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vivelegalite · 3 days

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dear dead boy detective (especially paynland) enjoyers: have you yet heard of the biggest gift bestowed upon the fandom so far, aka jayden's charles playlist? the one he mentioned in interviews? well, he dropped it on twitter at 19th of may. and man, do i have stuff to say about it.

there's a lot of 80's bangers, for sure, great to get into the mood and character, but some of the choices...

i'm gonna focus on a few of my favourites, songs that made me go insane when i saw them. honorable mentions: - category 1 (so devoted the lines blur): ain't no mountain high enough by marvin gaye and tammi terrell, there is a light that never goes out by the smiths, inkpot gods by the amazing devil - category 2 (family life): family line and summer child by conan gray, seventeen going under by sam fender, matilda by harry styles, father by the front bottoms - category 3 (being queer in the 80s): smalltown boy by bronski beat, boys don't cry by the cure - category 4 (there's no heterosexual explanation for this one): good luck, babe! by chappel roan, yellow by coldplay, fight or flight by conan gray (is this about monty? the cat king? i need answers!), the prophecy by taylor swift, arms tonite by mother mother, sweet by cigarettes after sex, head over heels by tears for fears

this list is by no means complete or comprehensive!

and now, the songs that made me go the craziest: (they're predominantly in charles' pov as it's his playlist)

found heaven by conan gray

the only reason this song made it into the list and not the honorable mentions instead of smalltown boy is that it makes almost the same point, just so much more explicitly. i don't think i have to say much about it, it's a story of a young person griping with their queerness, being forced to leave home, a common theme of the playlist. "you're in love, you found heaven" when he chose edwin over his own afterlife, heavily implied to be heaven, and built his heaven with him on the mortal plane? ouch! (and we see this same notion repeated in another bop from the playlist, heaven is a place on earth by belinda carlisle).

2. like real people do by hozier

"i miss kissing" charles rowland, 202X romantic meaning aside, the verses show a sort of a common understanding the boys have around the manner of their deaths and their lives before it. we already know from the show they don't really talk about it, with edwin not knowing about the severity of the abuse charles suffered. it feels like one of them saying "let the past be past, we're together now, yeah?". but also, jayden: can there ever be a platonic explanation for this? ghosts can't touch, can't feel, so they wish they could just kiss like "real" (alive?) people do?

3. flaws by bastille

not the most romantic song, but i absolutely love how well it fits their dynamic. despite his edwardian brand of repression, edwin truly is the one that's more open about his feelings (recognising of course that in this case, the bar is so low it's in hell. haha, get it). edwin has worn his flaws upon his sleeve, and charles has held them buried - eg. bottling up all of his anger and resentment towards his family and his own death. the song presents a very sweet outlook, in which their flaws are brought up to the surface (for example, charles' outburst against the night nurse in episode 4), but they learn to accept them as they are, an extension of themselves.

4. a pearl by mitski

you know it's gonna get intense if there's a mitski song in the mix.

the song is about a person who finds love in their partner, someone who treats them way better than they've ever been treated - and yet they cannot bring themselves to reciprocate the affection ("it's not that i don't want you, sorry i can't take your touch") despite reciprocating the feelings themselves because of the trauma. charles is known to bottle things up ("you're growing tired of me and all the things i don't talk about"). the person in the song recognises the love the other person holds for them ("you love me so hard and i still can't sleep"), which reminds me of charles' response to edwin's confession. not a "no", but a "maybe, as time passes".

