#also i have more comic ideas now i just need to get around to drawing them HAHAHA | Explore Tumblr Posts and Blogs

insertdisc5 · 6 months

Text

🎮 HEY I WANNA MAKE A GAME! 🎮

Yeah I getcha. I was once like you. Pure and naive. Great news. I AM STILL PURE AND NAIVE, GAME DEV IS FUN! But where to start?

To start, here are a couple of entry level softwares you can use! source: I just made a game called In Stars and Time and people are asking me how to start making vidy gaems. Now, without further ado:

SOFTWARES AND ENGINES FOR PEOPLE WHO DON'T KNOW HOW TO CODE!!!

Ren'py (and also a link to it if you click here do it): THE visual novel software. Comic artists, look no further ✨Pros: It's free! It's simple! It has great documentation! It has a bunch of plugins and UI stuff and assets for you to buy! It can be used even if you have LITERALLY no programming experience! (You'll just need to read the doc a bunch) You can also port your game to a BUNCH of consoles! ✨Cons: None really <3 Some games to look at: Doki Doki Literature Club, Bad End Theater, Butterfly Soup

Twine: Great for text-based games! GREAT FOR WRITERS WHO DONT WANNA DRAW!!!!!!!!! (but you can draw if you want) ✨Pros: It's free! It's simple! It's versatile! It has great documentation! It can be used even if you have LITERALLY no programming experience! (You'll just need to read the doc a bunch) ✨Cons: You can add pictures, but it's a pain. Some games to look at: The Uncle Who Works For Nintendo, Queers In love At The End of The World, Escape Velocity

Bitsy: Little topdown games! ✨Pros: It's free! It's simple! It's (somewhat) intuitive! It has great documentation! It can be used even if you have LITERALLY no programming experience! You can make everything in it, from text to sprites to code! Those games sure are small! ✨Cons: Those games sure are small. This is to make THE simplest game. Barely any animation for your sprites, can barely fit a line of text in there. But honestly, the restrictions are refreshing! Some games to look at: honestly I haven't played that many bitsy games because i am a fake gamer. The picture above is from Under A Star Called Sun though and that looks so pretty

RPGMaker: To make RPGs! LIKE ME!!!!! NOTE: I recommend getting the latest version if you can, but all have their pros and cons. You can get a better idea by looking at this post. ✨Pros: Literally everything you need to make an RPG. Has a tutorial inside the software itself that will teach you the basics. Pretty simple to understand, even if you have no coding experience! Also I made a post helping you out with RPGMaker right here! ✨Cons: Some stuff can be hard to figure out. Also, the latest version is expensive. Get it on sale! Some games to look at: Yume Nikki, Hylics, In Stars and Time (hehe. I made it)

engine.lol: collage worlds! it is relatively new so I don't know much about it, but it seems fascinating. picture is from Garden! NOTE: There's a bunch of smaller engines to find out there. Just yesterday I found out there's an Idle Game Maker made by the Cookie Clicker creator. Isn't life wonderful?

✨more advice under the cut. this is Long ok✨

ENGINES I KNOW NOTHING ABOUT AND THEY SEEM HARD BUT ALSO GIVE IT A TRY I GUESS!!!! :

Unity and Unreal: I don't know anything about those! That looks hard to learn! But indie devs use them! It seems expensive! Follow your dreams though! Don't ask me how!

GameMaker: Wuh I just don't know anything about it either! I just know it's now free if your game is non-commercial (aka, you're not selling it), and Undertale was made on it! It seems good! You probably need some coding experience though!!!

Godot: Man I know even less about this one. Heard good things though!

BUNCHA RANDOM ADVICE!!!!

-Make something small first! Try making simple: a character is in a room, and exits the room. The character can look around, decide to take an item with them, can leave, and maybe the door is locked and you have to find the key. Figuring out how to code something like that, whether it is as a fully text-based game or as an RPGMaker map, should be a good start to figure out how your software of choice works!

-After that, if you have an idea, try first to make the simplest version of that idea. For my timeloop RPG, my simplest version was two rooms: first room you can walk in, second room with the King, where a cutscene automatically plays and the battle starts, you immediately die, and loop back to the first room, with the text from this point on reflecting this change. I think I also added a loop counter. This helped me figure out the most important thing: Can This Game Be Made? After that, the rest is just fun stuff. So if you want to make a dating sim, try and figure out how to add choices, and how to have affection points go up and down depending on your choices! If you want to make a platformer, figure out how to make your character move and jump and how to create a simple level! If you just want to make a kinetic visual novel with no choices, figure out how to add text, and how to add portraits! You'll be surprised at how powerful you'll feel after having figured even those simple things out.

-If you have a programming problem or just get confused, never underestimate the power of asking Google! You most likely won't be the only person asking this question, and you will learn some useful tips! If you are powerful enough, you can even… Ask people??? On forums??? Not me though.

-Yeah I know you probably want to make Your Big Idea RIGHT NOW but please. Make a smaller prototype first. You need to get that experience. Trust me.

-If you are not a womanthing of many skills like me, you might realize you need help. Maybe you need an artist, or a programmer. So! Game jams on itch.io are a great way to get to work and meet other game devs that have different strengths! Or ask around! Maybe your artist friend secretly always wanted to draw for a game. Ask! Collaborate! Have fun!!!

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

#reference #gamedev #indie dev #game dev #tutorial #video game #ACTUAL GAME DEVS DO NOT INTERACT!!!1!!!!!#this is for people who are afraid of coding. do not come at me and say 'actually godot is easy if you just--' I JUST WILL NOT.#long post

29K notes · View notes

spicy-apple-pie · 8 months

Note

I WANNA HEAR ABOUT THE COMIC >:))))))

I did warn you…

Okay so idk if a lot of people know this, but Damian was originally given up for adoption right after he was born before his story was reconned.

So in this comic, Damian is 9 years old and in the foster system in Gotham, unknowing who his parents are. He’s never stays long in a home because he’s very aggressive. He’s smart though, so he orders a DNA testing kit to hopefully find a relative to take him. Imagine his shock when he finds out his father is Bruce Wayne.

So this 9 year old walks into WE by himself, toddles up to the secretary, and asks to see Bruce Wayne. The secretary is like “haha okay, let me help you find your parents.” And Damian is like “you can. My dad is Bruce Wayne.”

And then Tim shows up!! And he’s like, “who’s your dad?”

And Damian is suddenly really nervous and shyly passes Tim the DNA test results. Tim looks them over, and Damian thinks he’s going to get turned away. But then Tim smiles at him and asks him if he has time for a drink.

Damian basically explains his life story over a cup of hot chocolate to Tim. Tim listens and tells him that he’ll make sure Bruce sees it and gives him his number if he has any questions (Damian doesn’t have a phone). Damian gets up to throw out his cup but Tim is like “oh I can throw that out for you. Talk to you soon!”

Cut to the BatCave where Bruce is staring at the DNA test results. Showing him and Talia as the parents. Tim stands behind him. “I doubled and tripled checked.” He says. “Not to mention he’s the spitting image of you.” He mumbles under his breath, knowing that Bruce isn’t in the mood for jokes right now. Alfred places some Tylenol beside Bruce using his butler powers to sense his on coming headache.

“And you said he walked into the lobby by self?” Bruce asked.

“Yeah, he said he took the bus.”

“Oh dear,” Alfred comments, “that is certainly not safe for a boy his age in Gotham. I wonder if his social worker knows about that…”

So the next morning, Damian finds that he’s out of custody from his foster parents. And he’s like “but I didn’t do anything this time!” And his social workers like “no, they’re getting charged with child endangerment. We already have a place lined up for you.”

Lo and behold, his new foster home is Wayne Manor. And he meets Bruce for the first time and he’s really nervous. And Bruce has to turn away because he almost starts crying. And Damian asks Alfred if he did something wrong and Alfred’s like “no, he’s just very happy to see you.”

