Chilcille huh... ngl I was a little suspicious. like why would you do that, huh... hope youre not mischaracterizing anyone in your weird and wacky ship. a little weird. but then you said they both had flat asses and you know what? I salute you and your perfect characterization
The fact you seem to think you managed to not make this ask insulting is baffling. What the hell. Fuck off.
If you actually care to be open minded about the ship, I talk about marchil on my sideblog 24/7. Funnily enough I’m currently 4k words deep into an analysis of their character arc together in canon, but that’ll take some more days to get done. Some notable posts:
Of course without counting the analyses of Chilchuck on his own I’ve made, like my masterpost on his family situation. Or better yet you could also read my fics for them, see how weird and wacky they are here.
Wanna talk about mischaracterisation? They’re literally a comedic duo who interacts 24/7. Marchil is crazy bc ppl are like "did those shipper read with their eyes CLOSED?? They have no chemistry!" Meanwhile canon is like:
"She’s obsessed with knowing everything she can about him and she reads him like a book." In her eyes he’s like that extra rare and hard and shiny unlockable dating sim character, that brooding mysterious character trope that’s thrilling to crack open and typically is at the center of the plot. The wife roleplay????
"Hey, did you know his type is blondes. Hey did you know he likes his women pretty and blonde. Hey did you know he likes her hair. Hey did you know that he teases her 24/7 and it’s one of the few things that consistently gets him grinning because he finds her reactions cute." Like a schoolyard bully pulling on the pigtails of the girl he likes.
It’s not like they have any thematic narratives or relevance. It’s not like she’ll live to 1000 and has existential dread about it while he’s logically gonna be her next friend to die at 50 and wether it’s romantic or platonic it’ll terrify her to lose him. It’s not like it’s fear of death x fear of rejection so they’re both obsessed with the thought of loss looming, past and ongoing. It’s not like it’s half-elf x half-foot and there’s an inherent journey that was and still is to dispel prejudices and truly come to see each other. It’s not like he’s painfully real and raw and flawed but still a good man, that he’s not the figure of prince charming that she’s always dreamed of while still being virtuous and worth fighting for. Or you know, her hair being golden and it being the epitome of beauty to him, and his hair turning silver and it being Marcille’s worst nightmare.
Just a weird wacky ship who means nothing but shallow things to people who have weirdo reasons for liking it. Like can you not. If you’re not imaginative enough to think of reasons why this ship may have an appealing dynamic that’s not my issue.
But yes, yes, they’re both flat asses to me, thanks.
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A bit random but can’t stop thinking of tying beomie up with pretty pink silk bow ribbons <33 sjdjfuhh%%>€)£€%% tying up his dainty wrists with a bow, maybe one gagged around his mouth too or tying his legs to the bed just bondage with gyu and ribbons tied tight enough to leave pretty marks on his pretty body🎀 🎀 he’s such a pretty boy all tied up just having to take whatever you do to him, all yours to use as you please, whimpering and moaning softly underneath you but can’t move, your pretty doll <33
LIKE IS HE NOT MADE TO BE TIED UP W RIBBONS AND FUCKED LIKE THE PRETTY BOY HE IS ?!!>€€>>{€
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"These cupcakes aren't quite the same," Suzume bought some treats from a nearby bakery and reminisced about her junior high days with Riku. They weren't close back then, but he joked around with all his classmates, including Suzume. It has been a week since their date and Suzume sees him either at his grandma's house or in town...although, neither have made a move yet. "You rarely laughed at my jokes!" Riku smudged some icing on her nose, continuing his playful antics. The more time she spent with Riku, the more he felt like family 🥰
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[Image one: The first page of a digital comic about Miles Morales from the Spider-Verse movies. It begins with two panels of Miles' face resting on his closed hand. The first shows him in his school, wearing his uniform. He looks bored. The second has him in his first, store-bought Spider-Man costume. The forest surrounding Alchemax is behind him. Both of the panels cut off around his eyes. Next to them is two smaller panels, one showing someone in a classic Spider-Man costume swinging on a web, while the other shows their feet flying through the air. At the bottom of the page, there's Miles' legs flailing as he falls during the Leap of Faith scene. A panel is behind them, in a purple halftone gradient. Shards of glass surround the legs like lightning bolts. The page says "you always thought that the scariest part of a leap of faith would be the fall".
