#publisher: freedom editions | Explore Tumblr Posts and Blogs

that-butch-archivist · 12 days

Text

"Bear and Aphra 2" by Jessica Tanzer, 1989.

source: Nothing But the Girl: The Blatant Lesbian Image, edited by Susie Bright & Jill Posener

2K notes · View notes

linguenuvolose · 6 months

Text

I do a lot of translation in my job and I've started enjoying it so much more since I started letting myself be a bit more free in my translations. Communicating the message and the vibe is more important than the phrase structure or wording being exactly the same.

#it also improves the quality of the texts because they actually make sense #sometimes these Italians love to put 40000 words that mean nothing and the same thing in a sentence and it's like #girl we don't have to do all that #in the sense that Italian and Swedish text conventions are different and what sounds fine in Italian risks sounding v formal in Swedish #also sometimes I sit there with an Italian origin text that I first have to edit and it's like do I not understand what this says because #1. my Italian isn't good enough in this field #2. this is a complicated field #3. these people don't know how to write #and sometimes when I'm done editing the Italian text and go to do the translation I'm like oh I have no idea what they're trying to say #and think to myself hmm maybe I should've done more editing but oh well eccoci qua #I mean this is like translation 101 but I have done exactly one very bad translation course 5 years ago #that made me go I never want to do this for a job #but my increased freedom now is just I don't care as much about it being exactly the way my boss envisioned #like everything we publish has to go by him first which puts a certain pressure on the text #so when I first arrived at this job I was like uuh the Swedish has to be as similar as possible #but now I'm like man it's more important that it sounds Swedish and not Italian than it being exactly the same #and my boss also doesn't speak Swedish in any case so what does he know #snicksnack #comunque sì queste le riflessioni della serata #domani ho preso il giorno libero perché i miei colleghi mi hanno un po' rotto er cazzo sinceramente so :))

11 notes · View notes

plzu · 9 months

Text

sure, i've exited out of fics because of "he would not fucking say that," but on the flip side of that same coin, i've kept reading those fics because they were genuinely well-written and i wanted to see where it would go

#currently reading an au where it's clear the writer just wanted to play around with the character and their fantasies #by placing them in a setting that is so far removed from the original media's context #that it technically doesn't have to be that character anymore. just a face claim at this point #but i think au's like this are Good actually #good exercise for the growth of the writer because they aren't limiting themselves to the world of the show/movie/whatever #which means they have way more freedom. which also means that if they wanted to #they could remove their fic #edit it and then publish it themselves #like. idk! i don't think that's a bad thing.#i embrace it and i'm here to give them their kudos

4 notes · View notes

lefthandofscaevola · 2 years

Text

And another reason why reducing the judgement of stories to the sole metric of representation is flawed is that diversity in the stories we tell refers to the culture’s total corpus, not particular books. You can say more such-and-such voices should be present in the mainstream but I can’t think of a single example of an individual piece of media owing you particular representation. Sorry to dig up the silliest possible stale discourse generators but, for instance, Dear Evan Hansen didn’t really include black stories because it was a limited cast and fundamentally a story about class difference across primarily white suburban America. Good Omens didn’t include the two men making out because that’s not the story, and there are other places for keen readers and watchers to find more overt and more authentic depictions of men making out. It’s not really a valid comparison to fiction, but when we read Caesar’s Bellum Gallicum we get a coloniser perspective, and when we read Fanon we get a colonised perspective, and neither would be more useful to us for including another side; the important thing is that neither of those texts, and indeed no texts, are suppressed by institutional means.*

Should there be more black stories on Broadway and more men making out on whatever streaming service Good Omens is on? Sure. This by no means says that the default should be white and straight. But if your aim is to change what kind of representation there is overall, as a consumer, it’s much more useful to read or watch what you want to see and ignore what you don’t than read or watch a thing you take issue with, then go online to complain until the creator shoehorns some concession into the sequel. And that’s not even limited to a matter of how we treat art; if you support work with particular social or political messaging, I think more minds would be changed by a media landscape with open availability of work where that messaging is a central intention than one where Marvel can pump any out any number of movies with stickers that say PROGRESSIVE! on them, stripping the message of its meaning and drowning out genuine voices. This feeds back into a capitalist system which has become one of the institutions of censorship under the guise of freedom. It also eats away at the public’s ability to distinguish real intention from the Man in a new coat.

There’s a place for exhaustive and maximally inoffensive representation, and that place is primarily children’s literature. And posters in the doctor’s office. It’s great to have positive examples when you are trying to form someone’s impression about how society should be, and people should get along, etc. But to say that adults are so lacking in the critical thinking to make their own judgements about what is being shown to them is not only infantilising, it also atrophies their ability to use that critical thinking.

