Tumgik
#lightlark
crow-caller · 2 years
Text
Tiktok sensation LightLark is the final boss of bad fantasy YA— a failure built on aesthetic boards and tropes, unable to pretend it has a heart
Tiktok sensation LightLark is the final boss of bad fantasy YA— a failure built on aesthetic boards and tropes, unable to pretend it has a heart
Tumblr media
View On WordPress (Includes audio version)
A full summary with spoilers, analysis, quotes- and so much more on the subject of a book you should never read. This is a long piece. Like ‘Youtube Video Essay’ long.
Lightlark is joyless, a husk beyond parody, a checklist of every Island of Blood and Bone and Glass and Hearts that has come out in the last five years, built and sold on tropes and aesthetic boards. This is a book written by an author who is not a writer. It would fit in on the dregs of an amateur writing site with eerie perfection.
But Lightlark is more than that. You see, Lightlark is… a TikTok book.
EDIT:
Tumblr media
Thanks :')
There's now a video version. I heard Tumblr likes video essay long watches on obscure very specific content... may I introduce you to:
youtube
I'm not making a dime on this, I have no horses, only like 70 hours of work looking at this mess of a book and I just want to make sure everyone knows how bad it is. Let's be bitter at this multimillionaires flop together.
11K notes · View notes
allamericanb-tch · 6 months
Text
posting this at the risk of sounding like a pretentious loser
you can learn a lot about a society from its reading choices, and lately, i'm concerned with bookstagram / booktok. there appears to be two dominant genres capturing readers' attention: fantasy and crime / murder mysteries.
fantasy readers are huge consumers. the amazon / barnes and noble wet dream, spending every last dollar on the newest release of six part series. but fantasy novels have always been a regular story in disguise. when you strip away the magic of todays fantasy what are we left with?
today's fantasy stories tend to revolve around taboo themes, especially explicit content. essentially, a form of literary pornography.
unlike this new stuff, the essence of series like lord of the rings, the chronicles of narnia, and harry potter lies beyond their fantastical settings. they all delve into the timeless battle between light and dark, and retells the age old narrative of good versus evil, while exploring the nuances of power and the conquest of internal darkness. in each case, magic serves as a narrative tool rather than the central focus.
without passing judgment on the morality, the question is: what does this trend say about our collective priorities in relationships and the themes we find most compelling what is wrong with us? the parallels for crime / murder mysteries are apparent. the fascination with crime, murder, and serial killers raises questions about societal interests and individual takeaways.
as opposed to the timeless and profound themes explored in classic literature, these contemporary genres seem to focus on more immediate and shallow aspects of human experience. i wish our literary interests extended beyond mere escapism and momentary entertainment.
a truly good book is timeless, addressing deeper aspects of society, morality, economics, sociology, mortality, and spirituality.
340 notes · View notes
fromdarzaitoleeza · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
{quotes: It ends with us , collen Hoover/ from a song 'Mishri' by anuv jain ///paintings: pinterest}
918 notes · View notes
mcmissileproof · 2 years
Text
I love reading
Tumblr media
934 notes · View notes
I NEED HELP!!!
Tumblr media
34 notes · View notes
spearxwind · 1 year
Text
Tumblr media
SEVEN AND A HALF HOUR LIGHTLARK VIDEO????
187 notes · View notes
chi-the-idiot · 8 months
Text
Im actually going to complain a bit about Lightlark's character designs, more specifically Isla's, because you cannot tell me this woman
Tumblr media
Is meant to represent an amazonian warrior princess who has been trained since she was a literal child to fight to the death with others like her.
Who had to build up her body strength in order to actually stand a chance against people much older than her, with magical powers, while she had none.
This isnt the artist's fault btw, they probably just followed Aster's instructions and did a great job at that. This is just a nitpick of mine against YA female main characters in general. Because women cannot be both femenine AND have muscles in YA books apparently.
So have a modern AU of my Isla redesign as a gift.
