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bivwifeybunny · 2 years

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Romanticism

this is a writing I did 2 months ago and I feel confident enough to post it now. be warned this is a rant and not a fanfiction in any way shape or form. so please proceed with caution.

also note my blog is a safe space and any hate will not be tolerated. my asks and dms are always open if you ever need to rant about things as well. please stay safe and once again, please read all tags and warnings before proceeding with caution

tw: feelings of loneliness, fear of being forgotten, delusions, very unhealthy parasocial relations, bad relationships, unhealthy consummation of media, mentions of harsh self-criticism & self doubt, all of this is all very self-destructive behavior

Loneliness is crushing. It’s all enveloping, disguising itself as a warm hug. Warm hugs leave you feeling happy and well… warm. Loneliness leaves you feeling cold and hollow.

You don’t notice it at first. It’s never the first thing in your mind. But as you get older it changes. You tell yourself it’s fine. You have friends. You’re content with what you have. But as people pass you by you can’t help but feel left alone in the dust. Forgotten.

That’s such an awful word. But I guess it’s accurate. Because when I look deeper into it, it’s not so much the loneliness as it is being forgotten. Unloved.

When fear of being forgotten and loneliness creeps closer, you can’t help but ask yourself if something’s wrong with you. When you ask someone else their answers are always the same.

You’re lucky you haven’t dated yet.

You should wait till you’re older.

It’ll happen eventually.

You don’t need a relationship.

You’ll find someone.

But as the days pass on you can’t help but wonder if that really is the case. Will you find someone? It certainly doesn’t feel like it. As the days turn to weeks, weeks to months, months to years, it honestly feels like it’ll never happen.

You feel unlovable. Especially when you try. When you decide to put yourself out there, take a shot at someone. Only to be rejected.

From my experience there was always someone else. Always someone else that caught their eye. I’ve seen a lot. There’s always a girlfriend or somebody they had a crush on. And there were always the ones who took pity on you. The ones who realized your romantic feelings and decided to humor you.

“Those were the worst 5 minutes of my life.”

He agreed out of pity and couldn’t stand it for any longer than 5 minutes. Not only did he end it so soon, but he verbalized his distaste behind my back. I only found out because his best friend, the one he had told, decided to let me know.

There was the boy who was forced into a “relationship” with me. By my own friends. I know they meant well. They knew of my crush and were only trying to help me out but in doing so led to my ultimate heartbreak when humoring the quiet girl became too much.

And last but certainly not least, was the drummer boy. Living up to the cliche, just not with me. It was certainly a roller coaster. But in the end I couldn’t blame him. I couldn’t. But it always left me thinking it had to be me.

I’m the only constant factor in all of these scenarios. It doesn’t help that I fall hard and fast. Though that aspect has only worsened over time.

It led to this downward spiral of fantasizing romantically about just about anyone on the internet. Real or Fictional. I invested all my time and effort into these fucked up “relationships”. If you could even call them that. I developed an unhealthy obsession with these people. I always brushed it off.

Everyone does it nowadays. I just think they’re hot.

That’s what I told myself to make me feel better. Which in hindsight was not the best choice as it only justified my own actions to myself. This started these self-destructive cycles. Obsess and hyperfixate on these people and characters, “justify” my actions and continue to revolve my entire life around them.

It got bad enough to the point where I’d call it an addiction.

I couldn’t stop.

Constantly turning to places like Tumblr and Ao3 just to fuel my desires and I couldn’t seem to go a day without doing so.

Quarantine in particular really put the nail in the coffin so to speak. I was without my friends and had no way of contacting them. This time the loneliness settled in quicker. This time it didn’t leave.

I spent hours upon hours getting lost in the pages upon pages of fanfiction.

Neglecting my family. My schoolwork. Everything.

And the worst part is it didn’t make me feel better. In fact it did the opposite.

Sure at the time I was reading it, it felt great. I got to escape reality for a while. But afterwards I only felt more anxious and guilty. A heavy weight only sinking further and further into my skin the more I indulged. I couldn’t stop still. It was like a high, a euphoria that I gained. But each word only served to further the guilt and anxiety rooting itself deep within me.

Neglecting my family and schoolwork piled on quickly. I was slipping and I knew it, but it was like I wasn’t in control of my life anymore. I slipped further and further down this path and there was no way I could stop it. If anything, it only increased.

Rushed deadlines, missing out.

It didn’t matter.

It didn’t matter because for a short while the loneliness would subside. The all encapsulating grip of self-doubt loosened.

But it always returned. And returned stronger. To the point where friends weren’t enough anymore. They were barely enough before, but now these feelings only amplified after my time with them. I would leave them with a heavy heart and hollow feeling.

That numb feeling. That was what kept me going back. Searching for a way to feel anything anymore.

I created toxic parasocial relationships. Delusions that made the loneliness go away. It had no place if these delusions were believed to be reality, right? All I needed to do was believe.

And believe I did.

It only spiraled downwards when I discovered streamers.

This took my ideas of parasocial relationships to a new level. They were real people. They could talk and interact with their fans. There was something much more personal than fictitious characters and much more realistic and attainable than celebrities. They participated in fan service for their own personal gain.

It was everything I could ever want. And everything I didn’t need.

Before I knew it things had spiraled so far out of my control, that I couldn’t escape it. They actively put out new content which I consumed at a rapid pace. But every once in a while, when I was back in control. When I could sit back and take a look at the damage, I was left feeling different.

It wasn’t loneliness anymore, not entirely. A new feeling emerged once I stumbled out of my month-long delusions.

Self-doubt and self-critiquing.

Coming out of these delusions didn’t mean I suddenly stopped feeling romantic feelings towards these people, it only meant I was now aware about my fate.

I had no chance with them.

I never did and never will.

There was always still that voice in the back of my head. And even as I’m typing this I hear it.

The voice that says:

You can still have them.

Tempting me back in my delusions. I deny the voice.

I deny, deny, deny until I can no longer bear my own reality and allow myself to slip back into the delusion. To go back to my fantasy world.

During the buildup however, another thing chips away at the thin armor I’ve covered myself in. Along with the thoughts of never being able to be with these people, there’s also the nitpicking. Assuming the type of girl a certain streamer would want to be with and comparing myself.

That step in the process is exactly what spurred me to write this. Just hours ago I was scrutinizing myself in comparison to other women on the internet, inevitably snowballing the smallest imperfections to full on hatred for myself.

Facing the reality of the situation, criticizing myself, denying myself the ability to divulge in the delusion for as long as possible sent me right back into them. The dam finally breaks and I give in. I go back to my world of delusions and fantasy and repeat the cycle again and again and again.

Loneliness. Self-doubt. Self-critiquing. Fear of being forgotten. Fear of being unlovable.

Unlovable.

At this point in time I believe that to be true about myself.

I know people say it’s not true, and that I’m just being dramatic and impatient.

And maybe I am.

But all I know is that this empty feeling, this idea of being unworthy of love is what I feel. And I might not ever escape this cycle I’ve started.

#tw unhealthy parasocial relationships #tw intense feelings of loneliness #tw fear of being forgotten #tw delusion #tw unhealthy coping mechanisms #tw unhealthy relation to media #tw self doubt #tw self criticism #tw self worth #tw self deprecation #tw self destruction

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misschifuyu · 3 years

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To choose a lover

requested here

characters: ran haitani + rindou haitani

genre: fluff

warnings: none

Giggles and whispering comments were passed around, giddiness present in the voices that spoke out just a few metres away from you.

As much as you tried to focus on the tiresome work that was splayed out on the piece of paper before you, it was completely futile to drown the girls out.

It didn't take a genius to know what they were talking about. The school you were all under had the privilege - if one could even consider it as such - to hold two infamous students.

The Haitani brothers.

Whilst the eldest was in his final year, the younger still had another year under this roof until he followed in his brother's footsteps.

But there was really nothing to dislike about going to class when one had a literal fan group who's main topic was always them.

There were girls who preferred Ran, with his signature braids that they always wished they could undo for him; and others that would always fawn over Rindou's cocky ways and stubbornness, trying to catch his attention wherever he went.

The current conversation, however, wasn't just fixed on talking about their aspects.

Far from it. Sending each other questionable looks and making fun of those on the other side of the opinion, they were discussing who, out of the two brothers, was better.

Those on Ran's side had the advantage of saying that he was older, therefore more responsible and willing to take care of anyone.

Sure.

He would make the perfect husband, some were proclaiming. But...the youngest would always want to show that he is the strongest, the more dependable one, as a result of the inferiority that had always hung with him since they were young.

It wasn't that he was, he just hadn't pushed himself to be known as much as his brother had done all those years back.

Needless to say, it was an argument that would never see an end. At least not until the two left the school behind and continued up to wherever the future would take them.

It was amusing, from your point of view, to hear all of these discussions. For years now you had known the two, as close friends who had grown up on the same street, so you knew everything that there was to them, right down to what they actually did when they said they were studying.

Definitely something that the girls would be pushed back by if they ever found out.

But, if it really came down to it, you probably wouldn't be able to pick one out of the pack that they came in, either.

They both had their merits and faults, and, truth be told, neither of the two were that much of a pleasure to be around with, as much as their fans would beg to differ.

One thing was for sure, though. It had come into the light when the three of you had been hanging out one afternoon, without much else to do.

You had asked the youngest about what he thought about his notorious lower level when it came to comparing him with his brother.

It had simply been a spur of the moment, and you hadn't expected him to actually give a sorrowful response.

He was well aware that he was viewed as the weaker brother of the two, and as much as he'd try to prove otherwise, it had always been something that would eat away at him.

Naturally, both you and Ran had jumped to convince him that he was far from a weak person.

The fact that he was viewed as such meant nothing at all when it came down to the reality of what he was, and that there was no point in even listening to those ignorant - and frankly, irrelevant - opinions about himself.

At the end of the day, although you would never openly admit it near the oblivious fangirls, you held a considerable amount of affection towards the two of them.

Of course, they had their odd moments in which you only wished to hit them around the head with Ran's metal bar; but, all in all, they would always be your childhood friends.

So choosing between them was simply out of the question.

Both of them held an equal importance to you, so when a peculiar feeling started growing for one of them, you quickly averted it so it would be felt for the two, whatever it were to be.

They were two peas in a pod, and you weren't about to change this because of a measly crush.

However, the thought would only bug you more whenever you were all together. Such as the current situation, sat right between the two of them on the comfort of their couch.

Before even coming over, you had mentally ordered yourself to disregard the ridiculous thoughts that had flooded your mind.

The girls back at school hadn't help with the problem one bit, if anything they worsened the conflictive feelings; and now you were to spend the afternoon with the two.

One could only think that all odds were against them in such situations.

Head resting on Ran's shoulder, legs atop Rindou's, your eyes were fixed onto the screen before you. The reasoning behind spending the afternoon together was the airing of your favourite show.

However, you were now racking your brains over what you were supposed to do after the series ended. Watching a movie was the prime option, but you figured they would want to move from the couch and do something else.

And the two were very talkative, so you would have to, inevitably, push everything in your mind aside to prevent from even giving the smallest hint surrounding your thoughts.

Your stiffness didn't go unnoticed, and, soon enough, you felt a hand on your leg, startling you in an instant.

"What the hell is up with you today, Y/N?"

Rindou had lost all attention for what was playing on the screen, and it looked to be as though he had for a bit now. This meant he had felt your change of attitude well before he had actually asked about it.

"What? No, nothing...why?"

Knitting his eyebrows together, the blond looked over at you with a disbelieving stare. By now, you were sure Ran had shifted his interest towards the two of you.

"You've been all skittish since you got here. You got something important on your mind or what?"

Geez.

"No...I've just been thinking about something stupid, that's all. Don't worry about it, now let me watch th-"

"That being?"

Now you were cornered. From behind you, having turned to look at Rindou, a voice spoke out the question. In slight panic, you managed to come up with another way around it.

"Well...that, let's say, if I had to choose one out of the two of you, I wouldn't know who I'd pick. It's a silly question one of my friends asked today, that's all"

God bless the fan girls. You were sure to never judge them internally again, because they might have just saved your skin in the nick of time.

Your nerves calmed down as you heard Rindou chuckle at the concern, and you figured he'd just brush it off as another one of your peculiar inquiries.

However, as he fully turned towards you, it was clear that he wasn't about to let this go unfazed.

"Well, you can't just leave us like that without an answer. Go on then, if it was a life or death situation, who would it be?"

"Rindou...you know I'd get rid of both of you if I could"

You all laughed at your words, stirring the conversation into an area that you were certain you could get a hold of.

Each one of you was just as ridiculous as the next one, so it wasn't hard to divert difficult topics.

If only the youngest wasn't so damn pushy.

"On a real note, there's gotta be one of us that you like just a little more, Y/N"

Upon knowing that perhaps you had driven yourself into a dead end, you started to fumble with your fingers.

What the hell were you supposed to say? If you picked one, the other was surely to get the wrong idea.

"Um..."

A slight shift behind you made you turn your head, catching Ran just a little too close for comfort to your face. Great, just what you needed.

After a few, nerve racking, seconds in silence, it was the eldest of the two that decided to break the ice. You were all just wasting time there, after all.

"Listen...since my brother seems incapable of forming a decent sentence, what we've been trying to get at is which one you'd choose, because we've both liked you for some time now and we kinda need to know who you'd go out with"

Well.

Certainly an unexpected turn to your seemingly uneventful afternoon. It appeared that you weren't the only one struggling with the damned feeling that was a crush, but you hadn't gambled that it would be both of them...and for the same person.

You couldn't choose.

In the same way that you had to waver the feeling of more than just friendship between the two of them, there was no way you could pick one now.

It would be unfair for the other, especially since you would only be lying to yourself for saying that you felt nothing for the half that was left aside.

There was only one way out of this, unless you wanted to shatter the relationship you had built between them for the past years.

"I...both of you. I can't leave one of you out when I, well, like both of you"

A huge weight was lifted from your body the moment the brothers exchanged a look, followed by an agreeing nod. Far from the catastrophe you had gambled with, that much was sure.

As Ran leaned his head on your shoulder, Rindou gave you a bright smile, one that not everyone had the chance to say that they've seen.

"Wasn't so hard to say, now was it?"

No. What was going to be hard was having not one Haitani by your side, but two, as a partner. Sure enough, you were really going to know what their poor mother had to put up with now.

#tokyo revengers #tokyo manji revengers #tokyo revengers ran #ran haitani #tokyo revengers rindou #rindou haitani #tokyo revengers x reader #ran x reader #rindou x reader #fluff

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irrelevantwriter · 3 years

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No Questions, No Lies

Pairing: Rio (Good Girls) x Female Reader/You

Rating: Explicit, NSFW

Warnings: Language, oral sex (male receiving), unprotected vaginal sex, mention of bodily fluids, angst, characters who refuse to say how they feel, asshole Rio (low key loves it)

Word Count: 4.7K

Summary: Part 4. Riding a high, you decide to invite Rio over. But things don’t go as planned.

A/N: Once again, I am here, standing in front of you lovely people and saying thank you for all the love and support this series has gotten. It means the world. And then some. Onto the good shit...this part has lots of feelings, not all of them good. Angst is heavy towards the end, but first...smut. We love some toxic ass yearning, don't we? Also, we get some Rio POV in the first half. I’ve got two more parts planned so as always, stay tuned. I hope you guys like it. Feedback is that good shit. 💗

*Read Part 1 here

*Read Part 2 here

*Read Part 3 here

*Read Part 5 here

*Give and Take series masterlist

*Masterlist in bio.

*********************

He shifted in his seat, eyes glancing in the rearview mirror. He caught a glimpse of you as you handed off the bag of cash to Mick. Your gaze tried to find his through the blackened windows, searching for his presence in the front seat of the Mercedes SUV. It was no use. The tint was as dark as he could get it without drawing attention. Not that it mattered. The cops were always sniffing around...waiting for him to slip up. They were going to be waiting a long time.

He rubbed his chin as you rounded the vehicle and opened the passenger door. A cool breeze carrying the scent of your perfume swept in as you settled into the seat. He took you in slowly, gaze sweeping over your body as it often did when in your company. The sweater and jeans you wore were nondescript enough, but the hint of cleavage was obvious. And because you wanted to draw his attention, he gave you what you wanted and admired the area he’d been up close with only weeks before.

“Hi.” You greeted somewhat shyly, the gesture making him smirk. Even after the sex, you still got nervous around him. It had lessened tremendously since he’d first fucked you on your kitchen counter, but it wasn’t gone completely. And he had to admit that he liked that. Liked that he had such an effect on you.

“Sup, mama…” He replied, licking his lips as you averted your eyes from his.

It’d been three weeks since he’d shown up at your house in the early morning hours, announcing his return. He’d be lying to himself if he said he didn’t miss being inside you. Now that he’d gotten a taste, it was difficult to manage without it. But you both had tedious schedules. He had several businesses. You had your kids. It didn’t always line up. And for three weeks it hadn’t. But seeing you now...he’d happily fuck you into the expensive leather of his seats if you’d let him.

“Everything good?” He prompted, noticing that you were fidgeting with your hands. You seemed worried, like something was weighing heavy on your mind. That wasn’t good.

“Yeah, yeah...of course.” You replied unconvincingly.

Rio leaned forward across the seat and placed a hand over both of yours, stilling the anxious movement of your fingers. Your eyes finally met his, a smile gracing your lips.

“What’s wrong?” He gruffly demanded, more out of concern for his operation than your personal feelings.

Your response surprised him.

“I need you to come over tonight.”

He took a long moment to silently take you and your words in. There was a softness in your features. It was unlike the expression of stress he’d seen you wear before. This wasn’t about business. This was personal.

“For what?” He asked, releasing your hand and sitting back to face you.

You bit your bottom lip and he watched as the appendage came away glossy and begging to be touched. His hand itched to reach out, but he stopped himself. Eager to see where you were taking this. Because he already had an idea.

“I...I need you.” You whispered, your gaze sliding to the deserted streets just beyond the windshield. You were hesitant. And that wasn’t going to work. He was going to have to teach you to take. In this world, there was no room for hesitation. You had to have the confidence to demand. If you didn’t, the weight of those around you who did would crush you.

Despite your timidness, his body hummed at your breathy confession. His blood pumped wildly in his veins while deep male satisfaction filled his chest. Inwardly, he was gloating. Outwardly, he was calm and nonchalant.

He shook his head and angled his ear towards you, as if signaling he couldn’t hear. “You gotta speak up.”

There was no humor in his tone. He wasn’t trying to tease you. He was acting as your instructor. Forcing you to be real about what you wanted.

He heard you scoff and as he turned to face you once again, he could see your hand reach out for the door handle. He stopped you with an outstretched arm, making sure to brush against your chest as he did.

“Just tell me what you want, darling.” He rasped, coercing your eyes to meet his.

You sighed, seemingly frustrated with yourself. He lifted his arm from across your body and instead let his fingertips trail down the side of your face. He watched from his peripheral as your chest expanded with a heavy breath, your breasts straining against the fabric of your sweater.

