i physically need to see Edwin, Charles, Niko and Crystal dancing the Viennese waltz. Them finishing a case, winding up in a backyard and the sky is clear and Charles and Niko offer their hands respectively to Edwin and Crystal. Them dancing in circles around each other, them changing partners, them laughing while dancing fleckerls and turning clockwise and reverse until they're dizzy - until it's morning
Charles saying to Edwin: "C'mon, mate, I tried to teach you the moonwalk and running man, now it's your turn."
Niko saying to Crystal: "Ohh Crystal, it'd be soo much fun, please! We'll start slow, you can do it!"
It was Brühl’s idea to improvise a scene where Lagerfeld dances by himself, seemingly on the brink of a breakdown, while de Bascher drowns his existential dread in a drug-fueled outing at a nightclub.
“It’s great, and I love seeing the despair on both sides,” Brühl says of the end result. “I wanted in this little intimate dance moment to tell the whole journey, all the frustration, all the anger, all the humiliation, all the sadness and tenderness that he cannot.”
~Daniel Brühl, on the dance scene in Becoming Karl Lagerfeld (x)