And that’s basically it. But I also have this idea of how he discovers his Dad is Batman.

He comes downstairs in the early morning for a snack before going back to sleep to find Red Hood raiding their fridge. He runs to Bruce and he’s freaking because fucking RED HOOD broke into their house.

And Bruce groans and is mildly annoyed about and Damian is like “???? Does this happen often????” Bruce brings him downstairs and Red Hood is still there, but making a grilled cheese with his helmet off.

“Jay, how many times do we need to tell you know masks in the house?”

“I dunno. How many fucking children are you going to adopt?” He gestures to Damian hiding behind Bruce.

“He doesn’t know yet, Jay. I was going to wait until he was more comfortable.”

Jason is a little sheepish because he did give the kid a bit of a fright, so he turns around to apologize and introduce himself. And instantly is like “holy shit, that’s a bio kid.”

“Language, Jay…”

“Don’t language me, where the fuck did he come from???”

“What is happening??!!” Damian finally yells.

And then Bruce shows him the BatCave.

I did warn you I’d talk your ear off. I came up with this circa. 2018 - 2019 but I feel like I finally have the skill to draw it. And I honestly fell in love with it again, so I might lol.

Edit: I did it

#Batman #Batman comics #dc #dc comics #shut up spicy #Damian Wayne #damian al ghul #damian al ghul wayne #damian wayne al ghul #I love him #au #alternate universe #Tim drake #batfam #Batfamily #batbros

2K notes · View notes

coveredinsweetpea · 9 months

Note

not to be a whore........... but imagine making out with Eddie's buldge through his underwear 😩

🥴🥴🥴 tbh I think there are two different scenarios and I wanted to choose only one to elaborate on but I couldn't so here I go: you're both either too lazy to care and this evolves from a sleepy cuddling session OR you're being needy and clingy, begging for his attention - just a whiny mess basically, and this is all that he's willing to give you. Both detailed under the cut 🥴🥴 (the 2nd one is pure filth, humiliation, degradation etc 18+!!!!!!!!!!!!!!)

It's summer, Wayne's not in town and you have all the trailer to yourselves. But it's still early, no one's in the mood to party yet, it's hot and you're both too lazy to move.

Eddie's starfish on the bed, a comic book having him completely under its spell, while you lay lazily with your head on his tummy, hoping sleep would envelop you. But it doesn't; Eddie's too caught up with a plot twist he didn't see coming, and ideas start coming to you.

Your eyes fix the outline of his cock and without saying a word, you palm him in your hand, your fingers drawing random patterns on the material of his boxer briefs.

Eddie doesn't react, at least not to your knowledge, but one eyebrow does pop up. You don't see it however and decide to keep going, moving your hand a bit to the side so you can rub the length of his cock.

"Sweetheart?" Eddie lifts his comic book so he can look at you, "What are you doing?"

"Nothing"

You don't even look at him, just keep teasing him through his boxers, until he can't help but tense his thighs. "Love?"

"Yeah?" again, you answer without bothering to face him, but this time you do move. Just in the opposite direction, nonchalantly pressing your lips against his bulge.

The gesture was light, not too sudden or too strong, but the reason he froze for a second is the pure confusion that washed over him. But he doesn't get a chance to ask, because when he feels what you're doing - understands that you're right now literally kissing the length of his cock, he can't help but chuckle.

"Sweetheart, you know I can take those off for you, right?" Eddie teases, one hand on the top of your head as you keep going.

"Nah" you shrug and wrap your lips around his clothed tip. One of your hands slips lower, your fingers brushing against his balls as you start sucking.

"Ah fuck" he gasps. But you don't budge.

You keep at it - licking, sucking, grabbing, your teeth lightly grazing the tip of his cock.

"Baby, damn it" the comic book flies across the room, his attention now fully on you. "You wanna make me cum like that?"

But you don't answer. You just shove your hand up one of the legs of his boxer, cup his balls into your hand, and resume full on making out with his cock.

The sheer feeling of him getting hard under your lips, the way he can barely control his breathing, how his thighs tense and how his abdomen clenches every time you apply just a little bit more pressure, makes you want to see just how far you can go.

Brushing your thumb over the wet patches on his underwear, you look up at him, "Yeah, I wanna. Can I try?"

"Try?" he laughs and rubs your cheek with the back of his fingers, "Darling, you're halfway there"

You beam under his praise and resume your quest, eagerly sucking and tugging through the material as his cock visibly stiffens.

"But then you'll take yours off. You can play around all you want, but you know I can't stop until you've made a mess on my face, doll"

Fine by you.

You being clingy isn't anything new. The planets sometimes settle so that some days the only thing you want is his attention and nothing else. And it's usually not a problem, Eddie being more than happy to oblige and give you what you so desperately crave, but there are also days when that is not possible.

Like this one.

Busy with tasks Wayne left for him, the campaign needing some last minute fixes, Dustin asking for a ride and a Corroded Coffin concert late in the evening - this day is bound to suck for the both of you.

You manage to compose yourself for as long as you can, but by the time you reach the venue for the show, you're almost out of your mind. Begging, teasing, whining, throwing yourself at other men to get his attention - you do everything in your power to get his attention. But you fail. Miserably. As once you finally get home, things don't play out the way you had hoped - at all.

"So fucking desperate, like a fucking whore" Eddie scoffs, plopping down on the couch. He spreads his legs and nods, "Do your thing"

Normally, you'd whine and complain, but your brain isn't cooperating so you listen to his command. You kneel in front of him, undo his jeans, and then helplessly look up at him, bottom lip popping out. "Eddie…"

"Do you need help, kitten?"

You nod.

"Do you deserve it? You acted like a dumb slut all night. Why would I help you? You can't even take my dick out, why would I let you suck it?"

"Please, Eddie…" you cry.

"Look into my eyes, doll" he commands, his hand on your chin forcing you to face him. "Apologize for the way you've been tonight"

"I'm- I'm sorry" you sniffle, "Please-"

"Sorry for being such a cock thirsty whore that you can't even function unless you get to have my dick down your throat?"

"...yes"

"Say it, baby. You need to hear yourself saying it. And look into my eyes while you do it, love. Show me how bad you want it"

"Please, Eddie-" you blink, "I'm sorry for being such a whore, but I need it, please. Can I please, please, suck your cock, please?"

And your pleading might have been enough but you'll never know. Eddie doesn't even get a chance to fully strip before he sees the hungry look in your eyes. "Come here" he motions as he stands up, his jeans now pooling around his ankles. "Show me you want it"

For a second, you look up at him in confusion, but the way his cock stretches the material of his underwear has you feral all over again.

So you don't question it, don't complain, you just get to work. He's hard - throbbing almost, the wet patch of precum making your tongue tingle as you make out with his cock as best you can.

"That's my girl" he grins, patting your head, "My good girl, keep going. Make me cum. If you can do it, you get to swallow it all, baby"

#eddie munson #eddie munson x reader #eddie munson smut #eddie munson imagine #eddie munson fanfiction #eddie x reader #eddie muson fanfic

1K notes · View notes

meanbossart · 3 months

Text

Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

#Funfact THIS is the post that got me flagged last time so i'm really tempting fate right now LOL #ask #art #tutorial #resource

596 notes · View notes

genericpuff · 4 months

Text

Scamlords is at it again.

A few nights ago, there was a sudden blow-up in the /r/webtoons server showing a new announcement from Snailords -

For anyone unaware, Death : Rescheduled has been on mid-season hiatus since October. And it's now, and only now, that Snailords has suddenly decided the comic is ending after it returns, but readers can get an extra 20 episodes... if they fork over $1k in merch sales.

Now, this could be a lot worse. They could be threatening not to return to the series at all unless their readers hand over money. But considering it's practically just one degree away from that, it's still pretty nasty. Not to mention, the further they divulged in their reasoning around this "idea", the more confusing it got.