“You. I need you.” You repeated, the conviction clear in your voice this time.

He nodded, his thumb tracing the pout of your bottom lip. “That’s what I thought you said.”

Rio leaned in close, his mouth hovering dangerously over yours. You licked your lips in preparation for the action, the motion momentarily hypnotizing him. His eyes swept over your face, taking in every detail. His intense study made you shift in your seat. Maybe it was unease. He hoped it was arousal.

“I’ll be there.” He replied, pulling away and settling back into his own seat.

You blinked and nodded, still seemingly dazed by his proximity.

He hadn’t kissed you. And it was intentional. The constant push and pull of your relationship was maddening on most days. There was always an aspect of it that needed attention. Whether it was business or personal. It was always work. But times like these were what made it worth it. The teasing. The buildup. The attraction. It was so palpable he could practically taste it against his tongue. You were as frustrating as you were alluring and he was going to indulge in that combination until there was nothing left.

He wanted it all.

************

You smoothed out the fabric of your dress for the umpteenth time as you scrutinized your reflection. Nerves knotted in your stomach as you struggled to maintain some form of composure. Rio had texted you ten minutes before to say he was on his way. You didn’t know how much time that gave you, but it didn’t matter. It wouldn’t be enough.

You’d regretted your desperate demand of him the instant you’d left his car earlier that day. The cool air had pulled you from the fog of your lust and threw you back into reality. And it wasn’t good. You’d made a fool of yourself. You were better than that. You could form full sentences and express thoughts. You were confident and fully capable of telling a man to come over so that you could sleep with him. Especially one you’d already slept with.

You tried to find the courage that had consumed you the last time you’d slept with him. You’d taken without asking and he’d happily reciprocated. It was the very definition of raw desire and you had every intention of recreating it tonight.

Which is why you were taking extra care to make sure your dress was perfect, along with your hair and makeup. Not that it truly mattered. He’d already seen you practically fresh out of bed in cotton panties.

A knock at the front door made you jump in surprise, the knots in your stomach now turning to butterflies. You took one last look at yourself before you made your way towards the entryway, your bare feet soundless along the cool hardwood floors.

You opened the door, seeing Rio on the other side. He looked good. He always looked good. Dark shirt, dark jeans. And that unwavering look of smugness he so often wore. He was expressive without having to do or say much. He was self-assured. Arrogant even. The calm intensity he possessed was almost a magical power, holding you captive. It had a dual effect on your body. You were afraid. But it paled in comparison to your insistent arousal.

“Hi,” You greeted, gesturing for him to come in.

He did so wordlessly, eyes taking in your form as he moved. He let you lead him through the house and towards the kitchen and you swore you could feel his gaze blazing across your back, leaving a mark. He was good at that. He was good at making you feel seen. The rush of having someone pay attention to you in the way that Rio did was utterly seductive. It was addictive. And you wanted it for as long as he was willing to give it to you.

“You want something to drink?” You asked over your shoulder, heading towards the cabinet that housed the whiskey.

Rio’s voice stopped you.

“Nah, I’m good.”

You faltered and turned to see him leaning against the wall, watching you with an amused expression. Your insides heated with every silent second that passed between you. Looking at him made you remember why you’d asked him over. It wasn’t for a drink and it definitely wasn’t for small talk. Primal need began to swell within you as you stepped towards him. He was going to make you see your desperation through.

He straightened as you approached and invaded his space. You reached a hand out to trace the buttons of his shirt, gently tugging at the end of the fabric as you did.

“Come on,” You whispered, nodding your head in the direction of your bedroom. Any form of pretense was gone. You both knew why he was there...why he’d actually shown up.

You prayed he followed as you walked down the hall and into a space he had yet to be invited into. Until now. His footsteps echoed behind you, entering the bedroom and taking in his surroundings. You swallowed and turned to face him, pure want reflecting in his eyes. It urged you forward.

“Sit on the bed.” You commanded, voice surprisingly steady.

The corner of Rio’s lips edged upwards, but he did as you said. It appeared as if he was humoring you, expecting that you’d back out and end the night before it even began. But you were far past that. He’d made it clear, without words, that he wasn’t going to make this easy for you. He was going to make you work for everything. Whether that be his money or his affection. So you’d do it. You’d put in the work. And he’d reward you.

You reached for the zipper on the back of your dress, but it was too high. You stepped between his legs and faced away from him, motioning to the metal teeth that held the garment together.

“You mind?” You asked, waiting in anticipation. It was only a second later when you felt the brush of his finger against your back as he lowered the zipper. He made sure to drag his skin across yours, slowly and feather-light. It was almost non-existent, yet it pulled a shiver from you anyway.

You caught the loosened fabric before it fell, holding it to your chest. You turned and met his hooded gaze, noting the way his jaw was clenched. You let the dress fall to the floor, revealing the black lace you wore underneath. His eyes scanned your body like a predator stalking its prey, your nipples hardening in response. The sheer material of the bra barely concealed your body’s reaction. He took notice.

“That new?” He asked, chin jutting out and gesturing to the lace that adorned your body.

You stepped out of the dress and back between the space of his thighs, forcing him to look up at you. That familiar spicy scent filled your nostrils. It was his scent. And it lured you in further to his body’s warmth.

“If you want to think that highly of yourself.” You quipped with a coquettish smile, hands resting on his shoulders. His own hands remained on his thighs; not showing any indication that he was going to reach out and touch you.

His question had been spot on though. You had in fact went out and bought new lingerie. Several things in fact. And you might’ve bought them in black. A color that reminded you of only one person.

Rio chuckled lowly at your answer, licking his lips as you eased your breasts near his face. “You can’t let me have an inch, can you?” He challenged, an eyebrow raised in question as he looked up at you.

“If I give you an inch, you’ll take a mile.” You retorted, hands skimming along the back of his scalp. His fingers twitched against your legs at the motion, so you made sure to do it again.

Again he laughed. Humorless and patronizing.

“I can’t take what’s already mine.”

He said the words with so much confidence that you had to pause. You stilled your hands and for once stared right back into the depthless pools of his eyes. You predictably got lost in them, as you so often did with anything involving the man. His declarations of ownership should’ve scared you. They should’ve made you turn and run away. Instead, you went headlong into the storm.

“Pretty confident in yourself.” You replied, lowering yourself to your knees. He let his thighs fall open to make room for you, his expression showing just how pleased he was with your change in position.

“I’m not the one on my knees.” He threw back, hand finally reaching out to caress your cheek. His thumb swiped at your lips as his eyes zeroed in on them, no doubt picturing them wrapped around him.

“Touché.” You teased, kissing his thumb as it slid across your mouth.

You ran your hands up his thighs and towards his belt buckle. He let you, posture relaxing as he allowed you to do as you pleased. You shifted his pants and underwear out of the way as you pulled him free, your mouth already salivating at the sight. He was hardening with every second, veins and ridges calling to your womb like an old friend. You could feel him watching you as you leaned forward and placed a soft lick to the head of his cock. He tasted salty, but clean, and you wanted more.

You suckled at the tip of him while your hand worked the saliva around his length. He was long and pulsing with yearning in your palm. You let your mouth water around him, the sound of skin sliding against slickened skin now filling the room. The sound aided you in your efforts. You opened your throat to take him in, swallowing and savoring the low groan he expelled. It was music to your ears.

You listened to his reactions, catching every twitch of his cock along your tongue. You mercilessly teased him as you licked long strips along his flesh before you suctioned your cheeks and tightened around him. Your hands worked in tandem. Stroking what you couldn’t fit in your mouth while traveling down to caress his sac. He grunted and jerked with the action, causing him to slip further down your throat. Tears filled your eyes, but you kept going.

Moisture touched your tongue and you knew he was close. You chanced a glance up and was rewarded with a blissed out Rio. His head was angled back, his adam’s apple bobbing deliciously behind inked flesh as his hand made it to the back of your head. He didn’t push, but he didn’t have to. You happily gagged on his cock.

“That’s enough.” He commanded, voice low and tinged with barely contained control. He pushed your hands off of him and angled your chin up to him, his mouth descending on yours without a second thought.

You let him taste himself. Tongues intertwined in a show of eroticism that mimicked what your bodies longed to do. You steadied yourself on your knees as you grabbed at his shirt while his hands cradled your face. You wanted him to touch you...to explore your body in every way possible. It felt like your entire being was on fire and only he could soothe the ache. You needed him...badly.

“Touch me...please.” You pleaded once you’d broken apart.

He began to unbutton his shirt, discarding the piece of clothing easily as you waited. “Stand up.”

You did as he said, standing on shaky legs between his own. He reached out and smoothed his palms over your thighs and around to your ass, grasping the flesh and kneading. Your eyes closed in blessed relief, a moan just on the tip of your tongue. You jerked in his arms when you felt the wet heat of his mouth against your stomach, his lips trailing kisses along the flesh. Your hands held his head steady as he gave you what you craved. His fingers slid under the band of your panties, shifting the material up and down on your hips.

Impatience drove you to reach around and unclasp your bra, baring your breasts to his hungry kisses. He didn’t miss a beat. He mouthed at the underside of your breasts while his hands cupped them, massaging the sensitive mounds with skillful touches. Your panties felt too restrictive and uncomfortable. Wetness pooled in them as Rio’s touch urged more from you.

“The bed.” You gasped, feeling him pinch a nipple. The sensation made you shudder.

His presence disappeared from your body as he stood, pushing his jeans and underwear down. They fell to the floor as he stepped out of them, his shoes already off. You took him in for the first time. Took in the scarred flesh and lines of ink that ran along sinewy muscles. He was lean, but beautifully toned. All male.

You followed his lead and pushed the last scrap of clothing you wore down. The material fell easily to your feet and you kicked them away. You reveled in the way he looked at you. Untamed and feral. Like you were sin incarnate. It made your pussy clench in urgency.

Your palms glided up his firm chest as you reached forward to kiss him. He reciprocated, insistent hands guiding you to the bed. You let yourself fall to the mattress, his body following yours. Your mouths didn’t separate. You both savored the moment of finally being bare and pressed so closely to one another. You relished the flavors that sat on your tongues as you kissed, barely able to take in a breath. Hands roamed without barriers as he wedged himself between your thighs. You accommodated him, pushing your hips up to entice him inside you. A finger found its way there instead, dragging along your walls and collecting the moisture that had settled within.

“You ready?” He whispered into your ear, his finger now strumming at your swollen clit.

You nodded and moaned, hoping that was answer enough. Your back arched into his chest when he pressed the head of his cock at your entrance, lathering himself in you. Your nails dug into his back, your legs tightening around him. He showered you with tender kisses along your neck as his hips rutted against yours, not yet slipping into the place you both desperately needed him to be.

“Look at me.”

You obeyed, locking gazes with him as he hovered over you. The moment lasted only a second before he was pushing forward. He was fully sheathed and throbbing within you as you clung to him, mouth open but no sound coming out. His face was buried into your neck as you both became reacquainted with the other. You felt deliciously full. Overwhelmingly so as his cock nudged the natural barrier within you. He was as far as he could go, and yet you wanted him closer.

“Move.” You said with a whimper, shifting your hips so that his cock dragged along your velvet walls.

Rio obliged, a prisoner to the cyclone of sensations that had swept you both up. He set a steady pace, his strokes deep and thorough. You cried out when he thrust so hard that you edged up the bed, the headboard rattling against the wall. Beams of light glowed behind your eyelids as he hit every spot as if he was made to. You clung to the silver chain that hung from his neck as he grunted in your ear, each pass of him stealing your breath.

“This what you wanted? Hmm?” He punctuated his question with a bruising drive of his hips forward, making your toes curl.

“Fuck, yes…” You moaned, disoriented by it all. The feel of him atop you. The rhythm of his hot breaths against your neck. The growls that rumbled from his throat. The sting of being stretched as he fucked you. It was enough to have you succumbing to your climax before you were even ready.

You slipped a hand between your bodies and rubbed at your clit, increasing the intensity of your impending release. You locked your legs around his waist and scratched at the sheets as ecstasy washed over you. Your pussy contracted with earth-shattering tremors as you flooded Rio’s cock with your spendings. A litany of moans and gasps accompanied your free fall into space. The man above you stilled as you rode out the waves of orgasm and clenched around him in almost painful spasms. And then, your entire body went limp.

The headboard resumed its melody against the wall as Rio chased his own end. He maneuvered onto his knees, his cock never leaving the confines of your body. He watched you from this new vantage point, taking in the expression of euphoria you wore. Your hands trailed up your abdomen and across your breasts, cupping them for him. His hips picked up speed, his body slapping against yours and creating an echo. You accepted it all as he finally came, filling you full with every drive of his hips. He held you firm as he emptied himself within you, ensuring not a drop was wasted. You hummed at the feel of it, warm and thick and possessing you.

His fingers loosened their hold on your thighs as he came down, the flesh already sore from his grip. He soothed the area, the motion making your eyes feel heavy with sleep instead of lust. You met his gaze and let out a breathless laugh, feeling your limbs already beginning to ache with overuse. He slowly retreated from your body and settled beside you, his back pressed against the headboard as the comforter shielded his lower half from view. You eased into a sitting position, bringing the sheet with you. The act of modesty was unnecessary, but you did so anyway.

“You good?” He asked, face turning serious.

You nodded, the mess between your legs proof of just how good you really were.

“We gotta talk.”

His words made you stiffen. The post-coitus high now tainted.

“About what?” You asked, attempting casualness as you faced him.

“You’re gonna have a new contact from now on. Someone besides me.” He explained. His tone was succinct and to the point. He wasn’t interested in making this a discussion. And that annoyed you. Because it deserved one, whether he thought so or not.

“What does that mean?”

“Means I’m moving on to something else. Something different. So now you gotta deal with someone else.”

You shook your head, desperately wishing you now had clothes on. “I don’t understand.”

“There’s nothing to understand. It’s how it has to be.” He stated cooly, features schooled into an expression of professionalism, despite his own state of undress.

“Why?” You asked, still struggling to comprehend what he meant. Because it sounded like he was pawning you off to someone else right after he’d fucked you.

“I’m flipping my game. Nothing can be permanent. You get caught if you get comfortable.”

“Don’t I get a say in this?”

“No. You don’t.” He retorted dryly. The quickness of his reply threw you, the coldness in it obvious.

“I don’t trust anyone else.” You said, standing up and wrapping yourself in the sheet. Your thoughts were running wild, the disbelief you felt clearly written all over your face.

“I trust him. He’ll handle shit.” Rio reassured you, though it didn’t translate. He sighed and stood from the bed, searching for his underwear and pants.

Anger flared inside of you as he got dressed. He was going to drop a bomb on you and then leave? The notion made blind fury replace the satiation of sex within you.

“I barely trust you.” You threw back, watching as he buttoned his shirt. He shook his head and laughed, apparently finding your statement funny. “Why are you doing this?” You asked, trying to keep the shakiness out of your voice but failing.

He moved towards you and cradled your cheek, a gesture you were starting to loathe. He didn’t have to say anything to be condescending. The intent was clear. That familiar pit formed in your stomach as he stared at you, licking his lips.

“It’s business. This isn't personal. Don’t make it that way, yeah?”

You twisted away from his touch, gritting your teeth in irritation. “So you coming over to fuck me when you want is business?” You challenged, wrapping the sheet tighter around your chest.

“I gave you a choice.” He replied, voice raising slightly. His face hardened, his eyes narrowing and spine straightening as you fought against him.

“And what choice was that? To fuck you or die?” You questioned hotly, seeing him take a step towards you.

“You don’t make the rules. This isn’t a fucking partnership, darling. You work for me. You listen to me.” He argued, matching your aggression.

An iota of fear crept up your spine, but you ignored it. You shook your head and turned to leave, but he caught you, holding your arm with a firm grip. It wasn’t painful, but it wasn’t comfortable either.

“Don’t. Do. That.” He warned, pulling you to face him once again. He was pissed. His temper barely under control as he pinned you with an icy glare.

“Fine....” You acquiesced, jerking your arm free. “Leave me in the able hands of someone else. I’ll make sure and show them the same kind of attention I showed you.” You goaded, seeing the vein in his neck pulse.

“Why do you gotta make shit difficult?” He asked, choosing to ignore your remarks. Rio didn’t wear jealousy well and it was obvious.

“You were the one that came to me, remember? You were the one that spouted that bullshit about trust.” You threw back, uncaring of the consequences.

“That's right.” He confirmed, stepping in your direction and crowding your space. You were both practically breathing the same tension-filled air. “And you went along with it. So go along with this. If not, arrangements can be made.”

You blinked, willing the man before you to disappear. You shouldn’t be surprised that things took such a left turn. They were bound to. And Rio was nothing if not an entrepreneur first. You knew that. Didn’t mean it stung any less.

“Leave.” You demanded, not meeting his gaze.

“I’ll be in touch.” He said before he was walking past you and out of the room.

The slamming of the front door echoed throughout the house when he left and you released the breath you’d been holding. Tears welled in your eyes, but you forced them back. The relationship between you and Rio was doomed from the beginning. You were both operating on borrowed time. No matter how much he acted as if he cared, he didn’t. You were a means to an end. That was blatantly apparent now. You were to fall in line and operate under his orders. That was it. But you couldn’t do that. Not when your entire life was at stake. You’d made the mistake of trusting him and he decided to throw it all away. All the progress made...for naught.

Rio would always want his money more than you. It made no difference if you finally offered yourself up on a silver platter, promising to run off with him. He’d surely laugh and pat your cheek, amused by your offer. He’d only been telling you what you wanted to hear. And wasn’t that what you wanted anyway? Wasn’t he just enough for a good time and an even better fuck?

Yeah. He was.

So then why did it hurt so goddamn much?

