Obsessed with characters who portray themselves as worse than they are. Who are lying to everyone including themselves about it. People generally assume if someone's lying about themselves they're trying to look better but sometimes they're trying to look worse. They attribute agency to where they had none, add intent to accidents, try to convince everyone that this is something they did instead of something that happened to them.

Of the 19 hijackers who carried out the Sept 11 attacks:

15 were from Saudi Arabia (a powerful/oil-rich country the U.S. works hard to maintain diplomatic relations with)

2 were from the United Arab Emirates (also a powerful/oil-rich country the U.S. works hard to maintain diplomatic relations with)

1 was from Egypt, 1 from Lebanon.

None of the hijackers were from Iraq.

None of the Sept 11 hijackers were Iraqi.

None of the 9/11 hijackers were from Iraq.

Ok, I think i've said it before but i'll say it again, a Lesbian Shen Yuan would have been a genuine danger to society, even pre-transmitgation. She'd be the type of girl to download tinder bc she wants to make friends but doesn't want to go outside, she uses her best photos bc she wants to make a good impression, puts her settings to girls only gets a ton of matches and since lesbian friendships and failed talking stages walk hand in hand she managed to realize her wish, she made lots of friends even if more than half of them are lowkey in love with her. She'd also have intense if short lived friendships with other woman that'd end up with her neighbor's car getting keyed because her ex-bestie confused it with her family driver's car. The system has no idea what evil they unleashed upon the PIDW world, this woman will straight up look you in the eyes, caress your cheek, comment on how beautiful she thinks you are and legit think y'all are just friends.

leans into the mic. "saying all men are trash in response to the various ccs getting outed as abusers is the wrong move and will harm male victims of abuse and sa" and "the reason these male ccs were able to abuse people and cover it up for so long is because of rampant misogyny in the content creating space and it's important to listen to the women coming out with their stories right now" are statements that coexist. btw

Some days I wake up, and I remember the horror of Stella’s existence. I remember how since childhood Stella has been valued by her family only as a future wife and baby incubator to marry off to benefit them. I remember how her brother dehumanizes her and reduces her to her beauty. I remember how she never had a future with a lover and home she could choose for herself. I remember how being married to St*las means she doesn’t own a home of her own, her home is his. I remember how she was forced to become pregnant as soon as she hit 18. I remember how Paimon and her own family made her have to have sex with a man who didn’t want to even look at her as she did it.

I remember everything the arranged marriage entails for her and not just St*las. And then I remember that Helluva Boss decided to, instead of focusing on the horror and tragedy for both parties involved, decided to make her a one note simple villain. Just a mean bitch for no reason.

And I resolve that I’m going to rewrite Stella in my head, and I’m going to fragrantly and unapologetically love her no matter how much St*las stans cry about it. To write THAT kind of character as a one note bitch who is spiteful for “no reason” is a fucking joke.

The victim is... the same as yesterday?

Since Danny managed to master the power of duplication he noticed a couple of things: duplicates didn't always disappear when he wanted them to, it was possible to make many at once and he could change shapes when he used it. The duplicates also disappeared in ecto when destroyed.

So, when the halfa moved to a new location he decided it made the most sense to release "Human Danny's" over Gotham and stay as Phantom to look at his new home from the sky. He needed to investigate his new surroundings and probably find a better place to live.

This made the bats desperate, they had multiple alerts of "Multiple black-haired, blue-eyed boys wandering into dangerous territories" and "A meta flying around Gotham", Bruce doubted it was a coincidence, maybe the meta was a new villain.

In some cases they couldn't get there in time and the blue-eyed boy died mysteriously, since they didn't communicate with each other, they didn't know it was the same victim over and over again. Danny wasn't surprised when he felt one of his duplicates return to him. Of course, the halfa had no idea he was giving Red Robin traumas about a boy "vanishing on acid".

The batfamily, who remained without communication, thought that some villain was chasing down black-haired, blue-eyed people and killing them. Jason was the first to realize that it was the same boy and he frowned not understanding the situation. He found the meta and he was almost harmless, which didn't have sense.

