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castiel-left-his-mark-on-me · 3 years

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Hi, Ary, very inactive ex-mutual(i think???) here. Good to see you thriving! ♥ It's been a while since I've dipped my head into cockles stuff. Could I perchance maybe ask uuuuum tf is going on??? lol I see Mish apparently confirmed he used to stay over at Jensen's in Van, and heard newbs were apparently freaking out about it and getting a bit messy, which I get that, business as usual. But I'm also seeing shit about spin-offs? And Jared getting in a twitter fight with Jensen, causing/resulting in stans to going feral and sending hate?? I know you're not as big a fan of Jar, but that's part of why I figured I'd ask you, you usually have a really level head about this kinda stuff. If you don't wanna answer publically, or at all, that's totally chill!

Hey, Rhi! We're still mutuals! Of course we're still mutuals! When I saw the notification of your ask, I was like "Hey! I haven't seen you in a while!" and my husband was like "???" and I said "Tumblr" and he said "Oh."

It was a wild time haha.

In any case, welcome back to the dumpster fire! We are obviously still a mess. So to catch you up, I guess I will start by summarizing both before and after the finale (not sure where you left off so this might be redundant for you) ... basically, it became obvious as the end of the show neared that Jensen was not on board with the plan for the finale; although Jared never stopped singing its praises.

We got confirmation of this during a zoom interview where Jensen said that he actually went into the writers room as well as called Kripke to basically voice how he didn't agree with the direction the final season was going, but he was shot down on all fronts. In another interview, he was asked "What would you tell your younger self going into this career?" And Jensen responded with: "I would tell myself to just keep your head down and do the work" meaning, "Don't try to change things because you can't." I also think that this whole situation is what he wrote "Let Me Be" about for his first Radio Company album, but that is just my own speculation. All of his reluctance, even though he always followed it up with "But I eventually saw the value in the script" or "I came around in the end" (which never sounded sincere, and I don't think he was really trying to sound sincere) made us all very nervous about what was to come for 15x20; and of course, when the last two episodes aired, we saw just how badly they fucked it up.

After the awful finale, the entire fandom became aware of the CW's heavy handed role in the thing, basically squeezing all the life out of SPN to shape it into a ramp from which Walker could launch itself. They not only erased all the love and joy and representation that Cas's love confession gave us, they also tore apart the things that made sense about the bond between Sam and Dean, making it really just about Sam-- and therefore Jared, which of course, Jared seemed to be fine with ... even though no one else was. Misha barely said anything during the finale, and a few of the other actors talked about the show ending in various posts, but Jared tweeted up a storm ... and Jensen? Jensen just sat in sexy-silent resentment of the whole thing. He didn't tweet, he didn't post, he didn't say a word once he no longer had to, and I think that's because he was already going full-steam-ahead on his plans for redemption.

Which brings us to Chaos Machine-- Jensen and Danneel's new production company that is being run by a queer creative director and has a mantra of inclusivity and representation woven throughout it's fabric; and apparently, the first story that Jensen wanted to tell through this new platform is the origin story of Sam and Dean's parents; so last week (?) he announced the upcoming production of "The Winchesters" -- the untold love story of John and Mary. Obviously, John is not the most likable character from the show, so the idea was met with a lot of resentment when it was first announced, but Jensen has gone on to say that he is excited to take on the task of telling the "true" story behind these characters-- the one that makes sense with the pre-established canon and doesn't reject it. So, given that, the idea is being mulled over with a bit more optimism from the fandom.

Who isn't being optimistic though?

Jared Padalecki.

When Jensen made this announcement on Twitter, many of his friends and coworkers congratulated him, but not Jared. Jared responded with a passive aggressive: "I'm happy for you, man, but I wish I didn't hear about it through Twitter." This of course, sent all the die-hard Jared fans into a tizzy and they immediately began asking him if he was serious (hoping it was just a joke-- we all hoped it was because there would be fallout no matter what one's opinion on Jared is). Instead of leaving it there though or just deleting that tweet, Jared went on to tweet some more, saying that he was being serious that he didn't know about the plans for the prequel, and that he was "gutted" that Sam apparenlty wouldn't be included (mind you, this a prequel to SPN... meaning BEFORE Sam and Dean were even born, so how could Sam be included? But Dean is apparently narrating this story so maybe Jared thought Sam should be helping to narrate it? I don't know). But Jared being Jared couldn't just leave that there, he then went on to tweet at Robbie Thompson who was announced as a writer for "The Winchesters" so then Jared went off on him too, calling him "Brutus" and a "coward" acting like Robbie betrayed him (speculation is-- Robbie refused to write for Walker, so Jared is pissed that he essentially chose Jensen over him). He did fairly quickly, remove that tweet attacking Robbie, but of course the damage was done at that point. And it truly only took his first tweet calling out Jensen for some people to be like "Jared-- that sucks if you didn't know but why are you saying any of this publicly?"

