The Feather

Aaand next part! Look who finally showed up... <3

Part ONE | Part TWO | Part THREE | Part FOUR | Part FIVE | Part SEVEN

some sketches of Lorenzo de Medici and Galeazzo Maria Sforza :)

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

Drawing a Taako for every Balance mini-arc

#8 Story and Song

See my Taako designs for the other arcs below!

Here There Be Gerblins

Murder on the Rockport Ltd.

Petals to the Metal

The Crystal Kingdom

The Eleventh Hour

The Suffering Game

The Stolen Century

ill miss dsmp but ill miss cdre especially 

buy this as a print and others on my redbubble :)

Day 150 of posting Jevil every day

A few FinFin sketches from today's stream! (You'll find the VOD here in a few hours!)

(feat. chat & I wondering how FinFin would wear jorts)

“Oh, but you see, Kazansky,” the boy looks down at him and smiles. Engulfed by the honey-gold haze of a sharp summer sun, the sweetest, most reckless thing he’s ever seen. “I am dangerous!”

And there’s something about that smile, guilelessly fluttering across his flushed face like a hummingbird taking flight, that digs into Tom’s chest like the gentlest of knives. Cleaves its way between his ribs.

Fills his heart with light.

It’s strange, how quickly it all happens. How startlingly unremarkable it really is. How Tom takes a deep breath, lets the faint wisps of warm vanilla sugar trickle down his too-dry throat, closes his eyes, and just knows: he might’ve entered this quaint house in the middle of nowhere with a firm plan in mind to destroy any chances his father had of securing a betrothal (even if that meant stooping low-enough to make a thirteen-year-old cry) but hurting Pete Mitchell in any shape or form, wouldn’t sit right with his conscience.

Knows that there’s no reason why Mrs Mitchell should be so intent on finding her son a match at such short notice, especially when he’s so young. (Especially when she doesn’t seem like one of those parents that unfortunately, aren’t all that uncommon in the Navy: who think their omega children have little value beyond the connections they can help forge via bonding and marriage.)

Recognizes dire straits when they’re staring him in the face: the thinly-veiled distress in Mrs Mitchell’s dull green eyes; the worn dress shirt that’s almost two sizes too big for Pete — that he was probably supposed to grow into several months ago, but never did; the stale scent of grief and pain that clings to even the most carefully-polished surface of their home.

Finds himself thinking that maybe, it isn’t all that strange. Maybe, he could spend the rest of his life with this boy. Finding out what makes him smile. What makes him laugh. What is his favorite dream to dream.

In the end, it all comes down to this: Sometimes, you meet a person and it feels like you’ve known them your entire life. A quiet sense of belonging settles in your bones, and you realize you’d do anything to keep them happy and secure.

Last Line Tag Game

Thanks for tagging me @teejaystumbles ! A really nice surprise!! :D I am indeed contemplating writing two Dead Boy Detectives fic right now, but they're both in the very early 'being-outlined-in-my-head' stage, haha. They both revolve around post-s1 Edwin pining for Charles, one where Edwin takes matters into his own hands and one where he decides to have a chat with the Cat King about it. Not sure if they'll ever be written but they're intriguing!

But for the sake of the tag game, here's a lengthy bit from a Dreamling wip I've slowly been chipping away at for a few months!

A scene from Every Little Thing (Working Title)— In which Morpheus is a figure drawing professor who has just been fired from a film production based on his comics, and Hob does part-time figure modeling and is determined befriend the aforementioned professor.