Long Ramble about CCCC and my overall feelings on what the album means and such

Something I find important about CCCC is like.

The fact that all three of them are, in some way, trying.

Heart is emotion, he is prone to himself and being reactionary, in the moment. Prone to the past of learned behavior and trauma. Reactive and rapidly changing. He isn't going to make pure sense because he isn't based in logic or in societal ideals or views. He is an instinctual response to the environment and circumstances. His manipulation is not intentional. He has very little control of himself in the end. Its why Mind talks about claiming to relish entropy yet clearly needing help. But, Heart in earnest wants them to be okay and safe. He believes that Mind's control will drain the life from them. It will make things monotonous and the same. Too much order.

Mind in turn, believes Heart is manipulative with intention. He wants to control Soul or wants to just drag them all down with him into this depressive state. Mind is logic, he is the reasoning out of your emotional instinct. Your inner critique, and when unchecked, that inner critique goes from a guiding hand for your emotion to one that debates and bullies it. Invalidating its responses. Ultimately, though. Mind just believes he is helping. He is doing what must be done and telling the "hard truths" to Heart. And that Heart is being the petty child. Which- I mean. Sort of sure. But Mind is definitely fucking petty and childish. He's stubborn! Prideful! So ofc he is. Admitting you're wrong? No.. why would he EVER do that.. nuh uh.

Which is what makes Light so crucial. Mind asking Heart for help- but also. There is Soul.

Who while ambiguous in purpose, is mostly that background voice. Your inner narration. If Mind is Logic and Reason then Heart is Emotion and Instinct,, Soul is all that lives between it. And he is constantly silenced or spoken over or around. He does not get a word in edgewise until TSE. He may show up in the background occasionally but as much as Heart and Mind claim to want to keep him alive and help him, they also fail to actually acknowledge what he says.

Which is that they both are right and wrong. That this fighting is doing directly what they both feared it would. Soul is desperate by the end. He is angry and resentful because.. well. Self hatred due to intense self awareness and reflection is rather ig. Common. Im not a professional here but from personal experience, you get so tired of rehashing the same shit with yourself over and over. It all feels pointless.

The only out, by the end of it all to Soul is that if they cannot be Whole, whats the point? He is desperate. He does not want to die but he feels theres no other solution.

And. About Whole, Soul throughout the album seems to want that. At the beginning, to be Whole or Harmonious is to be mentally healthy, maybe even "normal" by society's standards. To be able to put a mask over your problems and be, again, "normal". It takes the entire album for Soul to realize that this:

1. isnt possible

And

2. There isn't anything evil or wrong with him for that.

Mental health is a struggle. But you are not evil and should not be othered because you struggle. You also do not need to be fixed for being a little different and people's opinion of you is not what matters most so long as you are happy (and not hurting others. Lol).

Thats what Two Wuv is entirely about as a song. Its a "fuck you. Fuck this! I thought I needed to be this! But I DON'T. Stop telling me who I am! How to be! I'm gonna be me!"

His entire arc is parallel to Heart and Mind's and is crucial in the culmination of becoming yourself again and accepting yourself.

But, as mental health will always be, this period of respite and self acceptance is not always forever. And as life continues or as you lapse back into a depressive episode.. you cannot help but forget what it is like when you're not this way- and hell! Vice versa too! Some people have this disconnect between the periods. Where the things from the depressive state seem dramatic or obtuse to you while you are doing better. And from the other end, you just want to be happy again.. but you get so lost in it all you can struggle to feel like you've ever been happy.