As you might know, Jared has had issues in the past with posting hurtful things on social media, and has even used it as a tool for attack before-- calling out customer service agents and public workers that he felt have wronged him, which is bad enough ... but for him to then do the same thing to his best friend of well over a decade? Many people who had once liked him or at least gave him the benefit of the doubt (I used to ...) stopped after this latest twitter tantrum.

However, some people have suspected for some time that J2 had a falling out either shortly before the finale or just after. Their public/social media interactions have seemed awkward, stilted or even non-existent in moments that they normally wouldn't be. In the past year, when Walker premiered, Jensen didn't say much about his friend's new venture other than a "Congrats. buddy" here and there. Later, we learned that Jensen refused to work on the show ... Jared said he make him do it, drag Jensen to the set "kicking and screaming" which made many fans quirk up an eyebrow because, why would Jensen put up a fight unless the two weren't as close as they used to be? And then Jensen moved his family to Colorado (either permanently or for an extended period at least) which is notable considering how he moved to Texas seemingly to be closer to Jared, even buying a house that was near his. All this was just speculation though; but it wasn't until Jared's tweet complaining about not knowing about the prequel that the theories behind them falling out, became less theory and more fact.

The day after his twitter tantrum, Jared tweeted again-- not retracting his statements or apologizing, but instead saying that he and Jensen "talked" and were "all good". Jensen then tweeted too, parroting this statement to some degree, which only made the whole thing even more sour in the mouths of the fans. The fact that Jared didn't apologize for his outburst and throwing his friend under the bus, and also the fact that Jensen-- Mr. Sexy Silence, Mr. Never Tweets, Mr. Tech-Ignorant-and-Proud, actually had to POST SOMETHING saying that he and Jared made up, it just screamed OPTICS. It was obviously the work of agents and PR firms and lots of people going "Look, if you two keep beefing, that will mean the death of both of your projects. Even more people will stop watching Walker, and this SPN prequel will never get picked up due to the scandal." So, the two "made nice" publicly to quell the chaos, but in my opinion, it's all too little too late. Jared started a storm that he can't contain now with a little tweet, and it seems like he knows that too because before he talked about him and Jensen making up, he asked that people "not send threats". He could have just as easily said that he shouldn't have made this a public issue and that he's sorry, but instead, he continued to play the victim and stoke the flames by alerting us all to the damage he's done.

Now, like I said before-- I used to give him the benefit of the doubt. I don't think he's an awful human or that he deserves to be attacked or anything, but he is an adult man with very poor judgment and an obvious selfish-streak a mile wide. He should know better, and he should have more respect for his so-called "friends" and "brothers" than to make them targets to public ridicule. I have a hard time believing that Jensen still sees Jared the way he used to, and I wouldn't blame him a bit for wanting to pull away-- especially when he's moving on to so many new and exciting things. Jared certainly deserves happiness just as much as anyone else, but he went on twitter and basically asked for a scandal, and he got one.

The question is now-- was there a motive behind it? Was just looking for a reason to bring his and Jensen's falling out to light-- while making himself looking like the victim in the process? Or did he genuinely not know about the prequel and just decided to go about "not knowing" in the most toxic and hurtful way he could manage?

In any case, that is the drama ... that is the J2 insanity in a rather lengthy nutshell ... that is the tea ... and I hope it all makes sense.

But the good news out of all of this is, Cockles is thriving-- they are happy and in love and Jensen calls Misha "Babe" and Misha misses waking up to see Jensen in the morning, and they are just as cute and wonderful as can be.

So, I will end that there. I am so glad to see you back, and I hope I answered all your questions in a way that made sense ... I tried anyway!

💖💖💖

#omg #I don't even know if this makes sense #this took way too long to write #j2 #cockles #long post #spn family #so glad you see you back again my dear #welcome to hell #it's hotter now

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shirlleycoyle · 3 years

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How 9/11 Became Fan Fiction Canon

Every fictional character you can think of has experienced 9/11 in fanfiction.