#rio #rio good girls #good girls rio #rio x you #rio x reader #rio imagine #rio fanfiction #rio fanfic #good girls nbc #nbc good girls

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verdantmoontruther · 3 years

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the anti-bkdk ramble that turned into an anti-internet ramble

i’m not like the biggest or most present bnha fan on here (i’m more about naruto personally) and i know this point has been discussed to death within the more intellectually capable circles of the fanbase, but i think we should really talk about the hypocrisy of people that excuse or ‘forgive’ bakugou’s behaviour for whatever purpose they come up with, whether it be shipping or ‘bc he’s hot’ or whatnot.

the tl;dr of what i want to say: bakugou and midoriya do not like each other. there is no evidence for that in the books or otherwise. it is unwise to view their genuine dislike as unresolved sexual tension because injecting a sexual component into bakugou’s decade-long antipathy makes for a much, much scarier bullying scenario. also, please touch grass and get a hobby outside of media consumption; i make friendship bracelets and photograph graffiti around my town. it’s very fun. take a break from the online world.

first things first: i UNDERSTAND, fully and wholeheartedly, the desire to see a queer enemies-to-lovers relationship happen in mainstream media. i may be young enough to be on the cusp between gen z and millennial, but i’m also old enough to remember when homosexuality was the weird joke paraded out on late night telly to explain a man’s bizarre behaviour, or be the shitty punchline to an equally unfunny joke. i remember feeling young and disgusted, young and scared, young and hopeless when i thought that we would never see anything remotely resembling a healthy gay relationship on tv. i didn’t even think legalised gay marriage is something that would be won in my youth. but you’re going about it the wrong way.

bakugou bullied midoriya for a long time. that is an immutable fact, and a very important aspect of both of their identities. in their childhoods, bakugou cemented midoriya into a victim role by singling him out and tormenting him. it’s important for some of you to understand that you can’t come back from that. whatever relationship they may have in the future will forever be tainted by the fact that, when bakugou knew he had the upper hand physically over midoriya, he chose to ridicule, belittle, and hurt him, and was never told by those around him that he may have been wrong for it.

it bothers me to no end that the people who will recognise how well the bnha universe fits as an allegory to the treatment of disabled people in society - which is, in my opinion, a completely astute and intelligent observation - will fail to see bakugou’s treatment of midoriya in their formative years as not abusive or ableist, but criticise a character because they said something demeaning about the quirkless population. it’s interesting because the allegory only extends to the characters and actions that are easily dealt with (cancelling a minor character for their words is very easy), but as soon as you raise the issue of physically, emotionally, and mentally abusing someone for their disability, it gets wishy washy because that’s their favourite character that we’re accusing of unsavoury behaviours. it begs the question - do you actually give a shit at all?

the reason i raise this is because fiction directly translates to real life. the things an author, screenwriter, or mangaka write about and the perspective they write about it from effect our view of ourselves and other people, especially in an industry aimed at, and mostly consumed by, the youth. that’s why i discussed what i did in the second paragraph - representation is important because it makes people feel more comfortable in their skin. and i can understand why you crave seeing yourself depicted as the hero of a story. but it also means that bad interpretations can weasel their way into the malleable minds of the young people consuming these stories: think about everything jk rowling was cancelled for. her only irish character constantly blowing things up. hook-nosed elves in love with money. werewolves preying on young boys as a metaphor for the aids epidemic.

i can’t blame horikoshi for the way that people infer his writing because there is absolutely no evidence in his writing that bakugou and midoriya harbour romantic feelings for each other, but i do know where this sentiment comes from: you kids are grasping at straws, wanting to make genuinely antagonistic characters into some sort of star-crossed romance because this is your first time being exposed to fighty blowy uppy shounen that doesn’t give a shit about love, and it worries me, because it means you begin romanticising all the wrong behaviours. if i was reading half the shit you guys like about the mythical bkdk dynamic in an actual book, it’d be raising red flags immediately. no communication. possessiveness. jealousy. entitlement. belittling. taking out their anger on each other. i’m concerned for you lot.

some of you aren’t going to like hearing this, but i think the reason we are seeing such a strong insurgence of the romanticisation of such an unhealthy relationship dynamic, apart from representation, is because being bombarded by so many stories and headlines and works in a day due to the internet has desensitised us to a lot of things. you look at a news headline about a bombing or a murder and you don’t feel anything anymore. same thing with fiction: ten years of bullying, when you have nothing from your own personal life to compare it to, doesn’t sound that bad. someone telling you to kill yourself gets brushed off like water off a duck’s back because everyone tells everyone to kts these days. having no friends is normalised because all of us people online are ‘depressed and anxious uwu no fwends’. in order to get a real hit right in the gut you need something that takes the word angst and amplifies it by a scale factor of seven million. in a culture that sensationalises pain and is devoid of empathy, midoriya’s situation is just not enough anymore.

once again idk if any of this made sense. i write what i think and if it comes out like a jumble of random letters then oh well.

#anti bakudeku #anti bakugo katsuki #anti bakugou #bnha #bnha opinions

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itsjustmyfantasyroom · 3 years

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Miguel Galindo NSFW Alphabet

I have never done one of these before and all my dear friends have done the SVU boys, so I branched out a little doing Miguel Galindo cause he is just a god. So please be kind x

This is dedicated to @beccabarba we have both crushing pretty hard as of late.

Warnings: Smut

A = Aftercare (what they’re like after sex)

Miguel can go from calling you Puta and pulling at your hair slamming into you, to running a bubble bath, making you tea, rubbing your shoulders or holding you running his big warm long fingered hands up and down your back telling you how well you did and how much he loves you.

B = Body part (their favorite body part of theirs and also their partner’s)

Yours: His fingers and wrists. The way his long fingers brush across your skin sending shivers down your spine. The way they grab onto sheets of paper turning pages and the way they wrap around a glasses and your wrists pinning you down. His wrists are the most amazing things you have ever seen. You love wrapping your fingers around them, kissing down his arm starting there making him groan.

His: Your lips. He loves how plump and full they are. Especially when you have his favourite shade of lip stick on, down on your knees with your lips wrapped round his long thick cock.

C = Cum (anything to do with cum, basically)

Miguel is all about marking his territory showing everyone that you’re his. That includes coming anywhere on your body, your chest, stomach or ass. The feel of his hot salty cum running over your skin while be grunts over you makes you moan loud every time at his invisible marks.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

If anyone was to know this about the cartel boss, he would never live it down, but sometimes- although not very often Miguel likes to be dominated. He likes after long days over the boarder once he is washed and fed for you to take over. He likes being pushed up against the wall, you kissing down his neck, undoing his shirt buttons, marking him, telling him what a good Papi he is to you and what you are going to do to him to make him groan your name.

E = Experience (how experienced are they? do they know what they’re doing?)

For a cartel boss he has hadn’t that much experience with too many other women, knowing most of them were gold diggers, but Miguel defiantly knows what he is doing with his cock, fingers and mouth most nights making you come multiple times.

F = Favorite position (this goes without saying)

You on your knees in front of him or doggy style. He loves your lips wrapped around him but he also likes thrusting into you hard and fast from behind, either one hand pushing you down into the surfaces he is fucking you on or his fingers in your hair pulling you up so your body is flush with his bucking up into you.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Miguel does love having a good laugh with that grin that melts ice. He chuckles to himself with funny things you say and loves when your telling him funny stories about your day. His favourite Saturday night is watching a comedy curled up with you on the couch both giggling.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Definitely. His well-groomed face says it all, although you do love when things are getting a little un-kept and it tickles your nose, it turns you on that little bit more.

I = Intimacy (how are they during the moment? the romantic aspect)

Romance has never been an issue. Miguel will sweep you off your feet in more ways than one. Taking you out for romantic dinners a dress and shoeing arriving earlier in the day for you to wear for a date, sending flowers while his away and when you are out he always has a hand on your back, holds your hand or has his arm linked with yours. As much as you love when he gives it to you hard and rough, you also love when he takes his time with you whispering how much he loves you in your ear as he feels your inner walls flutter around him.

J = Jack off (masturbation headcanon)

When Miguel is home it’s not something he really has to do himself because you’re always there for him. But when he is away sometimes days and weeks at a time, you always know what it means if he asks for a photo or a video calls comes through, which you are always more than happy to assist with.

K = Kink (one or more of their kinks)

When you’re on your knees and he is throat deep, you humming around him when his pre-cum hits your tongue and you reach up to cup his balls squeezing them gently. It drives Miguel crazy making him come on the spot or he pulls you up and off him pushing you on the bed and ramming into you.

L = Location (favorite places to do the do)

Of course in bed in your shared bedroom. But he loves quickies in the back of the car or bending you over his home office desk.

M = Motivation (what turns them on, gets them going)

When you walk into his office in a tight little dress showing off your curves, sitting on his lap running your fingers through his beard while you call him Papi or the way your run your pointer finger down his jaw line, batting your eye lashes and the way you purr his name.

N = No (something they wouldn’t do, turn offs)

There really isn’t much that Miguel wouldn’t do, he is up for anything. But he takes your lead on everything and if you don’t like it you say the word, it stops and it’s never done again.

When it comes to you he has no turns offs, he wouldn’t have brought you into his life, into his bed if there were. But he doesn’t like when you question your beauty. To him you are the most beautiful women he has seen and it upsets him when you think other wise taking every chance he can to tell you how beautiful you are so you never forget it.

O = Oral (preference in giving or receiving, skill, etc.)

Miguel loves receiving there is no doubt, but he loves giving more. He knows how quickly he can make you come undone when he is between your thighs his beard running along your skin making you squirm, whimper and moan under him, screaming his name so loud making your throat burn.

P = Pace (are they fast and rough? slow and sensual? etc.)

Both is good. When Miguel knows he is going away for an extended time you both take your time so you can feel every inch of each other knowing you’re going to miss each other.

But other times rough and fast is what gets you both off the quickest before you have somewhere to be or he has an appointment coming to the house for a meeting.

Q = Quickie (their opinions on quickies, how often, etc.)

Miguel does love a quickie. Sometimes you have both worked each other up that much whispering into each other’s ears that it doesn’t take long most often than not you both coming together or close together. But he does try for it not to happen too often so he can worship your body, the goddess that you are to him.

R = Risk (are they game to experiment? do they take risks? etc.)

Experiments are also on the table at least once. Miguel knows your body and so he will take a risk to a certain point. He knows if you’re getting to your limit but he also knows when something is giving you pure bliss he will push you as far as he can, unless you say otherwise.

S = Stamina (how many rounds can they go for? how long do they last?)

Stamina is never an issue, even after long work days and weeks. Miguel is always ready to go at a drop of a hat, sometimes after a long time away going two or three rounds a night making up for lost time, Miguel grateful not having to use his hand and can touch you, not see you over a screen.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Miguel loves toys he can control on you. Nothing turns him on more than when you’re dressed to the nines for an event talking to other partners of friends and business partners knowing that you have a vibrator in you that he put in there earlier that he is controlling from his phone. Only Miguel knows by your face, but you never show it to anyone else and he can’t wait to get you home to show you what a good girl you have been.

U = Unfair (how much they like to tease)

Miguel can be a real tease, whispering dirty things in your ear while smiling out into a crowded room and sending you dirty messages to fire you up. Saying dirty things in English and Spanish. He isn’t too unfair in the end always keeping to his word about what he is going to do to you once your home alone.

V = Volume (how loud they are, what sounds they make, etc.)

Miguel grunts and groans, sometimes really loud after being away, other times it’s just a whisper leaving his lips, but either drives you crazy.

W = Wild card (a random headcanon for the character)

Whether you’re in a simple pair of jeans and a top, dress pants and blouse, a sun dress or evening dress. Miguel loves watching when you peel your clothes off to see your bra and panties match your colour choice of clothing.

X = X-ray (let’s see what’s going on under those clothes)

His tailored suits don’t really leave much to the imagination, especially in his vest and shirt. But when he is in boxers and shirtless, you can’t help but run your eyes down his tanned skin, broad strong muscly shoulders, solid chest and deliciously shaped abs, his hair on his chest just enough running down to the dip of his hips. His solid legs and thighs inviting you for a ride.

Y = Yearning (how high is their sex drive?)

Miguel has a high sex drive, sometimes he can’t even handle it when you walk through the house in your gym wear pushing you up against the wall or perching you on the back of the couch. Even after days away Miguel is hard walking through the door just at the thought of seeing you, carrying you upstairs laying you on the floor pushing your panties to the side or pulling you into the shower pushing you against the shower wall running his hands over your dripping wet body.

Z = Zzz (how quickly they fall asleep afterwards)

Miguel doesn’t usually fall asleep quickly. He likes to hold you as you drift off to sleep, watching as your face softens as you enter a deep slumber. Sometimes he lays awake for hours just holding you listening for concerning noises in the dark outside, ready at any moment if anyone were to try and harm you to get to him.

Tags: @thatesqcrush @witches-unruly-heart @teamsladsandgents @lovebennycolonmiguelgalindo @amorestevens

#miguel galindo #miguel galindo x reader #mayans mc #mayans fanfic #miguel galindo smut #danny pino

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japes-the-clown · 3 years

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THE SPONGEBOB SQUAREPANTS MOVIE: AN INVERSION ON “COMING OF AGE” FILMS AND A CRITICISM OF ADULTHOOD

Hi hello hey it’s me Jericho Jay “Japes” Marshall out here with a pretentious love letter to the filmmaking on display in nickelodeons The Spongebob Movie. Yes, I know it’s a kids movie. Yes, I know it’s not that deep. But I’m majoring in english, and deeply depressed, so I need to get this OUT and onto a PAGE.

I have watched this film many times over my lifetime, a few when i was just a kid, then in my early teens, even when i turned eighteen, and now, a month before i turn 20. Every time, I grow a new appreciation for the nuances that this movie brings to the table, and on my most recent watch my own deliverance from childhood makes me relate to the core themes the hardest I ever have. The Spongebob Movie isn’t just a movie about childhood, but a movie about adulthood.

Today, I’m going to make clear exactly how The Spongebob Squarepants Movie criticizes our understanding of adulthood and how society treats the neurodivergent, while effectively turning the “Coming of Age” genre on its head, within its 87 minute runtime.

START: CONSISTENT CHARACTERIZATION

One thing a lot of films (ESPECIALLY kids films) fail to nail is consistently showing aspects of a character throughout the runtime, enough that changes to a character feel impactful and justified instead of rushed and stifled. The best examples of movies that fail to do this are often the marvel movies that people tend to not remember- the first two thor movies, the avengers age of ultron, etc. In these movies, characters certainly have traits, but their personalities and motives can be very weak and make dramatic changes feel A LOT less dramatic. This can be seen in age of ultron, when quicksilver gave his own life to save someone else, which felt like nothing because he wasn't well developed. He wasn't particularly endearing, nor did him sacrificing his life contradict a part of his character. It felt very much like the writers trying to say "Look, this character which was once opposing the avengers, is now dying for one. Please cry." No hate to the writers of Age of Ultron, but it proves itself often to be an unmemorable part of the catalogue.

In the Spongebob Movie, the characterization is ON. POINT. After the introduction, with the pirates rushing in to watch spongebob, we get so much information regarding spongebob as a character.

Pictured: Spongebob holding a piece of cheese like an operator

The first scene of the plot is a dream sequence a large crowded scene at the Krusty Krab, with a customer not receiving cheese on his patty, and it being positioned in the same way as a bomb being located. In the dream, everyone is panicked, and Mr. Krabs is visibly distressed, almost like a damsel. Spongebob comes in, announcing his position as manager, much to the relief of Krabs. He goes in, and puts cheese on the burger (again, very akin to a bomb defusal scene), bringing the perturbed customer out safe and sound. Everyone lifts spongebob up as a hero, which is interrupted by his boat alarm.

This scene is JAM PACKED with stuff that both introduces the character to new watchers and introduces the crux of his arc to everyone else. Spongebob of course is very fond of the Krusty Krab, and wants to be the manager- he wants people to see him as cool, and as a responsible adult. He wants to be the sort of person that can be trusted with big responsibilities. And we also see, most importantly, that he is extremely childish through his faximile of what it meant to be adult. Everything is scaled up; it's a very silly situation, which well suits both the joke and his character as an inexperienced kid. This is one of the most direct ways to convey someone's character, because a dream can be interpreted as a direct port into a character's desires. This being the first introduction to the character in the movie sets the tone for EVERY following situation.

In the next few scenes you see Spongebob's real life, which involves his lengthy morning routine; his life is sort of whimsical, and so too is his routine. He showers by shoving a hose into himself till he bursts with water, he uses toothpaste to clean his eyes but not his teeth, and he puts on pants which he must fold to make. Again, all pretty solid jokes, but also very telling about his outlook. He is funny, weird, and childish, which is juxtaposed by the scene where he's- he's uh- showering with squidward. Squidward is an example of the "adult" that spongebob isn't. This has always been the case, but here his normal routine makes it very clear that other people in this world aren't like spongebob. They shower normally, they brush their teeth, they put their clothes on like normal. Spongebob's world is one of wonder and without responsibility, which makes it questionable as to whether he could handle one.

Pictured: Spongebob's room, adorned with childhood imagery

Pictured: Spongebob celebrating his position as a manager, despite Krabs saying that it was squidward who got it

Even his room in this scene screams "kid". He has toys strewn about, glow in the dark stars, and pictures of superheroes on the wall. He even says "Sorry about this calendar" as he rips a page, personifying inanimate objects as a kid would. The movie is telling you, "THIS CHARACTER IS A KID", but in a way that's masked because it's also just a set up for jokes. It's done so well, in my opinion, that it would go over your head because from your perspective you would be laughing along as spongebob did his wacky antics.

On top of that, his excitement for his assured managerial position at the Krusty Krab 2 continues to be bolstered. He marked it off with a cute drawing on his calendar, for those familiar he changes his normal "I'm ready" chant to "I'm ready- promotion-", and he's even already set up a party to celebrate at his favorite chain, Goofy Goobers, a child's entertainment restaurant similar to chucky cheese, albeit replacing pizza for ice cream. He hasn't just gotten excited, but has this childish anticipation for something which isn't even assured.

Spongebob arrives at the opening of the Krusty Krab 2, where he is so excited he can't contain his glee. He breaks the silence and makes members of the crowd uncomfortable, reinforcing again that spongebob is a standout in a world of adults, and a kid who doesn't understand certain social norms, which society looks down upon. When Krabs reveals that Squidward got the managerial position, Spongebob hyped himself so much that he starts celebrating, not even noticing that he wasn't picked. He gets on stage, and begins to give a speech, to which Krabs interrupts.

The next part I think best illustrates Spongebob's clear ignorance to society: Krabs attempts to subtly tell spongebob that he isn't getting the job, but spongebob repeats everything he says into the microphone. Again, fantastic joke, grade A, but the amount this shows how invested spongebob was. He already saw himself as an adult, someone who everyone would look up to as a manager- he could take the responsibility, and isn't aware of everyone likely cringing in the audience. This is the natural step for him in his mind, especially because of his exemplary work which had been previously celebrated through employee of the month awards. This was not an option for him. There wasn't a world in his mind where he would be outclassed by squidward.

Krabs has to break to him that he lacks responsibility, and that his childishness makes it difficult for Krabs to give him such a job. This might seem harsh, but I think the intro again shows how Spongebob saw the job; he didn't understand what it would be like, fantasizing another level in the menial work structure to be an amazing adventure of a job. People in the crowd reaffirm that in the eyes of society, spongebob is just a kid, a goofball. In my eyes, this is a story not just of childhood, but of neurodivergence. Spongebob isn't normal, and is blocked by society for his ignorance of social norms and sunny disposition. He finds things fun that other people can not, and he places values in completely different things. So he is blocked from the meaningful recognition he desired, despite the obvious evidence of his commitment.

I think this is a mighty interesting dichotomy!!! Simultaneously, spongebob's understanding of the world truly is warped, often resulting in a lack of consideration for others as well as harm for himself when things don't go his way, AND he is a good worker which puts in MANY hours of work without so much of a complaint. This is COMPLEX. You have to ask yourself, as a viewer, "would I give spongebob the job?" The answer can be different and can be REASONED.