Representation is important, but if interpreted the wrong way, just becomes another form of sanitation, the left’s favourite gateway to suppression of art. And ultimately, characters aren’t people, they’re devices for a narrative, and most good narratives are tightly enough built that they don’t have spare parts hanging out the sides just for the sake of being there. When we look at great or important works of literature, many (though not all) of them are very narrow, because the point of a lot of literature is to depict a very specific experience/worldview. The privilege that we have as people living in a very globalised society is getting access to all of those stories at once; but when we talk about representation, it should never be a question of how a certain artist makes their own work, but rather that there is maximal opportunity for diversity of work and of creators in the relevant industries.

*And when I say institutional means I mean: banned by state, discrimination in Hollywood and the publishing industry, out-monopolisation to death by corporations, and removal from libraries, the internet, or optional higher education. Where the issue becomes more complex is inclusion in the inherently limited setting of school curriculums, search result ordering algorithms, etc.

#alternate conclusion that is actually not alternate at all is capitalism has become the root cause and we need to go back to handing out #pamphlets in the streets. (looks @ means necessary to write a book get it edited and get it published) you're calling this a 'free' press?#no freedom under class tyranny #talk #sorry this is horribly disorganised my train of thought switched rails halfway through #stream of consciousness that's art baby

3 notes · View notes

mxactivist · 6 months

Text

Support the BBC for having a trans character in recent episodes of 'Doctor Who'

Apparently the BBC (UK) has had 144 complaints about a recent episode of Doctor Who because it contained an openly trans character.

I've made a complaint to the BBC that there weren't enough transgender characters in Doctor Who. I would love if 144 other people did the same thing. Here's the link: https://www.bbc.co.uk/contact/complaints/make-a-complaint/#/Complaint

(For your easy reference: "The Star Beast" aired on 25/11/2023 on BBC One, and the trans character is called Rose.)

Please note that the complaint form asks for your UK postcode, so only UK folks can join in with this - but if you suspect you might have any UK-based followers, maybe give us a reblog to boost the signal?

Edit: I'm told that you can fill in the form even if you're outside of the UK, because the BBC provide service to many countries other than the UK, including the USA! Go for it. :D

Reply to confirm that you've done it, so I can keep a count!

Here's my complaint:

I recommend:

Avoid sarcasm or irony. Assume your post will be taken literally. If you are clearly joking or being mean you will be ignored or misunderstood.

Include some gratitude/appreciation. It's pretty great that they included a trans woman in a positive way, and they should know that they have explicit support for that.

~

Edit again: I'm seeing some concerns in the replies/reblogs that the BBC might not distinguish between "less trans people, please" complaints and "more trans people, please" complaints. Rest assured, this is nothing to worry about - the BBC publish fortnightly complaint reports, and they do pay enough attention to know when a complaint is in favour of or against trans inclusion. In fact, their 20 November – 3 December 2023 report is where the various news articles are getting the 144 complaints figure; that report says there were precisely 144 complaints that they have categorised as "Anti-male / inappropriate inclusion of transgender character".

That means the next complaints fortnight window is 4 December - 17 December. We have 8 more days to beat 144. By my count, over Tumblr, WhatsApp, the Fediverse and Telegram, we have 85 so far, which is well over halfway there.

Also, when you've done it, please reply to confirm you have done it, so that I can count us!

Thank you, everyone!

~

Edit, 2023-12-11, 1am UK time:

We did it! I've just been counting up responses, and it looks like sometime yesterday evening we hit 144 complaints/comments in favour of Rose Noble and more excellent trans characters in Doctor Who! (We're actually up to 157 now, fantastic.)

So, my next plan is to submit a Freedom of Information Act request to the BBC sometime in the next few days, asking for complaints and compliments figures. Then I'd ideally (energy and time permitting) like to put together a press release that I can send out to the publications that promoted the tiny "144 anti-trans complaints" figure, showing them that there has been far more feedback in favour of trans representation than against.

I'll keep you posted.

#armchair activism #projects #trans #BBC #Doctor Who

17K notes · View notes

zibah-ho · 7 months

Text

reading back shit i wrote with the most dated references sickens me to my soul but it also shows I have grown as a person and a writer but oh my god gross yucky bleh

#I mean I love having the freedom of just writing whatever I want but. ew girl not like that #maybe I should think about publishing again the stress of it would have made me edit it and not be so self indulgent #therefore less yucky when I read it back three years later as a completely different person #whatever dropping that idea did wonders for me I actually enjoyed writing again not that I’ve done it in ages #zh.txt

0 notes

imanes · 8 months

Text

from haymarket books:

Publishing books on the struggle for justice in Palestine has been a central part of Haymarket’s mission since we published our first book, The Struggle for Palestine, in 2001. Now as ever, we recognize the root cause and ongoing perpetrator of violence in Palestine to be Israeli settler-colonialism and apartheid, and we stand in solidarity with Palestinians in their struggle for freedom.

