Autumn landscape on a beautiful Picasso jasper, a windmill I saw in a wooden architecture museum. One of those cases when you just know what would be here, the main challenge is not to mess up the pattern
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John Salt (British, 1937-2021), Black Ford in Field, 1972. Oil on canvas, 48 x 72 in.
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The existing pool. Water can make an attractive transition between garden and countryside. Here the detailing of the pond is natural, with boulders used to make an informal surround.
The Garden Book, 1984
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