A Clone Wars veteran with two lightsabers is on United Airlines Flight 93 and prevents it from crashing. Ron and Hermione get caught up in the chaos as the towers fall. Buffy the Vampire Slayer and her friends watch the attacks unfold on TV from Sunnydale. We have spent 20 years trying to process what happened on 9/11 and its fallout, and that messy process can be tracked through the countless, sad, disturbing, and sometimes very funny fanfiction left across the internet.

Many of the fanfics written in the weeks and months following the 9/11 attacks seemed to directly respond to the news as it happened, processing the tragedy in real-time through the eyes of characters they loved. In the absence of a canon episode where Daria Morgendorffer paid respects to those lost, writing fanfic about these characters also experiencing trauma helped fans cope.

One YuGiOh fanfic published on fanfiction.net in May 2002 could have been ripped exactly from what this writer experienced that Tuesday morning. “It started as a normal day,” user Gijinka Renamon wrote. Yugi and his friends were in school, where their teacher informed them of the attacks and sent everyone home from school.

“After reading people’s 9/11 fics, I decided to write my own, and put a certain character in it. And Yugi and his pals were my first choice,” the author's note reads, explaining the connection they felt to United flight 93 and the World Trade Center attacks. Given that they lived in Pennsylvania, and “it’s close to New York, I felt really sad about it.”

Stitch, a fandom journalist for Teen Vogue, told Motherboard that this reaction to 9/11 is not at all uncommon in fandom.

"Fandom has always been a place that positions nothing as 'off limits,'" she said. "Historical tragedies like the Titanic sinking and atrocities like… all of World War 2 show up regularly across the past 30 years of people creating stories and art about the characters they love. So, on some level, it makes sense that 9/11 and the following 20-year military installation in the Middle East has joined the ranks of things people in different fandoms turn into settings for their fan fiction."

Reactions depicted in a handful of Buffy the Vampire Slayer fanfics published in the weeks after the attacks ring a little truer to the characters. “Tuesday, 11th September 2001,” written by Anna K, almost echoes the lyrics from “I’ve Got a Theory,” one of the songs in the musical episode that aired in November 2001. “We have seen the apocalypse. We have prevented it. Actually, we’ve prevented quite a few. So we know what they look like,” they write, before taking a darker turn. “They look a lot like…New York today.”

Killing demons and vampires doesn’t phase the Scooby Gang, but when preventable human death is brought into the picture, it’s gut wrenching.

“What am I supposed to do…When I can’t do anything to save the world?” Buffy cries into Spike’s chest, watching the attacks unfold on TV in a fanfic the author described as being “about feeling numb and helpless.”

In “Blood Drive,” Kirayoshi writes about Buffy and her friends saving a van full of donated blood meant for victims of the attacks from a group of thirsty vampires. One Buffy the Vampire Slayer fic even takes a blindly patriotic turn, where noted lesbian witch Tara McClay helps Xander hang an American flag from the window of the magic shop to make Anya feel better.

Experiencing 9/11 as a young teenager was overwhelming not just because of the loss of life. Almost immediately after the event itself, it was as if the entirety of American culture re-oriented itself towards an overtly jingoistic stance. As we get distance from the attacks, seeing the tone of television and movies from the early 2000s is jarring, and some have gone viral on Twitter. In the world of pop music, mainstream musicians like the Chicks, formerly known as the Dixie Chicks, were blacklisted from the radio while Toby Keith sang about putting a boot up the ass of terrorists. On the Disney Channel, a young Shia Labeouf reading a poem he supposedly wrote about the events. The poem concludes with the line, "it's awesome to be an American citizen."

In a world so completely saturated with this messaging, it is not surprising that fanfic authors started including 9/11 in their work so soon after the event. Even The West Wing had a strange, out of continuity, fanfic-esque episode where the characters reacted to 9/11. In some cases, it made sense that the characters in the stories would be close to or a part of the events themselves.

"For characters like John Watson or Captain America, the idea works to an extent," Stitch told Motherboard. "In the original Sherlock Holmes works and the 2011 BBC series, Watson had just returned from Afghanistan. For Captain America and other Marvel heroes, 9/11 was something that was addressed in-universe in The Amazing Spider-Man volume 2 #36. Technically, 9/11 is 'canon' to the Marvel universe."

In “Early Warning: Terrorism,” a fanfiction for the TV show Early Edition in which a man who mysteriously receives tomorrow's newspaper, predicting the future, avoids jingoism, but tries to precent 9/11 from happening. This fanfic remains unfinished; it’s unclear if the characters successfully prevent 9/11 in this retelling.