Morpheus picks his class schedules wisely— he runs two first year general figure drawing classes, at 8 a.m. and at noon on Mondays and Thursdays. He helps the uni’s live figure workshop club on Wednesdays and Fridays at 6 p.m., and meets his sister for lunch on Wednesdays. All other free time was dedicated for his industry work. That wouldn’t be a concern anymore, would it. By the time Morpheus unlocks the door to the studio, sets his bag down by his desk, and starts fiddling with the ceiling studio lights pointed at the model stand, all of Morpheus’ thoughts have reduced to pure spite. Fine, maybe the big studios don’t want him. They don’t deserve him, then, their loss. His portfolio and repertoire are infamous in the industry, they’ll be crawling back to him in no time. Too bad, maybe he would have started his own production studio and he’ll end up with the next ground-breaking animated film. Maybe— Morpheus’ thoughts are interrupted by a knock at the door. He shakes himself out of it, calling, “Come in.” A glance at his watch tells him it’s only 7:48, perhaps it’s an overeager student here early. It’s only the second week of the semester, they grab every opportunity to prove themselves with a spirited step that Morpheus might be slightly envious of. “Hello, Morpheus Endeles?” Hearing his full name startles Morpheus, and he turns from the lighting settings to the door. “Yes?” The man who steps into view can only be described as radiant. He can’t be much older than Morpheus, not much taller either but wider in the shoulders. His hair is cropped just above his shoulders and he sports a neatly kept beard. Morpheus registers this all first simply because of his profession but— he gets caught on the man’s brilliant smile and deep brown eyes. There’s something there that knocks all thoughts clear out of Morpheus’ head. The stranger smiles warmly, smiles like he already cares. “I’m here to model for the morning and noon figure classes?” The man says. Morpheus clears his throat and steps forward, “Yes, this is the right studio.” He extends a hand, “Robert Gadling, I presume?” The man takes his hand— god, he’s so warm— and shakes it steadily, “Please, call me Hob! All my friends do.”

I'm a sucker for the 'Morpheus catalogues Hob's appearance during their first meeting' trope in most Dreamling human AU fics, I couldn't not do it too :]

Besides this, I've also got a Dreamling Velvet Goldmine-ish AU fic that I want to get done this summer. I'm a very slow and ruminative writer so let's see if I can commit to any of these fics now that I've posted about them lol!

No pressure tags! I have no idea who's been tagged recently so-- lol. @hardly-an-escape @valeriianz @moorishflower @amielot :)

the song “i wanna ruin our friendship” (i can’t remember titles this isn’t important) but our lightning girl feels a lot and sparks about it

i haven't shared a lot of tnp lately because i have been working on a different project, but i do plan to update tnp sometime this year. i know people aren't fond of less frequent updates, and "one update a year" is not exactly what i would like either, but tnp is massive at this point and i'd be lying if i tried to pretend like i could get out monthly/frequent updates. the branching is complex & it's not easy for me to put out smaller bits of content, because my branching just doesn't work that way, and i prefer to do big, chunky updates for all of you to really have something to sink your teeth into. if i could do giant full chapter updates, i would, but then we'd really be sitting around twiddling our thumbs for a while...

i never planned for tnp to take this long or even for it to be this large, but it is what it is! as they say, the time will pass anyway

an upside-down truth / a fallen star

"i don't think i'll ever understand musicals the way you do" is something i've heard from one of my friends a couple of days ago when i told him i'm about to cross the whole country just to see one of those (my favourite one!) live in theatre. and i can't blame him. if you'd have told me a year ago that i would do something like that, i'd probably have laughed in your face. life is so unpredictable. i guess i have changed a lot. and i could write thousands of essays about how musicals helped me get through the shittiest period of my life, but we are not going to talk about this today. today we are talking about in the heights, the first musical i got a chance to experience live in theatre, hopefully not last. so grab a cup of coffee and make yourself comfortable, this is going to be the longest essay you've ever seen, friends.

a little warning: spoilers. a lot of them actually. so if, by any chance, you haven't seen/heard it yet and you are going to, don't read it.

first thing i feel like i need to mention is that they had this mini bar inside the theatre and you could order a lot of different drinks there and one of them was called abuela's coffee. i heard one lady explaining to someone that it's actually coffee with condensed milk. my jaw dropped and i was like CAN I STAY HERE FOREVER, PLEASE? for those who don't understand why, here's a quote from the first song:

