Last time I did a run of these they sold out in a day. Yes, I ordered way more this time, and in larger and smaller sizes.
Send pictures while wearing it in front of a sunset or holding your performance improvement plan.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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me, 14 and reading the end of mockingjay:
me, 24 and reading the end of the ballad of songbirds and snakes:
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EEPY
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How do you feel about the increase in really weird NSFW ads on here (advertising panels that look like sexual encounters, and AI art apps that pride themselves on porn) but will take down NSFW posts from their users, even if it isn't technically sexual.
i hate all social media and it's consistent prioritising the advertisers over the users and the internet simply was a better place before capitalism sunk its hooks into it
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so i heard. we are thinking about madoka ⭐ magica again. and i just thought you should know these tarot prints are in my shop. they are on actual standard tarot cards! 💞
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Part of why I think it's important to pick up a skill that requires challenge or skill is not only that it can be a great experience to have, but it teaches you so many things you never expected.
I've realized the reason I feel ancient crocheting is that this is a skill humans have been doing for thousands of years: textiling, cloth-making, and creating. Technology is amazing, don't get me wrong, but I think many people take for granted what technology has done for us, and we forget sometimes that these skills take work and effort, and continuous effort!
It doesn't matter what you pick up as a skill or craft, and you absolutely should do it in a way that accommodates you, but finding a skill or craft and doing it will teach you things you never considered.
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If wukong told (lied) to macaque that he never cared about him, do you think that would make macaque even more aggresive or like shut down/be the final straw that finally makes macaque let go of wukong
so, just like my answer for whether macky would willingly erase swk from his life, I think this answer also depends on when in the show swk told macky this, and what better way to explain this than by going through each outcome per season :)
UNO
looking at s1, we meet a Macaroni who is very hellbent on killing (or at the very least, heavily damaging) SWK because he feels like the guy never truly gave a shit about him (<- my interpretation). thus, it is safe to assume that if Wukong were to laugh off Marnolo's hurt and anger and tell the guy that he never cared, Mac&cheese will only feel that his current assumptions of SWK are correct and that the guy only cares about himself and his image.
would he feel hurt about it? oh absolutely. maybe punch a wall, destroy the "dojo" he allegedly lives in in an outburst of power and anger. maybe scream and cry but be mad at his own tears (begin to wipe them away but is too hash so he scars himself and then can't stop bc he's very self-destructive)
DOS
technically, Wukong is MIA so this would never happen. BUT! have you considered!!! Wukong telling MK that Macdonalds was just some guy from his past, nobody super important, basically a nobody he wronged in his long list of enemies. which MK might possibly parrot back to Macadoo in 2x07
heavens above Marconi would be pissed.
forget trying to be a dick to MK and "teaching" him that his path of emulating Wukong has already made him forget his friends (untrue, but this is what i assume was Macky's interpretation of MK's actions since the guy didn't actively search for his missing friends, who MK thought left him on purpose).
nah, Macky is hunting SWK down. he is out for blood because "did i serious mean so little to you? were our nights under that tree sharing secrets, dreams, peaches fucking nothing to you?" (and idk....maybe after the air clears out, possibly, macky would realize SWK's true reason for being MIA and....help out???? mayhaps???....yeah, yeah, i know only in my dreams T^T)
TRES
ok, so we could technically say this sort of happened in ep1 when Sun Wukong said, "i thought it was someone important," and, "so what, you're her puppet now? i mean, makes sense. you always did have a sidekick kind of vibe."
and that is basically Wukong implying that he viewed his relationship with Macaque as one where he didn't consider Macky to be important to him, or someone he saw as a close friend. however, this is also a tactic Wukong uses against nearly every villain he interacts with, simply to get a rise out of them. so, pin that down as Wukong being observant enough to know which words to use to hurt.
AND Macky's reaction to it is him jumping out of his cool-ass looking jet and body-slamming the monkey king to the floor. so, uh, it is safe to assume that Macky was pissed off at Wukong's comment.
THUS! with that in mind, we can say that in this context, Macackle will be upset enough to fight him; however, if we were to consider the end of s3 (like Samadhi Fire ritual to the end) i would go with the option of Mackarell shutting down and feeling like that comment is the nail in the coffin for their relationship.
CUATRO
in s4? absolutely not. he would be dragging Wukong by the ear, demanding that he repeat what he said, ordering Wukong to try and convince himself that their past meant nothing while Macky still lives and breathes. and especially after the s4 special.
you could argue that Macky could shut down in the beginning of s4, but i think he'd probably laugh it off because he knows now that Wukong is lying. he's being his old deflective self and probably doesn't know where to place Macanoli in his head now that they're technically on better terms with LBD done with.
but after all the drama of going through SWK's memories? nuh uh, Wukong can't get out of this, nope. you handed iMac a chocolate peach popsicle. it is too late for you turn back and lie about your feelings. you can dig your grave and lie about it, but he's just gonna hit you right back with your own medicine and make you understand that if y'all truly want to reconcile, you cannot continue lying to yourself that you don't care.
not anymore.
so, anyway, i hope this answers your question, anon! i had a lot of fun running this question around in me braincage :3
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The more time goes on, the more I think we (= westerners, especially white westerners) are just so fucking bad at guilt. I feel like guilt is among the most pernicious and dangerous emotions out there --not because guilt is literally deadly in isolation, it is an excruciating emotion but it will not kill you in itself, but because we have been trained to associate guilt with worthlessness (I partially blame christian values, the idea of impurity and sin --not to downplay, of course, the danger of a community judging you or being expelled from that community on the basis of being considered a danger to its other members due to the thing you've done that has been generating this guilt), and so we must, absolutely must, protect ourselves from simply feeling that guilt and processing its cold indifference washing over us, and we must do so through any means necessary. This can involve defensiveness, denial or reject of that guilt altogether so we are mentally protected from having to reevaluate ourselves and our place in the world, or can involve wallowing in and using it to self-harm --focusing on the pain and on self-hate rather than on what the guilt is telling us about ourselves and our heritage; blinding ourselves to it still in a twisted way.
