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#and so infuriating too
dearly-befuddled · 2 months
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Goodreads 1 star reviews complaining about how the book was trying to be "edgy". Babes you picked up a book about sci-fi necromancers with a cover of an aviator-wearing skull-painted lesbian and you weren't expecting to run into any edge lords or emos? That's not the book's fault, that's a skill issue
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wraithwen · 13 days
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tongues & teeth
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lord-squiggletits · 5 months
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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thesora · 7 months
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The Murderbot Diaries are finally being translated into my first language (Finnish) and I was super curious to see how ART’s name was going to be handled. So, I finally read Artificial Condition, and its name is Aivan Raivostuttava Tutkimuspaatti which translates to an Extremely Annoying Research-boat !
And it got me wondering how other translations have approached ART’s name. Has there been an effort to preserve the letters A, R and T or has ART been given a completely new acronym? Or has the original English name been kept?
Please let me know!!
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samarecharm · 9 days
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People who really like shuake also seem to write themselves into a corner wrt Akechi and his relationship to Akiras team. Contrary to popular belief, the team, including Haru, does not hate Akechi. At worst, they tolerate him and deal with his attitude. Hes a good teammate and respectable fighter and the team recognizes that at the end of the day, he was a teenager who was manipulated and abused by a man who saw him as disposable. Just about every thief understands this intimately. They have the same mindset wrt adults who take advantage of the people beneath them. Under different circumstances they wouldve been friends. And if u approach it from that angle, it becomes less about Akechi being the sole person who ‘gets’ Akira, and more about the thieves being the only people in the world who ‘get’ Akechi.
When you expand your thoughts to include the thieves as members of his Team and not roadblocks that get in the way of your ideal shipping dynamic, you allow urself to give Akechi and Akira more depth and nuance to their own relationship.
Akira and Akechi are wildcards; both of them struggle with the face they choose to display to the world. Its the first time Akira interacts with someone who is, at a literal, technical level, his ‘equal’. But Akechi is one of many firsts for Akira yeah? Every thief has their bond with Akira thats completely unique and personal. Akechi will never be the person who witnesses Akiras Awakening, hes never the person who watches Akira have his restless nights alone in the attic, and hes never the person who realizes in real time that the teenager hes housing is just Some Kid, not the delinquent hes been warned about. Hes not Ann or Yusuke, or any of the thieves; he doesnt have the time or experience that they have with Akira, and I think its interesting to explore that part of their relationship, shippy or not.
Akechi is someone who is incredibly lonely and self depreciating despite his cockiness and attitude. He has no positive bonds to speak of save for his connection with Sae. To have him see a team that works together and cares for each other, how do you think he would feel? Out of place? Inferior in some way? Angry about how hes been alone for so long in this single minded quest for revenge? Wouldnt that be a point of struggle between the two of them? I think what makes shuake good for me is knowing that Akechi needs alot of time to heal, and the thieves would want to help with that process. They do it bc they care, bc Akira cares, and bc they trust Akiras opinion (and he trusts theirs in return); if Akira feels like Akechi is someone who can be trusted Now after everything thats happened, then the thieves would do their best to help. And how would Akechi feel about that? Angry about the show of pity? That even now, he has no real say in what happens to him? Or begrudgingly grateful that they are cordial with him? Because they do care, he KNOWS they care, they care TOO MUCH actually; but the one thing he values over brawn and wits is honesty- fighting for what you believe in without having to use soft words to justify it.