The album is about the human experience. It is about self-sabotage, mental illness, self-hatred and reflection and it is, maybe more importantly about self-acceptance and healing. Having a bit of mercy on yourself. Accepting that you are imperfect and that this is okay. And whatever flaws you may have that need to be mended or worked on, can be. And that who you are, for example, if you are queer, is okay. And no one has the right to take that identity from you! That the internalized ideas of how someone should be are not always correct or right. Not for you, at least. Stuff like that.

its so so insane how dean has like. the huge fanbase he does. he is AWFUL!!!! i love him truly but im known for loving awful characters in fandoms im used to characters who act like him being viciously hated!!! and the only explanation i can think of is that hes played by jensen ackles (aka pretty white man). theres the fact that the narrative favours dean a lot when hes not actually right (a la s4) but thats not just it because dean is pretty clear-cut presesnted as getting morally greyer to the point of antihero territory in like s9 (where im at) at least. and Yet. he is unproblematic ally king to all??? supportive brother of the century??? Girl what???? do you know who dean winchester is? he is a controlling possessive clingy manipulative aggressive unstable thirty five year old who cant grow past his own damage and never really will because the narrative is perpetuated by the cycles he keeps perpetuating

tell him, harley <3

Bg3 is such a good game but i appreciate it more for giving me the type of villain romance that i love. Just unforgivably horrible people who found home in each other.

Most of the time, villain romances that I find, they are the misunderstood trope and I still eat it up, but it's just nice to explore terrible characters and how love, something so human, ruins them.

I think another thing I like about starscream, yet hate that the fandom fails to acknowledge about starscream is that, a lot of his rotten personality and his nastiness comes from way before he meets megatron and way before he was a deception.

That’s not to say that a lot of the ways he acts doesn't mirror megatron and the mistreatment he went through. and that impacts how starscream heals, makes friends, etc., idw - like what megatron did still badly affects him and that's not something to be ignored, and it's still not fair that he doesn't get the same happiness megatron did.

But, I think that people do tend to act as if Starscream was perfect and uncorrupt before Megatron.

That's not true...starscream was also a rotten, manipulative and bad person before that. and a lot of that was in response to how he was treated and hating his own body/existence, and the caste system, etc. We see how a lot of people in transformers react to oppression and I think starscream is such an interesting case of someone who is so angry and furious at the system he was created in that he takes it out on others yet still fights for himself and only himself. It is sad, and it’s awful to see how his own existence and the caste system does destroy him, but I think its important to note and to understand to just see how oppressed people still have to fight through their own oppression and sometimes, because of that, because of the trauma they go through, turn rotten. And Starscream did terrible, sneaky, and awful things. He did shitty things to climb to the top and he hurt those around him, he hurt people he trusted him, and he was happy to be that way. No one made him evil, manipulative, or untrustworthy, he did that on his own.

I don’t like that a lot of the fandom tends to tie Starsream’s negative and problematic behavior and personality to megatron because it also takes away from a lot of growth, agency and discussion about starscream’s personality and why he is the way he is.

He wasn’t a perfect, innocent and shy person before he met megatron, or before he became a deception. He still did awful things and while becoming a deception was a way he could grow past the system that created him, he still did very much do so for power. Starscream was an ambitious yet a morally ambiguous person before megatron and he had to be to survive in his own mind. His life wasn’t perfect and happy before megatron, he was still fighting and he was still scheming to survive.

I really don’t like how people kind of take that away from him, and act like everything he does and every shitty way he acts is *because* of megatron. I know it’s not fun to have to admit that he wasn’t a good person before megatron met him, but I think it’s necessary to understand his character, and not a lot of people do. And when you don’t do that, you have people misinterpreting his character and being genuinely shocked when he does villainous things. Like for instance, sky bound starscream’s actions shock a lot of people because they don’t think that he is a villain - I remember a lot of ES critique is that earthspark starscream doesn’t need a redemption act- he just needs people to love and accept him. And I think you guys forgot that he was also a space fascist and enjoyed killing people on his own accord. And while megatron himself does impact how starscream acts and treats others - starscream still was an extremely problematic person eons before he met megatron.

I don’t think this negates just how badly Megatron’s treatment fucked him up, and made it so that it was difficult for him to form relationships even after, or find happiness. And I think that’s just something that cannot be ignored. But I also think starscream is more interesting as a character if the fandom acknowledged that he was this way before, that he wasn’t perfect or innocent, and that he reacted that way because he was unhappy with is life, his station, his caste, etc.

this also isn't a chance to come and try to excuse how megatron treated him, so pls don't do that on here.