5. fair by the amazing devil

this one made me genuinely gasp when i first delved into the lyrics. it's simply so sweet, such a genuine and domestic portrayal of love. at first i thought it was way too open about being a love song (normal text instead of the subtext i'd be used to) for jayden to choose it with edwin in mind, but... there's no one else it can really be about. it's far too domestic, too "established" to refer to crystal. refers to a relationship that's laster for a longer while.

the narrator in the first verse is a person deeply in love with the other person, someone who loves to make his lover laugh and simply drinks in their presence. the "he" in the song i believe is charles, while the "she" refers to edwin. edwin promises to fight off anyone - or any feelings pulling charles down (we can see this in the first episode: "you ever think... what if death did catch us? she'd force us to go to the afterlife and split up" "i will make sure this never happens."). charles feels left behind by the world (seeing as he clings to crystal at first, refering to her as "someone their age who's still alive") and believes edwin to be so much stronger than he's ever been. i'm not going to break down the song verse by verse, but if you read it yourself while subbing out "he" for charles and "she" for edwin you'll see just how sweet (and... strangely very in character?) the song is.

6. work song by hozier

if the previous song made me gasp when i saw the lyrics, this one made me go "NO WAY" out loud when i saw the title. the first one verse is just pure toothrotting sweetness, but the chorus is what i want to draw attention to:

when my time comes around lay me gently in the cold, dark earth no grave can hold my body down i'll crawl home to her

HELLO? charles, who keeps escaping death and afterlife to be able to stay with edwin? charles, as he literally takes his last breath with edwin right there, choosing to be by his side rather than move on? charles, who keeps choosing him despite night nurse's promises and threats? charles, who literally crawled through hell for him?

verse 2, to me, can be interpreted as referring to when charles died. edwin found him at his worst, and he "woke" up with his presence comforting him. he was shivering due to hypothermia and his injuries. edwin didn't ask him about what happened or pushed him, he simply listened. the lines "i didn't care much how long i lived, but I swear, i thought i dreamed her" are pretty self explanatory.

in verse 3 we still see the same attitude of "damn the afterlife, at least we have each other" as charles portrays througout the series. they're free, and heaven and hell are simply words to him.

7. orpheus by vincent lima

i literally have no words for this one. it fits too well. if you want commentary for this one, just... i don't know, rewatch the staircase scene.

8. francesca by hozier

(cracks knuckles) this is the big one. the album francesca is from, unreal unearth, is based on dante alighieri's divine comedy, a fourteenth century poem about a man venturing into hell, purgatory and eventually heaven. the eponymous francesca is one francesca di rimini, a woman who was politically married off to a man older than her, called giovanni malatesta. francesca didn't love him, and eventually fell deep in love with giovanni's younger brother, paolo. the two carried on with the affair for years, before being murdered by giovanni upon his finding out. francesca and paolo are mentioned in canto v of the first book, inferno, as two souls damned in the second circle of hell, lust. their punishment is to be permanently locked in a hurricane, swept away by the winds the moment they manage to get close enough to touch one another.

as opposed to their portrayal in the poem, the song is from the perspective of paolo, explaining that no matter the punishment, he wouldn't change anything about his life because he got to know, and love, francesca.

the first verse brings to mind the scenes in hell, especially on the staircase ("do you think I'd give up? that this might've shook the love from me? or that I was on the brink? how could you think, darlin', i'd scare so easily?" as an echo of charles' "sorry. no version of this where i didn't come get you"). "my life was a storm since i was born, how could i fear any hurricane?" could relate to charles' tumultuous family life, an assurance that nothing he has to deal with while by edwin's side will faze him given the things he's lived through. no, despite everything he's suffered through, charles wouldn't do anything differently - because his (admittedly shitty) life led him to edwin ("i'd tell them, put me back in"). we already know charles would choose him over heaven, willingly sacrificing his own afterlife to stay with a boy he's known for hours, someone kind enough to keep him company as he drew his final breath. all of it - his father's abuse, his schoolmates' bigotry, the pain of his own death, as well as everything he's gone through since - he'd do it all again, for edwin.