We also believe that books, as tools for education, analysis, combatting misinformation, and inspiration, have a vital role to play in the global Palestine solidarity movement. In that spirit, we’ve made three crucial books free to download:

boycott, divest, sanction by omar barghouti

light in gaza edited by jehad abusalim et al

palestine: a socialist introduction edited by sumaya awad and brian bean

2K notes · View notes

lecoindecachou · 4 months

Text

Half the people who claim to have lost jobs "because they're pro-Palestine" didn't actually lose those jobs bc of Palestine at all...Like, I'm sorry but if you're even a little familiar with Amanda Seales then you know her reputation was shot to hell long before that and I'm willing to bet you if anything got her dropped by agents it was her bad fucking attitude and godawful personality. Edit bc I know nobody on tumblr has watched The Real since it doesn't involve straight white guys fucking each other but just look at the comment section from when she was co-hosting. Amanda was the worst host they ever had by far, she was just steamrolling everybody bc she loves the sound of her own voice so damn much. If I was her agent I'd have dropped her too.

Then there's Susan Sarandon, who everyone and their mother said was dropped by her agency for "supporting Palestine" and because tumblr can never be bothered to research anything they just bought it wholeheartedly when the truth is that she was dropped for her antisemitic remarks, that included, "There are a lot of people afraid of being Jewish at this time, and are getting a taste of what it feels like to be a Muslim in this country." Cause Jewish people have never been scared for their lives right? She also went on to share posts from Pink Floyd’s Roger Waters, who has been criticized over the years for his antisemitic remarks...But of course it's not as glamorous to be antisemitic trash as it is to be a crusader of freedom, eh, tumblr?

And then there's tumblr's favorite YA author, Xiran Jay Zhao, who's been claiming everywhere that their publishers are ghosting them "for being pro-Palestine" but also straight-up admitted that they missed their agreed-upon deadline for actually writing the book lol. That one is so obviously a cop-out I didn't think I'd have to spell it out for you but here we fucking are.

Must be nice to have Israel to blame for your own ineptitude huh. It couldn't be that you're losing jobs because you're either unprofessional or bigoted, oh no, it must be because Jewish people secretly control the world! Give me a freaking break.

#israel #palestine #antisemitism #tumblr politics #amanda seales #susan sarandon #xiran jay zhao #when in doubt just blame jewish people! a trick that has worked for thousands of years.

1K notes · View notes

byoldervine · 2 months

Text

Writing Tips - Beating Perfectionism

1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue

2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

969 notes · View notes

borninwinter81 · 5 months

Text

William Blake - an introduction for Good Omens fans

I have sent @neil-gaiman an ask regarding his feelings toward the poet/artist William Blake a couple of times, but no doubt due to the size of the poor man's inbox I haven't received a response. So I did a Google search to see if he's spoken about Blake before, and it did indeed come up with a fair few hits. I think you might enjoy seeing this Twitter post if you haven't already, the painting is from William Blake's illustrations to Paradise Lost.

It's not surprising that an author like Neil Gaiman might have an interest in Blake. A visionary from a young age, his imagination was such that he was surrounded by angels made visible in his mind's eye, and he interpreted these visions through poetry, painting and engraving, and self-printed and published many of his own works. This gave him complete freedom to say exactly what he wanted.

Though he had a passionate faith in God, he also had a deep distrust of the church as an institution, and disliked the use of religion as a means of control. This poem from "Songs of Experience" perhaps summarises his feelings best:

"I went to the Garden of Love,

And saw what I never had seen:

A Chapel was built in the midst,

Where I used to play on the green.

And the gates of this Chapel were shut,

And 'Thou shalt not' writ over the door;

So I turn'd to the Garden of Love,

That so many sweet flowers bore.

And I saw it was filled with graves,

And tomb-stones where flowers should be:

And Priests in black gowns, were walking their rounds,

And binding with briars, my joys & desires."

In his poetry there is often an incongruity with the generally accepted religious ideas of what is good and evil, Angel and Demon. In The Marriage of Heaven and Hell (there's a title that should make any GO fan sit up and pay attention) he tells us that "in the book of Job, Milton's Messiah is called Satan", signifying that he feels it is Lucifer/the devil who is the true Messiah of Paradise Lost.