#chattin#also like. as an aside#my hcs regarding these two is like. they could not date. theyd kill each other lmao#and like TOTALLY by all means i am obsessed w unhealthy dynamics for shipping#let ur boys be toxic. let them be messy and loud and violent. its like crack to me#but just like fandom as a whole; fanon interpretations are prevalent and LOUD#and so trying to interact with it is like pulling teeth#personally. i think too many of them think of Akechi as like. the Rude one of the bunch#when i like to think of Akira as rude and full of himself when its deserved#and man. being able to outwit Akechi makes it Fully deserved#and i like to think Akira would remind him of this when he tries to intimidate or degrade his team#like. i have a short wip i never finished (basic sketches)#of Akira pulling him aside and grilling him#‘youre here because I Want you here. youre here bc i Allow you to be here’#‘if youre going to stoop low and play petty i can do the same. if theres anyone on my team whos a fucking idiot; its you.’#‘dont make me reconsider having you on the team.’#and akechis like okay great does ur dick feel big trying to pull rank on me?#but really hes fuming. hes MAD. like feral dog mad. bc akira is RIGHT. like he is most times as akechi starts to see.#he has enough of a mind to recognize that hes lashing out bc of his own shortcomings; even if he refuses to admit it out loud#its beyond infuriating. its degrading. its a little 😶.#never had to deal w anyone that rivaled his own brawn and wits. and now theres a TEAM of them#just humbling him time and time again. it sucks. he stays bc he cant help himself 😭#he needs to see more…#also#shuake#for blacklisting
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robynrocksforbrains · 10 months
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
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pharawee · 8 months
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"Nara's life is pitiful. She is about to marry a man as a mistress in exchange for her family's comfort and happiness. This short story reflects the oppression and principles of a woman being kept and suppressed. However, after I've read it, it also reflects who I am."
—I FEEL YOU LINGER IN THE AIR 💮 Episode 7
Bonus:
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hailsatanacab · 1 year
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"give me a fandom and a prompt and i'll give you at least five sentences"
Ok then.
Jazz, Danny and Bruce are in the same age range, and Bruce has been harboring a massive crush on 7'foot tall Jazz since just after he began his training journey.
His kids know about and are mercyless. Danny thinks he's a bit of a fruit loop and 100% knows Bruce has a crush on his sister.
Into the future his coworkers find out that batman has been quietly pining after the Ghost Kings sister for years.
Chaos.
love that this reads as a challenge. Ok then. Write it. i will, let's goooo!
(sorry i kinda took it so that Jazz, Danny, and Bruce were all old friends but in that horrible adult way where you can only hang out with each other once in a blue moon when your work schedules miraculously align)
——
"Respectfully, Batman, you can take your "it's not necessary" and you can shove it up your arse. There's a demon the size of a skyscraper heading towards Metropolis and we need reinforcements."
"Superman can—"
"Superman can't. You do remember the part of the report I made telling you this, right? Or did your stubborn little bat brain just shut down when I mentioned magic?"
"Actually," Nightwing interrupts from the side, a shit-eating grin on his face, "I think his brain shut down when you mentioned the Ghost King."
"Nightwing." Batman growls in warning, his jaw clenching so hard Constantine can swear he hears the bones creaking.
Nightwing just snickers, and turns away to press a finger to his ear, no doubt letting the rest of the bat brood in on what's happening here... Whatever that is. All Constantine knows is that Batman is standing between him and fixing this mess for no God-forsaken reason.
Luckily, some of the more reasonable members of the League step in to try and talk some sense into Batman. It gives him some time to calm down.
"Batman. We need him. I know you dislike working with unknowns, but he's our best shot."
It actually looks like Wonder Woman might be getting through to him, Batman even opens his mouth to actually explain some things—a huge step forward for this incredibly emotionally constipated man.
Instead, Nightwing snorts and beats him to it. "Unknowns? More like—"
"Nightwing, please."
"Oh, for Pete's sake, get your head out of your arse and let me do this. The Ghost King is our only hope. I'm summoning him, no matter what you say."
For a long second, Constantine thinks that he'll refuse and he might have to resort to more violent methods of persuasion—which, honestly, Constantine has fantasised about many times during the more boring JL meetings—but eventually, Batman relents and steps out of the way.
"Fine. Nightwing, go check in with Red Robin."
Nightwing has the kind of devious smile that makes John glad he doesn't have kids.
"Oh, don't worry about it, B. Red Robin's coming here. So's Red Hood, I don't need to go anywhere."
