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#that's very cool
lillysilverus · 2 years
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cistematicchaos · 2 years
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I don't think self-harm is talked about enough in the trans community. It's so fucking common but so many people just completely sidestep discussing it at all, despite our high rates of not just self-harm but suicide. 
Self-harm is how a lot of us cope with suicidal ideation. Self-harm is how a lot of us cope with the pain we’re feeling, the pain others’ inflict on us. Self-harm is a casual tool, a desperate coping mechanism and a shit ton of other things but most importantly, it’s something a lot of us are stumbling into having no idea how the fuck to deal with it because the causes of self-harm in the trans community aren’t often things we can seperate from our transness. Some of it can be disconnected but a lot of times, it has to do with dysphoria, transphobia related depression, transphobic abuse, ect.
And since it’s so hard for trans people to find safe spaces to be trans, it’s hard to find resources we can relate to and groups we can talk about self-harming in because we often don’t even feel safe enough to be ourselves, much less talk about our intimate experiences and issues.
I dunno. I just feel like so many of us are dealing with self-harm and suicidal idealation and we’re just a bit left adrift because there still aren’t enough discussions, enough resources and groups for us. 
To be clear, this is me speaking as someone who self-harms and deals with suicidal idealation and I’m saying that because 1. I’m not ashamed of it and 2. I know how much it would’ve meant for me, how much it still means to me to hear trans people talking openly about it and I know there have to be other people like me needing that. 
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seriousturd · 4 months
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draconym · 9 months
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It’s been seven months since we were in the same place
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jekyll-hatepage · 24 days
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I will forever be obsessing over Laios imaging himself as a wolf (a dangerous animal, and one that is [albeit falsely] associated with loneliness) and Marcille imagining him as a cute dog. It shows how negatively he thinks of himself after his fight with Shuro, and how even if he worries now that he's a nuisance to people/can't fit in, NOBODY PERCEIVES HIM THIS WAY. HE'S JUST A SILLY GUY. MARCILLE ASSOCIATES HIM WITH THE DOG BECAUSE HE'S LOYAL AND LOVEABLE.
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twobeesornottwobees · 21 days
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watching ally beardsley transition over the past five years has been really wonderful and affirming but also hilarious. they went from looking like siobhan to looking like brennan. truly the entire anglo-saxon spectrum of gender.
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cozylittleartblog · 26 days
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"content creator" is a corporate word.
we are artists.
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professionalowl · 30 days
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so. um. the good news is we found your boyfriend. the bad news is that, well, we sort of…dug him up…in the middle of a car park. in leicester (buckley et al. 2013). leicester, yeah. sorry. they demolished the friary he was hastily interred in when henry viii dissolved all the monasteries. you know how it is. and as it turns out, well, shakespeare was…sort of right about him. scoliosis, yeah, sorry (appleby et al. 2014). if it makes you feel any better we analysed his bones and it turns out he had a pretty high-protein diet before he died (lamb et al. 2014). and he drank so much wine that it changed their chemical composition, which we didn't know could actually happen before we analysed him (lamb et al. 2014), so he was having a good time, at least. 
BIBLIOGRAPHY
Appleby, J., Mitchell, P.D., Robinson, C., Brough, A., Rutty, G., and Morgan, B. (2014). The scoliosis of Richard III, last Plantagenet King of England: diagnosis and clinical significance. Lancet 383, 1944. 
Buckley, R., Morris, M., Appleby, J., King, T., O’Sullivan, D., and Foxhall, L. (2013). ‘The king in the car park’: new light on the death and burial of Richard III in the Grey Friars church, Leicester, in 1485. Antiquity 87, pp. 519-538. 
Lamb, A.L., Evans, J.E., Buckley, R., and Appleby, J. (2014). Multi-isotope analysis demonstrates significant lifestyle changes in King Richard III. Journal of Archaeological Science 50, pp. 559-565.