He gives us The Voice of the Devil and Proverbs of Hell, and has Angels being transformed into Demons through enlightenment. He tells us that Jesus broke all of the 10 commandments, yet was still virtuous because he acted according to his own morality rather than rules.

The god-figure of his later works, Urizen, generally comes across as malevolent, seeking to bind and control, whilst Los, the Satan/Messiah figure represents freedom, imagination and creativity.

"Restraining desire" and acting contrary to your own nature seem to be the only real evils for Blake.

He expressed his faith through a love of the world and the beauty in it, summed up in this quote:

"When the Sun rises do you not see a round Disk of fire somewhat like a Guinea? O no no I see an innumerable company of the Heavenly host crying Holy Holy Holy is the Lord God Almighty".

He saw "God" in everything, in all the wonders we have around us, and considered writers/poets and religious prophets as essentially the same, since they both have a connection to the divine, and express it through stories.

It's quite ironic that probably his most famous poem, Jerusalem (the one that starts "and did those feet in ancient times walk upon England's mountains green"), was made into a very popular church hymn, yet it is supposed to be satirical in nature. The poem recounts the myth that Jesus may have visited England in his boyhood, and Blake is expressing his disbelief at that notion and the unworthiness of England.

Did I have a point to all this? Mostly to show my hand as a massive Blake nerd, but also to hopefully demonstrate that there's a lot of common ground between his ideas and those expressed in a show/book like Good Omens, and hopefully to inspire some of you who may not be familiar with Blake to seek him out. In particular I'd recommend The Marriage of Heaven and Hell to any and all.

EDIT: I should have thought to include this, here's Michael Sheen reading a Blake poem. I have the CD this is from, he reads several by Blake, as well as other poets I love ❤️ 😍

youtube

#william blake #good omens #good omens book #good omens 2 #good omens s3 #neil gaiman #crowley #aziraphale #english literature #literature #poetry #go2 #good omens s2 #good omens season 2 #book omens #michael sheen #Youtube

1K notes · View notes

whumptober · 9 months

Text

Whumptober 2023 Event Info & Rules

Event Info & Rules

~ Please read our extensive event info posts before sending us an ask ~

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. The 'theme' of each day is the line of lyrics.

The prompts are merely to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is "flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be related to an 'old flame' - an old relationship. It's truly down to you!

In total, there are 4 prompts for each day: there's lyrics, an object, a trope and a line of dialogue to choose from. We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participations as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

If you are uploading Whumptober content to your blog, be sure to tag them with:

#whumptober2023 …..(the event tag)

#no.1, #no.2, #no.3 …..(theme/theme number)

#lyric, #bruises, #stabbing, …..(the theme or specific prompt you chose)

#fandom or #OC, ... (ironman, originalcontent, oc ...)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself, because tumblr sucks)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed the event. You do not need to post anything you have created, we rely on trust and we will not check this.

Questions not addressed in one of our many event info posts can be directed to this blog. We will not answer any questions that have been answered in the FAQs or rules already.

Thanks for reading, and happy whumping!

#whumptober2023 #event info and rules #whumptober information #event info 2023 #event info #whumptober

550 notes · View notes

that-butch-archivist · 12 days

Text

"Untitled" by Katie Niles, 1990

source: Nothing But the Girl: The Blatant Lesbian Image, edited by Susie Bright and Jill Posener

3K notes · View notes

probablyasocialecologist · 8 months

Text

Publishing books on the struggle for justice in Palestine has been a central part of Haymarket’s mission since we published our first book, The Struggle for Palestine, in 2001. Now as ever, we recognize the root cause and ongoing perpetrator of violence in Palestine to be Israeli settler-colonialism and apartheid, and we stand in solidarity with Palestinians in their struggle for freedom.

Haymarket Books are making three ebooks free to download:

Boycott, Divestment, Sanctions: The Global Struggle for Palestinian Rights, by Omar Barghouti

Light in Gaza: Writings Born of Fire, Edited by Jehad Abusalim, Jennifer Bing, and Mike Merryman-Lotze

Palestine: A Socialist Introduction, Edited by Sumaya Awad and Brian Bean

#palestine #israel #ebooks #free ebooks

726 notes · View notes

cityof2morrow · 5 months

Text

JSB Grocery 001: (Functional Jacky93Sims Remix)

Published: 1-13-2024 | Updated: N/A SUMMARY Grocery store objects (Severinka_, 2022; BodegaBaby, 2021) converted by Jacky93Sims (2023), have been edited, expanded, and made functional. Slots have been added to most surfaces along with new items and recolors (select AL Woods; CuriousB, 2010). Some objects require shifting and/or placement cheats for ideal positioning. See below for details.