"Nightwing—"
"Sh, it's starting." So saying, Nightwing then very obviously ignores Batman's protests with a poker face that even Constantine envies. What he wouldn't give to be able to shut the bat out like that.
The summoning goes quickly, thankfully. The lights flicker, the temperature drops, and the chalk circle erupts in green flames. Standard summoning practices, sure. Even the impromptu appearance of Red Hood and Red Robin—"Did we miss him?", "No, not yet! I got 2:37, what about you guys?"—doesn't throw him off.
It does pique his interest, though. Just what the hell is going on with them? Constantine's weighing up the pros and cons of asking them once all of this is over when the ground splits open and the clawed hand of the Ghost King begins to pull himself out of the ground.
John's a seasoned summoner. It's practically his job, he's done it countless times.
The icey fear that grips his heart, that freezes his breath in his chest, is new.
Pure, unadulterated power floods the area and he feels small, so, so small, like a child playing with things he doesn't understand. When he finally tears his eyes away from the portal, he catches a glimpse of the other magic users in the room, the same horror he feels clear in their faces. Even Captain Marvel stares slackjawed.
The pressure rises, death magic screaming in his ears, almost forcing him to his knees, and suddenly he's not so sure this is a good idea.
Too late to back out now, though.
Sickly green light pours from the crack in the ground, growing brighter and brighter as the giant figure rises, until Constantine has to close his eyes and look away. The last thing he sees are eyes, teeth, horns, a crown so bright that it burns an afterimage into his retinas.
When the light dies down and he opens his eyes again, a humanoid man floats in the centre of the circle. The ground is whole, nothing is burning, the man doesn't even have a crown. Instead, other than the wispy white hair, slightly green skin, and the—you know—floating, the Ghost King appears pretty normal. Huh.
Constantine blinks, rubbing his bleary eyes, and checks around to make sure everyone's okay. Most of the League are doing the same as him, taking fortifying breaths and trying to appear as if they've not just been completely blinded.
Most of them, that is, aside from the Gotham vigilantes.
Batman himself stands upright, arms crossed, looking completely unbothered by the whole thing and John's got to admit, he wishes he could do that, too. That was... a hell of a show.
The others, however, are waving frantically with huge smiles on their faces.
What?
There's a brief, taut silence, as everyone else tries to catch their breath.
As much as he would rather take a bit of a breather, John should probably start making introductions. Unfortunately, he only gets as far as opening his mouth before the Ghost King beats him to it.
"Oh, Ancients, hey guys! It's been forever, how are you? Look at you all, so grown up, wow—Nightwing, buddy, do a flip!"
It doesn't take much to get Nightwing going, and he certainly doesn't leave it at one flip. The whole of the Justice League and Justice League Dark watch with open mouths as Nightwing performs for the Ghost King.
What, and John can't stress this enough, the fuck?
As soon as Nightwing rights himself, Red Hood swats him across the back of the head and calls him a show off.
The Ghost King just laughs as he claps. "There's my little monkey, look at you go! And I'm loving that leather jacket, Hood, is that new? Looks good on you, really your colour. Brings out the red in your helmet."
"Thanks, Uncle D. At least someone around here appreciates fashion."
"Are you kidding me, you know I breathe fashion, need I remind—"
"Need I remind you of the Discowing incident?"
"That was era-appropriate and you know it! Uncle D, tell him it was era-appropriate!"
"It was era-appropriate, but so are crocs and it doesn't make them fashionable." The Ghost King—and holy shit, is this actually the Ghost King? Or did Constantine just accidentally summon a deceased family member, what the fuck is happening here?—turns to look at Red Robin with a smile, resolutely ignorning the argument he created. "How you doing, Double R? You get that tablet Tucker made for you?"
"Yes, thank you! It's so cool, how did he—"
"How's Tucker doing?" Batman interrupts, his hands now hidden underneath his cape.
As soon as the question leaves his lips, everyone groans. Red Robin makes a show of lifting up his wrist and staring at it intently.