And that's JUST spongebob! There are other characters with characterization that mixes into the themes of the movie very well, but I'm going to bring up any related points in future sections.

Okay, Okay. So now you're saying "WOW OKAY GREAT so why does any of this matter?" I'm so glad you asked. VERY glad.

2: THE BREAKING OF A YOUNG MAN'S SPIRIT

THIS is the point of the movie. The obstacle in this movie truly isn't adulthood, but instead self doubt. Spongebob's whole world is turned upside down by Krab's rejection of his basic personality. Spongebob asks himself: is it REALLY okay to be who I am? Am I an adult? Is the world fair? One of the most shocking scenes in the movie is blended so well in tone with the rest that you don't really notice; spongebob eating ice cream to cope with his disappointment, akin to that of adults drinking alcohol, and appearing to be visually "drunk" and washed up. This is BRILLIANT, and a recurring theme, where the true line between adult and childhood becomes blurry and impossible to see. Spongebob, the representation of a kid, gets hungover, spiteful, and angry about the injustice of his situation. This is often how adults act in the fact of adversity, but what's funny is that this too is how a kid would act; getting angry and overindulging, feeling entitled and acting socially immature when he didn't get what he wanted. He walks in to the Krusty Krab literally just to shit talk Krabs. And it doesn't stop there.

Pictured: Plankton finding "Plan Z" and looking at it like a centerfold in a playboy magazine

Almost every character in this movie juxtaposes another, again smearing the line of what it means to be an adult. For example, Spongebob and Plankton are polar opposites; plankton is cold and vengeful, angry at the world around him, and spongebob is a happy person who tends not to take things personally, a friend to all. In planktons first appearances in the movie, he is portrayed with clear adult themes, mocking spongebob, making pinup jokes about plan z, and living in a fairly dark and grey space. But, as the story moves along, we see many similarities; both spongebob and plankton are fairly one track minded, and when spongebob's perception is broken he himself gets a little vengeful. When eugene is put in danger over this, though, we do see that he places the lives of others over his own wants. And, even at the end of the movie, we see their similarities. Plankton reuses the "Sorry Calendar" joke that spongebob used at the start of the movie, drawing another line of what it means to be an adult. Is it childish of plankton to say that? Is the inherent irony he has impactful here? His want for something that isn't his, and his disregard for others in pursuing it feels just like how a younger child may steal the toy of another, without understanding what it means to share.

Pictured: Neptune flipping his shit at his lost crown

Then, there's the character of Neptune. Neptune is a big man baby. He rules the entire land, commands the most respect, and is considered the most powerful person under the sea, and yet, we see that he gets overprotective of his property, prepared to execute anyone who even annoys him. Throughout the film, he's obsessed with chasing an image of youth, as he is bald, and ignores the suffering of the people on bikini bottom to make sure no one sees his bald head. He throws what's equivalent to a tantrum when he finds his crown is missing, and believes a very crude note written by plankton saying that it was eugene who stole it. His character is an "acceptable" child because he's in a position of power, where spongebob is an "unacceptable" child as he is just a working class member of society. And the funniest part is, that he mocks spongebob for wanting to go for the crown, when even he, the strongest person in bikini bottom, refuses to go out of fear.

We see that these "bastions" of adulthood, plankton and neptune, are the ones who are responsible for missteps of society; we're ALL children in the long run, but the strict enforcement of a perceived true adulthood creates a space where they can act immaturely yet those under them/around them cannot. Dennis makes this case even more, as the only thing he does in this movie is hurt others. There's only one thing that seems to truly denote adulthood, and it's cruelty.

Even squidward, the adult that is supposed to be more responsible that spongebob, refuses to go on the quest to retrieve the crown, as he acts mostly in self interest, even later claiming to only care that plankton was stealing the secret formula as it was hurting his own paycheck.

Spongebob is the only one willing to go, willing to defend the man who wronged him, willing to value life over his own interests. He is both child and adult, just as the adults are too children.

As he moves through the plot of this film, he becomes less confident in his disposition, with his naivete causing moments like him and patrick crossing the state line and immediately getting carjacked, or them being put into an uncomfortable situation by all the bubbles they blew when they tried to get their car back. His bright personality is questioned constantly: Only five days to shell city? BY CAR. This is man's country. But weren't we the double bubble blowing babies?

Pictured: Spongebob caught trying to take back the key to the patty wagon when patrick fails to distract everyone

This is made more obvious to him as patrick remains oblivious throughout; patrick is a mirror for him, that acts as a childhood constant, that makes it clearer for him every day the draws of his childishness. There's the moment in the club where patrick's distraction was poorly thought out, and only because he said he wanted to do it adamantly, there's the moment where patrick challenged neptune on how many days they would have to do it, which served no purpose but for his own fun, there's the moment patrick points out the free ice cream trap- he is the unemployed uncritical lens that spongebob is afraid he is.

So everything's fucked, and anyone who is childish is bad i guess!!!

But that isn't so,

3: The illusion of manhood

So we've talked about spongebob's characterization as a naive child, how this is impactful in his transformation into someone who is anxious about that aspect of his personality, and how the society around him is hypocritical in it's own immaturity. But where does this all come together?

Pictured: Planktons dystopian world, which Mindy shows Spongebob and Patrick

It's at spongebob and patricks "conversion to manhood". At his lowest point, spongebob becomes a squidward- he becomes critical of his AND patricks interests, and regards them as childish, deciding that this means that they can't make it to shell city, as it requires them to be adults. When mindy shows them the dire situation back home, she hopes that spongebob's sunny personality and care for others would shine through, but instead he turns to what society has been telling him; it's impossible. He can't do it, he's just a little kid, and there is no point to any of this as he'll fail regardless.

Thinking about it like this, it truly is one of the darkest points in the entire series; spongebob just openly admitted that there was nothing he could do, that all of his friends were goners because he was effectively useless.

Mindy comes up with an idea; she'll trick spongebob and patrick into believing they're men; she convinces them of mermaid magic (their innocence allowing them to believe) and uses kelp to make them think they've matured into adults. Notice that physical modifiers being the only key to this "fake adulthood". With this, they jump off a cliff because they believe that with adulthood, they are invincible.

This is really telling about how the society they're in thinks of being an adult, and relays that to children. There's another level, a distinct separation between spongebob and adulthood, which seemed like the difference between a squire and a knight- being an adult means that you aren't weak anymore (as though he was weak in the first place), and thus you can do things you never thought before. Is it truly healthy that this is how a society tells kids that adulthood is like, for them to enter the world and feel a truly awful financial and literal hellscape waiting for them? uh, you can, you can decide that for yourself i think.

Nonetheless, they survive the fall, and conclude that they really are invincible, able to power through a ravine with their happy go lucky attitude, eventually befriending the monsters which were once trying to kill them. They weren't acting like adults, but the labels themselves made it possible for them to soldier on with the childlike disposition they had. I find that to be powerful. If we were able to be more hopeful as adults, and power through the worst things brightly, could we do great things? Idk but these depression meds sure do taste good nom nom

After crossing the ravine, spongebob and patrick meet dennis, and have their worldview crushed as it's revealed that they are actually still kids. Dennis being the "alpha male" that he is, is characterized by violence and a lack of morality. The pair are saved by a giant boot, which is the first of two humans in this movie. Spongebob and patrick are both taken by the man in the diver suit, as we fade to black, marking the end of their illusion of adulthood.

4: Back from the Edge (of death)

Spongebob and Patrick awaken in an antique shop, realizing that they were surrounded by fish that had been killed specifically for sale as tacky antiques. They are lifted out of their fishbowl, and put under a heatlamp, as their fate is sealed to become a member among those dead fish. In spongebob's final moments, he mourns his inability to be an adult, as well as to reach shell city; but before they both die, patrick points out that they truly did reach shell city, as the crown was within their reach.

This. This is a phenomenal scene. Why? Because of what it means for spongebob's arc.

Pictured: Spongebob and Patrick on their deathbeds, finding happiness

He sees the crown, and realizes that, unequivocally, that even if he didn't bring the crown back, he made it to shell city. Every person he met told him that he couldn't even do that. and he did it. He is a kid, yes, but he's a kid who went where not even NEPTUNE dared go. Everything people said about him, about how him being a kid stopped him from success, was suddenly shattered. He has been asking himself if it's okay that he is a kid, and he saw, unambiguously, that it is. He is allowed to be happy. He can enjoy things that other people don't. He can be naive. He can be himself, no matter what anyone says. And so can you. Great things can be done by people who are "childish", who are "naive", who are kind without expecting a return, all of it. YOU are okay. Your stims are okay, your comfort series are okay, your interest in tropes are okay, YOU'RE OKAY!!!!

with that, spongebob and patrick are dehydrated on the table, and ostensibly die, the kids that they are, shedding one final tear each, forming a heart beneath them.

...

Miraculously, the tear electrocutes that lamp at it's socket, causing smoke to rise and set off the sprinklers, rehydrating the pair, and bringing them back to life. The "Man in the Suit" attempts to capture them, seeing them about to lift Neptune's crown, but the rest of the dehydrated fish come back to life- squirting him with his own glue and beating him to the ground, as spongebob and patrick run out with the crown. David Hasselhoff offers them a ride back to Bikini Bottom, and the pair begin their ride back.

5: The confrontation of Adulthood and Childhood

Pictured: Dennis looking all lame and shit

As spongebob and patrick are being swam back to bikini bottom, the boot under which dennis was crushed rockets to Hasselhoff, spitting him back out to finish the job. The appearance of Dennis, IN MY OPINION, makes him look rather goofy, with his broken glasses making him look more like a office worker than a badass assassin as he attempts to kill spongebob and patrick. Spongebob, in trying to reason with him, is able to ruin his eyes with bubbles, and then survives as dennis gets hit by a raised platform which spongebob and patrick are too low to be hit by.

Having defeated one representation of adulthood, spongebob and patrick are shot down by HasselHoffs MASSIVE MAN TITS with the crown in order to prevent Krab's fate, blocking Neptune's lazer just in time as they crash in.

All seems to be well, but plankton uses one of his mind control helmets (which we'll be getting into later) to enslave even Neptune, putting mindy, spongebob, patrick, and Krabs against the wall.

In another stark moment of characterization, Spongebob tells patrick that "Plankton Cheated", which prompts plankton to tell spongebob that the situation wasn't a kiddy game, and that it was the real world. This sort of distinctions in their ethos tell you how spongebob interacts with justice; he believes in "playing fair", while plankton is bitter and believes in getting what he wants.

Finally, the apex to our plot, is a musical number. Spongebob begins to make a long-winded speech, where he takes ownership of every label he was called as he stood on the stage at the beginning, the similarity between the two events being clear (holding a microphone at an inappropriate time, making a speech as he blocks out input from an adult trying to talk him down). Spongebob then busts out into the film's rendition of Twisted Sister's "I Wanna Rock", "I'm a Goofy Goober". This results in spongebob reversing plankton's whole plot with "the power of rock and roll". Plankton is made powerless, and thrown into a little padded cell.

The final scene in the movie has Mr. Krabs freed from his imprisonment in ice, and spongebob is offered squidwards position as manager of the second Krusty Krab. He seems hesitant, and squidward offers an insightful analysis of what spongebob might be feeling (the typical analysis of a coming of age movie, where the protagonist finds out that what they wanted all along is not what they wanted, but it was what was inside all along). Spongebob refutes that squidwards fly was just down, and GLADLY accepts the job.

AND THAT'S THE MOVIE

6: AN INVERSION ON THE COMING OF AGE GENRE

A coming of age story tends to be one which is focus on the growth of a character from childhood to adulthood, asking questions about what it means to be an adult. A character reaches for their perceived adulthood, and realizes what it means to ACTUALLY be an adult, typically juxtaposing what people think (drugs, parties, sex) versus what the movie postures as the correct adulthood (responsibility). In this, I think that the spongebob movie directly criticizes the position of what "an adult" is, in the sense of how someone acts.

Like we discussed in part 2, every adult character in this movie tends to be very childish in themselves, unable to see through simple ruses, and often very possessive of personal property. I don't think we actually see a child in this movie as a speaker at any point, only really as background characters (in goofy goobers to solidify spongebob as childish, and I believe in the chum bucket as they're lead to an unsafe place by their parents, who are supposed to be responsible). Thus, what is mostly examined is how adulthood and childhood is a very thin line. Squidward, for example, going directly to plankton to accuse him of stealing the formula, instead of taking it to the top immediately, which would have ended this whole thing fairly quickly; that was rather silly, and was the fruit of his need to assert himself as an adult.

Spongebob goes through this movie FIRST not caring much about whether or not he was an adult, and it is only after the social pressure from adults does he start to chase it. He then chases his perceived image of an adult, going on an adventure, and is crushed by the fact that he isn't an adult. Instead of finding what an adult is, he instead becomes comfortable with his existence as a child, finding himself at the end of the movie able to comfortably chase after an ideal again, where in a normal movie he would humbly reject the job he was offered.

This is, truly, what we should all take from this film. Spongebob realizes that people who aren't necessarily socially adjusted or acceptable can do great things, regardless of what the people around them say, especially because the people around them are liable to throw tantrums and be actively harmful to society. He is allowed to find comfort in childish things, and to be naive, because the world needs more people willing to help others. It's a scathing criticism on the imposed adulthood that exists in a lot of coming of age films, which begs us to drop fun in the interest of doing the right thing, as though those two ideas are contradictory.

BONUS: EXTRA STUFF THAT I LIKED

The goofy goober song became really good storytelling, at first marking childishness, then marking a level of discomfort and judgement in the club, then marking spongebob recognizing that his happiness came from what he liked and not some vague idea of adulthood, and finally marking his full acceptance of his childishness, taking the form of rock, the music of rebellion. It's not as subtle as leitmotifs, but it works really well in how the same song can give very different feelings throughout, and inform how we interact with a story.

There are a lot more examples of adults being pressured into childishness, with the connected twins who liked goofy goober at the club, who were beaten senseless for absolutely no reason, which highlights the way that the society hurts people that, by all means, are just as much adults as anyone else. There's of course Plankton's helmets which created a society of people who simply slaved away with nothing to say, taking life as it came and listening to authority.

On top of that, this movie is PRETTY ANTICAPITALIST AND ANTIMONARCHY, despite those things being allowed to continue to exist at the end- monarchy is seen misusing power constantly and often for unfounded reasons, and Spongebob's diligence at work is rejected by a penny pinching Krabs, who cares only about money. Like, THE KRUSTY KRABS ARE RIGHT NEXT TO EACH OTHER? THAT IS SOME MONTY PYTHON ASS SHIT. This year is the first year i laughed at that joke, because it's really some "capitalists are fucking dumb as shit" humor that slipped over my head when i was a kid. The villain literally being defeated by Rock and Roll, which was sung with a message against the oppression of differences in people? Yeah, I think the spongebob movie hated rich mother fuckers.

END: UH YEAH THAT'S WHAT IT IS

So yeah. The movie is good I think. There's a lot more i could go into, but I've been writing this post for hours and at this point i haven't even read it so...

I recommend going back and giving this film a rewatch!!! Pay attention to all the moments where adults act like children/kids act like adults, because it'll make ur brain pop like a zit. Anyways that's me, I'm Jericho Jay "Japes" Marshall, and I HATE facism.

#spongebob #spongebon squarepants #analysis #film #good movie #marvel #avengers age of ultron #funny

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the-kings-tail-fin · 3 years

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(2/2) so it just sort of makes sense that F1 racers are a lot more used to pain than others. Francesco for a(hypothetical)example acts like his paint job being scratched is the end of the world, but hes seen crashing like Lightning did in a race and he shrugs it off. Curses a lot sure, because he just lost, but its not really a big deal yknow? Pain is an accepted part of F1 racing. Delicate they may be frame wise, but F1 racers have some of the strongest temperaments. Thoughts on this?

(Posting part 1 to the ask here too, a shame this cursed website limits ask characters like so.)

I've been thinking about this for a couple days now, and the headcanons I'm getting based off this idea are really getting my world-building juices flowing.

So race car replacement parts of any sort are easy enough to come by, I would think, regardless of the type of racing being done. F1 tends to be the most expensive, because the parts that go on the cars are so precise - like there are literal scientists and engineers sitting around at any given F1 shop, figuring out how they can make each and every piece better, because even the slightest, most obscure improvement could make a difference in a race. So yeah, a lot, if not all, of the parts are replaceable.

But think about the pressure that puts the racers under. F1 is notorious for being a 'political' sort of racing series, it's how they manage and distribute their finances. Some say it's rigged, some say it's how it keeps life in the sport - I do not particularly know, all I know is that it creates a certain aura of expectation and pressure, depending on the team. (Disclaimer: I'm no F1 expert, but I have a friend that works as an engineer on an F1 team and he's always talking about this.)

Each team is under so much pressure to perform, especially the teams at the top - like Francesco. He's constantly getting his parts upgraded and replaced. It's run of the mill. It's safe to say that most of his body is brand new at any given point - and he doesn't get a lot of say in the matter. I headcanon that Carsverse Formula 1 is the kind of racing where if you want to commit yourself to the sport, you commit your everything to it.

You lose any sort of bodily autonomy and associated rights when you sign your contract.

The team picks what parts you have, what fuel and additives you use, the oil you consume. They make sure your life otherwise is as plush and pompous as you could ever imagine so that you forget that you have no control over what's happening to you.

An F1 racecar is the face, the personality of the team - half their job is advertising sponsor product and presenting themselves well at prestigious events. They need the latest and greatest improvements and the shiniest of shiny wax so that they glitter when they drive across the red carpet at whatever event their presence is required.

The other half - and here's where I get back to your point - is the racing itself. F1 certainly isn't all show. There are brutal crashes all the time and those shiny new parts go flying. I think there are two aspects as to why the Formula cars may appear tougher, whether they genuinely are or not is yet to be decided.

Firstly, remember, it's all about being the face of the team. F1 is cutthroat and you may show no weakness. That's pounded into each racer from the very beginning. In pain? Too bad - suck it up, cupcake. They don't care if you're missing half your face and every peripheral part that caught the curb and sent you into that wall, you're going to act stoic and brush it off because that's part of what you're getting paid and pampered for.

Secondly, with all the part swaps and experimentation, it wouldn't surprise me at all if, over time, an F1 car loses feeling in it's outer extremities. Sure, they can still drive and their mechanics all work fine - but the sentience that provides the Carsverse cars the ability to move, I think that that can only survive so many replacements. And that's true of any car, racecar or otherwise. But again, the havoc and the absolute destruction that's associated with an F1 car means that they will hit that threshold a lot quicker than other cars. It may still take years, or decades even, before it's obvious to the racer him/herself.