They also even revived their @snailordsrant account on IG which, for those of you who were there and can recall, was the same account they used to put one of their own fans on blast over some very mild criticism.

None of this makes any actual sense, for several reasons:

1.) I literally fail to see how getting $1k in less than 24 hours is worth shoving in an extra mini arc of 10 episodes if you don't even have it planned out. Why do that to your audience or to yourself? Why drag things out just to scrounge up an emergency $1k? Why not just be honest with your audience and run a GoFundMe or just say , "Hey everyone, I've run into some financial troubles, I would really appreciate it if you could FastPass my newest episodes or donate to my Patreon or buy some merch so I can cover the costs". It's really telling that this shithead doesn't have enough confidence in themselves or their audience that practically worships them that they have to resort to this kind of underhanded shit to get the money they need. I wanna make it clear that this is NOT like a Kickstarter stretch goal or anything that incentivizes readers to support their work, they're instead holding the length and future of their series over their audiences' head (which they've done before) for money. That's not an incentive, it's an ultimatum.

2.) Maybe I'm misreading / being stupid (someone pls explain if I'm missing something here) but I literally don't see how their comment about working 50 hours a week explains why they're suddenly getting their fans to pay out $1k worth of merch in less than 24 hours. For anyone who doesn't know, $1k per episode is an example Webtoons uses in its post discussing how they pay out creators (this came after the platform got called out 2 years ago for paying creators too little, there are undoubtedly creators getting paid less). And yet for some reason $1k is apparently the difference between 10 episodes and 20? How does that add up? And is the bit about them wanting to buy boba supposed to be a joke? Where's the punchline here?

3.) They say they have writer's block and they want to use the money to "motivate them", but then just a few slides later they say 10-15 episodes is what would make them the "happiest" so which is it? Do they want to write 10 episodes or do they want people to pay them to write 20 episodes so they can draw the fluff scenes that they apparently want to draw? If you have an ending planned out, why rush it or drag it out depending on how this "fundraiser" goes? Why not just write the ending you want to write that will serve your story best? Why shove in an extra mini arc that you don't even have full confidence in writing and then try to compare it to a "super expensive cake"? What are you doing? Speaking as someone who's had trouble getting motivated in the past, suddenly getting a month's rent worth of money to do it doesn't necessarily solve that, it just turns up the pressure, and if you're not someone who deals with pressure well, then you're more likely to wind up just burning out entirely rather than fulfilling that goal.

4.) The fact that they did, in fact, hit their goal just makes it all the shittier to think about because their audience is mostly made up of teenagers who worship the ground that they walk on. It's horrifying that they keep pulling these stunts with their audience, and getting away with it to boot - and Webtoons, as a company, keeps enabling it by allowing it to happen by hosting and promoting people like this.

Anyways, there's already a lot going on here that's sketchy, but then... they went and deleted their posts. At the time of this happening (as I was there to witness it all play out in real time) I assumed this meant that they had hit their $1k goal - especially as they had been showing their progress on their IG and they were already at $900 after just a couple hours - but it gave me a sinking feeling seeing them delete it because they had also been called out by some brave readers telling them that it wasn't exactly a good look to essentially blackmail their audience through their own content into giving them money.

Snailords deleting it gave me a stronger impression of "burying the evidence", especially now that they had the money. By all accounts, they could do whatever they wanted now.

So what did they decide to do?

. . . Huh?

Okay, take a second to actually think about what Snailords has done here. Because I know some of you will go "oh, it was for charity all along! that was nice of them!" but . . . I don't know about the legalities of collecting donation funds under false pretenses, but morally speaking, it's a really shitty thing to do. They stripped away the choices - limiting them to three - of what their readers could donate to, and what I think their readers don't understand - due to being mostly teenagers - is that they're tax-exempt individuals and they just unknowingly gave Snailords an easy $1k tax write-off. You really, really shouldn't collect donation funds like this without being honest, it's just a shitty thing to do, especially after you've already collected the money. It mostly just comes across as damage control on Snailords' part to make it seem like they were always planning to donate to charity, when in reality, if they wanted to donate to charity, they would have been honest about that at the start. Again, even if they wanted to do that from the start, it goes to show how little confidence they have in themselves or their audience that they have to stoop to methods like these instead of just doing it honestly.

And do you really think Snailords will actually do those extra episodes? Or donate that money? This is the same asshole who has manipulated their readers for money not once but twice, and now seems intent on doing it a third time just for the charm. This is the same person who practically sabotaged their own comic, Freaking Romance, because they apparently didn't like the romance genre and may as well have only done it for clout / views / etc.

What was especially odd - and I found this out from folks who actually read Death : Rescheduled (I do not) - was finding out that it wouldn't make sense for D : R to end in as many as 25 episodes, because apparently, the plot has basically just gotten going.

So it does seem like this is foreshadowing that D : R will wind up just like Freaking Romance, rushed into an ending that wasn't expected. And this, of course, has the people who read their work confused because D : R was supposed to be Snailords' passion project, their magnum opus, the project they wanted to do. So them holding the timing of an ending that shouldn't even be happening yet for ransom contradicts that original intention. Really, it just goes to show that Snailords has no passion, they're just in it purely for the money, to a degree that I can't even cheer them on for being a hustler because it's missing the honesty and integrity.

And of course, every single time Snailords finds a way to backpedal and take his audience for a ride, they hop right in without a single thought for themselves.

And no, none of this is to hate on the readers directly, I hold Snailords entirely responsible for this - they have an audience of impressionable, naive, gullible teenagers, and they know it, and take advantage of it every chance they get. It's why they weren't just honest about wanting to collect money for charity from the start. It's why they resorted to basically holding their own comic's progression for ransom during its midseason hiatus. It's why the deadline was 24 hours and why the posts are now gone.

Thankfully the Internet does what it does - any evidence that Snailords was trying to bury is now all over reddit, and hey, just for good measure, here's a post on Tumblr that's been sitting in my drafts for days now, days after people have already seemingly stopped talking about it. Don't let anyone bury or forget about the stunts Snailords is pulling on their audience, with a platform that they've been consistently given by Webtoons, because that's what they want you to do.

#snailords #webtoon critical

152 notes · View notes

maxwellatoms · 8 months

Note

Would you trust ANY Korean studio for hand-drawn animation today? I ask because, when The Powerpuff Girls came back in 2016, I noticed how slow and stiff the Korean animation was. Since then, most Burbank cartoons animated in Korea, namely Cartoon Network shows, have been like that — mostly on 2s & with less inbetweening. Look at any Digital eMation episode of Victor and Valentino or Samurai Jack Season 5; do they animate as loosely and smoothly as Digital eMation episodes of Billy & Mandy do?

Sure I would. It would all depend on the studio and the circumstances. There are good studios and bad studios, and either of those will treat your show differently based on their perception of how valuable it is to their client. In the early 2000s Rough Draft was a top-notch studio. One of the reasons I switched over to eMation from Rough Draft was that I felt like Rough Draft was putting all of its resources into making Samurai Jack look beautiful, and we were still calling retakes on three year old issues. I knew we weren't a priority to Rough Draft, and I knew that stemmed from Cartoon Network's negotiations with them, so my griping was only going to get us so far. It seemed to me that I needed a studio that was smaller and scrappier like we were. We were putting in a lot of work on our end to make cool stuff and it wasn't ending up on the screen, so we needed people who were just as hungry on the back-end, and eMation stepped up.

There's also the fact, though, that animation itself has changed a lot in the last fifteen years. Powerpuff Girls and Samurai Jack's animation always seemed to have an air of "motion comics" to it. And frankly, that's part of what I love about it. It was all a throwback to the old UPA cartoons, which were built on strong, clear poses and made for the cost equivalent of a turkey dinner. Likewise, CN storyboard artists usually had around four weeks to write and draw their boards on paper, so there just wasn't time to take the effort to do anything too complex. It was all about snapping between those 300-ish storyboard drawings and momentarily savoring them for their humor and design mastery. Now we have tons of digital tools that make the basics of animation a lot more accessible to everyone, and have changed the entire studio pipeline. Things just won't look like they used to because nobody makes them that way anymore.