Tumblr media
ISLA CROWN COULD'VE BEEN THE HOTTEST WOMAN ON ALL OF LIGHTLARK
BUFF WOMEN FOR THE FUCKING WIN
75 notes · View notes
thebookishmess · 2 years
Text
Me reading reviews thrashing a book I'll never read but I love drama
Tumblr media
771 notes · View notes
angel-maybe-alive · 1 year
Text
I love character design, any good story starts with a good character
So I was looking trough lightlark characters Design and by god they made me angry so let's go talk shit about this book again
This is by the way no criticisms of artstyle or the artist but the authors inputs that made those characters such piles of shit
Starting with these crimes against design
Tumblr media Tumblr media
This is the same woman,like a different filter in the same woman without context they look either as the same person or close twins and I know the reason why they are so similar but I will talk about it later, the dress the hair the bitchy stand it's the same.
Now the boys
Tumblr media Tumblr media
I really like goldie design because it fits the rulers aesthetic but he also looks like Jeoffrey Baratheon put him in red and I would want to punch his face, Now Grease, I mean goth I mean Grim holy edgylord grim design it's borderline stupid, and I blame Sarah j Maas for this it's long haired rhysand the thing I hate the most it's the shattered crown is that like a single piece of metal with shattered parts poking up from his hair or like multiple hair clips that can eventually fall o floating pieces he has to use magic to keep up?
Tumblr media
Azul my darling poor sad gay widow you deserved so much better, I'm still trying to understand what is going on with his clothes but at least the crown looks good I would've given him like an extra earring or more gemstones or really lean on a more art nouveau aesthetic his worse crime is look better than boring pale Caucasian and boring tan Caucasian but of course not being a love interest and only exist so the author can kill two representation bird with one boring rock
And lastly
Her
Tumblr media
She is wearing bbl fashion, fantasy bbl fashion she looks like a Kardashian the thorns thing is so ridiculously stupid why you have thorns in your clothes you late time emo bastard but the stupidest part is how the author clearly made the shiny gray twins so boring and identical to make this girl stand out as a living embodiment of not like the other girls very literally and still he has the most boring design of them all I'm surprised no one figured out earlier that she was a powerless fuck when they meet this living breathing default setting
272 notes · View notes
explodingsilver · 7 months
Text
Book review: Nightbane by Alex Aster
Tumblr media
Lightlark…2!
Tumblr media
I’ve already made my thoughts on the first book quite clear (read that review first if you haven’t already; I don’t feel like rehashing all the context), and were I a bit more sensible, I would have stayed away from its sequel. I am, however, somewhat of a literary masochist, so of course I borrowed this from Hoopla the day it was released (November 7th, not too long ago). Very pleased that I was able to write this review much faster than the first one, though this review is shorter, at only 2,100 words long. Was the experience worth it? I don’t know, you tell me.
(There are spoilers ahead, on the off chance that you care)
The plot and style
After the events of the first book, Isla is trying to learn her several powers as well as get a hold of this “leading two different realms” thing while trying to move on from getting betrayed by four different people she used to love. At a celebration for a Wildling holiday (in which no Wildlings other than herself are in attendance), Grim magically crashes the party from afar and announces that the Nightshade army will destroy Lightlark in thirty days. The other realms start preparing for the invasion, and Isla tries to recover all her lost memories of being with Grim in hope that they will reveal what his goal is and how to stop him, especially after receiving a prophetic vision of him standing in the ruins of a village he destroyed with his powers.
Put simply, if the plot of the first book is split between “Isla and Celeste search for a MacGuffin” and “Isla and Oro search for a different MacGuffin”, this book is split between “Isla and Oro do basic defense building stuff” and “Isla remembers the time she and Grim searched for a third MacGuffin”. There’s also a subplot about a rebel group trying to capture Isla, but this is inconsequential and could’ve been dropped entirely.