DETAILS Requires all EPs/SPs. §100-500 | Buy > Surfaces/Electronics Items with “MESH” in their filename are REQUIRED for textures/recolors to display correctly in-game. Also, Object Freedom 1.02 (Fway, 2023) is required. Since some items are cloned from shelves, you may need to shift items up once in order for them to place properly.

Display Island 4 (Fish) is cloned from the default grocery bin and now has an empty state. There is an “ice only” recolor in case you want to decorate it with your own food items - just know that it will be harder to tell when the bin needs restocking if you use this recolor.

Cold displays/fridges only have slots on the bottom-left side, and Display Island 3 only has slots on the front side. This is on purpose to allow intersection with other deco objects. Also, Shelf 3 (Fridge) is the ONLY shelf that will keep food from spoiling. Do not place perishable items on other shelves/displays! ITEMS Cash Desk (Center) (~450 poly) – single counter (no corners) Cash Desk (Left End) (226 poly) – shelf Cash Desk (Right End) (198 poly) – endtable; place w/ “move objects” and “grid on/off” cheats 1-tile/2-tile Cold Showcases (498 poly) - slots on bottom-left 1-tile/2-tile Display Fridges (446 poly) – slots on bottom-left 2-Tile Low Display Fridge (Deco)(660 poly) – shelves #4 and #5 can be used with this Display Islands 1-2 (250 poly) Display Island 3 (Half Slots/Half Deco) (250 poly) – slots on front-side only Display Island 4 (Fish) (3008 poly, HIGH) Display Aquarium (350 poly) – over-sized, not really meant to go against walls Floorlite (300 poly) Self-Checkout Bag Table (2520 poly, HIGH) - shelf Self-Checkout Register (318 poly) Shelf 1 (152 poly) Shelf 2 (Sloped) (304 poly) Shelf 3 (Fridge) (472 poly) – this will keep spoilable food items, other shelves will NOT. Shelves 4-5 (196-204 poly) DOWNLOAD (choose one) MESHES from SFS | from MEGA RECOLORS (unmerged, 190+ files) from SFS | from MEGA

*A known game bug may disable some OFB shelf slots. Not all players experience this bug in the same way, but if you do – there is a long-standing fix for it. If you cannot access more than 2 slots on shelves, download ONE of these fixes: MORE_Custom-objects-placeable-on-shelves (Numenor, 2006) MORE_Custom-objects-placeable-on-shelves+LOCKEDTILES (Numenor, 2006) Object Freedom 1.02 (Fway, 2023)

SOME ASSEMBLY REQUIRED Assembly can be annoying, but you gain greater functionality in the end. Place sale items on any one of the FIVE shelves, then add them to Cold Showcases, Fridge Displays, or your own unique display. To assemble the Cash Desk: 1) place the Cash Desk (Center) (this is a counter meant for the cashier/register), 2) place the Cash Desk (Left End) on the tile directly to the left of the Center counter, and 3) use “move objects on/off” and/or “grid on/off” cheats to align the Cash Desk (Right End) part on the right side of the Center counter. Be sure all three parts are facing the same direction.

CREDITS Thanks: @chocolatecitysim, @kashmiresims, @jacky93sims, Waterpixels, Severinka_, BodegBaby. Sources: Any Color You Like (CuriousB, 2010), BBNiche1Master (BuggyBooz, 2012), Beyno (Korn via BBFonts), Cubic Dynamics (EA/Maxis), EA/Maxis, Great Groceries Display (Balkopat, 2020), Grocery Store Part 1 (Jacky93sims, 2023; Severinka, 2022; Bodegababy, 2021), Kitchen Basic (Hafiseazale, 2016; BuggyBooz 2008), Kitchen Basic Extras (Hafiseazale, 2016; BuggyBooz, 2010), Offuturistic Infographic (Freepik), Slated Shelf (Katy76/PC-Sims).

#ts2downloads #ts2cc #sims2cc

247 notes · View notes

nanowrimo · 3 months

Text

When Is a Small Press a Good Fit?

When it comes to publishing, many writers will think about big publishers first. However, there are a lot of different publishing options out there to explore. NaNo participant and author, Clara Ward, talks about their experience publishing with a small press and gives you questions to consider while you think through your publishing options!

NaNoWriMo inspired me to write. Signing with a small press gave me the support I needed to publish a book I love.

I’d published books before—starting with NaNoWriMo sponsor deals in the early days of online publishing—but I never had the right skill set to promote those books. As a result, they never truly found their audience.