USNAVI: abuela, my fridge broke, i got café but no con leche ABUELA CLAUDIA: try my mother's old recipe: one can of condensed milk

so this was my first "OH! THEY GET IT!" moment (a little note here: i had a lot of oh, they get it moments, mostly because i don't have any people around me who understand musicals the way i do... honestly, you'd have to live inside my brain). that was the first time ever when i could actually be in the room where it happens with all those people who get it and care about it as much as i do (mostly actors and people responsible for the whole show tho, but we will get to this later).

let's get to the show. so when i finally went inside and i saw the stage, i already had tears in my eyes (don't judge me please). usnavi's store, abuela's door, daniela and carla's salon, all those puerto rican, cuban and dominican flags (one couple behind me was trying to figure out which one is which and it was funny because i knew and i wanted to scream)... listening and memorizing the whole soundtrack is one thing. being able to experience it all live is something else. all those things around me were so familiar and this was the first time in months (MONTHS! OR EVEN YEARS!) i felt really understood. after all, it was all like a little celebration of lin's story (the one i love with all my heart) and i truly felt like home. so that was another OH! THEY GET IT! moment.

i don't think i'm going to talk about every single song here, that's not the point. i will talk about my favourite moments, but also about things that didn't work very well in my opinion (again: this was a polish version so all the songs were translated into polish. and they did a really great job here, surprisingly. but it wasn't perfect, more about that later).

one thing you need to understand is that i will never be normal about musicals so of course i had to burst into tears at the very first song (i don't even know why, i think i was a little bit too excited). i was actually crying in the most random moments like when i first saw nina or at the end of carnaval del barrio because I KNEW WHAT WAS GOING TO HAPPEN NEXT (who the hell cries at carnaval del barrio when everyone is having the time of their lives lol, me apparently).

ok, so the first song. the choreography, oh my god. it was everything. the translation was also pretty good here, i need to say this was probably one of my favourite moments. imagine me leaving today giggling like a child when usnavi came on that stage and started rapping, i was in heaven. also, i have to admit, the cast was amazing. i could never imagine anyone better for this role (and again, i am talking about polish actors because everyone knows who's the best usnavi of them all). he was cute and charming and awkward and so adorkable and also really handsome. he was actually perfect in my opinion.

i kinda lost my mind when i saw nina for the first time. first of all: i already knew who was going to play her and let's just say i fell in love with this actress before i even saw her live on that stage. this was important to me, because (as some of you know) nina rosario is my favourite character. and oh my god, she was an absolute perfection. what a voice, sweet jesus. i'm being serious, this girl is so talented, give her every award (i honestly hope i will have a chance to see her again one day, i'm just crazy about her). and breathe was so good! polish version was amazing, i was so scared they would screw it up, but they didn't, so all's good (this song is very important to me, ok?). also, she's a phenomenal actress, i could feel all her emotions for real. and of course i cried, what did you expect?

i don't have that much to say about benny, except that he was really cute and he had amazing chemistry with nina, so once again, the casting was really good. i mean, he is not chris jackson of course, but i have decided i'm not going to compare all those actors because everyone knows at this point how much i love OBC, i was trying to have an open mind. vanessa was also pretty great, amazing voice and her dancing skills, wow, just wow. i could talk about all those actors for days actually, but i'm not going to do that, so i will just quickly mention that i absolutely loved daniela and carla, abuela claudia made me cry, sonny was the funniest character in the whole play and i don't think i will ever recover after piragua guy's performance (i was the only person in the audience who was laughing when he came on that stage, they don't get it, ok? polish people have no sense of humour and that's a fact). actually, there were a lot of funny moments (obviously) and i was the only person who was laughing, god help me.

so let's get to the first thing that was a little disappointing for me. you will not believe it, but it was actually... 96,000 (this is one of my favourite songs and i seriously can't live like this). it's not the translation tho (it was honestly fine), it's the voice overlapping part at the end (again, the best thing ever, just listen to we don't talk about bruno from encanto and non-stop from hamilton and you will understand why it works so well in every lmm's song). the thing is, you could actually only hear vanessa's part and i wanted to die, because EXCUSE ME. i always sing usnavi's part and you could barely hear a word from it. but apart from that, the rest was fine, the choreography was amazing and it's just something i needed to mention because i had thoughts about it.