The F1 racer may think they're growing used to the pain, that they're able to tune it out better and better as time goes on. Logically, they know that isn't the case. They know that their senses are fading. But they don't mind - they don't have time to mind. They've got a photoshoot and a meeting with various VIPs from prospective clients and sponsors in an hour, time to slap that new spoiler on and give 'em a show.

Francesco sees McQueen's wreck and scoffs. How could that knock him unconscious? These Piston Cup racers are not real racers, not like Francesco. They do not even fall apart, look, he just a-crumbled. Francesco has been in many, many wrecks like that before. Psh. Even McQueen's very-much-enclosed wheels are still protected by fenders!

But even Francesco knows that even if he had fenders, nowadays he wouldn't be able to feel them.

#francesco bernoulli #them formula cars

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m-y-fandoms · 3 years

Text

Blood on Our Stage - Vampire Nagito Komaeda x Human Female Reader -Part 1 (Slight/Platonic Female Reader x Hajime Hinata)

So, this is an old fic I updated to fit these characters because I want to continue it :)

NEEDED CONTEXT FOR THIS AU: Hajime and Nagito are step brothers, (Y/N)/Reader is a human, Hajime and Nagito are vampires, and Hajime did indeed get into the Main Course at Hope’s Peak, for acting.

The paycheck… It's all about the paycheck...

You took a deep breath, reassuring yourself for what seemed like the hundredth time that year… or that hour.

Smile, s-smile. Breathe, lean into him. It has to look real, (Y/N). God… it’s a whole new level of crackhead when you stutter to yourself in your thoughts.

Dissociate.

What are we having for dinner? How many more steps ‘til that damn egg hatches? If it’s another fucking Diglett I swear I’ll go apeshit.

You shifted to your right, the most forced of grins creeping onto your cosmetic-plastered face. You let your head fall onto Hajime’s shoulder. Convincing right? Touching is convincing. Random gentle displays of affection are convincing...

By this time, you were nearly blind from the flash of some fifty or so cameras in your face, anyway, so why not just pretend that the photographers and press were blind as well?

Why not, why not?

You pretended in every other aspect of your life.

"Isn't that right, (Y/N)?" Hajime’s voice shook you out of your trance, and you turned your head, letting go of his arm, which you had grabbed out of habit. His sparklingly white teeth - sharper than the average man's - gleamed down at you, and you felt that usual pang of fear run down your spine and chill your bones. Even attached to the gums of the sweetest boy on earth, you’d never get used to the sight.

It's all a show, (Y/N), a game. Pretend. "Fangs for the fans, and all that"

How long would that farce last until people started to realize?

What had Hajime said earlier that month? You retreated into yourself, thinking deeply, trying desperately to calm the anxiety that rose with at the sight of his flesh-tearing canines...

_______________________________________________________________

"I can bare my fangs at interviews, photoshoots… you know, when the paparazzi are around. It’s what my dad wants,” he sighed, shaking his head. “Don't worry about it, (Y/N). Honestly, you freak out over the silliest things sometimes.” He ruffled your hair. “It will look like I'm dedicated to the role, or something like that… whatever. People will love it, trust me."

___________________________________________________________

But you never could. How could you? A monster with a secret, stupidly displaying that secret openly to the world? No… trusting meant removing little stones from that carefully built wall, which sub-sequentially meant getting hurt, and not just emotionally. You recited this mantra to yourself almost routinely; something you’d picked up from someone very close to your heart. Isn’t it funny how we steal little bits of personality from those we love most?

You knew Hajime just followed whatever his father commanded, that he’d do anything to feel like he mattered, that people cared. He’d done all this: the acting lessons, depending on daddy’s money, the unless studying and promoting himself, just to get into that stupid school and kickstart his illustrious career.

"Isn't that right, (Y/N)??" Hajime tenderly brought his hand up, stroking your shoulder awkwardly. The clench in his jaw, however, wasn't friendly at all. You couldn’t really blame him, though. He was doing it for your sake, after all. You had to get through this, and he knew he had to pull you through; everything depended on it.

How could this flock of idiots not tell the “chemistry” was forced???

"Uh… o-of course! Yeah!" You smiled, a fake chuckle escaping your lips, and the crowd of reporters and internet journalists roared in front of you. Of course they did… wasn't everything the disciplined and people-pleasing boy beside you said fucking hilarious? You sighed, returning your gaze to the mass of people below you as you and your leading man sat raised on a platform behind a pretentiously high table.

Just let Hajime handle all the questions, you thought to yourself indifferently. You always did. They rarely directed them at you specifically, anyway. So much for your dream: to stun the world as an independent starlet, a crimson-hot femme fatale. It was always ‘Hinata Hajime’s doe-eyed leading lady!’, ‘Hajime’s little love interest!’, never ‘(Y/N) (L/N)... featuring Hajime Hinata!’ But... you were famous, and with no little chunk of change to boot… you should’ve been thankful… right?

So why weren’t you…?

Your eyes scanned the faces before you, and you realized that you hadn't… really looked at them until now. Yes, the usual prolific online bloggers and huge theatre junkies were there, and Mr. Hinata of course. He wouldn't miss out on one of his company’s press meetings for the world, especially with his money-making beloved son in the spotlight. He was so anal, how could anything possibly go off without a hitch unless he was there?

You wondered if the girl next to him knew he was a ravenous monster as well, but thought better of it. Of course, she didn't know. You shouldn't have even known. But you did, and it plagued you every day of your life.

Fuck... you just wanted to go back to your room and overthink in peace. It was embarrassingly uncomfortable to do so in public

Mr. Hinata sat sternly upright, with his polished, slick hair, in his polished, slick shoes and extravagantly tailored navy suit, his secretary at his side, brushing his hand unnoticeably between the chairs. His wife would never care, anyway. To their right sat a rosy-cheeked intern, spunky and full of character. Holding a clipboard between perfectly painted nails, the only thing that spoke louder than her bright smile was her neon miniskirt. She must not have known, either. No human simply knew, and still managed to look that innocent and lively. The PR girls loved press conferences, and each new show only yielded fresh publicity. This most recent show, set to premiere the following night, was a tale of romance: A vampire lord and his human lover: a medieval era period piece. Of course, for this reason, Hajime did nothing to hide his all-too-real fangs.

You loved a good historical romance, and loved being in one even more. It had always been your goal as a starting actress to take the lead in at least one period play, be it Victorian, colonial, medieval.. but... it had not turned out quite the way you planned...

A few other members of the Hinata family accompanied their revered head of the household… or was it head of the clan… coven? Whatever, it was expected. The murderous bloodsuckers always clung to their leader’s side, and could always be found lurking around Hinata’s estate, if they weren’t already crammed up his ass looking for approval.

A flash came from the reporter to the left, directly into your vision, and left you dazed.

Fuck… you seethed internally. Calm down. Calm down. The paycheck. That's it. This is almost over, anyway. Why did you always find yourself spacing out at the worst possible times? You acknowledged that it was how your body coped with the overwhelming urge to break down, but damn if it wasn’t inconvenient at the minute. Nothing screamed ‘I have something to hide’ like acting shady in front of a hundred people…

You leaned into Hajime again. Sell the relationship. Sell the love.

You exhaled in exhaustion. It wasn’t that you didn’t love Hajime… you did, just, not like this. Never like this. Lying to millions of fans and the press, pretending Hajime was anything other than a brother-like figure to you just to line his father’s pockets, tore you apart more than keeping his immortality a secret. Denying you both a chance at real love for fear of scandal… you were sure that there was no phrase you’d ever grow to hate more than “The Hinata Theatre Company!” Ironic, wasn’t it, that at one point in time, you begged to be here?

You found that scoping out a crowd lowered the anxiety you had about actually being in front of them. It's funny, many people asked how you could possibly be afraid of crowds or public speaking when you were a damn Broadway-level star. Your answer was always the same: your rush of adrenaline and passion for theatre got you through a show, but anywhere else but on that stage, and a crowd turned your mind to jelly. It was different… walking out for a performance tamed the butterflies that flew around inside your stomach.

Of course, there was always the fact that your boss could tear you apart at a moment’s notice that contributed to the anxiety, but you obviously couldn't share that little bit of information with anyone. It was all so hard to process, that this kind young man beside you could be something so fearsome, that your whole life was a public sham. You’d never forget the day you’d found out… how it changed everything. You shouldn’t have to be afraid of your best friend, you just shouldn’t. But how could you ever truly trust him again?

Your eyes bounced once, twice around the room.

...No

You gasped, breath catching in your throat as your eyes caught on something that caused you to jump slightly in your seat.

"You ok?" Hajime whispered, the crowd going noticeably silent for a moment. Mr. Hinata glared in your direction. A silent warning, reminding you that even one wrong move made his company look bad, and that would not end so well for you. That was the shining aspect of Hajime’s personality, that he was nothing like his father.

"Yeah, y-yeah," you spoke airily, cheeks heating. "I just slipped to the edge of my seat a little, almost fell!" You lied timidly, a small laugh.

They'll eat that shit up. Soft-spoken, innocent, clumsy girls are all the rage! Of course, Hajime picked up on the lie immediately, catching the change in tone, the skipping of your heartbeat. Being an immortal freak had its perks.

The bright-eyed boy beside you patted your arm, the crowd chuckling politely before returning to their bombardment of questions.

Your eyes flew back to the corner of the room, back to the object that had you startled in the first place. You tried to tell yourself you’d imagined it, but there was no mistake,

It was him...

Standing there in the entranceway, so dimly lit, he hid in the alcove. There was no mistaking his favorite jacket, the fabric ripped and weathered from use. There was no mistaking the intricate, almost root-like pale green veins which spiraled up his arms, told a story across his milky collarbone, tumbled down his wrists, and made him all the more intimidating. Intoxicating. There was no mistaking that full head of tousled hair, brightly standing out even in the meager lighting in that disregarded corner of the room, messy whisps branching out dangerously; an air of nonchalance and bored irreverence. Smug bastard…

And there was absolutely no mistaking the way those bright eyes illuminated his white skin in contrast, a frightening and ethereal glow shooting off of him in waves. Hajime’s chestnut-brown eyes never mimicked that terrifying iridescence, but then again, Hajime never took his life-sustaining drink from a human host. Your hands began to subconsciously shake. From fear or the itching desire to… you didn’t know, throw your arms around him, touch his cheek just once... ? You never knew with him. He was a wild thing, a beast untamable. But why the hell was he here?

Carelessly he leaned against the door frame. His tongue shot out predatorily, running along his lower lip in one fluid motion. His knuckles raised, brushing against the green of his coat and coming up to scratch the side of his face.

❘ What are you doing here?! ❘ You sent your thoughts out in waves so loud you might as well have been screaming. You knew immediately that he had taken them in, absorbing your mental cursing and inner toil like sun rays. It was a power and privilege only those of his kind who were purebred enjoyed.

He did not answer, but merely tilted his head, the corner of his lip rising in that maddening grin he always threw at you. An impish smirk hiding mischief and chaotic intentions, you were sure.

You knew it would be mere moments ‘til your flawless "boyfriend" beside you noticed his presence as well, and you feared what might become of this night that was supposed to be of celebration. Almost as if on cue, Hajime’s words halted to a stop. That evil smirk only widened, a small snort shaking the intruder’s chest.

"Nagito..." Hajime murmured through clenched teeth, his hand shooting down to grab your wrist. "He's here."

"I know..." your words shook, just loud enough for any non-human in the room to hear. Now it was time for you to be Hajime’s rock. Nagito's head bobbed, looking down at his old ripped jeans, and you saw Mr. Hinata's eye twitch before you, his vampiric hearing triggered immediately upon hearing your quiet exchange with Hajime.

Mr. Hinata followed your eyes to the back of the room, his fiery glare landing on the face of his eldest and only step-son in the shadows.

Was it too late to run back into the dressing room and never come out?

You could feel the tension in the air, a line of electricity connecting the three vampires like mental twine, ready to break at any moment. It was like watching three animals square off, sizing up their threat on a National Geographic documentary. The other Hinata coven members, all also fierce bloodsuckers in their own right, merely sat forward politely, sensing Nagito's aura but knowing better than to give him the time of day. After all, alerting the press to his presence would certainly not be a wise way to stay on Mr. Hinata’s good side.

No one outside of the family even knew about the existence of the elder brother. He was an embarrassment, a stain on Mr. Hinata’s designer tie. In the packed room, he looked so out of place, with dark, torn clothes in a sea of try-hard collared shirts and dresses. Sure, everyone who was anyone in the media world had turned up for this interview, and would also return for the opening night the next day, but everyone who was anyone never included Nagito. He made sure of that. He just had to stick out, be different, didn’t he? Even among a bunch of immortal freaks, boy… was he a freak.

Oh no, mommy remarried some rich man then got herself killed, better act like a little ungrateful little prick. Woe is me, I have super good luck that is sometimes super bad! No one understands me!!!

He sickened you, the way he did his best to destroy what he and Hajime’s family had built, all in the name of his backwards and twisted idea of “hope.” As if he didn't live like a prince because of the Hinatas’ hard work. Don’t get it twisted, you hated Mr. Hinata and would love to see the Hinata empire burn, but this company, the desire to be recognized and worth something, was all that held dear Hajime up. It was his only dream, and he deserved it. Nagito didn’t have a right to tear Mr. Hinata down if he had to wreck Hajime to do it.

He disgusted you, you’d decided months back, to make it all easier on yourself. Everything he’d done, the trouble he’d caused, the hurt he’d caused so many people. Routinely, you reinforced to yourself that you hated Nagito Komaeda

...You were disgusted by the way you… just... couldn’t hate him. It didn’t feel right. Something felt… wrong in hating him.

Your heart lurched, meeting his eyes again.

Why not? Why not just hate him, (Y/N)? Like everyone else…

Why was it so hard? You were supposed to be with Hajime. And Hajime hated Nagito. Everyone who knew Nagito hated Nagito. But… telling yourself you were anything but infatuated with that dangerous creature… was a lie. You owed everything, good and bad, to that feral, insane man.

Your nerves and the hairs on your arms pricked up like an agitated cat. Why why why? Why would he even do this? He knew what showing up here would start. He was born to start shit, to brew altercation, to cook up conflict. Maybe you should give him the benefit of the doubt? Perhaps he finally came to an event to support his darling step-brother, but the way he bore his fangs when his eyes met Hajime’s said otherwise.

❘ Leave. Just Leave. You're just here to antagonize me and I won't let you be a problem. Not today. This is my day… ❘ Hajime spat mentally, and his thoughts burned through your own and, you're sure, Nagito’s.

❘ Aren’t all the days yours, Your Majesty? ❘ Nagito’s thoughts were more severe, yet more playful, taunting, careless, a venomous snarl behind every synapse pulse.

❘ ...Leave. ❘ Hajime pulsed back in warning.

❘ ....Or what? ❘ Nagito’s own ominous threat reverberated through your cranium. You pressed a hand to your temple, an angry, stinging sensation pulsating through your head. Having a vampire read one’s mind was uncomfortable enough: feeling the slight probing and perhaps needing an aspirin after, but being the third line in a purebred pissing match… it was a call you desperately wanted to hang up on. But.. humans didn’t naturally hear a vampire’s thoughts on accident. No, you were hearing this conversation because you were meant to, someone wanted you to. You had no powers of your own, but Nagito kept you trapped in this nonverbal battle, strung up betwixt two immortal minds. You brought the back of your free hand up to your nose, wiping away a stripe of red vitality that began to flow from both nostrils. The panging inside, the angry shouting in your mind only got louder.

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sprawa-przybyszewskiej · 3 years

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I cannot claim to know about this play more than some others (Ewa Graczyk, Jagoda Hernik-Spalińska, Kazimiera Ingdahl and Maria Janion, in alphabetical order, are the official Horsewomen of the Apocalypse in this topic), with a lot to bring to the table, and so I will sometimes discuss parts of it which are - at the very least at the first glance - absolutely and doubtlessly simple; but by discussing them I hope to be able to bring into the discussion some new material, new evidence, perhaps - for the contrary of the popular belief.

I remember when I first read the scene between Danton and Robespierre, I was completely mystified, just as Maxime. To somebody who at that point knew nothing about the historical events, the exchange between them was very logical (and everyone knows how hard it is to obtain, especially in a piece of media where the author blatantly favours one of the characters over another). I am very glad then, to be able to say that while Przybyszewska did everything she could to humiliate and belittle Danton in the more visual aspects of the scene - his gestures, movements, actions, mimicry, even the sound of his voice etc. - she didn't bother making him out to be a complete clown. His arguments are populistic, but that's not necessarily a bad thing when you're n politician aspiring to be even more than that. Perhaps she thought that painting him out to be a weakling would somehow diminish Robespierre's awesomeness, which is a valid concern. For Robepsierre has little left to do in this scene - it is made out to ba a confrontation between them, of sorts, but is it one, really? I don't think so, not for the large part of it. Robespierre comes in, dishes out few sarcastic lines, looks at Danton with disgust and contempt and then crushes him in a yet another sarcastic line and then leaves. There isn't that much he can do not only to participate in the exchange, but to be visually and audially appealing to the audience as a character in a play. And even though we all know staging The Danton Case is a secondary affair, the main thing you can do with it is to read it and ponder over it, when you do stage it, a lot of responsibility rests on the actors recreating the part. Which is why choosing a good actor can, potentially, make all the difference, sometimes going as far as completely changing the way you view the very same scene you read earlier.

I have always assumed by "the same man" they meant Robespierre. It makes some sense in the light of the conversation, altough I have to admit it makes little sense in the light of Robespierre's reaction. The question thus presented to us is: do we go by what is written, do we percieve a play as a piece of fiction in a real world, OR do we immerse ourselves in the fictional world, suspend our disbelief and for a moment treat it as an alternate reality of sorts?

Polish director Jan Klata has managed to put on stage a compelling retelling of The Danton Case and I would like to present to you a scene from his version, which we're lucky enough to have on YT, with translation courtesy of @that-one-revolutionary. I've seen the play in its entirety: some metaphors were heavy-handed to say the least, some aspects I wish he'd done differently, but all in all, when choosing the main protagonist, the director casted in the role a truly splendid actor (please note that Marcin Czarnik was young. Young! It made all of the difference and it's worth watching if only for that), who brought home some of the points of character of Robespierre's which could have easily been brushed aside in order to highlight some other aspects of the conversation (the most famous example of this would be the very same scene from Wajda's movie, where the appealing and in all aspects imposing Gerard Depardieu dominantes the scene, thus presentign it in a very different ligt). While it can be read as a political statement, or a match of two great personalities, or a display of cunning on either part, Klata (or Czarnik; it's hard for me to say what the director tried to do with it, a lot of Robespierre's quirks, mimicry, gestures etc. seemed to come directly from the actor, which I can only say because I've seen him in other things and that's sort of his style of acting; all in all, I'll try to treat this not as a discussion over this particular staging, because for that I lack needed data, but it's unavoidable in the long run at least at some points, so please bear that in mind) treats the conversation itself as a minor thing in comparision to what is going on in Maxime's mind at the moment. Just look at this: there is no significance brought into their meeting, no change of the scenery, nothing indicates this meeting is special in any way. The logical conclusion is, then: it's not special. Both Danton and Robespierre seem to treat this as a step which cannot be avoided, but which bears no great weight either. The only reason they agreed to make this step altogether is - for "the same man". For Camille.