It feels like there was an attempt to address some of the criticism of the first book, but not nearly enough of an attempt. On the one hand, metaphor usage has improved to the point where it actually feels like it was written by a human being and not a neural network (no throbbing and raw glaciers this time around), the book acknowledges that no longer having a power no one else had in the first place is less bad than having a maximum lifespan of 25, and Isla realizes that Grim let her win the duel in the first book and that she did not win against a 500+ year old army general on the strength of her own skill. On the other hand, it does not address questions like “how does Starling society even function if none of them ever live to 26?” or “if Oro always knows when someone is lying, why didn’t he call bullshit the moment Celeste said ‘Hi, my name is Celeste’?”
Speaking of that last thing: I didn’t mention it in my review of the first book because it didn’t really feel relevant to anything, but each ruler has a ‘flair’, a special power that is unique to them. Oro’s is that he can always tell when someone is lying. Grim’s is that he can teleport. This book reveals that Isla’s is that she is immune to curses. Glad to finally have an answer to one of my biggest questions of the first book (checks notes) 75% of the way through the second one, when this explanation should’ve been given the moment we learned the original stated reason does not apply.
Wildling elixir and its (lack of) consequences
Much of this book centers around the presence of the Wildling elixir from the first book, a potion that is super effective at healing wounds. As you might imagine, this kills a lot of the tension. Used in conjunction with Isla’s magical teleportation device, “teleport away, use Wildling elixir, teleport back” becomes an easy way to recover when the characters get their flesh ripped apart. And indeed, they do this all the time! The book tries to nerf this strategy by stating that the elixir is rare due to the flower used to make it being rare, but 1) this is at odds with Isla’s very liberal use of it, and 2) aren’t the Wildlings the “make flowers grow instantly” people? Why can’t they just use those powers on it like they do for every other plant?
There was a bit of potential for an interesting theme with these flowers: Isla eventually learns that while the Wildlings use them to make the healing elixir, the Nightshades use those exact same flowers to make the titular nightbane, which is basically fantasy heroin. I was intrigued by this motif (I like it when things have a dual nature like that), but unfortunately this doesn’t really go anywhere, other than some vague gesturing at “wow, just like Isla”. Speaking of Isla…
Isla
This time around, Isla is clearly traumatized by the events of the last book, trusts very few people, and is aware that she is in over her head with leading two realms full of subjects she barely knows while also being the king’s unofficial consort. Not a bad start for a character arc, but in effect, she has gone from naive and impulsive to naive, impulsive, and guilty about those things while making little effort to amend them. It feels like her attitude towards leadership is basically “I’m allowed to call myself a bad leader but nobody is allowed to agree with me on that.”
Much of Isla’s internal conflict in this book is based around her Nightshade heritage on her father's side. She is convinced that there is an inherently evil part of her because her father was from the Inherently Evil Realm. This may not come as a surprise, but I do not like when stories have such a thing as an Inherently Evil Realm. Not only does Nightshade fill this role, but the book never even gestures at pushing back against Isla’s conviction that her heritage taints her, and in fact ends up affirming it.
This book really told me to my face that Isla is the first person in millennia to have both Wildling and Nightshade powers. I do not buy that even for a moment. Maybe my disbelief is because the series discarded the “only one realm’s power set per person, even if their parents are from different realms” thing in the same book it was introduced, and I would expect there to be Wildling/Nightshade couples way more often than once per few millennia. But no, that highly plausible thing can’t happen because then Isla won’t be the most special person currently alive!
The other characters
Sadly, the rest of the cast did not improve, and in some instances, got worse.
Oro going from "world weary, distant king" to "official love interest" has unfortunately sanded down all his interesting aspects, and everything I liked about his character in the first book now takes a backseat to being overly protective of Isla and making stock Love Interests threats to kill anyone who hurts her. I swear, he turned so generic that some of his lines were indistinguishable from something Grim would say. But hey, if nothing else, he at least didn’t get character assassinated like I was sure he would!
