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#my favorite episode
goat-among-cycads · 22 days
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Robo-slaughter? Cannibalism? God forbid women do anything...
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yazzydream · 1 year
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Jujutsu Kaisen Rewatch - Episode 21: Jujutsu Koshien
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spirk-trek · 5 months
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"Captain, I understand how you must-" "Yes. Yes, Mister Spock..."
S1E29: Operation: Annihilate! ·⋆.˚ ✧ · ˚⊹ ·
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233/638 One Suga a day while he is away
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turtlevariabilis · 3 months
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rottmnt season 2 episode 3b Lair Games
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<- prev • next ->
season 1 • season 2
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overseer-picard · 7 months
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"You have taught us there is nothing beyond our reach." "Not even the stars."
Who Watches the Watchers S03E04
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buddiedaydreamer911 · 1 month
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what if the diaz parents being here is actually a way to bring up the will. and while arguing with his parents about it, it makes eddie reminisce about why he decided to draw up a will in the first place.
what if we see eddie search the articles from the Hayden/Well story, and after hours reading multiple articles, he finds the news clip and for the first time ever- eddie watches buck scream for him while clawing at the mud with his bare hands???
what if THAT causes eddie to realize his feelings?? or at least contribute to it lol
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crown-ov-horns · 21 days
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"Stop fighting."
Yellowjackets (1.09)
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mimisempai · 10 months
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David Tennant with facial hair
That is all
In this house we love Bildad the Shuhite!
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memzhay · 1 year
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Trixie and Katya explore SPAAAAAAACE!  ✨ ✨ ✨
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respectthepetty · 2 years
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It's the communication
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It's the honesty
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It's the understanding
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These are the reasons I love My Tooth Your Love.
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lineycantdance · 2 months
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AwaE's "Tale of the Magical Island" play
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In the the sixth episode of Season 2 of Anne with an E entitled "I Protest Against Any Absolute Conclusion," the community of Avonlea comes together to put on the annual Christmas Pantomime. In this meta, I offer my analysis of this story within a story.
Not only does the plot of the panto draw heavily upon the story of Adam and Eve, but in my interpretation, it also allegorically serves as a way for Avonlea to use the medium of the theatre to process and come to grips with the threat that the grifters posed to their "magical island" community.
First, a brief synopsis of the play:
The opening number introduces the audience to an agrarian community residing on a "Magic Fantastical Island." Our hero, a farm boy, encounters a Fairy Princess who, seeing The Boy's hard work and goodness, bestows upon him a Golden Apple Tree which he vows to faithfully protect. A Dame happens upon the Golden Apple Tree and asks The Boy to hand her one of its fruits, but he refuses. When the Dame steals an apple, the Devil Lobster appears accompanied by a catchy tune. Things seem bleak when the Devil Lobster gets ahold of one of the apples, but a Prince on a noble steed arrives to vanquish the evil foe. However, the Devil Lobster thwarts the Prince by crushing his sword in his claws. As stormy skies swirl overhead, The Boy digs a large Black Hole with his trusty shovel and tricks the Devil Lobster into falling in. The hole swallows up the Devil Lobster, the day is saved, and they all lived happily ever after!
The Panto as Allegory for the Grifter Arc:
Ultimately, this play tells a simple story in which good triumphs over evil with a moral about resisting temptation and the perils of greed.
I would like to call attention to the fact that the apples are painted gold. Like their edenic counterpart, they symbolize sin and temptation, but in the context of this allegory, they also represent the enticing prospect of finding gold in Avonlea.
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One of the Prince's lines suggests that if the Devil Lobster got his hands on the golden apples, it would bring spoil and rot upon the town's land ("You think you can turn our land into rot?/ I'm the unconquerable prince, lest you forgot!"). This parallels the threat that the mining operation posed to Avonlea—digging up the earth in the hopes of finding gold would have defiled the land and brought environmental destruction to the small farming town.
The Devil Lobster is defeated by falling into the Black Hole—this bears a striking resemblance to how Mr. Dunlop was ultimately caught by the townsfolk in S2E3 after he fell down the mining shaft at Nate's dig site.
It's significant that The Boy is the one who digs the hole to stop the Devil Lobster. The Boy represents the every child, and more specifically, the youth of Avonlea. While the adults of the town were easily swindled by Nate and Mr. Dunlop's gold scheme, it was children, specifically Anne, Diana, and to some extent Jerry, who were able to see through the grifters' ruse, put all the pieces together, and try to stop them from getting away with their scheme.
The version of events rendered in the play puts a more heroic spin on the role The Boy plays in thwarting the evildoer. He actively sets a trap for the Devil Lobster using the pivotal prop—a shovel—to do so. Since a shovel is a tool of excavation, this reflects how the excavation site Nate initially used to stage his con became a trap and holding place for Dunlop when their ruse came crashing down.