Largely in fanfic from the era just after 9/11, when many young authors were trying to emotionally grapple with it, the characters don't re-write or undo the events themselves. It's this emphasis on the reaction to tragedy that colors the fanfiction that features 9/11 going forward.

Although fanfiction authors have been writing about 9/11 consistently since soon after the event, whenever that fanfiction reaches outside of its intended audience, it looks bizarre.

A screenshot of a Naruto 9/11 fanfic on the Tumblr subreddit comes without any context, or even more than two lines and an author's note. It’s impossible to suss out if this falls into the category of sincere fanfic without the rest of the piece or a publication date, but modern-day commenters on the Reddit thread see it as classic Tumblr trash.

Screenshot from r/Tumblr

“Bin Laden/Dick Cheney, enemies to lovers, 10k words, slow burn,” one user joked in the replies, underscoring the weirdness of Naruto being in the Twin Towers by comparing it to a What If story about Cheney and Bin Laden slowly falling deeply in love.

It’s hard to tell how much of the 9/11 fanfic and fanart starting a few years after the attacks is sincere, and how much of it is ironic, and trying to make fun of the very concept of writing fanfiction about 9/11.

A 2007 anime music video (in which various clips, usually from anime, are cut together to music) that combines scenes from The Lion King with Linkin Park’s “Crawling” and clips from George Bush’s speeches immediately after the attacks feels like the perfect example of this. Even the commenters can’t seem to suss out if this person is a troll or not.

There’s no way that My Little Pony: Friendship Is Magic 9/11 fanart could be serious, right? Especially if the description pays tribute to “some of the nation's most memorable buildings,” and features five of the main characters as child versions of themselves. The comments again are split between users thanking the artist for a thoughtful remembrance post, and people making their own headcanon for why Twilight Sparkle is surreptitiously absent from the scene.

Screengrab via DeviantArt

There’s Phineas and Ferb fanfic that combines a 9/11 tribute concert with flashbacks to Ferb being rescued from the towers as a baby, written on the 10th anniversary of the attacks. It jumps from introspection to lines like, “‘Quiet Perry the Platypus. I’m trying to listen to these kids singing a 9/11 tribute.’”

The author's notes make it more likely that they meant for this to be a tribute piece, but it doesn’t quite make sense until watching a YouTube dramatic reading of it from 2020, fully embracing the absurdity of it all.

“For me, 9/11 is synonymous with war. It completely changed the course of my life," Dreadnought, the author of a Captain America fanfic Baghdad Waltz that sees Steve Rogers and Bucky Barnes fall in love over the course of the war on terror, told Motherboard. "It’s the reason I joined the military, and I developed deep connections with people who would go on to deploy to Afghanistan and Iraq. These very much felt like my generation’s wars, perhaps because people I graduated high school with were the youngest folks eligible to serve at the time.”

Dreadnought told Motherboard that although they didn't deploy, their career has kept 9/11 and the trauma from it in their mind. After seeing that people who fantasize about Steve and Bucky getting together seemed particularly interested in reading fanfiction that related to 9/11, they decided to try their hand at it.

"I had to do something with all of that emotionally, and I’m admittedly a bit emotionally avoidant. So I learned through fic that it’s easier for me to process those feelings and the knowledge of all the awful stuff that can happen in war if I can turn it into something creative," Dreadnought said. "Give the feelings to fake people and then have those fake people give the feelings to readers!"

To Dreadnought, who is a queer man, the experience of researching and writing this was more cathartic than they first expected, especially as a way to navigate feelings about masculinity, military culture, and queer identity. But they said the research they did, which included watching footage of first responders at ground zero, was what helped them finally process the event itself.

"It was like a delayed horror, and it was more powerful than I expected it would be." Dreadnought said. "When I was eighteen, I was pretty emotionally divorced from 9/11; I just knew I wanted to do something about it. So coming back to it in my 30s while writing this fic, it was a very different experience. Even the research for this story ended up being an extraordinarily valuable exercise in cognitively and emotionally processing 9/11 and all of its second and third order effects."

Fanfiction that features 9/11 provides an outlet for people who still grapple with the trauma from that day. But Stitch warns that the dynamics of fandom and how it relates to politics can also create fiction that's less respectful and more grotesque.

"With years of distance between the stories written and the original events of 9/11, there seems to be some sort of cushion for fans who choose to use those events as a catalyst for relationships—and Iraq and Afghanistan for settings," Stitch said. "The cushion allows them room to fictionalize real world events that changed the shape of the world as we know it, but it also insulates them from having to think about what they may be putting into the world."

