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#writing inspo
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fanfic writers: *trying to give their Blorbos a break ✨for once✨ after 100k words of the Blorbos covering in their own blood and whimpering like a bunch of puppies*
their brain cells:
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Okay…
I’m like this close to trying cook up a story with Omega’s journey to bring her family back together.
S1 and S2 showing us this bright, optimistic young girl who loves her family, wanting to help others in the galaxy.
For S3 we have slightly older and a bit more practical girl who would do anything to protect her family.
What if when Omega breaks herself and Crosshair out, its years after their capture.
She’s still Omega, loves her family and wants to help those that are victims of the empire… but her grip on the things she loves leaves claw marks.
Taking some inspiration from The Last of Us as they bring Ellie down a darker path, a character that is critical to the shaping the world they live in. Omega lost tech, she lost her freedom, she is light years away from any resemblance of home, and even initially believing that hunter and wrecker are also at the mercy of Hemlock. (Asks Emerie where her brothers are).
Having this arc of struggling to find the light that used to sit warm in her chest, that is almost entirely drowned out by the absence of all she’s lost. Having her capacity for forgiveness tested by crosshair’s aura of guilt and self deprivation, his belief that her journey will lead them to answers they are better not knowing.
Would she be able to find her way back to the person she used to be?
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goodluckclove · 3 days
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On "Spending Your Time Wisely"
Someone commented on one of my last posts saying that the reason why they aren't writing more is because people think that writing isn't spending their time wisely.
It's times like this that I'm painfully aware of the person who sent an ask saying that I "Seem too nice". It's a really funny thing to hear considering that, if I witnessed an interaction like that in person, I would lose my goddamned mind. I feel physical anger in my chest just thinking about it. Someone would have to pull me from the situation or I would try and Hit Someone.
Listen to me. Sit down with me and listen. It's a warm summer's day and I have the fan on low. There's a slight breeze bathing over me and I'm eating spicy seaweed potato chips - would you like one? They're very good.
Okay. Now I'm going to give you a complete list of situations in which writing is not spending your time wisely. Here it is:
You, or someone you love, are in the middle of an active medical emergency.
Your house is currently on fire or being robbed/haunted by mean ghouls
You are under the influence of a curse and/or trapped in a time loop
You fucking seriously hate to write. It's just the worst. It makes you so angry and you find it so unpleasant.
If you do not fall under any of these situations, if you just like to write and it is safe for you to write, then that is what you should be doing. Sometimes it's even what you're supposed to be doing. Anyone who tells you otherwise, especially with a tone as condescending as I imagine when I read those words in my head, is a cruel mass of partially-congealed coffee grounds that got a wish from a fairy to be a Real Person purely for the sake of acting like a fucking dipshit.
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Hey, buddy - maybe you aren't confident in your abilities because the people you talk about wanting to write don't have an ounce of fucking whimsy in their lives? Maybe the problem is on them and not on you.
You don't have confidence in your abilities? Well that's crazy, because I do. i know you can write if that's what you want to do, and if it is safe for you to do so. If you're willing to put in the work and the genuine effort to craft something meaningful, then go back and refine it, I know you can write something skilled and profound. Maybe you'll choose to engage with an audience to share it with, or maybe you'll just want to share it with yourself. Both are good. Both are things you can do.
I know you can write. If that's what you want to do, you should follow my league and believe it too.
You get better by just doing it. That's the whole thing.
I believe in you!
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bebx · 8 months
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reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something
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jailforwriter · 11 months
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Getting inspired to write is actually really easy! All you need to do is be the busiest you've ever been in your entire life and as far away from a computer as humanly possible. Hope this helps 🥰
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cr1nge-culture · 6 months
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one of the best fics i've ever read, one that had me addicted to my phone and crying, wasn't even prose. it was a huge, casual, bullet-pointed outline with every detail of an au that the author never got around to writing in full. and it was amazing.
let this be a message to all you who want to write but can't do it "normally": write it! someone out there will eat it up. whether that be poetry, tiny drabbles, or bullet pointed list: your work is always worth it. your art (yes, art!) will alway deserve to have its moment in the spotlight. why? because you made it. even if it wasn't done in a traditional matter, it came from your brain and your creativity and that is amazing.