While Grim actually does stuff in this book, he still has no personality traits other than what's included in the Sexy Villain Starter Pack. Like, it actually upsets me that he's such an absolute nothing of a character. Everything about him begins and ends with “what if the villain…was sexy?”, and there are about a morbillion stories out there that provide more interesting answers to this question. You’d think focusing on him this much would be the perfect opportunity to give him any unique traits at all, but Aster certainly did not take that opportunity, nor did she ever answer the question of why he likes Isla, despite the sheer number of pages dedicated to their relationship.
As for everyone else? Azul, our beloved token gay black man who runs his realm like a democracy, still receives woefully little page time. Cleo, the bitchy ruler who hates Isla for no reason, receives even less, but at least we get to hear about her dead son, I guess. Ella, Isla's Starling assistant, is mentioned so rarely I wonder if Aster forgot she exists. There are also several new average citizen characters introduced, but none of them are remotely interesting. They're all defined solely by whether or not they're on Isla's side. It says something when the best new character is Isla's new animal companion (a panther named Lynx, who rules because he does not give a shit about Isla).
The chili pepper emoji, as the TikTokers call it
Because I must do as the book did and address the topic of sex before I get to the final important bits.
This book is much hornier than the first one, but in a way that makes large parts of it feel like one of those dreams where you're trying to have sex with someone but your attempts keep getting interrupted. I regret that I did not count the number of times Isla was about to fuck someone and then got denied for some reason or another.
There are three times she actually succeeds, and luckily these scenes do not read like they were written by Sarah J. Maas, despite her obvious influence on everything else. This doesn't seem like much of a compliment, but this series needs all the W’s it can get. That's not to say everything is fine, though. There's one scene that's obviously using all the "first time" stuff for characterization, and I can't help but feel this would be more effective had they not already slept together a few short chapters beforehand? Like c’mon, all you had to do was switch the order of those two scenes.
The ending
Shortly before the Nightshade army is set to storm the island and destroy it, Isla learns Grim’s (and Cleo’s) real motivation for doing so: there’s a portal on the island leading to another world, one in which the original founders of Lightlark came from before making Lightlark in the image of the world they left. Grim and Cleo want to open that portal and reach the other world, which will just so happen to destroy the island. They’re not actually trying to kill everyone for the evulz. Isla, in her naivety, accidentally opens it for them before they even arrive.
During the final battle, while trying to steal Grim's powers so she can kill him and save Lightlark, Isla finally remembers the last two important memories: 1) she and Grim actually got married right before he memory-wiped her, and 2) what she thought was a prophetic vision of him killing an entire village was actually a memory of her doing so. Convinced that she'll accidentally kill Oro if she stays with him, she agrees to go with Grim, whom she just realized she is still in love with, in exchange for a promise that he'll withdraw the attack.
I cannot remember the last time I had this strong of an "are you fucking kidding me" reaction to the end of a book. But after some thinking, I decided that it actually makes for some great tragedy material. “Traumatized woman with a supportive partner becomes convinced that she’s too horrible to be with him and goes back to her terrible husband” would make for a good story if this was a more grounded book written by anyone else. Alas, this concept just had to be tackled here.
I also naively thought that because the deal was for two books, that means this would be a duology. But it feels like there will be a third book, and I'm hoping there is, not out of any desire for more (unsure how much more I can take), but because it would be straight-up authorial malpractice to end the series on that note.
Conclusion
This honestly wasn’t quite as bad as the first book, but the problems that persisted outweighed the ones that got fixed, and the severe case of Middle Book Syndrome certainly did not help its case. It’s a very small improvement stylistically, but when the nicest things I can say about it are “there were some concepts that could’ve made for an interesting story in the hands of a better author” and “the sex scenes aren’t atrocious” and “the cat is kinda cool”, then I feel justified in calling it terrible overall. It’s a good thing that Lightlark…3! is presumably a long ways away, because I will need all that time to recover from having read this.
46 notes · View notes
crow-caller · 13 days
Text
Tumblr media
Been alrerted we got lightlark 3 details, and damn, this summary literally says nothing. There is not one new plot detail or plot direction and what we do get is the exact same conflict from book 2 rehashed yet again. There's not really anything to say about it.
