"Rosalind didn't feel physical attraction the way everybody else liked to talk about it, didn't understand the idea of looking at a stranger and feeling ensnared by their gaze. A temporary fascination, fair enough, but true desire to engage in pursuit? With her, that had always taken something more: an understanding, a friendship."
- Chloe Gong, Foul Lady Fortune
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i drew rosalind and orion for one of my inktobers, n im gonna send it to chloe :')
patreon | ig | twitch
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Rosalind, staring at herself in the mirror: Look, it's the third time this week you had a mental breakdown, and it's Monday. Get your shit together.
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You know how Rosalind said “The only reason I left so fast that night was because I didn't want you to see me cry. And after you were gone, I realized that that would've been your last memory of me. Walking out on you- not a single goodbye exchanged, only a decision that we would never see each other again.”
Do you think perhaps.
If this quote had been released out of context before fhh came out.
Do you think we might’ve not been able to tell if it was something Rosalind said to Juliette or something Oliver said to Orion.
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I am fortune's fool.
- Orion Hong at some point
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on wednesday i met chloe gong (!!!!) and asked her to assign each of the foul lady fortune characters a taylor swift song. someone after me asked to assign each book a song or album. here are her spoiler free answers:
rosalind: right where you left me in flf, BUT was wonderland in these violent delights. is now long story short
orion: the archer (ofc but also him and rosalind are as well)
phoebe: mirrorball
celia: very folklore. this is me trying
oliver: the red album. bc he will cry to it but also bc he’s a communist but probably treacherous
silas: evermore or champagne problems. would sing you’re losing me to phoebe and she would get annoyed
alisa: look what you made do
transition between tvd and tve: my years ricochet
a foul thing: call it what you want
this foul murder: this love
foul lady fortune: right where you left me as a whole
foul heart huntsman: daylight live from paris
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Rosalind Lang really is the character of all time. afraid of the world while wanting so desperately to be loved by it to be loved by something by someone, to be loved in a way that matters. she will die for love and she almost does, it almost ruins her. so she deprives herself of it, as punishment and as salvation, decides that it's not worth the damage, and she gives herself no mercy, taking on the weight of more than just her own consequences and doesn't cut it loose even as she uses her pain to do something good, to make things right. she was so young and so alone in a world where she was just something to sparkle, something to be used, and of course she'd be desperate for something more, but she doesn't give herself the luxury of pity or forgiveness over that vulnerability. and it's absolutely devastating to be inside her head because you just want to grab her by the shoulders and make her believe that she is good and worthy of something tremendous and that the weight of the world (or her city) is not her burden and she deserves to rise from the ashes of her past. she's just so...
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secret shanghai characters as texts i've sent
rosalind to celia after being assigned as orion's mission partner:
these violent delights (the duology) by chloe gong, 2020:
roma, before passing out due to sleep deprivation:
oliver, orion, and phoebe:
juliette:
alisa:
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