In November of 2020, I poured my heart into a genre-blurring near-future tale of sailing across the Pacific and building a neurodiverse, queer, and possibly magical chosen family. In 2021, I titled it Be the Sea and asked myself: What am I going to do with that?

1. Are you looking for fame or family?

Small presses are as varied as the people who form them. If you read widely, you may already have a treasured book on your shelf from your publisher-to-be. Try asking NaNoWriMo friends who share your interests if they’ve discovered any surprising or emerging sources for great reads. (At the very least, you may find books you’ll love in unexpected places!)

Admittedly, a small press doesn’t have a fortune to spend on paving your path to fame. But I have never felt as seen as when my soon-to-be publisher, E.D.E. Bell at Atthis Arts, wrote back, “I’m really in love with what you are doing and would like to talk about it.”

2. Do you have the bandwidth for working with others?

Even with the most supportive small press, you may have to push outside your comfort zone. I know authors who love the absolute control and freedom of self-publishing. For a time, I felt very comfortable just posting my NaNoWriMo fanfiction novels on Archive of Our Own. At most, I had one or two beta readers to offer feedback on those works. Whereas E.D.E. told me in one of our earliest conversations that in addition to our three rounds of editing we’d need “a good number of betas” to cover the range of topics we were working on together.

I was delighted! I knew what I’d written was ambitious, and I welcomed all the feedback I could get. But it turns out, each extra person in a process adds new challenges and delays. I had to stretch my empathy as well as my publishing timeline because, to quote E.D.E. again: “It’s a lot of emotion (as well as brain cycles) to go through...” Outside perspectives will only improve your writing if you are willing to work with them, to truly listen and learn.

3. Can you handle the two-way commitment?

No form of publishing is easy. The myth that authors write while others handle business and promotion is not true at the top, and certainly not with small presses. In my experience, working with Atthis Arts was like joining a team or chosen family. Beyond certain paid tasks, such as editing and sensitivity reading, I discovered a community of authors who freely offered coaching before my first public reading, social media boosting, tips for author webpages, and an extra pair of eyes on letters requesting bookshop readings or other events. While not all small presses work the same way, this supportive culture proved to be an excellent fit for me. Naturally, I wanted to give back whenever possible.

Small presses can only succeed with community. This month, as I promote the launch of Be the Sea at bookshops in Mountain View, Davis, and Sacramento, I will be introducing many Californians to my Michigan-based small publisher, Atthis Arts. When I stand up as a panelist at Norwescon in Washington state or at various science, library, or Pride events later in the year, I’ll be promoting more than Be the Sea by Clara Ward. I’ll give back by sharing my appreciation for small presses, the supportive and inclusive practices they can normalize, and the opportunities they open up for future writers and readers.

Clara Ward lives in Silicon Valley on the border between reality and speculative fiction. Their latest novel, Be the Sea, features a near-future ocean voyage, chosen family, and sea creature perspectives, while delving into our oceans, our selves, and how all futures intertwine. Their short fiction has appeared in Strange Horizons, Decoded Pride, Small Wonders, and as a postcard from Thinking Ink Press. When not using words to teach or tell stories, Clara uses wood, fiber, and glass to make practical or completely impractical objects. More of their words along with crafted creations can be found at: https://clarawardauthor.wordpress.com

Photo by Hümâ H. Yardım on Unsplash

#nanowrimo #now what #writing #publishing #small press publishing #by nano guest #clara ward

171 notes · View notes

haggishlyhagging · 5 months

Text

The book list copied from feminist-reprise

Radical Lesbian Feminist Theory

A Passion for Friends: Toward a Philosophy of Female Affection, Jan Raymond

Call Me Lesbian: Lesbian Lives, Lesbian Theory, Julia Penelope

The Lesbian Heresy, Sheila Jeffreys

The Lesbian Body, Monique Wittig

Politics of Reality, Marilyn Frye

Willful Virgin: Essays in Feminism 1976-1992, Marilyn Frye

Lesbian Ethics, Sarah Hoagland

Sister/Outsider, Audre Lorde

Radical Feminist Theory – General/Collections

Freedom Fallacy: The Limits of Liberal Feminism, edited by Miranda Kiraly and Meagan Tyler

Radically Speaking: Feminism Reclaimed, Renate Klein and Diane Bell

Love and Politics, Carol Anne Douglas

The Dialectic of Sex–The Case for Feminist Revolution, Shulamith Firestone

Sisterhood is Powerful, Robin Morgan, ed.