paciencia y fe! ok besties, i have thoughts, again. abuela claudia was absolutely incredible, also, her relationship with usnavi is something that you can't see in the movie version (they were so sweet i wanted to curl up and die. i knew about it before, i saw slime tutorial with obc on yt, ok? i'm pretty sure lin would be mad at me for watching bootlegs lol. i just wanted to say this). the translation didn't work out at the very end of the song tho, because when in the og version abuela sings about the "winning ticket", everyone knows already she won the lottery. i don't remember polish translation exactly, but it was something with double meaning, depends on how you interpret it, and i'm 100% sure people who didn't know the plot just didn't catch it. the rest of the song was absolutely beautiful tho.

when you're home. i was so afraid of this one, because i am totally crazy about this song (did i ever mention lin wrote this one after one of his first dates with vanessa? no? yes? ok i'll shut up about this now). oh, they did a really great job with it and it's a relief. i have nothing else to say, except that i was crying like a baby, but this song always makes me cry so what did you expect exactly? one of the best moments for sure. again, nina and benny's chemistry was absolutely incredible.

as much as i loved the club, i was actually really disappointed with one part, which is usnavi's famous "jealous i ain't jealous, i can take all these fellas, wHaTeVaaaaa". i've been waiting so long for this! and they messed it up with their stupid cringy translation which i don't even remember at the moment but usnavi was actually mad at benny and he cursed? ANYWAY. the rest of the song was great and the choreography was absolutely phenomenal, oh vanessa! let me get the next one! (i love her so much, she was amazing here). a little note from me: no one was laughing at the "no hablo ingles" part, NO ONE BUT ME!!! THEY DON'T GET IT! WTF! i was so mad (i am aware of the fact that most people probably didn't even know this story before and they just wanted to see a musical, not THE MUSICAL, which is totally fine. but sweet jesus, where is their sense of humour? they left it at home or what?).

and blackout was that part where the voice overlapping effect worked very well, so all's good. actually, one of the best moments for me as well. people were actually so confused when all the lights went down, but that was just so amazing. all the panic! everybody was screaming, crying! WE ARE POWERLESS! THE END OF ACT I!!! oh, i had the time of my life.

i had this weird feeling that they didn't exactly know how to translate most of hundreds of stories so they just made this song shorter than it actually is. which is fine i guess. honestly, it's better than bad translation, so i can forgive them. what i absolutely can't forgive tho is that the audience wasn't laughing at US NAVY. polish people, you have no fucking taste. i said what i said. and then again, usnavi and abuela's relationship was so sweet this song actually made me cry (mostly because i knew what was coming but also, i was just this weird girl who was sitting there in the second row and was crying at the most random moments).

ok, guys, honestly. carnaval del barrio was the best moment from the entire musical. oh, how much i want to experience it again! daniela was absolutely incredible, carla was so sweet, piragua guy stole the whole fucking show for me (seriously guys! he was just so amazing!). also, those little details i have never noticed before? i can't even tell if the same thing happened in the original version (the quality of that bootleg is actually terrible), but benny dancing with american flag somewhere in the background was so fucking funny and i don't think i will ever get over that part where at the end they were all still dancing and celebrating and nina and usnavi just ran away as fast as they could because... because you guys know what just happened. also, this is the moment i started crying.

i was so scared of it. let me tell you one thing, i experienced abuela's death at least fifty times and i still cry every single time. so atención is something i have to mention, because all the emotions and kevin's shaky voice made me burst into tears right away, and this time i wasn't the only one because i saw a lot of people crying when they realized what happened (i also heard a lot of OHs when he said abuela passed away, so yes, most of them didn't know this story and they were surprised). and alabanza was something else. believe me when i tell you i am writing this with tears in my eyes, i have never cried so much in public. this was the moment i was the most scared of and i was absolutely right because holy fuck. i was a mess. all the actors with those candles singing alabanza a doña claudia! (yes, they didn't translate it, all the spanish parts were left like in the original version and i am so grateful for that), it was just so sad and so beautiful. and this time i was actually like oh, they get it now (everyone was speechless and people were crying).