"for all that was said of where we'd end up at the end of it" could be taken as an allusion to the fate the boys would meet at "at the end of it", when they're finally caught by death and separated, or as more of a general "if you sin, you will go to hell when you die" (up to you to decide what the sin itself would be - an interpretation that would work with other songs on the playlist is that one such sin would be same sex attraction). then their hearts ceased, they never knew "peace", nor did they want to find it in death. their deaths were too soon, them being ripped away from life, but even though it would break his heart: charles would ask to do it all again.

the outro, i think, beautifully pulls it all together: heaven is not fit to house a love like theirs.

to wrap it all up:

jayden, what were you cooking in there? what do you know??

#please interact w me please please please i need dbd moots <3 #dbda #dead boy detectives #dead boy detective agency #paynland #payneland #painland #paineland #chedwin #charles rowland #edwin paine #edwin payne #dead boy detectives agency #dead boy detectives analysis #aough jayden your mind #my art #<- my umbrella trashcan tag

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niko-sasaki-dbd · 2 days

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Can we just stop for a second and think about Charles attending his own funeral?

I can’t stop picturing him—still not used to being dead—playing a sickening version of hide and seek, just him and his fears. He’s still a kid, hidden in a dark corner, watching his mother cry over a coffin that will soon be six feet deep. Rotting.

He is the uninvited guest, observing his mother from the shadows. He doesn’t find a trace of the silent tears in her eyes—the ones he had seen a thousand times before—but there’s desperation instead. A violent tremble shakes her shoulders, her sobs are stealing the air from her lungs. There’s pain running down her cheeks, the sort of torturing agony that can only be driven by guilt, and loss, and grief.

He sees people around, unknown voices trying to calm her down. He sees blurred faces, question marks, beating hearts but blind eyes. They don’t know anything about her, and they will never know anything about him.

He wants to get closer, but he doesn’t know how. He wants to never see her again. He wants to scream; he wants to tell her that he would have never chosen to leave her if he had been granted the choice. He wants her to look at him; he wants her to hold him as she’s holding onto that inert wooden box.

But she never will.

Just one more time, he looks at her intently.

“It’s gonna be okay, sweetheart.”

Just one more time, he takes one step closer.

“I promise…”

Just one more—

“I’m so sorry for your loss, Mr. Rowland.”

It's cold again. He retreats to the shadows and looks ahead. There's no one, not a single person, who shows less kindness than his own father.

He stays three steps away from his mother, with a hardened expression that never changes. They may think he's stoic, but Charles knows better; he is looking at him—at the lifeless body that once was him—with so much contained rage. It looks like home, the unwelcoming preamble to another beating, and Charles believes he is selfish for feeling relieved, for finding solace in his own death.

There is no one around to judge him for it, yet he still worries so much; he's safe, but somehow, he's still crying on the floor inside his mind, and the bruises keep blooming, and the pain feels so real.

"Charles?"

How can he explain that he wants to be alive, but he doesn't want his life back? It's just a plight he would rather avoid because he fears that if he keeps thinking about it, the water would come back, and this time, he wouldn't be able to find a way out. He would be trapped forever, fighting senselessly against the freezing cold, suffocating within the walls of his own nightmare.

Alone.

"Are you alright?"

He doesn't want to stay and haunt this place; he doesn't want to be remembered like this. He would rather pray for his mother to let him go, and for the violence to let go of her.

"Would you prefer me to wait for you outside?"

He doesn't want to feel fragile, he doesn't want to be useless, he doesn't want to be angry. He would rather bury his own aching body along with all his losses, but he would remember his father's eyes, just in case.

For now, he needs to pull himself together because there's someone looking for him—hide and seek, but it's not scary anymore—maybe he will have to leave his hideout soon, but is it losing when you want to be found?

"No,"

Cold colors seem warmer when the light comes in.

Don't leave me.

"I'll go with you."

#this was supposed to be short #charles rowland #charles dead boy detectives #edwin paine #edwin payne #chedwin #paineland #payneland #painland #dead boy detectives #dead boy detective netflix #dead boy detective agency #dead boy detectives agency #the dead boy detectives #dbda #dbda fanfic #dc universe #dcu

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