The tendency of turning these events into settings or backgrounds for mostly white, male characters to fall in love has the unintended effect of displacing the effects that the war on terror has had on the world over. Steve and Bucky might fall in love during the war on terror, but they would also be acting as a part of the American military in a war that has been criticized since it started. Fanfic writers in other fandoms have come under fire for using real world tragedy as settings for fic before. In the aftermath of the 2010 Haiti earthquake Supernatural fanfiction about the actors Jensen Ackles and Jared Padalecki going to the island to do aid became controversial within the fandom. There have also been fics where characters grapple with the death of George Floyd that is written in a way that displaces the event from the broader cultural context of race in America.

"A Captain America story where Steve Rogers is a 'regular' man who joins the US Army and 'fights for our freedom' post-9/11 is unlikely to deal with the war’s effect on locals who are subject to US military intervention," Stitch said. "It’s unlikely to sit with what Captain America has always meant and what a writer is doing by dropping Steve Rogers into a then-ongoing conflict in any capacity."

After enough time, “never forget” can even morph into “but what if it never happened?” A 19k+ word Star Wars alternate universe fanfic asks this question, wondering what would have unfolded if someone with two lightsabers was on United Flight 93. This fic, part of a larger fanfic series with its own Wikia, considers what would have happened if Earth was a military front in the Clone Wars.

In this version of events, a decorated general who served in the Clone Wars is able to take back control of Flight 93 before it crashes, landing safely and preventing even more tragedy from happening that day. In the end, all of the passengers who made harrowing last calls to their loved ones before perishing in a Pennsylvania field survive thanks to the power of the Force, and are awarded medals of honor by President Bush.

Twenty years after the attacks, it’s painful to think about what would have happened if people got to work 15 minutes later, or missed their trains that morning. There weren’t Jedi masters deployed to save people in real life, but for some of the fanfic writers working today, the world of Star Wars might feel just as removed as the world before September 11, 2001.

Fiction serves as a powerful playground for processing cultural events, especially generational trauma. The act isn't neutral though; a decade's worth of fanfiction that takes place on or around 9/11 shows how our own understanding of a traumatic event can shift with time.

How 9/11 Became Fan Fiction Canon syndicated from https://triviaqaweb.wordpress.com/feed/

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bmoviedragonsreloaded · 4 years

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Review: American Samurai (1992)

“Why couldn’t we just have been brothers?”

SOURCE

This review is based on the Region 1 DVD release of the film.

SPOILERS AHEAD

The Cannon Group was on its last legs in the early 90s and American Samurai was one of the last movies distributed during its lifetime. The first of several collaborations between director Sam Firstenberg and star David Bradley, this is a picture with a lot going for it that still manages to confound me. When I first saw it, I was shocked by many of the creative and technical decisions, but having recently seen it again, I think I can hang a lot of them on the old sin of studio overreach. Still, it shines in some important and gratifying ways and is worth a watch if this is your kind of thing.

The plot: An American reporter trained in the ways of the samurai (Bradley) and his photographer (Valarie Trapp) investigate a murder in Turkey, where he uncovers a deadly tournament championed by his vicious half-brother (Mark Dacascos).

Writer John Corcoran (RIP) was a well-known figure in the world of martial arts publication, but his sole movie script is basically Bloodsport with weapons. It starts off incredibly pulpy with the baby protagonist surviving a plane crash and being raised by a modern samurai (John Fujioka), but it almost immediately begins hitting recognizable beats of the Jean-Claude Van Damme vehicle, down to a blatant Donald Gibb knockoff character (Rex Ryon). Nevertheless, I think the film originally intended to distinguish itself by being a more dramatic and heartfelt story, with the crux being the conflict between the brothers. We get hints of an emotional undercurrent, with Bradley’s character conflicted about fighting the sibling who feels jealous of his parental favor. However, in the end, we only get a superficial and choppy representation of their feud, including a rushed prologue and a head-spinning psychedelic scene where the lead confronts his brother’s demonic form in a dream. (Shades of Dragon: The Bruce Lee Story?)