I like the stupid snake's lil snowglobe. Where's that second tail coming from. Who's to say
179 notes · View notes
weaver-z · 2 years
Text
If I think about Lightlark for too long, I become passively homicidal. In a just world, Alex Aster would be pilloried for weeks for this nonsense
436 notes · View notes
copperiisulfate · 6 months
Text
fourth wing and lightlark are to YA fantasy as divergent is to YA dystopian
38 notes · View notes
crimsoneons · 10 months
Text
What's... What's up with all of the guys with shadow powers in ya books?
Shadow & Bone
Fourth Wing
ACOTAR
Lightlark
Like, what's up with that? Why shadows? Am I missing something here?
It's been while since I've read physical books (got sucked into ao3 ages ago) but I feel like there are alot of shadow dudes now???
89 notes · View notes
the-uncanny-dag · 1 year
Text
Lightlark & Nightbane sound like fucking Warrior Cat names
129 notes · View notes
wander-wren · 1 year
Text
today i am angry because lightlark keeps (kept? i think it’s dead) getting compared to the hunger games
i don’t know if tumblr saw the lightlark drama and i’m not interested in rehashing it especially bc some of it got uncomfortably personal towards the author at one point and also it was months ago so just! suffice it to say lightlark is a book by alex aster, it is a terrible book, and i did not put myself through the torture of reading it but i did watch a 7.5 hour video essay
(i think the essay could have been 6 or even 5 hours, and i think this person went a little too hard on the critique at some points, so that rubbed me wrong a little but it was also extremely thorough and i was bored.)
but anyway. one of the big things about lightlark is that it was marketed as “hunger games x acotar” which is….fine. but every time someone compares a book to thg i’m automatically suspicious because no one does it right.
and of course, neither did lightlark.
the book is a complete disaster so i will try to stick only to the relevant points but seriously. there’s so much.
the official premise of lightlark is that six realms in a fantasy world have been cursed for hundreds of years. each curse is (supposed to be) a twisted version of the realms magic, and the curses also cut them off from their main island of lightlark. except for once every century, when the island becomes accessible for 100 days and the six rulers travel there to try to break the curses via death tournament.
but then you get to the book and learn that the curses are only broken if a ruler dies without an heir, since their special ruler magic just transfers to the heir and no one gets anywhere. this was only a caveat so we could have a young protagonist ruler, i’m sure. ALSO, IMPORTANTLY, if a ruler dies without an heir, their entire realm also dies.
and obviously that’s bad so the rulers have to consider carefully who they want to kill, and they keep putting the killing off bc it’s not easy to condemn thousands of people to death.
so why, pray tell, the FUCK, are you doing a death tournament every century.
(they’re not, by the way. the first 50 days are dedicated to some demonstrations that are definitely hunger games inspired and meant to allow the rulers to forge alliances bc even though there’s only six of them they’re also required to partner up for some reason?? but there’s almost no fighting and almost all the fight scenes end very quickly with no real damage to the main character. it got really annoying really fast.)
but like, let’s pretend for half a second that lightlark IS about six rulers fighting to the death to break a curse. it’s still not even close to being like the hunger games.
the hunger games was about teenagers under constant surveillance forced to perform and then kill for the masses, many because they weren’t rich enough to buy their way out or into good training.
no one except the rulers and the essential staff is even allowed on lightlark, and no i don’t know why that is. and the characters spend the entire book trying to avoid killing each other as much as possible (well, minus two cases) bc they want to find another way to break the curses. i don’t understand why it’s billed as this big bloody dangerous battle even in-universe when everyone involved really REALLY doesn’t want to fight.
also, this isn’t related to the thg nonsense, but if i’m talking about lightlark i have to talk about That Twist. alex aster really loves her twists and is very proud that no one can see them coming but that’s because reading the twists is like watching the street for cars, then trying to cross and getting hit by an airplane.
as i said, the characters keep trying to find a new way to break the curse, even though it’s been 500 years and many of the rulers have been alive that long (no i don’t know if that’s normal or a ruler perk, it’s not explained) so they SHOULD have tried all of these fairly obvious methods by now but SURE, JAN. this book would make so much more sense if it was only the first century and everyone was still scrambling to figure the curses out. but whatever. alex aster wanted her protagonist to be in a love triangle with two 500yo men
(there’s nothing inherently wrong with that and i actually really loved grim, not for the reasons i was supposed to bc the writing was bad, but i liked him, until—well, put a pin in that.)