Radical Feminism: A Documentary Reader, edited by Barbara A. Crow

Three Guineas, Virginia Woolf

Sexual Politics, Kate Millett

Radical Feminism, Anne Koedt, Ellen Levine, and Anita Rapone, eds.

On Lies, Secrets and Silence, Adrienne Rich

Beyond Power: On Women, Men and Morals, Marilyn French

Feminism Unmodified: Discourses on Life and Law, Catharine MacKinnon

Femininity and Domination: Studies in the Phenomenology of Oppression, Sandra Bartky

Life and Death, Andrea Dworkin

This Bridge Called My Back: Writings by Radical Women of Color, Gloria Anzaldua and Cherrie Moraga, eds.

Wildfire: Igniting the She/Volution, Sonia Johnson

Homegirls: A Black Feminist Anthology, Barbara Smith ed.

Fugitive Information, Kay Leigh Hagan

Talking Back: Thinking Feminist, Thinking Black, bell hooks

Feminist Theory: From Margin to Center, bell hooks

Deals with the Devil and Other Reasons to Riot, Pearl Cleage

Pilgrimages/Peregrinajes, Maria Lugones

In Search of Our Mothers’ Gardens, Alice Walker

The Whole Woman, Germaine Greer

Right Wing Women, Andrea Dworkin

Feminist Theory – Specific Areas

Prostitution

Paid For: My Journey Through Prostitution, Rachel Moran

Being and Being Bought: Prostitution, Surrogacy, and the Split Self, Kajsa Ekis Ekman

The Industrial Vagina: The Political Economy of the Global Sex Trade, Sheila Jeffreys

Female Sexual Slavery, Kathleen Barry

Women, Lesbians, and Prostitution: A Workingclass Dyke Speaks Out Against Buying Women for Sex, by Toby Summer, in Lesbian Culture: An Anthology, Julia Penelope and Susan Wolfe, eds.

Ten Reasons for Not Legalizing Prostitution, Jan Raymond

The Legalisation of Prostitution : A failed social experiment, Sheila Jeffreys

Making the Harm Visible: Global Sexual Exploitation of Women and Girls, Donna M. Hughes and Claire Roche, eds.

Prostitution, Trafficking, and Traumatic Stress, Melissa Farley

Not for Sale: Feminists Resisting Prostitution and Pornography, Christine Stark and Rebecca Whisnant, eds.

Pornography

Pornland: How Pornography Has Hijacked Our Sexuality, Gail Dines

Pornified: How Porn is Damaging Our Lives, Our Relationships, and Our Families, Pamela Paul

Pornography: Men Possessing Women, Andrea Dworkin

Pornography: The Production and Consumption of Inequality, Gail Dines

Pornography: Evidence of the Harm, Diana Russell

Pornography and Sexual Violence: Evidence of the Links (transcript of Minneapolis hearings published by Everywoman in the UK)

Rape

Against Our Will, Susan Brownmiller

Rape In Marriage, Diana Russell

Incest

Secret Trauma, Diana Russell

Victimized Daughters: Incest and the Development of the Female Self, Janet Liebman Jacobs

Battering/Domestic Violence

Loving to Survive, Dee Graham

Trauma and Recovery, Judith Herman

Why Does He Do That? Inside the Minds of Angry and Controlling Men, Lundy Bancroft

Sadomasochism/”Sex Wars”

Unleashing Feminism: Critiquing Lesbian Sadomasochism in the Gay Nineties, Irene Reti, ed.

The Sex Wars, Lisa Duggan and Nan D. Hunter, eds.

The Sexual Liberals and the Attack on Feminism, edited by Dorchen Leidholdt and Janice Raymond

Sex, Lies, and Feminism, Charlotte Croson, off our backs, June 2001

How Orgasm Politics Has Hijacked the Women’s Movement, Sheila Jeffreys

A Vision of Lesbian Sexuality, Janice Raymond, in All The Rage: Reasserting Radical Lesbian Feminism, Lynne Harne & Elaine Miller, eds.

Sex and Feminism: Who Is Being Silenced? Adriene Sere in SaidIt, 2001

Consuming Passions: Some Thoughts on History, Sex and Free Enterprise by De Clarke (From Unleashing Feminism).

Separatism/Women-Only Space

“No Dobermans Allowed,” Carolyn Gage, in Lesbian Culture: An Anthology, Julia Penelope and Susan Wolfe, eds.

For Lesbians Only: A Separatist Anthology, Julia Penelope & Sarah Hoagland, eds.