This is how im coping with the manga leaks

tom & greg + fixation on, and fear of, sexual assault

of all the characters involved in a plot centered around a sexual exploitation scandal, it's ironically not any women but tom and greg - the very characters through whom we're introduced to the exploitation - who show repeated concern for their own bodily autonomy, particularly on a sexual vein. that particular point of irony serves to exemplify their outsider statuses that remain in spite of promotions, marriages, etc, but also, these aspects of their characters being so consistent tells us a lot about their relationship to the entire culture of masculinity, not just waystar.

greg in particular is practically introduced with a fixation on sexual assault. his character in general is a notably un-sexual being up until the end of season 3, with the only allusions he makes to sex until then being a matter of himself as a victim. that fixation/fear becomes most apparent when the notion of prison comes up - and it is clearly the chief worry driving that fear for greg. in contrast, tom does have other repeatedly expressed worries about prison: non-sexual autonomy lost, a lack of comfort, a lack of Finer Things, particularly food and wine... but (implicitly non-consensual) sex makes the list and is also brought up multiple times, interestingly with less apparent fear than greg's. this may be due to tom already having a pragmatic relationship with (heterosexual) sex that allows him to plow through a series of sexual encounters that are tainted with elements of Wrongness - the idea here being that a fear of sex is just kind of normal for tom, so he's used to it. he has a very high tolerance for pain and physical discomfort. it's less losing autonomy and more acknowledging he barely has any to begin with. he's less panicked, more resigned. perhaps even less of a victim and more of a... coerced participant, because to even conceptualize himself as a victim would be too vulnerable. one more character does allude to being victimized by sexual assault, meanwhile - roman. where he contrasts with both tom and greg, though, is that rather than fearing it happening in the future, there's instead the idea of it having happened in the past. there may or may not have been any actual event or even a theme of sexual abuse in roman's childhood, but we get multiple notions: roman jokingly threatening to accuse connor of "diddling" him, the vibes that float around the dog pound story and how he "went weird," "yeah they raped me a little," his inability to pee around other men and the implication he's seen a therapist for it... and of course, this:

which is where roman's relationship with all of this contrasts the most starkly with tom and greg's: whether he's truly a victim or not (and if he wasn't, he clearly does at least cling to the notion as a potentially easy explanation for all that's wrong with him), he turns around and starts weilding the idea himself. furthermore he communicates, in that particular deleted scene, his knowingness of something between tom and greg. and he reinforces the idea that there's something wrong with it. the scenario he evokes, where greg is a Victim and tom is a Perpetrator, isn't accurate whatsoever, but it sends a message, implants an idea, sets the tone, etc - sex between men will always include those two characters. this is, undeniably, the precise reason for both tom and greg's fixations on being a sexual victim of other men. the canonical fixation in and of itself, and its uniqueness to the two of them, may as well establish this - in the gender theory of the show (and also real life), tom and greg are of a different gender class than Real Man. they are adjacent to women. to be frank with you, they are faggots. both know on some level that intimacy with men is what they want, and therefore, however consciously, have that sense of their role in the world being a vulnerable one. there are elements of both fear and fantasy, building off of each other: "this is inevitable because of what i am" and "what if i enjoy it, what does that say about who i am?" and "if i have no choice in the matter, then maybe i'm free to enjoy it." there's a loop of freedom from contending with one's own desires -> a hyperawareness of them. now, roman may join tom and greg in being Categorically Less Of A Man, but he still sits above them on the axis of class and therefore doesn't feel the same ramifications. tom and greg are not only gay but live far more directly in the Real World, with origins in the present and physical homophobia of the middle and lower classes. tom also knows the corporate homophobia from climbing his way up and gives greg the crash course. tom and greg's differences wrt their fears of SA lie in self-awareness, self-hatred, and how successfully each of them have already carved out a space for themselves in the sexual hierarchy. but ultimately what they have in common is the most significant: their inability to fit authentically into the world of the roys. their shared uniqueness, amongst the elite, in having a body - one that can and often does experience pleasure and pain. in having real desires and therefore being vulnerable. in being gay little nudie turtles underneath.