I do think Przybyszewska's intention was actually to disguise Maxime under this vague title. If this is a play about love - as I will always state it is - she wanted to underline the fact some people will be hatefully loved by those who are beneath them, who have nothing whatsoever in common with the object of their affection simply because the loved one is so great, so genius, so shining and bright it is impossible not to love them. I think this is the relationship between Danton and Robespierre (that is, on Danton's part) up until this point in the play. Danton idolizes Robespierre against his will (against both of their wills, really), because Robespierre is truly made out to be a demi-god at the very least. If you could team up with a hero like this, you should. So Danton goes through a humiliating process of trying to reconcile with Maxime, because humiliation, if everything paid off in the end, would be worth it. That Robespierre doesn't reciprocate the affection is simply a further proof that he is above Danton in every way.

Klata-Czarnik duo seems to have gone into another, subtler direction though. The man that both politicians make an exception for seems to be Camille, moreso because Robespierre loves him than because Danton has any special feelings for him. What is his relationship with Camille, anyway? They are cordial enough, but always a bit on the edge, and we know that Danton doesn't know everything that Camille thinks and feels in regards to Robespierre, mostly because he doesn't care that much, but also because he is characterised as a brute, and this simply goes above his head, it's too subtle, too delicate of a feeling for him to know it. It is also clear he knows Camille pretty well, but he doesn't know his soul, so to say. Therefore, he cannot actually love him, not to the point to make him the one and only excpetion from his otherwise coldly and precisley calculated plans.

Is there, however, a scenario in which Camille could be Danton's exception? Yes, when it becomes more about Robepierre than about Camille. When Camille is sort of offered as a mean to lure Robepierre in. Danton could make this exception only if it meant getting what he wanted (which is later mirrored by his blatant admission that the only reason he lets Camille take the fall with him is to deny Robespierre any joy in life after this point).

Robespierre, however, doesn't see it this way. He actually makes the exception for Camille and I think Danton's words – whatever he means by them, whichever interpretation we think is correct – put him on alert, for the fear of having his secret discovered. In the video linked above it is even more than that – once Robespierre hears Danton indirectly name "the same man", he gets aggressively defensive. For him to have someone like Danton talk almost openly about what he treats as his personal secret (a secret that Danton, being in great familiarity with Camille, could potentially know for certain) is equal with defiling it. I have violated your secret. Do you know what he says in the original? I have raped your secret. It really brings into the focus how much “the secret” needs to be protected, and how much it will hurt Maxime once it’s uncovered and destroyed.This is what he fears pretty much for the entirety of the conversation, his suspiscion somewhat confirmed when Danton says: No catchphrases, Robespierre. I know you.

As I mentioned earlier, the shift in my reading of the scene was prompted by the video. It is worth observing what exactly does Robespierre do when mentioing Camille by surname – he gets visibly more upset, he ponders for a split second for the best way to talk about him. His choice of words is interesting as well:

Both translations here are poor and I quite like what that-one-revolutionary did with it. "Katarynka" is a music-box, so "an instrument" fits much better (not to mention the obvious English connection to the phrase "play like a fiddle", which is adequate here). A parrots is after all a living being, something with a will of its own, if steered by more powerful handlers. But admitting that Camille, from his own free will decided to go against Maxime and everything that Maxime believes in is much harder for Robespierre than calling him an inanimate object, which can be unwittingly used by people with their own agenda. That leaves Camille almost blameless, perhaps careless and foolish, but not responsible fo anything that has transpired.Calling him names serves another purpose as well, which is to steer away the suspiscion that Robespierre protects Camille becuase he cares about him in a special way. He knows there are Danton's accomplices turning ears by the door, so he doesn't want to give himself away with his care and concern.

Ultimately, what do you believe, whom do you think they were referring to I think says a lot about what you think about Maxime's state of mind at the time. Danton's too, though, it can be used as a litmus test whater or not you believe he was honest in idolising Robespierre and offering him his adoration and obedience. In some stagings it will be presented as true, in some as a lie, and that's the beauty of adapting a piece of literature, there are so many options, all blooming from the same roots.

#sprawa dantona #the danton case #L'Affaire Danton #stanisława przybyszewska #stanislawa przybyszewska #maximilien robespierre #maksymilian robespierre #kamil desmoulins #camille desmoulins #georges danton #jerzy danton

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jean-arclight · 4 years

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A Possible Overlooked Hint?

Just a real quick thing to think about for the Sander Sides fandom real quick, especially for the orange side.

In the new episode, I was just rewatching it just because I want some background noise and such as I work on my school project. Of course, some things that I have read on Tumblr (theories) about the orange popped up while rewatching. Of course, I know they’re theories but sometimes others may have more idea or will even add onto those ideas. Anyways, getting off topic here.

At one point near the end, we get a little more of Nico. He’s a writer and a music person. You’d just easily brush it off as you think your learning more about this new character. But one thing kept repeating when I really thought about it. Quote:

“-I like the idea of someone’s life or an ASPECT of their life.”

When the word aspect was said, something clicked. Especially with what was added after this sentence.

“Feeling like... a trash bin. And the waste keeps piling and piling up until it inevidably spills out to the rest of their life.”

Yes, it may be just because of Thomas’s clumsiness and him knocking over the trash bin. However... when you apply it to the sides and to what happens at the end of this episode... a unlikely outcomecomes forth.

A side who like a trash bin which has “waste” piling up, until it spills out to the rest of their life.

Of course, we could say this is the orange side. Thats one theory. That Thomas keeps a certain trait or aspect away until he can’t keep it anymore thus it’ll release him. Yes thats one idea. But there is another.

Virgil is seen that he has doubts. Not only from this episode but maybe other episodes as well. I mean his relationship with Patton is a bit on edge as seen through different episodes and I feel as if Virgil is still hiding something. It’s almost as if he’s repressing something... and what happens when things get repressed? Think of it like how Nico explained it.

A side. Virgil

Like a trash bag has waste piling. His repression.

And soon it’ll spill over. His outburst.

Its a possible idea that his very own dark side (not the dark side but a “eviler” side of him) could come out... may not be what color we think or maybe its the trigger to release him. (It there is a him) but we can only wait and see.

#sanders sides theory #anxiety sanders #morality sanders #logic sanders #creativity sanders #deciet sanders #remus sanders #ts virgil #ts janus #ts roman #ts remus #ts patton #ts logan #ts orange side #orange side #theory

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infinitecrime · 3 years

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Spoiler-free TFATWS Ep. 1 review:

A strong and promising set-up episode to reintroduce us to these characters and where they’re at now, with plenty of (sometimes a little clunky...) world building, beautiful cinematography and action sequences, and some really likable new characters. Grounded in reality but it still felt big and like everything could kick off at any time. I have some reservations about Sam’s writing so far but got everything I wanted from Bucky’s. 8/10

Spoiler-heavy review:

Plot/Writing:

No big issues with the plot; it was a set up episode so I wasn’t expecting any huge revelations. Everything was very well done.

Sam’s scenes were meant to show the mundane and realistic aspects of being a superhero and the struggles of post-blip life, but at times they felt a little too mundane and repetitive, particularly the bank stuff. I feel like something more substantial could have been done with Sarah to make that plotline more tense and add real stakes - her car getting towed, an eviction notice, a bailiff coming round, for example? We hear that they’re struggling, but we don’t really see it.

There were a couple of moments of exposition that were so clunky and forced that it really made them stand out, because the rest of the script was so smooth and natural. Particularly Torres explaining who the flag smashers were to Sam, Yori suddenly being reminded of his son, and then some of the lines in the loan scene.

The audience isn’t dumb; we can figure these things out for ourselves. For example, the line from Yori about his son could have been cut entirely because it was already obvious. Bucky seeing the photo in the shrine at the end should have been the reveal for anyone who hadn’t figured it out.

In prior movies we’ve had plenty of backstory for Bucky, but no personality, and plenty of personality for Sam, but no backstory. They needed to fill in those gaps in a way that didn’t have us drowning in constant angst with Bucky, or drowning in constant exposition with Sam. I think we were successful with Bucky because he had some light moments, but Sam’s scenes were just a bit too exposition heavy to feel quite natural. I’m forgiving them because it’s a set up episode, but they need to balance this better in the future.

Sam:

Loved Sam’s action scenes, his relationship with Torres, his interactions with members of the public, all the stuff at the Smithsonian with Rhodey, and his banter with his family. Anthony killed the Smithsonian speech scene and his chemistry with Sarah and Torres is great. But most of the reservations I have about this series after the first episode are about Sam’s scenes, even though I liked them overall.

His writing started very strong but then kind of... fizzled out up until the last 2 minutes? Despite Sam being arguably the most charismatic and likeable and emphatic characters in the MCU, his characterisation just didn’t really come across in the latter half, because he seemed a little too out of touch with what Sarah was going through. Having so many scenes of people hero-worshipping him in one short episode definitely didn’t help with this - we put him in a down to earth, everyman setting but didn’t really see him being that everyman that we know he is, especially when we compare him to Bucky who’s living largely incognito. If I had been a first time MCU viewer I would not have been endeared to him or really gotten what his character was about because it seemed a bit all over the place.

I think this could have been fixed by having a darker scene with his family that would have humbled him to the audience and given Anthony an opportunity to flex his range. Like visiting his parents graves, or being unable to connect with his nephew’s because he’s been gone so long they don’t recognise him, or assuring Sarah that everything’s going to be fine with money then looking at an empty bank account and panicking when she was out of the room. Without that scene it just felt like he was brushing Sarah’s reality and struggles off with an “eh, it’ll be fine!” attitude. We got some range from his character at the Smithsonian, but even that felt like it was more about the shield and the symbol than about Sam and Steve, because we weren’t told whether Steve is alive or dead or still in Sam’s life, so we don’t really know what Sam is feeling.

I’m hoping now that the character set up is done and the fight for the shield gets going, this will get better.

Also, while Sam's opening sequence was awesome and really showed the capabilities of the wings and Red Wing and Sam himself, it felt ever so slightly too OP on the tech front. Unless Redwing has semi-sentient AI like Jarvis the way it works is just too unbelievable, and the wings also seemed to be semi-sentient or controlled by his brain somehow? I think they need to figure out exactly how his tech works because right now we’re leaning into ‘magic wings’ territory.

Bucky:

I love that Sam has been trying to reach out to him as mentioned by the therapist. I wish Sam and Rhodey had paused at his exhibit in the Smithsonian or mentioned him to tie the two storylines together more tightly.

This Bucky is my exact Bucky. This is the absolutely perfect characterisation for me. Snarky, funny, smart, kind of a dork, morally grey, riddled by guilt, trying to do the right thing, depths of sadness and rage and loss, barely holding it together, regaining his old sass and personality and memories but forever a changed man. He wasn’t a totally broken damsel in distress, he wasn’t a completely lawful good hero, he was an independent but traumatised man trying his best to heal.

I’m happy that they mentioned his family and the ‘man out of time’ thing was dealt with very well. He’s wasn’t totally lost, just bemused but adapting well. I was worried they were going to sweep it all under the rug because they felt all ground had been covered with Steve, but they didn’t.

It’s also great that they showed he was capable with technology. The Winter Soldier would absolutely have used all kinds of tech, Bucky was always a science nerd, and he lived in high-tech Wakanda for a few years. He’s likely fine with technology, it’s the people and culture he doesn’t understand.

I love him trying to date and being flirty. I will continue to fight the people who say he shouldn’t be dating because he has PTSD - it’s fucking ableist and patronising. Also, he’s been free from HYDRA for almost 5 years (10 if you count the blip). When is he allowed to start dating if not after 5 whole years?!

Sam has previously been the funny one but I think Bucky had better one liners here. I can’t wait until we see both of them together, their chemistry is unmatched.

Seb does all these conflicting emotions and micro-expressions and feelings hidden in the eyes so, so well. You feel it all - the guilt and shame, the desperation to make amends, but also the rage and need for revenge and killer instinct bubbling under the surface that he’s constantly having to fight down. This is a character with a dark side, and no matter how fandom may characterise him, he always has been. Seb really bought the comedy here too.

Bucky having P.W. Hauser in his book was hilarious.

New Characters:

All the new characters felt very real and likeable. Loved the girl in the restaurant (did they actually say her name? I think from the credits she must be Leah), Sarah Wilson, the no-shit taking therapist, Yori, and particularly Torres, who I have a feeling will die but I really love.

I see from the IMDB that Leah is listed as appearing in all 6 episodes, so maybe there will be an actual relationship between her and Bucky? Or she’s a secret super hero or not who she seems? We didn’t actually see Batroc die, meaning he will likely come back too. He’s listed as only having 1 ep on IMDB but so is the therapist and we know she comes back from the promos - maybe IMDB is just wrong, idk.

Other:

The cinematography was really great, some beautiful shots here, especially around Louisiana and the Tunisia stuff.

It’s such a minor thing but I like when people actually get to speak the languages they would speak in that situation, instead of a room full of French people speaking English for the audiences benefit. It feels so much more real.

Even the end credits were beautiful!

#tfatws spoilers #the falcon and the winter soldier #tfatws

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blindtaleteller · 3 years

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PROMPT: OOC Interview with [X] Clint ‘Cuyler’ Barton

" Been a while since we did one of these.. but. You know the drill man! This is your first interview, yeah? Want to explain why and where you’re from? “

Cuyler (Clint Barton D14:) Besides trolling the hell out of tags with Viedimadr? *grins* Ah, mostly that’s keeping the core element I guess. Most Bartons are the quintessential superhero, at least in the range of having that alter-ego. Might not wear a mask ‘til Ronin in the MCU? But --and especially with how my character works pre-Avengers; sharing past the job isn’t exactly any of our fortes? We have a family to protect, and if you do the math of how old the kids are even in Ultron: that family has been a thing since before we take the higher ground up out of the paid-SHIELD-killer status I’m in that Nat does mention in the original Avengers. Also usually save it up between the pages and occasional poke into tags and skits here on the dash.

Cuyler (Clint Barton D14:) As for where I’m from! *he leans back and hooks his hands behind his head* We’re Universe Fourteen; two doors on the left down the connecting Vestibule from Lisan’s Universe, and one to right of the Ego-centrics with Grey Knight and Leadsprite. Ours starts out different in the respect that, Fury ends up getting the Scepter tap instead of me; and the resulting conflict goes very differently.

“ Such as? “

Cuyler (Clint Barton D14:) We never even hit New York; Fury tries to snag me in, and under the Stone’s influence that means trying to at best grab my kids since he’s one of the only two people attached who know about them. Loki ends up breaking form and getting in the middle of that. Yanks us off world and out of Fury’s sight, with the goods. That’s where we picked up with our first published bit ‘The Warming Stone’ anyways.

” Speaking of.. what do you think about the split from the original timeline? “

Cuyler (Clint Barton D14:) I’m having a lot of fun with it myself. And I’m pretty sure Laura is somewhere outside the room clapping in agreement; she’s quieter than most but a constant presence and; she and Lo get along real well. Anyway. End up dealing with that whole ‘the city is flying, we’re fighting an army of robots; and I have a bow and arrow’ overwhelmed mentality a lot sooner because of it? I like the existential twists that come with the Dark Fairy Tale elements and whatnot that get thrown out there and right into our faces pretty much immediately, what with running face-first, on foot, into Jotunheim of all places through that doorway in Illinois. We did some collabs with the other guys that run through there, on top of the research and expanded on some of the wildlife ourselves to manage that? So that was some actual fun. This side of the pool I can absolutely admit us Bartons are a bit masochistic? *laughs* I am pretty sure we enjoy exploring those bits and how we’d react to them. I’m no different in that respect. I mean.. how would you react to being a dinner sized meal for labrador-to-great-dane sized snow-caterpillars with the elongated teeth of freakin shark? Or finding out the hard way there’s giant predator owls flying around about the size of a plane that eat those, just as an example? Never mind trolls, or frost giants, or anything else that manages to survive in that kind of insane climate and might decide to try and eat you just to see if you taste good.

” Probably stay inside forever if I was going to be honest? XD Anyway, Is there anything you’d change about your current story? “

Cuyler (Clint Barton D14:) Considering we’re still building back there? Not yet. I mean, too much fun so far. I mean we’ve done what.. four parts at this point? All during what we’re currently calling the Traveler Phase from Earth to Asgard through the doors between Illinois, Jotunheim, and Vanaheim. Which is interesting in itself. I mean whole other world, and things are shaken up before we even get there and (in part because of the fact that) we end up dependent on our Loki pretty fast. I think maybe my only change there would be in maybe doing another part for Extras that includes ‘Ogre’ .. who hasn’t even shown yet at that point in the story. He’s our Bruce Banner; or more specifically our Hulk? Thing is finding a space that won’t interfere too heavily with the book when we do it though. We could excuse the bits in the Traveler Phase because we intended to shorten it when we got there anyway; maybe cut straight to Asgard with that as a supplemental extra; a lot like the GROUNDED kids did with their out-takes featured in the same platovember series.

“ I imagine messing with Universe Three’s next installment’s been helping that along? “

Cuyler (Clint Barton D14:) Oh yeah, definitely. That mirror of Bruce’s is pretty similar in mindset and approach.

” That said, do I have to ask if there’s anyone in particular you like to watch or get into reading over their shoulder when they’re at it? “

Cuyler (Clint Barton D14:) Oh definitely The Bean right now, for sure? But there’s a list.. *grins* GROUNDED and DREAMS being woven together finally, especially with some of the inter-universal roles being brought up is a big one. Looking forward to whipping out that sword.. heh. Though, watching the ESCAPE kids from the other forming Vestibule has been an interesting ride now that they’re not entirely cloistered in Tuscon, or their hotel room. I know what’s up there outside of Traverse too, which helps. And there’s Josh. I think everyone’s been waiting for that fireball to explode across the page? The fact Tony, Lo and Fury managed to somehow make that nutcase all on their own with just a few lines still makes me laugh. Walsh is a character and a half. I’m looking forward to getting my chance at screwing with his mirror in our Door. Leigh is a weird bit of fun too, but Josh is definitely one of those at the top of the list, and who you chose for a face in close rep, is interesting. Maybe Vix too as far as characters go? But he’d a little lower down for me at the moment.

