same way he would watch a flower wither and fall, he observed the old man’s death.
Nevertheless...
“Jii-san?”
He had a feeling.
It’s like seeing a plot twist you don’t want to see if you keep turning the pages of a book.
Or like knowing the contents of a present before you open it.
That kind of buzz spread through Mahito’s chest.
While he puzzled over the instinctive alarm bells screaming at him to stop watching, everything was heading toward its end.
“...I thought I would die alone.”
The old man’s soul dimly flickered.
A smile was on his swollen face.
“...To have someone... here to witness this old fool’s last moments...”
The flicker might have been insignificant, like a single drop breaking the water’s surface. Even so, for an instant near death, at the end of it all...
The old man’s soul ‘metabolized’.
“...Tha...nk... y...”
The old man died smiling.
“. . .”
Mahito’s eyes opened wide, and for a moment, he was frozen.
He thought the old man was different when compared to other humans. To Mahito, he seemed unfettered.
Mahito thought the unique philosophical views stemming from such an extraordinary state of mind had freed him from all the shackles of this world.
But despite all of that, the old man was still captured right in his last moments.
On the brink of death, he clung to someone else so he could avoid a lonely end.
The old man was only human.
For a human, it was likely satisfying enough. Perhaps it was even the proper way for one to die.
“. . .”
Mahito said nothing.
But what felt like a dry wind blew through his chest, leaving him cold.
He didn’t know the name humans gave that emotion. But his consciousness was like yarn tangling in on itself, wriggling around like a worm—
And suddenly, it all cut off at once.
The only thing left behind was the sensation of standing in a dry and barren wasteland.
“—So basically,” the skinhead’s voice echoed. “Police probably won’t do a proper investigation. Not for this old nobody.”
“Hey, hey, hey; that’s still a person,” the long haired man answered lightly.
“Yeah, well, that guy started it.”
“He shoulda looked at who he was talking to before he picked a fight.”
“Anyway, my pants are dirty from all that kicking... That’s a problem.”
“So fussy. That’s what you’re worried about when you just killed a guy? How funny.”
“That ain’t a person. Anyway, don’t you know I like being clean? Ahh, the blood won’t come off... Water doesn’t do any good, right?”
“Yeah, it doesn’t – but more importantly, if you’ve settled down, I’m hungry. Let’s stop by a convenience store.”
“I dunno. If you’re gonna look, buy a bento and let’s get outta here.”
Mahito quickly stood up in the same way one would when they finished looking for something in a store.
A sense of fatigue was deeply ingrained in his body.
Their incoherent voices persisted, reverberating through the tunnel, smeared with excuses and attempts to escape reality. He couldn’t hear the soft burble of the stream.
With deep-seated listlessness, Mahito approached the skinhead as one would move to pick up fallen trash.
Idle Transfiguration. The technique spreads quickly.
And thus, the moment he tapped the man’s back, its shape was no longer human.
“Ee—!!”
If he just killed them, it would create a nuisance in the form of a corpse, so he simply folded it up into something palm-sized and kept it alive.
Then, with a careless sweep⁵ of his hand, he folded up the other man as well.
“Begh—”
It fell silent.
Mahito gathered up the two, now no bigger than chess pieces, and turned his attention down toward the remaining corpse of the old man.
It was now just a bag of meat full of bones. Not even the soul remained, so he couldn’t use Idle Transfiguration to fiddle with it.
He was briefly troubled by its disposal, which served as the biggest inconvenience.
In the tunnel, there nothing but the sound of running water.
--
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--
It was a day where the sky seemed farther away than usual.
Clouds peeked out from around the buildings and a good feeling was carried in on the wind.
Mahito aimlessly walked about the city.
“Maybe I’ll catch a movie. It’s been ages.”
He picked a tiny, somewhat old-looking theater and snuck in.
He’s had high motivation lately, and it seemed like some unnecessary things had peeled away from his soul, leaving him more carefree than ever.
Thanks to that, he had also begun to toy with humans more often.
If he can fold a person up and make them small, he wanted to test out inflating one instead, but he slept on the idea overnight. It was pretty fun, but he knew that he was getting too absorbed. He also felt that carrying on with too much persistence wasn’t a good thing.
A change of pace every now and then was fine, too.
He hadn’t closely checked to see what was being screened. It was mostly just plain and obscure movies, but if one went in with no expectations, they might come across a surprisingly interesting tale.
Curiously, he had that kind of a feeling.
While walking through the hall of the theater, he casually felt through his pocket, which had grown bulky with the ‘small humans’ that he had touched.
—Speaking of which, he thought that was a nuisance.
He carelessly tossed some of them away.
Opening the door, he stepped into the theater.
Perhaps because it was a weekday, there weren’t many customers. The silhouettes of what appeared to be students filled out a few seats here and there.
From where Mahito stood in the corner, he had a good view of the screen.
Soon, instead of a curtain raising, the theater was engulfed in darkness.
--
T/N: [1] In this sentence, the implication is that the “accident” was very much orchestrated by the old man’s friend and wife, who burned his eyes somehow and then merely made it look like an accident [2] The rakugoka is the storyteller in rakugo, a form of (often) comedic theater that relies solely on spoken word from the rakugoka, who only uses a fan and hand towel as props [3] A way of referring to old men in general, basically like “gramps/grandpa”; Mahito never calls him by an actual name [4] Essentially, the old man’s saying that he (or anyone) can exist parallel to human society without interacting if they have no attachments to it and can still find peace, contrary to the Woolf quote [5] Kanji reads sweep, furigana reads cleanse (the same word for exorcism that sorcerers use)
Thanks as well to Pixi for help with editing and tl checks!  If an officially translated version of the novel becomes available in your country, please consider purchasing it, or consider buying a copy of the original novel in Japanese if possible!
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