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crabussy · 1 year
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asian glossy starlings are severely under utilised Scary Birds. I see crows and ravens and vultures where is the love for these freaks
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oohhh you want to put them in your art so bad oooohh
ID: three photos of iridescent black-green birds with bright red eyes and small black pupils, with long crow-like beaks. END ID
EXTENDED ID: three photos of glossy iridescent dark green birds, feathers almost black asides from where the light makes them viridian green. They have bright red eyes with jarring black pupils set into their head like precious stones and seem to be staring directly at the viewer, and their beaks are similar to crow beaks. The first photo shows a group of six starlings clustered on a wooden pole, presumably on a wharf. The second photo is two of the birds perched on branches, and the third photo is a close up of a starling's face from profile view. END ID
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good traits gone bad
perfectionism - never being satisfied
honesty - coming off as rude and insensitive
devotion - can turn into obsession
generosity - being taken advantage of
loyalty - can make them blind for character faults in others
being dependable - always depending on them
ambitiousness - coming off as ruthless
optimism - not being realistic
diligence - not able to bend strict rules
protectiveness - being overprotective
cautiousness - never risking anything
being determined - too focussed on one thing
persuasiveness - coming off as manipulative
tidiness - can become an obsession
being realistic - being seen as pessimistic
assertiveness - coming off as bossy
pride - not accepting help from others
innocence - being seen as naive
selflessness - not thinking about themself enough
being forgiving - not holding others accountable
curiosity - asking too many questions
persistence - being seen as annoying
being charming - can seem manipulative
modesty - not reaching for more
confidence - coming off as arrogant
wit/humor - not taking things serious
patience - being left hanging
strategic - coming off as calculated
being caring - being overbearing
tolerance - being expected to tolerate a lot
eagerness - coming off as impatient
being observant - being seen as nosy
independence - not accepting help
being considerate - forgetting about themself
fearlessness - ignoring real danger
politeness - not telling what they really think
reliability - being taken advantage of
empathy - getting overwhelmed with feeling too much for other people
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urfriendlywriter · 8 months
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How to write angst ?
@urfriendlywriter | req by @everynowandthenihaveacrisis @aidyaiden :)
know your character. from their deepest fears to what they cherish the most. know your deepest fear, ask yourself how you will react and feel at that moment. "oh shit, if this happened to me I'll lose my mind" what's that type of scenario for you? write it. :)
decide on the type of angst you are going for!
major, minor, physical, emotional, paranormal, spiritual, verbal, abusive, quarrel, misunderstanding, etc.
and then, decide on--what reaction you can take out of your character by doing what to them.
are they gonna be, held at a gunpoint to give something up? or have their soul wrecked by whom they thought were close to them? or is it going be horror, or etctec, decide on it.
moving on to actually writing it-
Tip 1 - Use sensory details.
her eyes brimmed with tears
his chest heaved
pain clawed at his heart, as his face twisted with hurt
his scream pierced my heart
her lips quivered
she dug her nails into her palms (to distract herself, to stop it from shaking, etc)
show what is happening to ur MC, instead of telling it.
Tip 2 - how to actually write it.
If they're panicking, make them notice too many things at once, show every detail that they're seeing, feeling, from touch, to that burning sensation on their eyes, the blood on the ground, that dryness of their throat, the buzzing in their head and their parted lips unable to trust their own sight, and--and, boom! have them register that they're really really in trouble. and that they've to act fast.
use short, very minimal type of writing for this. make it long, but not long enough that it feels like it's being dragged.
the readers should hold themselves back from skimming the page out of curiousity, they should be in their toes to find out what happens next.
what does your MC do in times of panic? do they chant calm down to themselves, do they get angry, or start crying.. or?? what makes your character genuinely feel an emotion so hard that they'll burst?
there's always something, someone that'll always give them love and easily can be that something or someone to take it away. yk.