“ Stab, stab pull..? Heh. Which is your favorite upcoming group from the books/portions of Mixology aka the Lokiverse at large? And which are you most curious about? “

Cuyler (Clint Barton D14:) Ha! yeah; stab-stab, pull. Loxley’s got an interesting bunch next door. *rubs his hands up over the top of his head and back down* Honestly, MONSTERS and ASHES. Ah, that’s Door and or Universes Three and Twelve for those that don’t know. Three has a similar bonding mechanic between Bruce and Lo I’ve been interested in, while ASHES hits on other things, including a rockier relationship and overall dynamic between his Bartons and Redbird (that’s his Quill) that tends to go dark in the personal aspects a lot. I guess I like that struggle between them, personally. Loxley brushes something similar going on post-Ronin with his family dynamic with his internals and his Lo’s concerns for that; but I think Lili and his crew hit that at a whole other angle from around five years prior on? With, a whole other take on the family dynamic that Laura and I have with Lo by the time we leave Asgard. And that’s curious to me.

” I put you guys through a lot of shit in the name of storytelling. Any parts you have complaints about? “

Cuyler (Clint Barton D14:) None, planned or otherwise.

“ ..that was fast. “

Cuyler (Clint Barton D14:) What can I say? I enjoy the twisty shit, at least on this end of the pool. Ignoring the reservations, and dealing with the danger-fear of getting hurt in ways that can’t be fixed with stitches or band-aids, of accepting that kind of bond knowing how it started and risking the idea that finding out why might not make that danger less or that person better or more relatable than perceived to be able to accept them farther even after that investment?

Cuyler (Clint Barton D14:) The contradiction of pride and ego versus conscience and the guilt when it belongs there getting in the way -and even dealing with when it should be toned down that results in having one, even if it’s just a sliver in places and playing that out along with dipping into places mostly ignored or washed over in the Universes; is interesting and fun to me. Danger included. I have a little less guilt than my mirrors in a lot of directions that gets placed elsewhere after we come back to Earth; and I enjoy that dynamic and what we’re trying to explore there. That whole; ‘what if he was loyal, without he stone’s influence’ aspect, in our own flavor is a LOT of fun to play with. It’s a very different Universe, but holds hints and background pieces, and similarities enough, as well as the core; that it’s a feasable alternative to the canon line. Which is extra fun, for the personal aspects or ‘humanity’ we manage in the process? So no.. no complaints. Not yet anyways.. heh. We’ll see how I feel when you start actually touching actual, hands-on Gagnarok fixes and alternates though. Outside of that Cosmic-FrostIron bitty from a few doors down anyway. That’s gonna be a mess.

“ Whee.. yeah. MONSTERS gets that honor first, most likely.. “

Cuyler (Clint Barton D14:) Good. Bean can handle that best, I think... or maybe worst. Either way it’s gonna be entertaining for me..

For those interested, Cuyler’s published stories are found below in chronological order (they were posted out of order in part because of the prompts themselves and some parts were planned ahead to take certain slots.) The title names are the links to each part.

The Warming Stone (part 1)

Fathers (part 4)

The Hart (part 2)

Between the Reds (part 3)

#Lokiverse #Lokiverse muses #muse interview #Cuyler/Clint Barton D14 #Clint Barton #Dark Fairy Tale Elements #Door/Universe 14 #Hawkeye #OOC interview #Lokiverse (Mixology)#alternate universes #multiverse #conjoined AUs #Alternate Reality #fanfiction #FrostHawk #aka #LoHawk

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lizacstuff · 3 years

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SCK/EDSER anon asks ep 41

Apologies for getting to these so late in the week, but lots of good asks for this episode.

Find them under the cut:

Anonymous asked: Your thoughts on the epi? The kisses were a huge surprise! I'm glad she didn't slap him. And I'm kind of liking the two assistants' story. Its subtle but nice. And Aydan is so weird around Kemal! Is it just me or does her voice change frequency when she's talking to him. I like that they explained why Eda named her daughter Kiraz. I wasn't a huge fan of the name initially but it's growing on me.

So once again I thought it was a really good episode of television, the time moved quickly, it was well constructed and the acting was terrific.

The only thing that marred my enjoyment of it was grappling with Eda’s lies. Sometimes that just got too much for me. I think at one point I actually yelled “LIAR” out loud at the screen. I understand why Ayse and the writers wanted to delay Serkan finding out, it gave us two really great things, one Serkan deciding to pursue Eda again without knowing of their forever tie, and Serkan bonding with his daughter while thinking she has no connection to him.

Dramatically, both of those things are great and entertaining and I’m happy they went that direction. However, that once again requires me to set aside reality and find a way to stomach the fact that Eda not only didn’t tell him about his child, but now is forcing her child to actively lie to the person she wants most to meet.

That was really hard to take on first viewing. She’s also dragging poor besotted Burak into the lie, allowing Melo to continue the lie to her former eniste, expecting Piril to lie to her husband and to her business partner/“friend”, not to mention all the direct lying she’s doing, both to the man she once loved more than anything and to her beloved daughter. They’ve done a good job of making us understand the pain Eda went through and why she might want to protect her daughter, but nothing, and I mean NOTHING justifies what she did. And let’s be real, she going to say she did it to protect Kiraz, but if Serkan had rejected being a father, everything else could have been the same. Kiraz didn’t need to know. Eda could have left, raised her on her own, and told the fairy tale of an astronaut. She decided not to tell Serkan in order to protect herself, it was entirely selfish. And it’s really hard to watch Eda hold Kiraz in her arms when Kiraz tells her of dreaming of her father and Eda still come out of that determined to keep Serkan in the dark. I know she’ll come around. But I really don’t want it be brushed under the rug and for the narrative to consider what she did as totally okay. Perhaps that could come in the form of Kiraz making her pay a bit when she understands she’s been lied to and Eda has hidden her father from her. We’ll see.

Alright, enough of that, I saw several tweets on twitter complaining about Edser alone screen time, that it was too little, but during the episode I didn’t feel it. Probably because I consider funny scenes like them using their assistants as go-betweens to flirt and fight as an “edser” scene. Of course I always want more, but I think we’ll get much more in the coming episodes.

As for Kiraz’s name, I’m super glad it has meaning related to Serkan. That’s very heartwarming. Though still a bit at odds with the fact that she hid her from him. She’s going to deprive him of knowing he has a child, but give her a name connected to Serkan? These are the things you handwave when a show swings big for dramatic purposes, I guess.

On the positive side for Eda, I do appreciate that except for that one gargantuan thing, she is being very open with him in their conversations. It’s new for them for one to be honest about how much they were hurt by the other. Eda would always pretend that she wasn’t impacted when they parted, I’m glad she’s past that.

I’m also happy that Serkan isn’t wasting time pretending he’s not still in love with her or that he doesn’t want her. It took him, what, like a day, to decide he wanted her back? LOL. And even though he was being high-handed in manipulating hotel-owner lady to force Eda to work with him, it was all very in character for the old Serkan so I enjoyed watching it. Even if he had zero rights to do it!

Loved watching her guard come down when they were working together, they were always a very good team, and I’m sure neither of them has had quite that same dynamic since they parted, so it was fun to see them syncing right back into old rhythms. Oh and watching her thaw completely when he complimented her work. Serkan as her mentor was one of my favorite things about their relationship so it was nice to see that aspect back and that she still respects him professionally as much as she ever did. Then the flowers! Gah! I love that the show is picking up these old threads and using them to illustrate how Eda was still a priority for Serkan during the 5 years of estrangement.

So far we’ve only seen flashbacks from Eda’s perspective, it will be very interesting to start seeing them from Serkan’s perspective so we know why he did what he did. I think there’s no doubt that he pushed her away out of some sort of misguided attempt to get her to pursue a better life without him.

Wasn’t it refreshing for there to be a misunderstanding about the phone call, for us to get to see jealous Serkan, but for Eda to actually clear it up for him? Don’t get me wrong, Serkan had no right to get angry and it was frankly none of his business, but it was also a honest emotional reaction from him, and I’m glad to see Eda recognize that and put his mind at ease. Also it was worth it for us to see their argument in the car and them both deciding to walk back. I wish we would have gotten like a 4 minute scene of them just walking and bickering on their way back, though.

Their conversation once they were back was great, so open (except for that pesky secret) so emotional. Serkan really putting in some emotional work for one of the first times ever.

And I love how it continued the next day. Eda searching for the pick that means so much to her, Serkan coming right out and telling her that her wants her and still loves her. And he just upped and kissed her. And she kissed him back! if nothing else, I’m just so happy that the cliffhanger was “happy.” I’ll take a kiss cliffhanger over the horrifyingly heartbreaking ones we got used to there for awhile!

As for the other characters: Fuck off, Ayfer. Shut up, Aydan. Bad judgement, Melo. You’re a traitor, Piril. Hugs to you, Engin. Kemal, you’re a saint. Seyfi, grow a pair. Baby assistants, you’re cute. Burak, wake up. Deniz, you’re embarrassing.

Seriously, Ayfer is insufferable, I can’t stand when she’s on screen. At least Aydan is funny and has her own storyline, even if it’s stupid. Why, oh why, is she lying to Serkan about Kemal? Good grief!

Who does Melo think she is taking a letter out of Serkan’s car? I get the comedy of that letter moving around the supporting players and causing misunderstandings, but it was none of her business and I think out of character for her to meddle to that degree.

However, I’m glad that it looks like from the fragman that while both Aydan and Engin figure it out, they want proof before they do anything about the info. That makes sense, and will allow time for Serkan to figure it out on his own without being any more betrayed by those closest to him.

The baby assistants, are adorable, and now I’m rooting for them, but Kerem needs to tone down his middle class outrage. As for Burak... oh honey. With or without Serkan, does this dude really think he has a shot with Eda? It’s like a 4 deciding he is entitled to date a 10. Just no, dude, she’s so far out of your league you’re not playing the same sport. And once he sees Serkan... seriously? That handsome hunk of man is her ex and you still think you might be her type? I say again, oh honey. Melo seemed to be crushing on him, but I hope that’s not the direction they’re going unless they flesh it out. Melo deserves to be someone’s first choice.

Anonymous asked: Hi! Love reading your sck-related answers! Been wondering about this: how do you think Serkan will react once he finds out about who Kiraz really is? I’m hoping, of course, that he will turn into the soft serky bolly we knew but am also a bit afraid that his dislike of children would not go away instantly and he will act a bit cold towards Kiraz at first..coupled with the anger towards Eda for lying

Thanks for the kind words! Honestly, I don’t foresee him acting cold towards Kiraz, I don’t think that is the story they’re telling. Especially since they’re going to have spent 3 full episodes having Serkan/Kiraz grow close without even knowing. Him reverting to robot bolat once he knows, doesn’t make sense to me. Plus, as you alluded to, once Serkan allows himself to open his heart, he becomes the biggest softy in the world and I expect that exact same dynamic with Kiraz as soon as he processes the information. I can so see him spoiling her rotten trying to make up for lost time. He might not know what to do or always how to act with her, but I think he’s going to try really hard.

His anger at Eda may linger, and that will probably be a wedge between Edser, a wedge I expect Kiraz will work hard to remove by forcing her parents to spend time together.

What I hope to see is a Kiraz who doesn’t want to let her father out of her sight, including out of her house, and a Serkan who wants to get to know his daughter and a Serkan and Eda who are both so riddled with guilt that they will pretty much do whatever she asks of them, including living together and spending tons of time together. We’ll see, but that could be marvelous to watch.

Anonymous asked: I loved that they brought the guitar pick back. Same feeling regarding the ring turned necklace. Those are symbolic and since they got rid of most of them (globe, mug, flower case), I'm happy we have something. I also love the Kiraz/Serkan relationship. He may be a bit annoyed by her but the things he does for her! My heart!!! I can't wait for the moment he realizes she's his!

YES! So happy to have some of these symbols back! Love that she carries that pick around with her, and so did Serkan, lol. That was the thing that gave him hope that she hadn’t forgotten him.

I love that Serkan and Kiraz are so drawn to each other before knowing, it’s like something deep down it telling them the truth, even though they have no conscious realization of their real relationship. Kiraz is surrounded by people who cater to her every whim, (and let her get away with murder) so I think Serkan was a surprise to her. Like her mama, Kiraz is intrigued by someone who challenges her. And Serkan challenges her.

The clues are piling up, and you’d think Serkan would be able to have put them together by now. I mean we have the kid slipping up and poking holes in the ‘Melo and Burak are my parents’ lie, you have her aptitude for building, her strawberry allergy, not needing sleep and getting up early, being frustrated when folks don’t finish their sentences. Come on, Serkan! Though, I think he’s so distracted by having Eda back in his life, that he can’t focus on anything else.

The arrow scene was adorable, and I just love how she goaded him into playing with her. They are obviously very alike and I will never get enough of him being unable to say no to her. There are, apparently, exactly two people Serkan is unable to say no to in everyday situations, and they are mother and daughter.

I wish we had seen a little more from Eda’s point of view when she found Serkan and Kiraz sitting there together having ice cream for breakfast. Because a more un-Serkan like thing is hard to imagine. I want to know what she thought and felt at that. Why wasn’t she curious how they’d gotten to that position and both were compelled to want to be there? I suppose the writers didn't give that to us, because if they had, and had portrayed the character of Eda honestly, then that probably would have been enough for Eda to decide she should tell Serkan.

Anonymous asked: People are playing the team Serkan/team Eda game but in my opinion both are right and wrong in their own way. We still need more flashbacks to explain how things went down but I think everyone should be team Edser. At the end of the day it's about them learning from their mistakes and moving forward to build a family and life for their daughter and themselves.

Yes, I really don’t want to vilify either one. Even if Serkan pushed her away to protect her and give her a better life, once again he was being controlling and making decisions for her, just like he did back in episode 14. And Eda’s mistake is obvious... and too much pride has always been one of her fatal flaws, so having too much pride to tell him and wanting to avoid that rejection in some ways makes sense for her.

I can’t wait to watch how they find their way back to one another, they’re already having better, more open conversations than they ever did.

Anonymous asked: ANOTHER scene of them talking maturely, laying out their feelings, who are they and what have they done to edser?!? sure we still get their usual bickering beforehand when they both walk back to the hotel (LOL). but him voicing his feelings at that night scene about how he KNOWS how much he hurt her, and that he broke them apart, but he "just can't leave" and how he repeats that over and over again... ugh just chef kiss!

Oh, that conversation at night on the boardwalk, that was something. They were both so raw, and Serkan is actually showing a lot of growth by owning his mistakes, admitting he hurt her, apologizing and being honestly about wanting to start something. That is BRAND NEW, it was what we needed after amnesia and never got. It’s very satisfying to watch them having these heart-to-hearts and it looks like there are more in our future.

Anonymous asked: as much as the flashbacks actually HURT my heart to watch, i've really appreciated them bc without them i don't think just telling what happened in the past would be enough for this plot and we need to have it actually shown. we've had eda's pov so far on the events that happened, but im really looking forward to serkan's thought process behind his actions in the past, even though i do already understand where he was coming from, i think it's needed for eda to understand.

The flashbacks are really good, but oh so painful.

As for getting them from Serkan’s perspective, yes please! There’s a lot that both we and Eda don’t know. We know that Serkan couldn’t leave his house for months after Eda left, but Eda doesn’t know that. Eda really thinks he fell out of love with her and once again choose work over her, but I’m sure that’s not what happened. Hopefully, in 3 and 4, we’ll see what spurred Serkan on to act so coldly to her. Sure, part of it probably was depression and changes in him brought by the cancer, but I’m sure it was more than that. We shall see.

Anonymous asked: Do you get the impression that Piril has known the entire time that Eda was pregnant and had a baby? I thought she only found out when she went to Sile for the hotel project but a lot of people seem to think she was in on it all along? did I miss a key line somewhere? Like I can see why she hasn't told Engin if it was recent but keeping it from him for 5 years? Idk about that. And it makes Piril a little more bearable if she hasn't stood next to Serkan all these years with this secret

My guess is she’s only known since this project. There is absolutely no reason for Eda to have confided in her prior to that, unless Piril somehow stumbled onto them during the years. But I think that scene in the second fragman, where Eda is telling her that it’s better for Kiraz to have no father, than a father that doesn’t want her, is a flashback to when Piril and Eda first meet for the project and that’s Eda convincing her to keep the secret. That’s my best guess at least.

It’s bad enough if Piril has known for weeks and has actively worked against Serkan figuring it out, but it’s a whole other thing if she’s lied to her husband for years. Either way, I sure hope this causes problems between Piril and Engin, it should.

Anonymous asked: One thing I love about Serkan now is that the man has learned to apologize. That was one thing that was very difficult for him but in the past two episodes he's apologized a few times. Yes in the first season he was sorry over his actions but never said the words "I'm sorry". What a great improvement. And I love that he's communicating. His "I want you" and his other efforts are great to watch.

I LOVE THIS! I think the first time he ever said the words “I’m sorry” was in 15 and that was after she forced his hand by driving like a maniac and really losing it so when they’re on that cliff he finally breaks down and says it. But that was one of the only times. Even in 28 when they have the big miscommunication about getting married, he only says something like “me too” after Eda apologizes.

It would be interesting to know how he came to this point, but I assume he’s had a LOT of time to think over the last 5 years and to think about what he would say if they ever met again. That has to be it, because he’s been able to articulate a lot of very sincere, heartfelt things in the course of these conversations

Growth! We love to see it.

#Sen Çal Kapımı #sen cal kapimi #edser #serkan bolat #eda yıldız #sckask #sck 2x41 #sck 2x02 #edser discussion #sck episode discussion #asklizac #anonymous

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eatsleepandsupernatural · 4 years

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Saved - Chapter Eight

Saved Masterlist

Pairings: Alpha!Dean x Omega!Reader

Warnings: Character Death, Angst, Character Resurrection, excerpts from 14x08

Word Count: 2,243

A/N: Hey! The following chapter does contain some aspects of the Supernatural episode Byzantium. I would like to just state that I do not own those particular paragraphs of this chapter or of course the characters (but we already knew that). You probably didn’t expect the chapter to go this way, it was my plan from the beginning because of an idea I had, can’t tell you yet. Anyway, hope you don’t mind and I hope you enjoy! XX

Tags: @akshi8278 @goddessofmischiefs @flutistbyday2020 @samsgirl93

Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8

Chapter 8

Tossing and turning, surrounding yourself with your Alphas scent, no matter how hard you tried, you can’t sleep. Your thoughts are on Jack, the image of him collapsing on the floor, coughing up blood, is replaying over and over in your mind. He had quickly become your closest friend, keeping you company while Sam and Dean went on hunts. You had made a habit of sneaking into the ‘Dean Cave’, cooking up some popcorn and watching movies for hours at a time. The way Jack’s eyes fixed on the T.V like an excited puppy always made you smile. You had barely known him, but the memory of him passing away, his hand grasped firmly in yours, was overwhelming.

You shove the covers off and leave your room in search of Dean and some comfort. You had gone to bed once he and Cas brought Sam back safely after he had left the bunker, feeling the need for some alone time. Hours have passed and your need for your Alpha grew stronger every second.

You find him passed out in the kitchen, surrounded by empty glasses and half drunk bottles of whiskey, snoring louder than you had ever heard.