When I've had to choose an overseas animation studio, the network's production arm usually gives me one or three choices and tells me that's all there is. Deals have already been made. (Sometimes they make you pick two to save on costs, which (IMO) usually results in two studios that are less functional than any one of them would have been.) The studios usually have reels, so that gives you a basic idea of what they can do. You can (hopefully) find some other show creators who have worked with the studios and get an honest review. It's an important enough decision that it's worth whatever research you can put into it. Even over good bones, an ill-fitting skin can ruin the mood.

The most important thing to remember, I think, is that it's your job and your crew's job to make animating the show as easy as possible. Really, it's everyone's job to make the next person in line's job as simple as they can. Ideally, there shouldn't be a lot of questions because the materials you sent down the chain are clear.

So... yeah. I'd still trust Korean studios as much as I'd trust any overseas or domestic animation studio. You get out of them what you put into them by feeding them money and your own labor. It's quite possible that the shows you mentioned didn't do enough of either.

I imagine the overseas studios are hurting right now, so who knows what that landscape is even going to look like in a few years.

As with every step of the process making a TV show, you just sort of have to weigh your options and find the path.

Hmm. That got long.

#animation industry #animation studios #hot mess

219 notes · View notes

66sharkteeth · 18 days

Text

Weekly thoughts Ep 173-

Well i said last week that I'd definitely have more thoughts this week, but here I am again, kind of just empty headed as I start this. I was actually pretty excited for this episode, just because it's the first time we see Jericho undeniably as the villain, as well as his scion's first canon lines technically.

But I dunno, feedback lately is kind of killing my enthusiasm. I know the majority of readers are still enjoying the comic, but it's exhausting to see the negative comments increase, ranging from people just being disappointingly moronic about there being LGBT themes in the story, to people telling me the story is going down hill. To which... I'm sorry! But! How?! Like I'm trying to wrap my brain around it. I'm not immune to criticism, there are plenty of points in the story that I agree were not the best writing, but this is not one of them. I've seen comments ranging from "not enough is happening" to "things are only happening for the sake of conflict" and both of those points baffle me. How is everything that's transpired in the past 10 episodes alone nothing? Sorry, do I have to kill off ALL of the cast for it to be "something"? And as for conflict only happening for the sake of conflict???? I literally don't know how to respond to that. Conflict is how a story progresses. Should Rex and Jericho just have...hugged it out?? Should Jericho just have been like "Actually, you know what Claude, I think I do just need therapy. This world domination thing was a bad idea." Should Rex have, back when everyone was betraying him and joined the bad guys, been like "Actually, the systemic treatment of me is fair. I guess I'm just gonna go to jail now instead of going into hiding with these guys. See ya!"

I dunno. I've been SO sad and down the past two weeks, but typing this out I've progressed to angry haha. Mad at homophobes and media illiteracy taking away the pleasure I get from sharing this comic. In a venty way, to be clear. I definitely don't think I'll post this one anywhere else because I can see people saying I don't take criticism or something, but man. No. I can and I have. But the points made this week would make for a flat out bad and BORING story. And I'm so mad people just want my story to be so BORING because they just don't like facing negative emotions in a story. There will be a light at the end of the tunnel of this story eventually, but we're just in the tunnel currently. I'm not gonna hurry up the tour for everyone else just because you're afraid of the dark.

Raugh ok, I guess this wasn't actually much about the actual episode, was it? Ironic that the big villain monologue episode is where I finally kind of lose it and monologue myself. I guess for the sake of actually commenting on the ep...

Yes, I had lots of fun drawing this ep. I've been waiting a long time to have Jericho's scion finally "speak." There's also a lot of cracks showing in Claude that I'm glad people are taking note of. I've said it before, but Claude's development has been some of my favorite to write in the entire story, and we're still in his arc. Excited for things coming up for him.

#city of blank #weekly thoughts

64 notes · View notes

aluhnim · 7 months

Note

Hello!! When you start a comic, how do you go about deciding your panelling layouts?? If this is too big of an ask for covid brain, how about your favorite song of the moment / a song that really inspires you?? I hope you feel better soon!

I was searching around for an old write up I did for some Original Character Tournament folks who were interested in my thoughts on panels and layouts. To try and answer your question, I go off of vibe now that I’ve made a LOT of comics. However, as much as it doesn’t seem like it at times, I do typically stay as “conventional” as possible to make sure my readers are still following the plot. I make a lot of adjustments along the way. Smarter layouts allow me to draw less, and drawing less is better for me in the long run! It’ll allow me to put more time in other places of the comic.

Anyway, here’s my write up back in the day that’ll hopefully answer some comic drafting questions!

More conventional paneling is a necessary stepping stone because you know your reader won’t get lost and the structure will have you more focused on flow and pacing. It seems remarkably easy to do comics with more “static” or traditional panel layouts but they work for a reason. There’s no real need to break out of something that works, unless you want to! Breaking out of the structure can really add some OOMPH to your important pages.

Some tips, note that these have been my preferences and some definitions don’t quite match their descriptors.

Bleed

I consider open panels or panels that stretch out beyond the edge of the page to be considered bleeds. They’re simple ways to make you feel like your not just sticking within your margins and making your page feel less static without much extra effort. Manga does this quite often, and Western American comics, especially during action packed moments or large splashes.

Some examples of things bleeds can do:

- They can also be used as transitions between pages (first panel bleeding in, last panel bleeding out).

- They can be used to interrupt or add a beat to a moment. Although the example below is mostly bleeds, you can see the one full panel at the bottom stands out because it’s not like the others. A subtle beat.

- They can also just be used to extend a panel to make it bigger. That seems obvious, but larger panels do make people spend a bit more time on them, regardless if there is text or not. Though, “more time” means probably several milliseconds or even a few seconds more than usual.

- Collaging with a bleed is a really great way to think beyond panels and open the space. You will be spending more time thinking of how much you can cram in along with the flow of how your text is going to lead through a series of images.

- Removing panel borders can really open a space and allow for more room without having to go above and beyond the ideas of comics and panels. (sorry, gale galligan is just good)

Gutters

The space between panels is almost just as important as the panel itself. That’s where readers and inferring actions and time. You can only control so much of what the reader is doing between their eye shifting between panels, which is why composition within panels and clarity are so important.

Gutters can also be played with! A simple example is changing your gutters from white to all black. It can be a subtle shift in time, a transition to a new space.

Even the amount of space between panels leaves an idea of time! I think webtoons/manhwa really work well with the gutter space, leaving you to physically scroll and feel the effects of time passing with the amount of empty space you encounter.

It’s important to understand that the gutter has a lot more to do with reader imagination, and your goal is to have them understand that the next panel is somehow plausible.

THIS SCENE EMFIELDS DID IS VERY FUCKING GOOD. TIME, SPACE, GO OOOOOOFFFF KING

Panels themselves can be a part story!

This one is a difficult thing to write for, since I feel like there isn’t many examples out there. There are very structural examples of panels out there, like Watchman. While the 9 panel grid was intentional, it also was likely the only way to deal with Alan Moore’s script effectively without missing details. The panels themselves don’t ENHANCE the story, but a means to an end.

But it’s also an incredibly good example of how conventional comics paneling can still be effective, especially when you start breaking that mold just a little bit.

But then you have comics like M. Dean’s “Baby fat”. Where the comic paneling itself never strays from its original structure, but is indicative of the story itself, representing tiles, mirrors, patterns.

Or Robert Hunter’s “The New Ghost” which he uses circular motifs and has circular panels representing the telescopes sight line.