Tip 3 - crying.
what is close to your character that u can deprive them of? will it make them cry? beg for it?
what will make ur character cry so hard, that their scream fills everyone's ear, stays in their minds like ghosts and always haunts them?
make a character who never cries, burst out with tears.
while writing crying, focus on the 5 senses, one after the other.
focus it on their breath, make them run out of breath, gasp for air, feel like they're being choked, cry so scrutinizingly. it shud punch the reader's gut.
have them replay what had just happened over and over again in their head
best books and writing styles (for angst) to analyse and learn from (in my opinion);
3rd book in the AGGTM series (yk it hit hard like a truck. it got me depressed in bed the entire time lmao)
Five Survive by Holly Jackson. The moments of red outside of the truck, and moments leading to it.
there's this book called " Warm by @untalentedwriter127 " in wattpad. the author served angst for breakfast, lunch anddd dinner.
and if there's more angsty ones, drop em in the comments! :)
Hope this helps, tag me when yall write a masterpiece! ;)
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*This poll was submitted to us and we simply posted it so people could vote and discuss their opinions on the matter. If you’d like for us to ask the internet a question for you, feel free to drop the poll of your choice in our inbox and we’ll post them anonymously (for more info, please check our pinned post).
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3hks · 3 months
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How to Write REALISTIC and SMOOTH Dialogue
In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!
*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***
>> Keep your characters in character:
Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)
Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!
>> Take the situation into consideration:
This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.
If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.
>> Don't take too long with their words:
Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.
If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.
*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***
>> Having a variety of dialogue tags:
This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!
Examples:
Beginning - She tilted her head, "What are you talking about?"
Middle - "Oh," he blinked, "I actually never thought about that."
End - "Wait up!" She exclaimed loudly, waving her hands around.
>> Using no dialogue tags to create a smooth conversation:
Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.
Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.
*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***
Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.
>> Pauses and stutters:
When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.
>> Filler words and slang:
Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!
Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!
*** CONCLUSION ***
Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!
If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!
Happy writing~
3hks <3
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please please please please reblog if you’re a writer and have at some point felt like your writing is getting worse. I need to know if I’m the only one who’s struggling with these thoughts
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luvmake · 10 months
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❝THINGS SAID BETWEEN KISSES.❞ PART I
part II
tag me when used! <3
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— "Do that again, please."
— "I missed the way you taste."
— "Don't start something you can't finish."
— "For someone who hates me, you're not pulling away."
— "There's no one like you, darling."
— "Is that a new lip balm?"
— "Don't act so shy now."
— "Tell me you love me too."
— "You look so pretty like this."
— "Can we keep doing this?"
— "Aren't you afraid of getting seen with me?"
— "Please, don't leave this time."
— "Are you sure about this?"
— "I'm sorry I can't love you the way you deserve."
— "Take me away, please."
— "I needed this, needed you."
— "I can't let you go."
— "Ask me to stop and I will."
— "My heart is all yours, love."
— "Your lips are all stained."
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bebx · 7 months
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so rude that fantasizing about writing alone is not enough to actually get the fic done. you have to actually sit down and write it. insane.
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sleepywriter00 · 3 months
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Feel free to use my lovelies!!!
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hayatheauthor · 21 days
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Creating Fear in Your Characters: A Writers Guide
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Creating authentic emotions is vital for immersive storytelling, which is why I decided to make this series on how to write different emotions. After exploring rage, and sadness it's now time to delve into fear!
Fear is a powerful emotion that can manifest in various ways, from subtle apprehension to paralyzing terror. Here's a guide on how to write fear effectively, covering different aspects of your characters' behavior and reactions.
Facial Expressions
Fear often manifests first in facial expressions, conveying the initial shock or unease. Describe these expressions to immerse readers in your character's emotional state:
Widened Eyes and Dilated Pupils: Show the eyes widening in response to a sudden threat, with dilated pupils indicating heightened alertness.