In reality, our child heroes were not so active nor successful in thwarting Nate and Dunlop. Only Dunlop was captured whereas Nate got away with the money. After their sleuthing in Charlottetown, Anne and Diana tried to warn the Barrys about what they'd discovered, but Diana's mother wouldn't hear any of it. Anne told Marilla who thankfully believed her, but by then it was too late, and the two literally got tied up. Meanwhile, Jerry had his own moment of realization, finally recognizing the boarders as the thieves who mugged him and stole his money in the finale of season 1. He tried to throw a punch at Nate, but got beat up again and fell unconscious. Mr. Dunlop only fell into the hole, not by any of the children's doing, but because he and Nate turned against each other.
The play credits the children as the real heroes in the story and offers a happier ending than the real version of events in which the community is still reeling from the financial blow of the con, lingering distrust—especially of outsiders—and feelings of regret and shame. In particular, we see how Marilla blames herself for inviting the boarders into their community and how the fallout of the the con hits the Barrys especially hard, manifesting as marital conflict between Diana's parents. The play's happier version of events helps the town process the ordeal they've gone through and imparts a moral they learned from the experience.
Each Character's Role in the Panto:
Anne as The Boy: Like the show itself, Anne is the protagonist of the play, our plucky hero. Her stepping into the role of The Boy was foreshadowed with her trip to Carmody earlier in the episode during which she dressed up like a boy. It's also fitting that Anne plays this part since she was the one who put all the clues together about the boarders' true intentions. The fact that Anne replaces Josie in the lead role of the play, as well as Matthew's last-minute substitution for Billy as the Owl, signifies that Anne and the Cuthberts are forces of progressive change in Avonlea.
Diana as the Fairy Princess: Most characters, including Anne, see Diana as the angelic image of a proper lady. She's generous, sweet, beautiful, and comes from a wealthy family. Like her Fairy Princess counterpart who awards The Boy for his hard work, Diana sees Anne's virtues even when others don't, and overall is a supportive and generous friend.
Matthew as the Owl: Matthew stepping into this role is foreshadowed in his flashback with his brother Michael in which a young Matthew can be seen whittling an owl figurine. Owls are associated with wisdom and true sight. This is a fitting choice for a narrator character in a play and also suits Matthew who demonstrates real wisdom.
Mr. Lynde as the Devil Lobster: In S2E2, a townsperson remarks that Mr. Lynde shows no moderation whatsoever as he piles his plate full of sweets. The Devil Lobster is the embodiment of greed and avarice and proclaims that he is "simply shimmering with sin." Tamatoa who? I only know the Devil Lobster! Also, it's clear that Rachel is super into seeing her husband acting a bit naughty and decided to have some fun with this casting choice.
The minister as the Fair Dame: Seeing the minister in drag is played for comedic effect. The Dame plays the part of Eve taking the apple from the Garden of Eden. While the minister was skeptical about the gold testing business, he did not dissuade the town's eagerness for material riches and therefore also shares responsibility for inviting avarice into Avonlea.
Mr. Phillips as the "Unconquerable" Prince: This is also played for laughs as it demonstrates Mr. Phillip's inflated sense of ego. He envisions himself as a gallant hero when in reality, he is anything but. The Prince is ineffectual at fighting off the Devil Lobster and runs away like a coward, much like how the adults and authority figures of Avonlea were completely bamboozled by the grifters.
Rachel Lynde as Queen Victoria: Perhaps a narcissistic casting choice on the part of Rachel, but let's be real, she was the artistic director behind this whole production and knocked it out of the park. Pop off, queen!
I hope you enjoyed this discussion of the "play within a play" in S2E6 of Anne with and E. This is probably my favorite episode in the whole series due to its many wholesome moments, especially Jerry giving Anne his Christmas card, Gilbert and Bash coming over to the Cuthbert's for Christmas dinner, and Matthew overcoming his stage fright. 10/10 would recommend. Of course the Christmas episode absolutely slaps!
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dailypepe · 2 years
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September 14, 1997: Episode 202 of Muppets Tonight airs, featuring Rick Moranis as the guest star, and a backstage plot devoted to Seymour and Pepe's quest for fame. I can't begin to explain it, so instead, here are some incredibly random things from the episode that somehow have their own Muppet Wiki pages:
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ellies-enrichment · 1 year
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they should release all the scripts actually
episode 3 was nice but i want episode 6 now
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parttimesarah · 2 years
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wildgeese98 · 5 months
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I could probably write a long essay about Lost Johns' Cave, and maybe I will someday. That episode fucks so hard. As a claustrophobe who is both fascinated and horrified by caving I am its #1 target demographic. The way the cave is described is so beautiful. They way squeezing through those tiny tunnels is described makes me nauseous. It's also a fascinating episode because Laura Poham is probably the least reliable narrator in any statement. Pretty much everything she says either isn't true or is twisted somehow. It's still not fully clear to me if she's deliberately lying or if she genuinely beleives her version of what happened. I lean towards the latter because you shouldn't really be able to lie in a statement. Although I don't know if that's ever explicitly stated. Maybe it is possible, especially in written statements where the statement giver is under the influence of the Eye but not being directly compelled. Oliver does also lie about his name in Dreamer. I'm gonna be on the lookout for more instances of statement givers lying as I do my slow re-listen.
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