‘Dean...Dean, you shouldn’t sleep here.’ You speak softly into his ear and gently shake his shoulder in an effort to wake him up. ‘Dean.’

‘I don’t think he’s waking up anytime soon, Y/N.’ You turn around to face Cas, who is watching you from the doorway. ‘Why are you awake?’

‘I never went to sleep, couldn't.’ You admit quietly, knowing what was going to come next, silently wishing it was Sam who had found you.

Cas glances between you and Dean before sighing and holding out his hand, ‘It would be unfair to wake him now. Come on, I’ll get you settled.’

You place your hand in his and let him lead you back to your room, but you don’t make it easy for him, dragging your feet along the way. There is no hiding the fact that you are frustrated with him, with everyone. Jack is dead and they are still hiding things. You want to know why Jack was sick in the first place, and for how long. You want to know why, whenever you ask about anything supernatural related you are ignored.

‘Y/N, what are you doing? Aren’t you tired?’ Cas asks when you pull your hand from his and take a few steps back to put some space between you.

‘I am tired. I am tired of being kept in the dark. Did you ever think that maybe I would have been able to help Jack if I had known what was going on? He was my friend, and I lost him, and I don’t even know why. All you guys do is keep me in the dark for ‘my protection’, but one day, that’s going to come back and bite you in the arse. I may have been afraid of the idea of monsters being real when I first moved in, but I’ve seen Sam and Dean come back from enough hunts to accept that truth now. I’m ready to fight, to help. Dean, he is never going to let me near a gun. I need you to let me help, teach me to fight Cas, please.’

Cas stares at you, surprised by your outburst. He frowns for a moment, deep in thought, before approaching you slowly. ‘I’m sorry you feel that way. I will talk to Dean.’

You roll your eyes at his response and slouch your shoulders. ‘Like that will do...Hey!’

Cas cuts you off mid sentence, grabbing you around the waist and placing two fingers to your forehead. ‘Go to sleep Y/N’

‘Y/N, wake up,’

‘Omega.’ A firm hand on your shoulder and the smooth voice of your Alpha draws you from a peaceful, deep sleep. Your eyes meet Deans tired ones, the bags sitting below them prominent.

‘Morning’. You sit up against the bed head, accepting the glass of water Dean offers you.

‘Afternoon, actually.’

‘Stupid Angel.’ You grunt, making Dean chuckle softly.

‘I had an interesting conversation with Cas this morning.’ He informs you, turning serious once again. ‘He told me you had trouble sleeping, went for a late night stroll.’

‘Didn’t realise that was something I wasn’t allowed to do.’ You shoot back. You aren’t sure where the attitude is coming from, but you are sick of Dean’s Alpha behaviour.

‘I didn’t say that.’ He speaks quickly, eyes scanning your face in an attempt to read your thoughts. ‘But he told me what you spoke about, and I’m sorry. Truly. My intentions were always to keep you safe, and in doing so, I’ve pushed you away. And you’re right, chances of you holding a gun in this lifetime, or any other lifetime are pretty small. But you’re also right, that I have been letting the Alpha in me control my actions, and I have been unfair to you. If you believe that you are ready, you can be put on research duty. That means books only, no knives, no guns, no ghosts. We got a deal?’

You stare at your Alpha with wide eyes, shocked and disbelieving. Dean stands up from the bed and smiles down at you, ‘You coming? You might want to get dressed. We have a guest.’

You take a few minutes to compose yourself, washing your face and brushing your teeth in the basin, before getting dressed and leaving your room in search of the others.

The library is not how you left it last night, furniture has been moved to the side, and Sam and Dean stand next to a table in the middle of what looks to be a very intense discussion making you pause at the door and hide behind the wall, you decide waiting out the conversation is the best idea.

‘Use the soul-sucking magic? Boy, that lady’s a peach.’ Dean’s tone of voice surprises you, and you realise this was one of the things he was trying to hide from you, his hunter side.

‘Listen, we talked about this.’ Sam interjects.

‘I know. Gotta happen. It’s the only way. Right. But I don’t like rolling the dice on some psycho ex-angel killer.’

‘I don’t love it, either, but taking risks, making crappy deals--that’s what we do.’

‘Yeah, and they usually bite us in the arse.’ You smile at Dean’s choice of words, remembering what you had said to Cas last night.

‘So, what do you want to do about it? Leave Jack in the morgue? Burn him?’ That’s the moment you realise that they were planning to do something about Jack, to try and bring him back. You had heard snippets of conversations before, you knew that both Sam and Dean had died at least once.

‘I didn’t say that.’

‘Because, for me, not doing this--that-- that would be like letting him die all over again.’ At Sam’s words your heart almost breaks all over again and you struggle to hold back tears.

‘I want Jack back, too okay? I do. I just don’t trust Lily. Especially with my little eavesdropper.’

If you hadn’t had that conversation with Dean ten minutes ago, your heart would have dropped to your stomach. You straighten your back and peek around the doorway with a small smile on your face. ‘I didn’t want to interrupt.’

Dean rolls his eyes but waves you over, and you reach him the same time Cas comes up the steps looking more than stressed.

‘You got a twenty on Jack?’ Dean asks, eyes pleading for a yes.

‘Not exactly. Angel Radio is playing a distress signal.’

‘Awesome’, He replies, letting his arms fall, surely mirroring his disappointment.

‘All of Heaven’s gates are open, even the ones that Metatron closed.’

‘What could that mean?’ Sam asks.

‘I don’t know but it’s not good.’

‘More awesome.’ Dean says, making you reach out and grab his hand giving it a reassuring squeeze.

‘All right, well you go. We got Lily. When we’re ready, we’ll pray.’ Sam says, hoping that the solution will be enough.

Cas shares a look with Sam and Dean before walking away and to do whatever he had to do.

‘What’s going on?’ You ask, turning back to face the two Alphas.

‘We may have a way to bring Jack back. It’s risky, but we figured it’s worth a shot. You can hang around for now, but if I need you to leave later, you have to trust me. We’ve never done this before Y/N.’

You are tempted to argue but something in Sam’s eyes makes you change your mind. He is watching you carefully, eyes wide, pleading with you to reassure Dean that you’ll listen.

‘Got it, just tell me to go make myself some lunch, and I’m gone.’ As soon as you see Dean’s entire body relax you know you have made the right decision and Sam shoots you the biggest smile, to which you respond with an eye roll. It’s as if they don’t believe you can behave.

‘Alright, hand me that glass bottle would ya?’ Dean gestures behind you as he moves to fiddle with some paint and a bowl on the table.

You pick it up, inspecting the clear liquid inside before handing it over and you and Sam watch as he pours the liquid in and stirs the paint around. He picks up the bowl and holds out a piece of paper for him to copy from and you watch in awe as Dean expertly paints a large symbol on the wooden floor.

‘The instruction manual’. You had been watching Dean so closely you hadn’t heard the footsteps of another person approach the three of you and you jump away in shock as she hands an old leather-bound book to Sam.

‘It’s alright Y/N,’ Sam reassures you before turning to face the older woman who you assume must be Lily gives you a questioning look before turning back to Sam. ‘Thanks. All right, we’re almost set. Just got to get one more thing. I’m gonna go grab it.’ He says, he gives you a second reassuring smile before walking off. You watch him go, as he does, he grabs Dean’s attention and nods in the direction of you and the strange woman.

Dean puts the bowl and brush down on the ground as he stands up and walks towards you, watching where he steps. He gives you a quick smile before addressing Lily.

‘You know, I think we got off to a bad start. Um, I guess I should be thanking you.’

‘Apology accepted.’ You frown at Lily’s response and her attitude towards your Alpha, but you stay quiet, unwilling to test any boundaries on the first day. ‘Are you going to introduce me?’

‘Uh, right. This is Y/N, my mate. Y/N, this is Lily Sunder, an old...acquaintance.’

‘Nice to meet you.’ You nod from your corner with a small smile, not a fan of strangers. Lily was a beta, but she gives off a weird vibe that makes you uncomfortable.

‘There, you’re acquainted, great. Except, something’s been bothering me. Uh, you know, if this magic of yours is so great...why’d you stop using it? You’re letting yourself get old. You’re letting yourself die. Why? Why risk going to hell if you don’t have to? There’s something you’re not telling us.’

You raise your eyebrows at Dean’s words and look to Lily, waiting for her answer. Is this magic too risky to use on Jack?

‘When Ishim took my daughter, I swore I’d kill him, even if it meant burning my entire soul. But it didn’t. I have a sliver, a whisper of my soul left.’

‘And?’ Dean prompts, getting impatient.

‘May--my daughter, my little girl--is in heaven. And if there is still a piece of my soul...Now do you understand?’

You are deep in thought when Sam comes back carrying a box filled to the brim with candles. You watch as he places them down at different points on the symbol like he had done it hundreds of times before.

‘Sweetheart.’ Your head whips up at the sound of Dean calling from the other side of the room, breaking you from your thoughts. ‘Why don’t you go make yourself that lunch we talked about.’ You glance back over to Sam who’s already looking at you, one eyebrow raised, a reminder of your promise.

‘I was getting hungry anyway. You know where I’ll be if you need me.’ Sending your Alpha one last long look before making your way to the kitchen.

You take your time, deciding to make a pasta salad, one of your favourite home-made dishes from before your parents became alcoholics.

Twenty minutes later, one potato salad and a cup of tea, your curiosity gets the better of you. You quietly make your way down the hallway and poke your head around the corner to see Jack sitting up on the table saying words you don’t understand, Sam and Dean standing either side of him.

‘Was that my soul?’ He asks, looking up at Dean.

‘How do you feel?’ Dean queries, his hands hovering over Jack as if he is expecting something to go wrong.

‘Good. I feel...good.’

Sam smiles as Dean gives Jack a quick hug.

‘It’s good to have you back’, he says with his hand resting on Jack’s shoulder.

You are about to join them when you notice Lily sitting in your favourite chair, umoving.

‘Lily, thank you,’ Dean speaks from beside Jack.

‘Yeah. Lily..’ Sam’ voice is halted when he sees Lily.

‘Lily?’ Dean calls once more but there is no response.

‘How about Jack and I go back to his room, I can help him get settled?’ You ask tentatively from the door.

The Alpha’s turn to face you faster than you thought possible. ‘How long have you been standing there?’ Sam asks, his lips twitching as he tries to hold back a smile.

‘Long enough. I got bored.’ You smile at Jack who slowly turns around to meet gaze.

Dean rolls his eyes at your excuse for leaving the kitchen but keeps his opinions to himself all the same. ‘You wanna hang out with Y/N for a bit Jack? We’ve got some clean-up to do.’

Jack nodded, ‘I like the sound of that,’ he says getting off the table and making his way over to you on wobbly legs.

‘I’ve changed my mind, why don’t we break into Dean’s room instead.’ You suggest, wagging your eyebrows at him in excitement.

‘Can we watch Star Wars? I like that one.’

‘Jack, we can watch anything you want.’

#supernautral #superntural #alpha dean winchester #alpha dean x omega reader #supernatural abo #jack kline #castiel #spn 14x08

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fytheuntamed · 4 years

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I used to see WWX as sunshine incarnated and how it hurt me when I realized that it's mostly just fake and he's really not. I thought he was such a genuine person and when I realized that he hides so much of himself that he's not very genuine at all my heart broke a little and I needed to share my feelings. I still love him though, but it was a huge shock to me that everything I initially fell in love with was actually wrong. I hope this little ramble wasn't a bother.

Hello, anon! First off, you’re not bothering me at all; even if I can’t reply to all of them, I read and appreciate every ask I get. I’m sorry to hear you’re feeling a bit disillusioned with WWX; I know some would say he’s just a fictional character, but I think all of us here can attest to the power fictional characters have in impacting the lives of real people. Your ask made me think a lot about who WWX is, so I hope you don’t mind me sharing my own thoughts on the matter! Just a few disclaimers before I get into it: all analysis is based off of drama!WWX, as that is the adaption I know best, so keep this in mind as you read because I know his characterization varies a bit from adaption to adaption. WWX also happens to be my favorite character from the show, so this could will get long :’) I’m also going to continue on with the assumption that you’ve seen the show in its entirety!

I think one of the most important things to understand about people, fictional or real, is that we, like ogres, have layers. This is just what happens when you exist in a world where different settings with different people bring out different sides of us as dictated by societal norms. Does this make someone fake? I would say no, mainly because I think there’s a difference between acting “fake” and being fake. Anytime I speak on the phone with a stranger I automatically assume my “telephone voice,” which sounds quite different from my talking-with-friends-and-family-voice. I don’t leave such phone calls thinking to myself, “wow, I’m such a fake,” because I know that when speaking with strangers, being more polite than I would be around close friends and family is respectful. I think what it comes down to for me is, regardless of how I am presenting myself, am I staying true to my beliefs and values? This is why I think WWX is in fact very genuine, and I would also argue that it is his genuine nature (once revealed) that attracts LWJ to WWX.

Returning to the idea of people having layers, we must recognize that people are not static; we are constantly reacting to our settings and thus our moods fluctuate accordingly. WWX is sunshine incarnate, but he is also someone who has suffered a great deal over the course of his life. To expect him to smile no matter what is a cruel burden to impose on him, and I believe it is a burden he feels in canon. Because both Jiang Fengmian and Madam Yu impress upon WWX that he must keep Jiang Yanli and Jiang Cheng safe, that they are the priority, WWX feels compelled to smile and put on a strong facade so that he doesn’t crumble and fall apart, thus “failing” his adoptive parents and siblings. So while these smiles may simply be masks to hide his pain, thus not “real” smiles, they do not make WWX himself fake, but rather (imo) reinforce his genuine nature because his motives are genuine, even if his smiles may not always be.

There are also times when he smiles and acts extremely cocky in front of others, only for this facade to immediately fall away the moment he is alone/out of the public eye. One of my favorite examples of this is in episode 26 when he questions Jin Zixun about the whereabouts of Wen Ning. The entire time he is there, he exudes a cocky disregard for formality and the established hierarchy, even going so far as to say, “If I, Wei Wuxian, want to kill someone, who can stop me? Who would dare to stop me?!” Once he has the information he needs and turns to leave, however, we immediately see the cockiness fall from his face to be replaced by one of...remorse? I’ll let you guys decide for yourselves.

[gif credit]

I think it is worth noting that his facade fades once he looks at LWJ, because LWJ is one of the few people at this point in time who WWX respects, and whose opinion of WWX still holds value to WWX. And so again we see that WWX’s outward behavior does not seem to align with his inner feelings. Look at the situation that WWX is in, though. He is just one man, albeit a powerful one, going against the biggest, most powerful clans. If he shows an ounce of weakness, they’ll eat him alive. And so in order to stay true to his beliefs, WWX puts on a show. In episode 25 we also see WWX put on a show of shooting many arrows simultaneously while blindfolded. @cal3ris made an excellent post on here stating that WWX was not just doing this to show off, but that he was ensuring the temporary safety of the Wen prisoners by pulling off such a feat so as to ensure no other cultivator would attempt the challenge after him. In situations such as this one, it works in WWX’s favor that the vast majority of the cultivation world believes him to be nothing but a showoff with a big mouth. And of course, there is a part of WWX that does enjoy being in the spotlight! Especially if someone he wants to impress is watching~

At the beginning of the Gusu days flashback (ep 3), we see WWX before everything goes to hell. He’s constantly smiling, goofing around, and is a genuine gremlin of a lad. This is real! He’s a teenager in the flush of his youth, he’s with his beloved siblings, he’s smart and talented, the list goes on and on. For people who don’t know WWX, he comes off as a shallow person with no real depth who thinks of nothing but goofing around all day. For those who know WWX intimately, like Jiang Yanli and Jiang Cheng (though he’s less vocal about it), they know this is not the case. The point is, WWX doesn’t care what people think about him. He doesn’t care because he knows who he is and what he stands for. This is a huge part of who WWX is as a person: “I don’t care if they slander me, as long as I have a clear conscience.” It is also one of the defining things that connect Wangxian to one another, which brings me to the point of LWJ being someone whom WWX hates to deceive, because he greatly values LWJ’s good opinion of him. We see how much it pains WWX to put distance between himself and LWJ, but we also see that WWX is willing to do so if he believes it is for the best. In episode 20, after being reunited with Jiang Cheng and LWJ, we see WWX purposefully push LWJ away with cold precision. Once more he plays his role with practiced ease, but we see his mask fall as he watches LWJ walk away.

WWX goes from this:

[gif credit]

to this as soon as LWJ isn’t looking at him:

[gif credit]

Having just returned from the Burial Mounds, WWX is very unstable, both physically and mentally. For the past months that he’s spent in the Burial Mounds, survival has been his priority. We see this instability and the signs of PTSD manifest quite a bit throughout the Sunshot episodes. In episode 20 Jiang Cheng hugs WWX, who honestly seems at a loss as to how to respond. In episode 20 we see LWJ step towards WWX, who immediately steps back. We also see WWX shrink away from Nie Huaisang’s touch. This is incredibly telling because WWX is someone who likes physical touch and proximity. He’s constantly putting his arms around Jiang Cheng and Nie Huaisang and constantly puts himself in LWJ’s personal space (much to LWJ’s initial chagrin). I believe WWX’s behavior post Burial Mounds comes from a desire to protect himself from those around him as well as those around him from himself. [apt gifset here] Nothing about this WWX is fake to me. He is acting differently here because he is different. Trauma does not define a person, but it does change a person. Post Burial Mounds WWX is a different person, but he has not lost what makes him him, which is his strong commitment to his beliefs and morals. For WWX during this time, I don’t believe he has the emotional strength to relive his trauma to those closest to him, so he settles for brushing them off with excuses and yes, fake smiles. This also ties into WWX’s habit of internalizing his own struggles so as not to burden those around him. Hopefully at this point a clear pattern has revealed itself: no matter how WWX presents himself on the outside, he never compromises his beliefs.

After being resurrected in Mo Xuanyu’s body, we see a WWX who is far more reminiscent of the carefree teenager back in Gusu. We see WWX slowly heal from the traumas of his past life and we see him begin to smile again, not because he needs to, but because he can’t help it. We might be tempted to look at this WWX and think, “ah, this is the real him,” but I think this does a disservice to the complexity of his character. The point is, it’s all WWX. The pranks, the smiles that crinkle the corners of his eyes, the creativity, the cockiness, the way his laughter bursts out of his body at times and at other times comes out like a sigh or an afterthought, the way he looks out for the juniors, and both his quiet and loud rage are all what makes him who he is. Certain aspects may be muted at times, but that’s to be expected. WWX is by no means perfect, but I would say he is painfully genuine. Just think, would LWJ feel so strongly about him if he weren’t?

As I feared, this got way too long and I probably rambled and repeated myself and got off track, but it’s fine…..

#the untamed #wwx #wei wuxian #wei ying #ask #anon #Anonymous #does this count as meta? pretty sure it's just me blabbing about how valid wwx is lmao #also DUDE why is tumblr putting the read more in the ask and not where i want it???

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