Predicting Reader Navigation

These are my rules of thumb when doing general sight reading panel by panel.

1. Text is what people gravitate to first. It’s the context needed to approach the next panel.

2. Faces are next, this provides context to what the subject is feeling.

3. Familiar people/animals/objects and SFX.

4. Everything else!

This is an example of sight reading notes I gave to my friend Holocene when we were collaborating.

#long post #asks #blogging

156 notes · View notes

pixiestickie · 1 year

Text

so . i did something ^}*#*}*%+%

(more parts might come and if that happens this post will be the masterlist)

ramble ⏬

so . ok here goes nothing. first things first.

this is like the “fisherman meets mermaid and they are in love” AU trope but jamil isnt a fisherman: he pretty much retained his canon life, aka he is a servant and one day he found a merman and he just hangs around him to escape from his shitty life situation (and the merman is completey enamoured).

so, apart of NRC not happening, more details about the canon divergence should be revealed at a later date

thiat is the info about the au out of the way. ill just do personal rambling here esp bevause im insecure about some things about this so you can stop reading if you want.

this is a trope ive seen around a lot, especially on twitter, so ive had this idea since a bunch of months ago. i then proceeded to forget about it until i saw a twitter post about this same exact trope again except it was with fucking miguel o’hara but thats besides the point. the original post that made me get the idea were 2 ocs (they had the blood-cut-to-call-merman idea. I completely stole it from that. im coming clean) and i was like “wow do you know who else is a mermaid? azul fucking ashengrotto”

ok so no the art style i used. i started using it really recently to doodle stuff, since 2 days ago actually im so serious. i tried using it here as well bevause its an easy art style, really quick to draw with it and also looks good. or so i thought. because im now having doubts about wether it looks good or not and i fear it might just look weird. i kinda wanna hear if people prefer this art style or my “actual” one from my other posts

this style looked way better when i used it to doodle stuff, but i dont think im capable of using it in comic format. the style i was going for is mostly evident in the colored “poster” because ive actually redrawn the comic sequence a bunch of times so the style was lost there. I do like how the “poster” looks but im not sure if y’all would agree so id love to hear wyt

now the biggest part. ive never made comics in my life!! so these are going to look so damn akward. u can already notice it here!!!!! crowd starts booing

also i cant draw water and also i dont know how to draw azuls octo patterns bc the material we have of his design are so vague and fragmented but his patterns are not easy to draw so im struggling and i need to make a reference of him for myself 😭😭

#what…. tag do i give this au?#it doesnt even have a name #i genuinely have no idea but ill have to add a tag for this au later #azujami mermaid au??? that sounds lame #suggestions r apprecieated #twst #twisted wonderland #u can tell im fucking sturggling #azujami #jamiazu #ashenviper #azul ashengrotto #jamil viper #art tag #posting this and throwing my phone across the room and never picking it up again for the next 48 hours

317 notes · View notes

ashesbreadandbutter · 2 months

Text

Vox x Alastor || Tell Me Who Did This, Now.

So I know I know, commission work yes yes I'm getting to it BUT! I wrote a little blurb for that little comic @milariro drew for radiostatic which is literally like my favorite ship I think. 👀

Anyway hope y'all like it! ÙwÚ

Word Count: 2k

Rating: PG(?), maybe PG-13. Mostly angsty ish feel?

It isn't the first time he's lost track of him somewhere but every time it happens Alastor hopes it's the last.

He hasn't seen Vox in days and considering how close they are… it's strange, worrisome.

Vox usually keeps up with him, taking the time to send messages and letters and pop up at the most sudden of times and Alastor always responds. Life in hell has been growing on the two of them, Vox has been so excited recently… so eager to announce that he had a dream, one where he could publicize the two of them, where they could happily pursue their goals… together and Alastor both loved… and despised the very idea.

Really he himself is fine with his little following; those few sinners, Vox included, who seemed to always tune in but he'd be a liar if he told himself that he didn't see this …new behavior that seemed to jump out of his friend. Vox was a big dreamer, they had spent many long hours talking to each other, laughing and joking while also spewing their deepest hopes and dreams…well usually it was Vox who did so while Alastor listened and encouraged him but he couldn't help but want to stop the other at the same time.

To tell him that he didn't need to go out there and get big and famous or whatever because Alastor likes the way Vox already is but his friend, his silly friend had his hopes for their pitiful, shameful lives down here so who would Alastor really be to stop him?

To put it lightly, Alastor is anxious over the other demon who was still just hardly taller than Alastor's own shoulder. He's worried that something might have happened to his friend considering how long he's been missing now. After all, Alastor had noticed the way they seemed to draw more attention these days when they were out together… the sneaky glances and judging gazes the other sinners would give them.

Alastor doesn't care, couldn't care less especially considering how easy most demons are to get rid of but… Vox had seemed to grow rather conscious of his presence outside because of it all.

There's been times where he's even mentioned it, brought it up when it was just him and Alastor together.. Alastor could never forget it, the first time it was ever brought up… the way that Vox seemed to look over his shoulder and double check locks and doors with the excuse of making sure they were ‘safe’.

It angers Alastor.

Annoys him so bad to the point that he'd kill them, split their skulls and the ground they walked and before Vox’s very own feet but… for some reason whenever Alastor gets to that point… the point of nearly no return, Vox will lightly brush his hand against his own and while that kind, warm smile and tell Alastor that it was okay.

That they didn't matter.

That he didn't care.

And so on and so forth.

Alastor moves through the room now, annoyance dripping into the air around him as he seems to get ready to go somewhere… to go look for him because after everything they've been through so far he could admit that he didn't… like it when he couldn't keep tabs on Vox. When they weren't together so Alastor could defend him if needed. When he couldn't hover around Vox like a hawk threatening to peck out anyone's eyes who dared to even spill a drop of liquor on his shoes. He's smiling but he's anything but happy as he gets dressed to go out and hunt down Vox himself..

It's not until he's all ready, a clawed hand reaching out to his front door when his ears suddenly perk as the sound of knocking from the other side fills the room.

Alastor freezes for a moment, his mind simply going blank in that very moment except for the thought of Vox that lingered and as he shifted gears and continued to reach out and turn the door before another knock could be heard, Alastor found himself faced with Vox.

Immediately there's a surge of electricity that rushes through his body at being faced with his friend.

He's relieved, for starters, just seeing him but then that turns into confusion, then slowly into unbridled rage when he takes in the sight of the other more closely.

“Al..” Vox chuckles softly, that little chuckle that Alastor had grown rather fond of over their time of knowing each other even in those moments when he did it after telling some stupid joke or when it happened when they seemed to press close to each other in the moments when they could. He usually loves hearing it but this time he does not.

Especially because it's glitchy, corrupted from what he can see.

Not while Vox stands before him looking like a stray, beaten dog who practically limped its way back to its owner.

“I know I'm later than I said I'd be but hey, I'm here now yeah?” Vox starts off, or at least attempts to through riggidy default settings and his scratchy voice box though Alastor seems to understand him anyway.

He doesn't want to though.

He doesn't want to be faced by him when he's like this and all Alastor manages to do is let out a glitchy sound himself though unlike Vox he's not tired or worn, he's energized, livid.

His eyes move over Vox's form; looking at his heavily dirtied and wrinkled shirt that seemed to be missing a few buttons then they look at the way Vox seems to cradle one of his arms and of course Alastor takes in his screen which seemed shattered, clearly punched in.

Rightfully so, Vox seems to grow self conscious as the way Alastor hasn't responded yet. He knew that appearing like this at such a late hour would be one thing for the man but it's so strange to see Alastor so… serious. Vox laughs a little, lowering his gaze as if shy, unwilling to show his face as he slowly looks down to his shoes.

A moment of silence washes over them and Vox can't help but rub his already sore arm.