ANYWAY. THE POINT. our protagonist, who i guess i should say is named isla, needs to find “the heart of lightlark” which “blooms where darkness meets light.” everyone assumes they’re looking for a super special flower but they can’t find it. then, isla decides this random-ass bird that’s only almost gotten her killed twice is DEFINITELY going to show them the heart, so they follow the bird.
and at dawn, the bird lays a fucking egg. and it falls out of the nest. and cracks. and the yolk. floats. into the air. in time with the rising sun.
I CANNOT EMPHASIZE ENOUGH HOW MUCH IT IS A LITERAL FUCKING EGG
no foreshadowing. isla has an internal monologue where she thinks she always did see the moon as an eggshell and the sun as yolky, but the yolky sun description happens twice in 400+ pages and the egg moon description happens Never, so like. shoutout to aster’s copy editor??
i can’t take this book seriously bc it is a literal egg an EGG isla has to carry an EGG YOLK to break the curses. there are scenarios where i could accept that but this Serious YA Fantasy Book is not one of them.
and since i mentioned the one thing i did actually like, i will explain isla’s one love interest, grim. technically her only love interest bc nothing about the other guy struck me as romantic but idk maybe her inner monologue was yearning or smthn. anyway, grim.
grim is from the least trusted/most stigmatized realm. he’s described as a huge hulking nightmare of a man, a demon, every badscary description under the sun. but like. the times he is alone with isla? he takes her to a chocolate shop during their first meeting and hand feeds her truffles, which is a little weird and overly sexual but…still. chocolate. then he hides her from another ruler no questions asked even though he has every right to be suspicious. he opens up to her and shit. he calls her “hearteater” (it’s a reference to her curse, her people eat human hearts to survive, no that doesn’t make sense either) (also isla is magically not cursed so our protagonist doesn’t have to be scary and gross and worry about that during the novel haha!) (guess what else is never properly explained….)
anyway grim calls her “hearteater” but like, almost in a teasing/endearing way, which is fun, and when they start to fall in love he just calls her “heart” which is ALSO cute imo i’m weak for nicknames. he’s like. the narration and aster really really want me to think he’s the scary bad boy but he’s just such a soft dude.
and then. ohhhh, and then. one of the other hit-by-airplane twists is that the weird sexy dreams isla has been having all book about grim? they’re not dreams. they’re memories. the two of them used to be together for about a year before the book started, and grim erased her memories as part of a plot to betray her yada yada i was braindead by this point so i don’t fully remember all 17 elements of the betrayal. but like…..first of all that retroactively makes all of their interactions but especially the chocolate thing kind of weird and creepy? also WHAT was the FUCKING POINT pf making her forget she loves you if you’re literally just going to seduce her immediately anyway. like. the book makes a halfhearted effort at having grim avoid her but it really didn’t feel like he was purposely being mean to push her away. because every time they did interact he was so sweet! sir!!
anyway he betrayed isla probably mostly to keep up the ambiguity of the love triangle and so aster could brag about more twists and i hate that bc WHY. he was doing so well.
anyway. i got so far off track. lightlark is a wild fucking ride and i did not even scratch the surface of the plot-hole filled mess that this book is. my sister does own it and i did check a few things bc i straight up could not believe they were real (like the egg. i cannot get over the egg.) so.
also this book only got published bc it went viral on booktok so that kind of tells you everything you need to know. the good news is it does give me some measure of hope/an ego boost bc if lightlark exists in the world…..surely whatever i’m doing can’t be too bad.
72 notes · View notes