"Incredible," Red Hood mutters with a shake of his head.
Even the Ghost King seems put out, rolling his eyes and answering in a flat tone as if he knows Batman isn't interested in what he has to say.
Not for the first time, Constantine feels like he's missing something.
"Tucker's doing very well, thank you for asking."
What follows is the most awkward silence Constantine has ever had the pleasure to be a part of.
All three of the Gotham vigilantes, including the Ghost King, are staring at Batman, waiting for something. Batman's cloak shifts as if he's moving his hands, fidgeting. If Constantine didn't know any better, he'd say he was nervous.
"Good. That's good, I'm glad to hear it."
Instead of saying anything else, the Ghost King just raises his eyebrows and continues to stare at Batman. Has he offended him in some way? Are they all going to die because of this?
After what seems like an agonising few minutes but could only really be a few seconds, Batman's shoulders dip and he takes a breath. "And Jazz?"
They all erupt into shouts, the Ghost King being the loudest. The only thing John can make out is when the Ghost King throws his hand in the air to point at Red Robin with a shout of "Time!"
"1:30.91, we got 1:30.91 on the clock, who's closest?"
"Did you even try to hold it in at all, old man? I'm so disappointed in you. People think you're cool. People think you're suave, I don't understand how they could be so wrong."
"Thank you for that, Hood."
"No, thank you, I won. Again. Because you're so predictable. Actually, I had one minute seventeen, so you held out longer than I thought you would."
Batman pinches the bridge of his nose and sighs loudly.
Constantine feels like doing the same thing.
Whatever. He's going to have to interrupt... whatever this is. There's still a rampaging demon heading their way that they've got to bargain for. He can untangle Batman's personal connection to the Ghost King later. Or he could leave it alone and forget everything about it.
Yeah, he'll do that one.
But before he can actually open his mouth to say anything, the Ghost King, again, beats him to it.
"So, B-Man, did you summon me here for a particular reason, or was it really just so you could ask about Jazz?"
There's a beat of silence before Batman mutters, "I asked about Tucker, too. We've not seen each other in so long, it's only polite."
"And I'm sure you meant it, you're the paragon of manners." The Ghost King nods slow and wide-eyed as if he doesn't believe him at all.
At this point, even Constantine doesn't believe him.
"It has been forever, though." The Ghost King muses, bringing his hand to his chin and folding his legs underneath him. "We should all get together sometime! If you get Alfie to make some of his cookies again, I'll get Clockwork to lend us a pocket dimension where we can spend as much time as we want, deal?"
"It's a deal."
No hesitation at all, incredible.
Hold on. Wait. John has to fight the urge to pinch himself, because this has to be a dream, right? Is Batman actually smiling? He didn't even know he could do that.
An itch niggles at the back of John's mind. He's starting to get an inkling of what's going on here and it's... weird, to say the least.
"Oooh," Nightwing singsongs, like a child in a playground tickled by the very idea of romance.
But then, who's he to judge? John's no stranger to strange bedfellows, that's for sure. Whoever this Jazz is, she must be something incredible—she'd have to be, if Batman can't even go two minutes without asking about her.
"Batman and Jasmine sitting in a tree," Nightwing continues, with both Red Hood and Red Robin joining in for the rest. "K—I—S—S—I—"
"Stop," Batman growls, completely drowned out by the Ghost King's laughter, but...
But.
It all suddenly clicks for John.
The Ghost King Phantom.
Her Royal Highness, Princess Jasmine Phantom.
Jazz.
"Holy shit, mate," John breathes, unable to stop himself as everyone looks his way. "You have the hots for the Princess of the Infinite Realms?"
The Justice League meeting room has never descended into chaos quicker.