Maybe he shouldn't have come after all? Perhaps Alastor was even angry with him for doing so after already being hours late… Vox knew he shouldn't have come, should have just dealt with this on his own like he preferred to do so but they both knew Alastor would have come looking for him if he hadn't shown up because that's just who Alastor was when it came to Vox.

His rushing thoughts come in bundles, so much so that the silence becomes deafening and Vox can't help the way his body wants to just naturally step back and walk away as if he never came to begin with, and maybe that was for the best? He hates bothering Alastor, hated not being strong enough to always hold his ground or to scare others away like Alastor so easily seemed to do and maybe it makes him feel inferior, unworthy of being with the other man which always makes his heart ache when he comes down to such a conclusion. He has so many dreams for them but at times much like these ones he wondered if he was just getting reality messed up with said dreams.

It's not until a finger slips under his screen and lifts it to make Vox's gaze focus on Alastor's once more but this time… Vox seemed to freeze at what he saw on the other's face, his functioning eye growing wider at the scene as he finds himself suddenly holding his breath.

He's distorted, glitching and reversing, sigils forming in the air behind him as his eyes look into Vox's. His neck twisted over to the side and eyes big, red, and ticking in a way that makes it seem that Alastor is just barely clinging to patience… like he could burst at any moment in a fit of claws and teeth and as Vox stares up at him, shocked, he can feel shivers run up his back as Alastor continues to hold his head in place. He's gentle but firm, refusing to let this go which was something Vox would also say to him..

To just forget it and move on but no, nonono.

Alastor refused not to be pissed and as far as he knew, he had worked to do..

People to punish, bitches to burn.

“Who… Did this.. to you?” He says and with the way the room seems to shake it's clear that Alastor is not in fact asking but instead demanding to know. Vox can feel the bloodlust leaking off of the other demon, the fury he carries and Vox was sure that if he was anyone else in hell in that very moment that Alastor probably…wouldn't have hesitated to spill his blood and the ground he stood on.

Vox recognized the look, his eyes slowly lowering again now while Alastor shifts his hand to caress the side of Vox's face, running his thumb over the undamaged side and though it's a kind gesture Vox can feel the way Alastor's hand seems to lightly shake.

Vox makes a soft sound, something that he didn't make often and closes the gap between the two of them, wrapping his arms around Alastor and clinging to him and at first the taller of the two freezes at the reaction before slowly but surely… calming, at least as much as he could right now.

It takes a moment for Alastor to immediately respond but Vox doesn't mind, not when he can feel how warm Alastor was and smell his scent so closely and after everything it seems to take some pressure off the TV demon. When Alastor does hug him back his hold is a bit firmer, a bit tighter, like he may get upset if Vox dares to pull away from him now.

“Alastor, please…” Vox sighs softly, brokenly and though Vox's voice box is fucked Alastor still makes out those words and the gentle way Vox seems to speak to him.

“Please just…just leave it.” He says next, moving to bury his head in Alastor's chest and stepping in closer only to tumble forward onto a knee making Alastor jolt and quickly grip him closer before he finds himself in both of them. “Please let it go… I'll be okay, I'll recover. I always do don't I?” he says, practically begging the other man and Alastor feels his face twitch and he's never before more angry at his own curse for not being able to show just how upset he is right now. Yes of course he was sure Vox would be okay but he despised the idea of the other growing used to being treated this way by others...

“I'll be okay see?” Vox tries to convince the other or maybe… he's trying to convince himself now as he lifts his head and gives Alastor that silly, stupid smile again and it both annoys the deer demon but also convinces him enough to not leave right now and go hunt down however did this for there was all the time in the world to do such later.

Vox had come to him at this time for a reason and even if the reason was simply because Vox had no one else Alastor didn't care. He'd help him just like he always did… and so with a huff Alastor looks down to Vox with that everlasting smile though it does seem strained.

“Come inside… I'll take care of you.” He says and though Vox still feels guilty for showing up and possibly ruining Alastor's day with his appearance he also feels… grateful knowing Alastor was there just like he always was. So Vox gives in, sighing and nodding softly, gathering himself and getting to his feet and as Alastor holds the door wide open for him he trails in before the door closes back and snaps shut behind the two of them now allowing them to be alone together, where they were always guaranteed safety from the hellish world around them.

Where Alastor could continue to keep a close eye on him for just a while longer.

127 notes · View notes

gentlebeardsbarngrill · 5 months

Text

01/22/2024 Daily Recap

Hey all! It's been a long day huh? I wanna apologize ahead of time, whatever sickness my kiddo had last week finally got me so I'm not feeling terribly well. I'm gonna do my best to articulate todays events for ya!

===Renew As A Crew====

So the very first thing I want to touch on today is updates from @renewasacrew. As you may have heard, they were going to be changing leadership as the shift in priorities changed from renewing to saving OFMD. That being said, the leadership change happened over this weekend with some hiccups (I don't know what the hiccups were entirely and I'm not going to speculate, if you wanna delve down that twitter hole you can, but having been in it for today I'd recommend against it for your mental health, and we don't want to be drawing a bunch of media attention to it) there's a lot of confusing information, and as we know things can get conflated fast if we don't have all the pieces to the puzzle-- let's not speculate and wait for the to come out with more info.

So what I'm focusing on today is @renewasacrew's message to please give them some time and practice some patience while they get back up and running. This also includes anyone you happen to know on twitter working with them, for example: @TheCozyPirate. Let's give them some grace, they've been steering us well so far.

The good news is, several folks, on tumblr: @iamadequate1, @quirkysubject, @asgardian--angels, On twitter: @havethisonelife @yougotoofast @Lcmwriter100, we have all we need to keep going for a few days while things get ironed out. (If I forgot someone please let me know, sorry I am half awake tonight)-- see the HOW CAN YOU HELP section below.

One thing I will mention-- we are moving so very fast right now. It's only been 13 days since the announcement that OFMD wasn't renewed, and we've accomplished SO MUCH. So when there's a lull, it's going to feel like things are standing still and maybe something is going wrong. Don't fall into despair, that's just how things go with negotiations. Take a break, take a breath, and just keep on Polite Menacing until we hear more from the leadership team.

===How can you help?===

**Go to visit the DAILY RENEWAL TASK LIST there's lots of ideas and ways you can help! Have more? Shoot me a dm! I'm happy to add stuff!**

*Note: To our international fans, I promise I'm working on a write up for you as well I've just been sick today and have been able to finish!*

Something new today-- a lot of you have expressed your desire to help in the @renewasacrew efforts. Well if you did-- and still want to, now you can volunteer! Many thanks to @redshiftsinger for getting this up so quick!

Please visit their survey: Volunteer Intake form and fill out how you may be able to help!

=== Cast and Crew Sightings ===

As if on cue, Chaos dad reached out to everyone on twitter today to express some encouragement!

He also saw we were at 77K and posted his astonishment!

Some folks have been a bit weary about his vagueness today, but as we know, Daddy Jenkins is the king of vague-- and he has to be! If there are contracts in the works, he can't be hinting at things. Don't lose hope!

===Samson Kayo ===

Our beloved Oluwande updated his IG with some pictures and a message. If you have IG I'm sure he'd appreciate some love!

Next up was our favorite Captain, Rhys Darby, promoting a fellow comic @jamesroguecomedy over on IG!

And our pirate queen Ruibo Qian was making posts about saving ofmd and fanart about Zheng! Featuring folks you probably know around tumblr: @mistysblueboxstuff and @tsutsu_ya over on twitter

=REMINDER: Cross Fandom Watch Party! on 01/23/2024 1 PM PT, 4PM ET=

Looks like there's gonna be some cross fandom watch parties on twitter you're welcome to tune in for Jan 23-26 on twitter. They'll be watching good omens in an effort to try and get engagement up with PrimeVideo. It sounds like it'll be similar to the LubeAsACrew but with Good Omens fans! Thank you to @Dandeebakes on Twitter for getting these organised!