Image two: The second page of a digital comic about Miles Morales from the Spider-Verse movies. The first part of the sentence says "but really... it feels like flying;". This is interspersed with close-up panels of Miles in his first black suit. There's one of his outstretched hand, one of his chest symbol, one very close to his eyes and another of his outstretched feet. Behind the panels, there's a rock pigeon mid-flight. The sentence continues with "floating;", followed by four panels of Miles floating as his fall is flipped upside down. The pose is identical in each, but the background gets gradually darker for each one. Then, "free in a way that feels unnatural -" is written, accompanied by a panel of Miles in his school uniform. You can't see above his lips and he's sweating nervously, shoulders hunched. Scribbles, like the portals on The Spot, crowd around him. The sentence finishes with "you love it". The final panel zooms into Miles' hand clutching his backpack strap. His Spider-Man suit peaks out of his sleeve.
Image three: The third page of a digital comic about Miles Morales from the Spider-Verse movies. At the top of the page is Miles' shoes stood on the side of a wall, one foot hanging over the edge slightly. Above it, it says "the fear is in the precipice -". Below the drawing, it says "the edge", alongside Miles standing on a wall from behind, cut off around the ankles. The sentence continues "and what you gaze at beyond it", the last two words in a bubbly black and white font over top of a purple halftone gradient panel. Then, the sentence finishes "(and what you're scared will slink back in)". On the left side there's two panels, one a close-up of Kingpin's tie, and the other shows The Prowler's cape laying in a pool of blood. The other side has two panels set out the same. The top panel has one of The Spot's portals, while the one below it shows Jefferson Davis' glasses discarded and broken, one lens shattered and bloody.
Image four: The fourth page of a digital comic about Miles Morales from the Spider-Verse movies. It begins with Miles' shoes, one planted on the wall while the other hangs is elevated, hanging over the edge. Two panels beneath it show his feet with one lowered slightly, and then both planted on the wall. They're accompanied by the sentence "the hovering moment where you can still simply step back". After this there's two different Miles, standing with their bodies facing the viewer but eyes facing each other. The first is taller, unmasked, and wearing his outfit from the rooftop party. His expression is pinched together, worried. The other is in his ill-fitting store-bought Spider-Man replica suit, body posed as if he's been caught by surprise. His eyes, from what is visible, are wide. Two panels separate them - one is completely black, while one has a spark of blue lightning bursting out of it. Finally, the sentence ends "... but then you'd just be there; waiting, doing nothing".
Image five: The final page of a digital comic about Miles Morales from the Spider-Verse movies. It starts with Miles' hand in the darkness, unfurling as he reaches out his index finger. Blue lightning sparks off of it, leaving his finger like a claw. This is surrounded by the line "and you can't let that happen,". Below that, Miguel O'Hara's gloved hand creeps towards Miles, curled and claws out, like he's just failed to grasp something. It is large compared to Miles, who is swinging through the air, looking back at the hand. His body is fairly loose. The page ends with the line "even if the first step is the steepest".]
looking down
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Prompt:
The first mission the Court send their newly minted Talon on is an assassination attempt on the ward of one Bruce Wayne… Dick Grayson.
Calvin— can’t kill Dick. He can’t.
He didn’t know it would be the boy he grew up in the circus with they want him to murder in cold blood. He didn’t know— didn’t recognize him until the knife was already at his throat.
But he remembers now. And he won’t do it. Never. Never.
He’ll run. Disappear. Dick doesn’t know who he is, it’s better that way, and if he’s lucky the Court will be too busy hunting him to care about the failed assassination.
Unfortunately for Calvin, Dick does remember; Recognizes the Talon.
And he’s not inclined to let his childhood best friend slip through his fingers again after years of believing him dead.
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