Tense Jaw and Clenched Teeth: Mention the clenching of jaw muscles or teeth, signaling internalized stress or anxiety.
Furrowed Brow and Raised Eyebrows: Describe the furrowing of the forehead and raised eyebrows, revealing worry or confusion.
Quivering Lips or Lip Biting: Note subtle lip movements like quivering or biting, reflecting nervousness or fear.
Frozen or Stiff Facial Muscles: Highlight moments of fear-induced immobility, where facial muscles become tense and rigid.
Body Language and Gestures
Fear can also be expressed through body language and gestures, showcasing your character's instinctual responses to danger or threat:
Backing Away or Recoiling: Describe your character instinctively moving backward or recoiling from the source of fear, signaling a desire to retreat.
Raised Shoulders and Tensed Posture: Show how fear causes the shoulders to rise and the body to tense up, indicating readiness for fight or flight.
Trembling Hands or Shaking Limbs: Mention the trembling of hands or shaking of limbs, reflecting nervousness or anxiety.
Covering Vulnerable Areas: Describe your character instinctively covering vulnerable areas like their neck or torso, symbolizing a protective gesture.
Fidgeting or Restlessness: Note any fidgeting or restlessness, such as tapping feet or wringing hands, as signs of inner turmoil and fear.
Vocal Cues and Dialogue
Fear can alter vocal cues and dialogue, affecting how your character speaks and communicates their emotions:
Quavering Voice or Shaky Speech: Describe the voice quivering or becoming shaky, indicating nervousness or fear.
Rapid Breathing and Gasping: Mention rapid breathing or gasping for air, showcasing the physical impact of fear on the respiratory system.
Stammering or Hesitant Speech: Note any stammering or hesitant speech patterns, reflecting the character's struggle to articulate their thoughts coherently.
Sudden Silence or Lack of Verbal Response: Show moments of sudden silence or the inability to respond verbally, highlighting the overwhelming nature of fear.
Repetitive Phrases or Vocalizations: Describe repetitive phrases or vocalizations, such as muttering prayers or chanting reassurances, as coping mechanisms in fearful situations.
Reactions and Physical Responses
Fear triggers various physical responses in your characters, showcasing the body's instinctual reactions to perceived threats:
Increased Heart Rate and Sweating: Mention the character's heart rate increasing and sweating profusely, reflecting heightened physiological arousal.
Dilated Pupils and Heightened Senses: Describe dilated pupils and heightened sensory perception, as the character's senses become more attuned to potential dangers.
Muscle Tension and Rigidity: Note muscle tension and rigidity, as the body prepares for action or defense in response to fear.
Nausea or Stomach Churning: Show how fear can lead to feelings of nausea or stomach churning, as the body's stress response impacts digestive functions.
Fight, Flight, or Freeze Response: Highlight the character's instinctual response to fear, whether it's a readiness to fight, a desire to flee, or a state of frozen immobility.
Types of Fear and Emotional Depth
Different types of fear can evoke varying emotional responses in your characters, adding depth to their portrayal and the narrative:
Startle Fear: Describe the sudden, reflexive fear triggered by unexpected events or loud noises, leading to a quick, intense reaction.
Apprehensive Fear: Show the lingering sense of unease or dread that accompanies anticipated threats or impending danger, heightening tension over time.
Terror: Depict the overwhelming, paralyzing fear that arises from extreme danger or horrifying experiences, impacting the character's ability to think or act rationally.
Phobias: Explore specific phobias that trigger irrational and intense fear responses, shaping how your character navigates their environment and interactions.
Trauma-Induced Fear: Address fear resulting from past traumas or experiences, influencing the character's behavior and emotional resilience in present situations.
Verbs and Adjectives for Writing Fear
Here's a list of verbs and adjectives to help you convey fear effectively in your writing:
Verbs: tremble, cower, gasp, quiver, shrink, freeze, recoil, sweat, pant, gulp, shudder
Adjectives: terrified, anxious, alarmed, horrified, shaken, jittery, panicked, petrified
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