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mroddmod · 2 months
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everyone be quiet i'm manifesting
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wasyago · 2 months
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quiet hours
closeups under the cut :]
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i really like these
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noughticalcrossings · 4 months
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Put thee not on Silent
[ID: A 4 panel comic made of digital paintings of a zoom meeting between the knights of the Round Table.
Sir Galahad, Queen Guinevere, Sir Gawain, Sir Lancelot, Sir Bedivere, have their own individual screens, and one screen shows a conference room with King Arthur, Sir Mordred, and others who are not named.
Both Sir Lancelot and Queen Guinevere have their cameras turned off, and microphones muted, the entire time.
Panel 1 shows King Arthur with a few of his knights, with Sir Mordred brooding beside him in shadows, and a hand reaching from offscreen to steal snacks from a bowl.
Sir Galahad has his microphone muted, and is in a forest, looking up and to the side. He has brown hair up above his head and very pale skin.
King Arthur asks, "Sir Gawain, canst thou see the PowerPoint slides?"
Panel 2 shows Sir Gawain, who has brown skin, black hair, green clothes, and heterochromia, with one green eye and one dark, replies, "Verily I cannot, I think it be a miasma of the sight."
Behind him for the background is a section from the Green Knight manuscript, showing faded lettering and a green knight on a green horse standing in front of someone with a large axe while a crowd of spectators watch from the sides.
Sir Galahad's screen is now slightly motion-blurred, showing a reddragon's open mouth in front of Sir Galahad's face.
Panel 3 shows Sir Bedivere, labeled Tech Support, who wears a blue shirt and a plumed knight's helm, looking exhaustedly into the camera, pushing his helmet visor up with one hand. He is lit by blue light and has bags under his eyes, asking: "Hast thou sharest the screen?"
His background is of a library. Sir Galahad's screen is now taken up by the motion-blurred side of the dragon that is attacking him.
Panel 4 shows Sir Gawain turned slightly to the side, looking derisively at the camera, saying: "Yea, but I cannot hear Sir Galahad."
The only thing left in Sir Galahad's screen is the motion-blurred, spade shaped tail tip of the dragon chasing him.
End ID.]
Description very kindly added by @describe-things
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bitterly-almond · 4 months
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AU: Kuina lived and her father was supportive of her ambition. He sent her to Wano to learn the way of the swords so they meet again when Zoro arrived at Wano.
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I just rlly wanted to design a giant Kuina after seeing how big Kiku is :)))
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pickled-flowers · 5 months
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Sex positivity is also about not calling Ace people prude and using virgin as an insult 👍 hope that helps
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siarven · 1 year
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Saw this post by @doppelnatur how dandelions are pretty good trans symbols and got inspired! Happy pride everyone 🏳️‍⚧️
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evercelle · 7 months
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but the show must go on
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that-house · 1 year
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I just saw perhaps the coolest art installation I have ever heard of.
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This is a perfectly normal pin. On the head of it are 2.417 quintillion angels, give or take a few billion.
Joe Davis and Sarah Khan, the artist behind Baitul Ma’mur, (House of Angels) encoded the Arabic phrase “Subhan Allah” onto synthesized DNA, and then used that DNA to coat the head of a pin. According to some traditions, any time Subhan Allah is said or written, it creates an angel. With DNA being as dense an information storage medium as it is, this single pin has more created angels on it than have ever been born from human throats across all of human history.
And then in a fucking genius move, the art installation takes the form of a functional vending machine, loaded with an impossibly large quantity of angels. For $25, which goes right to the artists, you can buy a pin. I’m thinking about taking mine out of the test tube sometime and encasing it in resin to turn it into the highest % angel by volume earring ever worn, but that’s a project for the future.
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There isn’t much else I can say that isn’t said by the documentation accompanying the exhibit. The photos aren’t the BEST quality but they should hopefully be mostly legible.
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As of right now this installation is located at the MIT Museum in Cambridge, Massachusetts, and if you’re ever in the area you should totally check it out
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