I think it's also complicated to know how to manage guilt in a world where we're generally (as a whole) deeply powerless. It feels unfair to be called out about not doing enough when you know that pulling even mediocre heroics on your own will most definitively do almost nothing, hurt you, and be buried in a way that might be extremely unhelpul --not to mention, that it would actually hurt you in a very real and final way and lead to entirely thankless results, even if it was the morally correct thing to do. I do not want to pretend that it's not, very often, the results that awaits even serious and well-practiced activism --or even mild activism, major shoutout to everybody who got maimed or arrested or even killed on zero basis simply because they happened to be at or even near a protest, when they were not brutally attacked for no reason even outside of activism because an officer was racist or sexist or queerphobic or simply bored that day. There are genuinely good reasons to be scared.
So we feel guilt because of this fear, because of our isolation from any serious movement and the fact that we privilege our comfort over letting action taking over whatever else we have going on, and because fear and comfort knowingly keep us into inaction --or action that doesn't feel like enough, or that we feel doesn't achieve much of anything (which I think is never true: even giving someone a glimpse of hope for a second because we made an effort towards them is always always worth it in my opinion, it's not nothing and it's not a cop-out --of course it's not enough and we collectively need to find ways to do more, but it's not nothing and it should never discourage people from taking action --but I digress). But I think we start making a mistake when we point at this very real powerlessness as a shield from the guilt. Both can coexist. Both have to coexist. It isn't fair that some people are being forced to be courageous when we can afford to remain cowards. It is not even a moral judgement that condemn our souls forever, weakness is human and lack of individual reach against an overwhelmingly powerful and removed system even more so; it is a simple fact that we *have* to acknowledge if we want to take a clear look at the actual situation instead of camouflaging it behind self-justifying walls to give ourselves temporarily relief from that awful feeling. And I'm not saying it's not a constant effort, to keep those instincts of self-preservation at bay, or that some people don't have really good reasons that they cannot act more than through social media or miniscule donations or by talking about it around them, or being powerless to even do that without putting themselves into real and concrete danger --or that letting guilt in will be pleasant or even healing. It won't be. But it's also not the point.
Yeah, I get that it's hard to truly reckon with the fact that almost everything that made us (= westerners, especially white ones) is soaked with blood, imperialism, white supremacy, sexism, queerphobia, and a whole sweve of truly rancid ideologies that we cannot afford to passively accept as our lot. We were not given a choice in that legacy, and we don't have a ton of leverage over reorienting our haunted civilizations into something that isn't a horrible nightmare; but it is a fight that is happening right the fuck now.
I genuinely think guilt is a feeling we are not taught to handle in a healthy way; and because we have essentialist, pseudo-religious and punitive justice concepts terminally untangled with that feeling, guilt governs our politics and our private lives in the most rabid and unchecked way imaginable. But guilt will not kill us, unless we allow it to, and it will help literally nobody if it does. Guilt isn't evil in its soul-crushing pain as much as it is informative. Guilt is unbearable, unfliching clarity. But fever boils us alive because there is an infection that needs to be destroyed.
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A treat for my fine Tumblrians: since I only have 69 of these beautiful new Effin' Birds shirts available, I figured I'd give you first dibs before those monsters on Instagram buy them all to resell them at a profit. (Feel free to buy them and resell them at a profit, though, capitalism sucks ass and we all have to eat.)
I'll also have a limited number of them with me at Fan Expo Vancouver next weekend, and possibly at my next few shows after that. You can find my upcoming appearance schedule right here.
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the reason i specifically try to avoid any and all persona related leaks is because if I hear anything about a persona 1 2 or 4 remake it's going to pre-emptively kill off a substantial number of my braincells. different reasons for each game
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How many things do you think need to be set on fire to disrupt capitalism enough to create a livable society? Asking for a friend
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dear body: when I complained about being So Very Tired for no reason, what I meant was that I wanted to wake feeling rested after a long night’s sleep, not that I wanted you to wake me up at 2:30 am and keep me awake.
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What are you excited for when the new Welcome Home update drops?
oh. literally Everything and Anything. to see how the site changes, to see all the neighbors again, for all the new things whatever they may be! Story Progression! Images! Words!
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It truly pains me to say this. But it's looking more and more like Warrior nun was never saved. Not the Warrior nun that Simon and the cast and the writing/producing team lovingly created.
Rather seems the end goal for Dean English was always his original plan. A movie adaptation of the source material. Which is to say the comics. The alleged new producing company is owned by dean English. And he has been apparently working closely with Ben Dunn. They have no claim over Netflix's warrior nun, that includes Ava, Beatrice and whichever original character they introduced. I'm so sorry for all the hard work that the fandom pulled off to gain traction and attention to the show. What I don't know and can't even speculate on is why the hell did Simon Barry announced that Warrior nun was saved only to now wash his hands clean of whatever is going on. Not cool of him, really not cool
I really wanted to get our beloved characters back, but it don't think it will happen. And to me personally the bottom line is that as long as capitalism is allowed to keep bleeding the entertainment business dry, good shows will keep getting cancelled after barely 1-2 seasons, we'll keep getting shows with no more than 10-8 episodes per season (which causes rich complex deep character and plot development to suffer from being shortened). The impact and almost sure success of the WAG strike is definitely a first step in the right direction. But until us consumers find a way to fuck up their cannibalistic market model this will keep happening, specially to LGBTQIA+ shows, specially to shows with lesbian/WLW leading characters.
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long tag ramble below u have been warned
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