everyone must know at this point how much i adore champagne and i wasn't disappointed (thank god!). once again, usnavi was absolutely adorable here and people were actually laughing this time (also thank god!). how do you get this gold shit off? (my favourite line from the whole musical) was translated really well and the moment when usnavi and vanessa kissed! with all lights on them! this was so emotional and the audience reacted so well! we were all clapping (it was so funny to pretend like i didn't know it was gonna happen haha i was just as excited as all of them and once again i was like OH! THEY GET IT!). 10/10, would recommend.

if you think i wasn't crying during the last song, think again. one thing i absolutely hate about the movie version is that they actually changed the graffiti that made usnavi stay in washington heights, but i'm not gonna talk about that and i'm not gonna talk about vanessa also being there in the movie. in the original version it was a portrait of abuela claudia made by graffiti pete and oh boy, i lost my mind (i knew about it but i still lost my mind because it was absolutely beautiful). i got the feeling it was a little rushed in our polish version, but i can forgive them because it still made me cry. also, at the very end, usnavi did not only finally acknowledge he's home, when the song was over he pretty much told the audience that we are all home right now and may i just say... i felt that. i was home. they made me believe for the first time in my life i was where i belong, and somehow that was everything.

one thing about me is that this is actually all new to me. this was my first musical i saw live in theatre (and also lin's first child, which is exactly how it was supposed to be i think), and believe me when i tell you i've never had this much fun in my entire life, not even at all the concerts of my favourite artists. it was worth every money. it was worth spending 11 hours on the train and 11 more on my way back home, which by the way we should normalize (people are doing crazy things just to see their favourite artists on the stage and it's considered normal, so why can't we consider THIS normal?). anyway, i don't expect anyone around me to understand it the way i do, but i feel like i really found my thing, and it's all because of lin-manuel miranda, our beautiful puerto rican genius. he made me believe musicals can be cool and i truly wish i could thank him for that one day.

and like i said, in the heights is my favourite story with my favourite characters and i listened to it so many times i have memorized all the little details. experiencing it live is something completely different tho and i think it's safe to say this was the best night of my entire life. even tho most of the people in the audience didn't really get it, i finally felt like i was a part of this world created by my favourite genius and for the first time ever i felt understood. so i think i can say that now: i found my island, guys, i'm there, i'm home!

Today's the day everybody...

Honorable mentions: Burr and Silver!

Art by my friend @bizabumblebee :]

Old pinned post

Colonist Gracie is a bit of a crybaby, and wants "Ancient Junk" around the colony, which I can't help with. We're doing what we can for her smokeleaf need, but it's not enough.

Luckily Debby kicked the crap out of her and left her bedridden for several hours, which should make her think twice before going on any more insulting sprees.

With seven hours left on the ship reactor startup cycle, another siege came upon Eureka. It was Yttakin again, and surprisingly there were no distant relations in this group.

Sadist Hazrov was allowed to take a crack at it with our singular mortar, and managed to blow off three whole legs in a single shot (two from one guy, one from the dude standing beside him)!!

They attacked us after that, but a combination of turrets, an army of well-trained attack animals, and lots of cool colonists with good combat skills was enough to send them fleeing pretty quickly.

And so, here we are...

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Note that I plan to get to all of these at some point, but I’m looking to see what I should do next. Description for each fic are below the cut.

Sequel to On the Shoreline: written from Momo’s perspective, it’d have how she’s reacted to Hell’s invasion, conversations and shopping trips with Rangiku, a conversation with Renji about their friendship and worrying about Izuru, and of course her trying to get Toshiro involved in beach activities but seeing something is deeply troubling him.