Exploring the Value of Women-Only Space, Kya Ogyn

Medicine

Witches, Midwives and Nurses: A History of Women Healers, Barbara Ehrenreich and Deirdre English

For Her Own Good: 150 Years of the Experts’ Advice to Women, Barbara Ehrenreich and Deirdre English

The Hidden Malpractice: How American Medicine Treats Women as Patients and Professionals, Gena Corea

The Mother Machine: Reproductive Technologies from Artificial Insemination to Artificial Wombs, Gena Corea

Women and Madness, Phyllis Chesler

Women, Health and the Politics of Fat, Amy Winter, in Rain And Thunder, Autumn Equinox 2003, No. 20

Changing Our Minds: Lesbian Feminism and Psychology, Celia Kitzinger and Rachel Perkins

Motherhood

Of Woman Born: Motherhood as Experience and Institution, Adrienne Rich

The Reproduction of Mothering, Nancy Chodorow

Maternal Thinking: Toward a Politics of Peace, Sara Ruddick

Marriage/Heterosexuality

Compulsory Heterosexuality and Lesbian Existence, Adrienne Rich

The Spinster and Her Enemies: Feminism and Sexuality 1880-1930, Sheila Jeffreys

Anticlimax: A Feminist Perspective on the Sexual Revolution, Sheila Jeffreys

Black Macho and the Myth of the Superwoman, Michele Wallace

The Sexual Contract, Carol Pateman

A Radical Dyke Experiment for the Next Century: 5 Things to Work for Instead of Same-Sex Marriage, Betsy Brown in off our backs, January 2000 V.30; N.1 p. 24

Intercourse, Andrea Dworkin

Transgender/Queer Politics

Gender Hurts, Sheila Jeffreys

Female Erasure, edited by Ruth Barrett

Testosterone Rex: Unmaking the Myths of Our Gendered Minds, Cordelia Fine

Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference, Cordelina Fine

Sexing the Body: Gender and the Construction of Sexuality, Anne Fausto-Sterling

Myths of Gender, Anne Fausto-Sterling

Unpacking Queer Politics, Sheila Jeffreys

The Transsexual Empire: The Making of the She-Male, Janice Raymond

The Inconvenient Truth of Teena Brandon, Carolyn Gage

Language

Speaking Freely: Unlearning the Lies of the Fathers’ Tongues, Julia Penelope

Websters’ First New Intergalactic Wickedary, Mary Daly

Man Made Language, Dale Spender

Feminist Theology/Spirituality/Religion

Beyond God the Father: Toward a Philosophy of Women’s Liberation, Mary Daly

Gyn/Ecology: The Metaethics of Radical Feminism, Mary Daly

The Gods and Goddesses of Old Europe, Marija Gimbutas

Woman, Church and State, Matilda Joslyn Gage

The Women’s Bible, Elizabeth Cady Stanton

Pure Lust, Mary Daly

Backlash

The War Against Women, Marilyn French

Backlash, Susan Faludi

History/Memoir

Surpassing the Love of Men, Lillian Faderman

Going Too Far: The Personal Chronicles of a Feminist, Robin Morgan

Women of Ideas, and What Men Have Done to Them, Dale Spender

The Creation of Patriarchy, Gerda Lerner

The Creation of Feminist Consciousness, From the Middle Ages to Eighteen-Seventy, Gerda Lerner

Why History Matters, Gerda Lerner

A Vindication of the Rights of Women, Mary Wollstonecraft, ed.

The Elizabeth Cady Stanton-Susan B. Anthony Reader: Correspondence, Writings, Speeches, Ellen Carol Dubois, ed., Gerda Lerner, Elizabeth Cady Stanton

The Suffragette Movement, Sylvia Pankhurst

In Our Time: Memoirs of a Revolution, Susan Brownmiller

Women, Race and Class, Angela Y. Davis

Economy

Counting for Nothing: What Men Value and What Women Are Worth, Marilyn Waring

For-Giving: A Feminist Criticism of Exchange, Genevieve Vaughn

Fat/Body Image/Appearance

Shadow on a Tightrope: Writings by Women on Fat Oppression, Lisa Schoenfielder and Barb Wieser

Beauty and Misogyny: Harmful Cultural Practices in the West, Sheila Jeffreys

Can’t Buy My Love: How Advertising Changes the Way We Think and Feel, Jean Kilbourne

The Beauty Myth, Naomi Wolf

Unbearable Weight: Feminism, Western Culture, and the Body, Susan Bordo

The Invisible Woman: Confronting Weight Prejudice in America, Charisse Goodman

Women En Large: Photographs of Fat Nudes, Laurie Toby Edison and Debbie Notkin

Disability

With the Power of Each Breath: A Disabled Women’s Anthology, Susan E. Browne, Debra Connors, and Nanci Stern

#tbr list

323 notes · View notes