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abaroo · 2 months
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I realised I had to refine Ceroba for my au…
In the cowboy swap au, Ceroba is actually the Sheriff and leader of the Feisty Five. Clover is still the Deputy and goes by “Lucky Star”. He loves hanging around town with his Mama ☺️. I haven’t come up with a cool cowboy name for Ceroba yet, although she probably wouldn’t use one :/
Cowboy Swap Masterpost
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chocobijou · 10 months
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"Oh I always had funny feeling about Lizzo" "I knew something was off with Lizzo"
SHUT UP!
The vast majority of the general public and even a lot of people who call themselves her fans have NEVER liked Lizzo. Don't lie and backtrack now!
These allegations are appalling, and I am definitely not defending Lizzo in any way, but the way some people online are acting is annoying and fake as hell.
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mario-art · 2 months
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so in "star war: galaxy of heroes" the recommended extended party for vader includes thrawn and, surprisingly (for me at least), wampa. and my first thought was this scenario
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brother-emperors · 3 months
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it’s by divine intervention only that I’m not constantly posting about the bullshit cycle of Filipino politics here because the fucking presidential family is turning my home province into a puppet state and the wife of the assassinated governor is gearing up for a dynasty run in office and people are going to vote for her because they feel bad that her husband got murdered instead of seeing authoritarian assimilation and a dynast take over for what it is. The next election is not an election if all the players ahead of time have begun to form a united coalition with the backing of a fascist family.
instead I simply crack Crassus open like a walnut and start yelling really loud into his rib cage.
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keekeenuggets · 4 months
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People act like shipping Alastor with anyone is a crime when like. There are literally aroace people who date/have relationships/have sex/etc. It may not be the majority, but there's nothing wrong with it. So like, people can ship what they want, just chill lmfao
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HEY HIIIII PICREWS OF ROYALTY BLUE IN DESCENDING ORDER OF HOW ACCURATE THEY ARE <33333
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THERES SO MANY I GOT CARRIED AWAY IT WAS SO FUN
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i am going to scream
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commsroom · 2 years
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i think one of the boldest and best moves wolf 359 makes in its character development is that, in terms of the major defining events that led him to where he is, eiffel doesn't have a tragic backstory so much as he is responsible for the tragic backstory of someone else.
(the archetype of the everyman protagonist who copes with past trauma via humor does in many ways describe eiffel, but like with every character in wolf, it's the complexity of their circumstances that make them feel like real people with believable inner worlds. they don't subvert the archetypes they represent, exactly; they're just people, complex and contradictory, who ultimately can't be constrained by the expectations or defined lines of the narratives imposed on them.)
eiffel believes this is an intrinsic part of who he is, that he was "just those mistakes"; he externalizes his desire for redemption and that manifests as lenience towards people who lack his fundamental desire for growth. and in failing to recognize his own ability for growth, he presents himself as a doomed character archetype more than a person; he sidelines himself as an observer within his own story. his guilt and self-hatred allow him to in some way abdicate responsibility, to see his failings as inevitable, and it's only accepting his own complexity and capacity to be more, the human quality he recognizes so fervently in others, that frees him from those self-imposed conceptions.
(once my friend kit said that eiffel “defines the tone and the moral compass of wolf 359 so strongly that if you put him into any other series he would turn it into wolf 359 too” and i think about that a lot.)
doug eiffel is wolf 359, in all it believes, and despite his perception of himself as the weakest link, he is so interwoven with both the crew of the hephaestus and the themes of the show that he is inseparable from either. he doesn't always embody the show's values or its morals - in fact, he frequently fails to live up to them as much as he'd like - but he is the one who advocates for them. "it's not just about surviving; it's about being able to live with ourselves after we get off this tin can."
it's a show about communication; he is an intermediary, a vessel for communication - sometimes literally, and he's also just a guy who is still trying to learn how to communicate better himself. what eiffel represents is a flawed, contradictory, unpredictable, irrepressible humanity, singular, and so desperately in need of connection. the show's love of humanity is truer for that. he has genuinely done wrong, in ways he may not ever be forgiven for. he has very real flaws, some of which persist through the entire show, even as he's consciously trying to do better. and he is very much human, and very much loved.
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