Hitsugaya shows Momo his bankai for the first time: what it says on the tin. It’ll probably be a short one, but I’d want to explore how Momo feels seeing Toshiro achieve something like this, and how Toshiro interprets her reaction, fearing she will be afraid of his power.

The Big One: you all know this one, I’ve mentioned it a few times. A multi-chapter fic about how Toshiro and Momo reconcile after Aizen’s defeat and where they go from there. It’d start a short time before the battle against Aizen, and continue into the events of the battle, then into the year and a half of the aftermath, and potentially into the Thousand Year Blood War arc. It’s be based on a combination of canon, headcanons, and event analysis I have done in the past here and here. It’d also likely include scenes from other fics I have written (such as As Months Go By, As Seasons Change) but rewritten for the fic or told from a different perspective.

It’d be a big project for me, one that could take more than a year to release in full. If this is the winner of the poll, it’d be my sole focus, meaning you may not see as much of writing as frequently, but I will likely write other oneshot fics in between chapter releases to take a break from it every now and then.

Hitsuhina battle fic: this is technically another request from last year, but as the requester is relaxed about me doing it (thank you @whipplefilter!), I’ve had it floating around for a while. I wanted to explore that part of Toshiro we got to see when he was a zombie for Giselle, where he’s completely unrestrained in his fighting…and I wanted Momo there because, you know, angst XD There’s a snippet of it here.

Fifth Division gardening fic: more or less what it says on the tin. It would be mainly from Hinamori's POV and feature snippets of Fifth Division throughout the years, but centered on a group of officers that start gardening in the division. These characters will mostly comprise of my headcanon officers (see them here), and may start from when Hinamori began with the Division all the way to after the Thousand Year Blood War. There's likely going to be a focus on Hinamori's growing sense of responsibility, how her relationships with her subordinates (once her fellow officers) changes the higher up the ranks she goes, and her perception of the duties she has when it comes to the Souls that fear Shinigami. While it'll mostly be centered on the platonic relationships in Momo's life, there will of course be hitsuhina snippets too!

Hinamori realizes her feelings fic: if written, it’ll be in a similar style to To Know Love, Momo gradually realizes her feelings for Toshiro. I plan to keep it short and sweet, but well…it’s me, so chances are it’ll be more than 2000 words XD

Orihime and Toshiro brotp fic: so far I’m envisioning it to be short and sweet, but it’ll look at either one of two (or maybe both) scenarios: either 1) Orihime heals Toshiro’s arm after Aizen’s defeat, and learns what happened in the battle with him and Momo, or 2) they meet sometime during the Full Bringer arc or a short time before the Thousand Year Blood War arc, Toshiro thanks her for allowing him and Rangiku to stay with her during the war against the Arrancars, and they discuss Ichigo. Vague ideas at the moment (and who knows, I may come up with more), but I love this dynamic and I wish it were explored more.

Hinamori is missing fic: a very old idea that recently resurfaced. Set during the Arrancar arc, not long after Toshiro and co. return from the World of the Living after. Momo sneaks out of Fifth Division, unable to stand being inside somewhere that reminds her of Aizen and her life before anymore. When her Division realises she’s missing, they alert everyone. Toshiro eventually finds her, angst ensues.

Tenth Division through the years fic: very similar to the Fifth Division Gardening fic (and they could end up being companion pieces together, see the last option in the poll), in which it's from Hitsugaya's POV and features snippets of his life in the Tenth Division, from when he starts in the Division all the way to after the Thousand Year Blood War. It'll show Toshiro various bonds with those in his division (again, mostly my headcnaon officers, see here) and of course have snippets of Hitsuhina and brotp goodness with Rangiku. The focus will be on Toshiro changing relationship with his offiers turned subordinates as he goes higher up the ranks, and his perception of himself as a child prodigy.

Fifth Division gardening AND Tenth Division through the years fics: a surprise twist entry! >:D As I feel these two would be companion pieces, I wanted to give the option of me working on these two together and releasing them either on the same day or only a few days apart at most.

happy birthday babygirl 💜