Hashtags to use: #PirateOmens #AdoptOurCrew #SaveOFMD, and helps to @PrimeVideo

===Articles===

New article, but take it with a grain of salt, see @TheCozyPirate's message:

Our Flag Means Death's marketing was concerned about the shock of violence in the show

===============================================

Alright lovelies. Here we are again, I told you it'd be quick. Today was very very very busy. Take a break and get some sleep ya? Lean on your crew, we are here to support each other. I'll end with a quote from Tolkien (it being all of us in your crew):

"May it be a light to you in dark places, when all other lights go out."

Tonight picture features Taika and his "I love you eyes" at Rhys. Thats me, I'm Taika, I love you all.

PS: Idk why this isnt showing up in my recaps repository but ill figure it out in the morning.

137 notes · View notes

vickychendraws · 2 months

Note

Hello! Hello! Question: I’m trying to get into comic making and I already have a few. But I’m trying to get a frame of reference. What’s your planning process for your little comics that you make (like the falin/marcelle ones. Not quite mini comics, but also not full fledged comics that I’d be able to bind into a book) I love them very much 💕

hi!

omg, first of all, thank you so much!! and that sounds like a lot of fun!! i'd love to read your comics when you're done :D low key, i feel wildly unqualified to be consulted about comic making LOL. i kinda stumbled my way into them, but now that i'm actively going into it with comics in mind, i... kinda have a process?

i sorta just work out a scenario in my head and start scribbling. For whatever reason, the ideas and dialogue come out better when i start seeing the characters and the scene (even if it's super loose). During this phase, i make whatever notes i need, write out options for dialogue, adjust the layout (i'm not a very clean line drawer, so that makes things easy to move around; but also, the lasso tool is a dear, dear friend), and just let myself get the idea out in a really rough form. From there, i tighten things up, rearrange a bit more, edit, and then i just do a cleaner line drawing and add color :) Sorry if that was a really long response! But hope that helps! (i've included a couple of my first sketches to give you a better idea of how messy things start out)

73 notes · View notes

vivicanyounot · 9 months

Text

"I'm so sorry! I thought you were someone else! ^-^;" "..."

Amy Rose just did the biggest mistake of her life. She ran and hugged some other hedgehog AGAIN! And this one was not what she was expecting.

The last time was a white hedgehog minding their business drinking apple juice at some park and now THIS? This is just utterly embarrassing!

Here she was, gone and hugged a hedgehog drinking coffee quietly on a corner and she didn't expect them to be so into their writing-- She done bumped on his work with ink spilling everywhere. Before realizing her mistake, she noticed how soft this one's fur is.

"This one's really soft!---------------I, wait a minute..."

'Sonic's more of a fluffy kind rather than a soft one.' she thought.

She let go of this hedgehog and adjusted her eyesight to the bright light cascading on the window. This one's fur is BLACK, not blue at all! How could she have missed this?! She really needs to get her eyes checked.

This figure turned their head behind revealing ruby-colored eyes.

"I-I didn't know you were writing! I'm so sorry! I thought you were someone else!" Amy worriedly joked hoping that this hedgehog would sympathize at her. She couldn't help but feel like this hedgehog was someone familiar to her.

"..." Eyes continued to stare. Then to his book. Then back to her again. There was a pause and an incalculable look bared on his face before proceeding to glare this time.

"Now what are you going to do with all of this mess?" he croaks slowly, careful with his words. He points to his book utterly disappointed.

"I-I didn't mean to bump on what you were writing. I hope to make it up to you." Amy said begrudgingly at the last part. She doesn't want to waste time today since she needs to find Sonic as soon as possible. HE has an upcoming tournament and he's seen nowhere at all from the venue! Where could he possible be?---

"Make it up to me, you say?" the stranger asks. He puts his pen down and taps his fingers on the table. Amy gulped, nervously sweating from this hedgehog's threatening aura. Yet still, she wouldn't feel much harm from him at all. She just knows that he wouldn't hurt her weirdly enough.

"It'd be nice if I had a ghost writer. *I* dictate about the contents." He flips his book, almost covered with so much ink stains.

"YOU write on it." He points to Amy then to his book. She has no idea on how to write.

'How on earth am I going to write. Much less have the time to be working with you?!' she thought. She had her hands ravaging her hair. And suddenly, out of the corner of her eye, she saw a blue figure from the window. And they're ordering from a hotdog stand. Could it be?

"You're probably thinking how this is going to be arranged? Don't worry I've got you covered." He whips out his used napkin on the table and hands Amy his pen. Amy holds his fountain pen but she was distracted. She got other things to worry about like that blue hedgehog from afar already eating his 10 chilidogs. She is determined.

"Just write your number here." He taps on the napkin. Amy didn't think twice about anything she just wanted to get out and give that blue hedgehog an earful of her nagging. She wrote on his napkin quick and easy.

"Yeah yeah, we'll talk about this later. Bye!" She turned around ready to leave until her arm got caught by the stranger. Her emerald-colored eyes focused solely on him. His eyes staring back with a level focus.

"Expect a call from me, Rose." He hoarsed then removes his hand from her arm. Amy saw the blue figure blur past their cafe. She holds her wrist hurt from his handling then consequently left with an irritated look. She still feel his eyes boring into her back.

"What a weirdo." She whispered running out of the cafe.

'And h-he knew my name! Did he also ASK for my number just now?'

How is the world coming into for Amy Rose?

a/n: i just made this story now to support the drawing. should i do a comic of it now too? let me know!!! and maybe you guys wanna continue this story...?

#sonic #amy rose #shadow the hedgehog #shadamy #sonic au #sonic the hedgehog

314 notes · View notes

thefangirlfever · 4 months

Text

I needed to make a post about this because...well, the title says everything.

First of all I would like to say that I'm feeling a bit anxious sharing my thoughts about this. I don't know if I'm the most qualified to talk about this but it has been bugging me.

I know a lot of people have already discussed the way Miguel, a POC and a latino man out of all people, has been oversexualized to a point that it feels fetishy and a bit concerning sometimes. I think we can all acknowledge this and that already gives us a lot to think about.

But what I think is really interesting is that not only is Miguel an intentional thirst-trap, he is a thirst-trap created mainly by a team of male producers/ writers. From what I read, the people in charge of his character design were men (I want to say that I am by no mean attacking anyone who worked on this movie. They did an amazing job and I am just sharing my thoughts, not saying they are bad people for this choise or anything. Thank you).

And I find this very telling. Because when I first saw this headline, I thought "Oh finally, women have been given the chance to freely thirst over a male character the same way men do." And I think it was a big mistake from me to think this way. (First of all, there are also men and non-binary simping over him). Because, let's be real for one second there, do we really want to thirst over characters the way men do? I have been an anime fan for years and let me tell you, the way a lot of men/ fanboys view female characters is simply gross (I know, I know, not all men). It's also something I noticed in comics and video games. Like, have you seen the outrage when a video game studio wants to propose female characters who do not look like what some p*rn addicts imagines women are?

My point is that Miguel has been created not with the female gaze in mind, but with the male gaze (and it hurts to say this). That's what I got from reading the part of the interview. The emphasis on his butt, the overly masculine, muscular body... Miguel was created not by following what women like in men but by what men imagine that women like in men.

This is also something we can see a lot in various medias over the last years, especially in the romance genre. The way some "desirable" men are depicted do not fit what women seek in a partner but what men imagine women want (ofc every woman has different criteria when it comes to this). I think it's very blatant when you compare medias written by and for women like Shonda Rhimes's shows, Bridgerton, Outlander... and medias written by men. So, in the end, I think that Miguel has been created with that in mind "Let's make a big, tall, dark and broody, muscular matcho man. That's what the female public wants." (ofc it's never as simple as that but you get the idea).