That’s a recurring trend: parts of the story and action giving the impression of having once been very different. It’s most apparent in two instances: (1) the breakneck romance between David Bradley and Valarie Trapp, with an abrupt sex scene entirely performed by body doubles, and (2) the final duel between the brothers, which I’m certain was initially a short and minimalistic fight before being expanded with footage obviously transplanted from previous scenes. I get the impression that the script was heavily edited to focus on exploitation, and then the movie saw substantial content changes during post-production. It complicates what probably a pretty simple film, to the point that I don’t feel like I can accurately critique the screenplay and the acting. I don’t assume it was ever a dramatic masterpiece, but I wonder whether even Mark Dacascos’ hamfisted acting didn’t seem more appropriate before his character’s motivations were screwed with after the fact.

Speaking of Dacascos, he’s retrospectively one of the main drawing points of the movie. This was his first substantial film role and he’s still in proto form. His presence and intensity are already apparent, his acting would improve, but the filmmakers don’t quite know how to get the most out of his fight scenes. Dacascos looks great with a katana, but if you’re hoping to find the equivalent of his fight scenes from Drive or even the following year’s Only the Strong, you’ll be disappointed at his comparatively restrained adrenaline pieces.

That said, the action is pretty good. I definitely appreciate it more than I did during my first viewing. Weapons are the name of the game, putting the film in the same subcategory as Ring of Steel and the Swordsman series. There’s some purely hand-to-hand stuff in the first half, with David Bradley demonstrating some cool throws, but for the most part, the action’s a variety of colorful opponents fighting each other with a plethora of bladed weapons. The quality of the fights isn’t static, with more than one marred by an overabundance of cutaway shots, but a lot of thought has been put into the choreography. The flashiest match is a rare onscreen appearance of Hong Kong choreographers Dion Lam and Anthony Szeto, but my personal favorite is a sword-versus-ax encounter between David Bradley and a viking-themed opponent (Mark Warren). I like how Bradley first uses only the hilt of his katana to fight, then only the dull side of the blade before he actually starts slicing. It’s not spectacular stuff, but definitely enjoyable.

“Definitely enjoyable” is a good summation of the movie, but only if you’re already into this genre, are a fan of some of the performers, and/or are prepared to find pleasure in the little details. I like Sam Firstenberg’s signature gore (even though the content is clumsily censored in the DVD release) – not just because of how it helps spice up the duels, but because I appreciate how he was one of the few karate filmmakers who utilized special effects in his action scenes. I get a kick out of Valarie Trapp, who’s nothing special as an actor but whose real-life story of being a struggling writer taking small movie roles to get by is genuinely inspiring. And, of course, I love the fact that two action heroes in different stages of their careers were able to do a film together, because even if this isn’t the best, it’s not so for lack of effort. If this sounds like your kind of picture, it’s worth spending a bit of money on…though you might be better off getting the VHS version in this case, which I don’t recall being quite as heavily censored.

SOURCE

American Samurai (1992) Directed by Sam Firstenberg (Revenge of the Ninja) Written by John Corcoran (editor of Inside Kung Fu magazine) Starring David Bradley (American Ninja 3 & 4), Valarie Trapp (Mr. Stitch), Mark Dacascos, Rex Ryan (The Man in the Iron Mask) Cool costars: The late, great John Fujioka plays another benevolent martial arts master, much like his role in American Ninja. The list of tournament fighters and other onscreen combatants include Hong Kong action masters Dion Lam (Black Mask) and Anthony Szeto (Wushu), karate staple Ron Vreeken (Under the Gun), and award-winning stunt pros Koby Azarly (Sector 4: Extraction) and Rocky McDonald (Mission Impossible II). Second unit director and action coordinator Guy Norris has since moved up the studio ladder, nowadays coordinating for major motion pictures like Mad Max: Fury Road and Suicide Squad. Video game fans may recognize composer Craig Stuart Garfinkle from his later work on the World of Warcraft and Fallout series. Content warning: Extreme violence, violence against women, kidnapping, police intimidation Title refers to David Bradley’s lead character, who plays an American trained in the art of the samurai. In a roundabout way, it could also refer to Mark Dacascos and John Fujioka, who are real-life Americans playing characters with samurai training. (If you want to be a pedantic nitpicker, the title’s a total misnomer since no character’s an actual member of the old Japanese military caste.) Cover accuracy: David Bradley and Mark Dacascos posing with swords, the latter seemingly wearing his outfit from the tournament, are certainly very true to the movie. That said, the Japanese syllabery and paper walls in the background don’t convey that hardly any of the story takes place in Japan. Number of full-length fight scenes: 10 Copyright Cannon Pictures / Global Pictures

#film review #film criticism #film critique #action #martial arts #karate #samurai #kendo #kenjutsu #american samurai #david bradley #mark dacascos #valarie trap #rex ryan #sam firstenberg

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