So... does this mean that it's bad to simp/ thirst over this character? Surprisingly I'm going to say no and I even think that it's important that the women in this fandom keep making content around Miguel! Because when we write fanfictions, draw fanarts of him... we are now picturing him with a real female gaze and that's what brings even more complexity and depth to this character.

I have seen so many interpretations of this character since I joined this fandom and a lot of them were really cool/ beautiful, showing just how much people love this character. When you think about it, it's crazy that a character who only got 15 minutes of screen time can have such a strong effect on a fandom, meaning that he is more than just a thirst trap. I genuinely think that the content created by the fans gives this character his humanity back (because, yes, being sexualized to no end deshumanizes a person. Go argue with a wall, thank you very much). I've seen so many tender, soft but also funny depictions of him making him more than just some ass shots on the big screen. And even on the NSFW corner of the fandom, some people out there are really making him more than just this "feral beast" that we have been sold by giving him back his tenderness, his sensuality...

So, yeah, take this headline with care and think what you want of it. Those were just my thoughts. Feel free to disagree, tell me if I got something wrong or just leave your thoughts under this post because I'm genuinely curious of seeing other fan's opinions. I apologize for the mess of this take.

And now I'm going back to sleep.

#miguel o'hara #atsv miguel #spiderman 2099 #across the spiderverse #atsv #spiderverse #we need to talk about this #gender critical #female gaze #male gaze #look at me not writing my college essays but writing this

86 notes · View notes

factual-fantasy · 3 months

Text

26 ASKS! :DD THANK YOU! :}} 🥓

I mean, knowing me I'll come back around to it someday. I love Octonauts and tend to loop back around to that show every so often.. Its just that I've had a lot of uncomfortable experiences in the Octonauts fandom. Especially recently..

I don't really wanna go into detail, but I will say that I've encountered more upsetting situations in the Octonauts fandom, than I have in nearly every other fandom combined. Which is rather surprising considering its a kids show. And also unfortunate, since I don't really feel free to have fun in the Octonauts fandom the way I want to..

I'm hoping that at some point I can get my confidence back and find my way around that fandom and have the fun I want. But for now I'm just kind'a keeping my distance and thinking about it. I don't need any extra stress rn-

@unpopularartist14

I use FireAlpaca! :D As for how to draw injuries and bruises.. hmm.. well.. injuries are different from drawing to drawing and hard to explain.. but bruises? aaa how do I explain it--

Well, for character with pale skin. Like Wario and Waluigi.. I find I just airbrush some deep purples and reds in one spot on their face and put some dark purple/red scratches on top.. and how much purple or red you use depends on the freshness/severity of the bruise. If that makes sense..??

Like- Using this post with the Wario "bros" as an example, the bruise on Waluigi's chin/cheek is a muddy purple and has dark purple scratches on it. I feel like using purple makes the bruise look little older and likes its healed some.

Meanwhile on Wario's chin the bruise is pink/red-ish. Making it look "bloody" and fresh. I think so at least--

AGHHG- sorry, I'm not the best at explaining things. I hope you can look to that post as a reference and draw some bruises. I used the airbrush and pencil tool to draw them if that helps! <:D

@untitled-7613 (Comic in question)

Hmm.. my favorite Disney character.. I know that Disney bought Pixar and now owns all the characters. So I'm trying to think of characters that Disney made, not bought.. and I'm having some trouble remembering the older movies..

I think I liked Tarzan! Though I wouldn't say he's my favorite.. hmm.. I like Mufasa from the Lion King and I like the Genie from Aladdin! I also liked John Silver from treasure planet! (That was Disney right?) But idk if I'd say they're my favorite Disney characters.. hmm..

Now, if you're asking what my favorite Disney/Pixar character is? Well that's easy 👇

@tallchest13-blog

XDD Thank you so much! :DD I'm glad you like it! :}}}}

:x I have not seen the welcome home update-- all my info comes from MatPat/his channels. I'm way too lazy to actually go look into any welcome home stuff myself <XDD

ALTHOUGH!- I have heard that Julie has monster paws! :DD No doubt she has them for different reasons than my Julie, but still! it felt like an Apollos dodgeball moment for me! XDD

I'm not sure why you're telling me all this.. but I suppose I'll put in my 2 cents while you're here-

While some of this is true, this sounds like a rather 1 sided view of Alphys' character. I know most of the Undertale characters are beautifully complex and thought out, Alphys included. And I don't think this view is accurate to who she really is.

For example, as far as I remember she wasn't watching anime to "slack off". I'm sure she was severely depressed and extremely overwhelmed with everything going on in her life atm.

I think it would be a good idea for you to watch some character analysis videos on Alphys. Since I don't remember her very clearly, I cannot defend her very well. But I recall seeing a lot of posts/videos in defense of Alphys and explaining why she did the things she did.

Basically, I think its worth your while to actually look into Alphys and give her a chance! Who knows, after gaining some more understanding of her, you might just like her! :}

WAAAHAAG THANK YOU SO MUCH!! THAT MEANS A LOT TO MEEE!!😭💖💖😭💖

And hey, I get where you're coming from about the whole art theft thing. :( That is my biggest struggle being here on Tumblr. The constant art theft is so disheartening. In fact there were several times in the past where I almost threw in the towel and quit Tumblr all together over it.

But what's kept me around is people like you! :D There's some folks out there that really care about what I make. And are excited to see what I make next! The nice comments they leave me and the engagement with my work has really stuck with me. And it's what keeps me coming back! Maybe someday if you decide to take that first step and post some artwork, you'll find a lotta nice folks that make the art theft seem not so bad :}

Also giant watermarks. Giaaant watermarks that are just annoying to look at. That might discourage art theft <XDD

As for Jevil and Grillby.. In my AU, Jevil has this power to create mirrors and jump from timeline to timeline through them.

At some point when it was just him and Seam traveling together, they wound up in this Snowdin at night. Grillby was about to close his bar but he saw these too tired and hungry people so he let them in.

At some point while they were sitting at the counter and talking to Grillby.. Jevil could feel in his soul that this timeline they were in was about to collapse. Killing everyone in it. Jevil reacted on instinct and grabbed Seam and Grillby's arm and pulled the three of them through a mirror. The timeline was destroyed as soon as they disaapered.

What this meant is Jevil had saved Grillby's life!.. But his AU/timeline no longer existed. All of Grillby's friends and family were gone.. his home was gone.. He was now a homeless wandering traveler just like Seam and Jevil.

Deep down, Grillby doesn't really hate Jevil. He just took the grief of it all really hard and blamed it all on Jevil in response. He wished that Jevil hadn't saved him so he could have just died with the rest of his family.. and not have to experience this grief today..

Overtime he gets better.. and he understands that Jevil didn't want for any of this to happen. Eventually they talk about it a little and they end up on better terms. Maybe even becoming true friends someday. :}

@astaherussy (Recent development post on the Wario "bros") (Old Wario "bros" post) (Old King Boo/Boos post)

Thank you so much! I'm glad you like what I've made! :DD As for Wario and Waluigi.. the main changes I'm working on are visual/design changes. In their outfits especially. And I'm thinking of taking away their hats. They looked obviously very similar to Mario and Luigi's..

When it comes to their story, that is also being developed. I think I wanna keep the aspect of the Mario bros getting in some trouble and the Wario "bros" rescue them. Though with recent developments.. I don't know if the whole thing in Shy Guy woods is gonna work out-

In other news, actually no! :0 I wasn't aware that Spidercrab is so liked, but I am very glad to hear that he is! :DD

And a lot of those vibes was what I was going for! Tired, traumatized, has anxiety but is better at hiding it. Though the father figure is unexpected XD but I guess it fits! He's rather introverted and prefers quiet and space. But he is also the crews medic, and boy does he worry and care too much for his own good. He cares too much about them to spend all his time alone. He not only cares about their physical health, but he cares about them as people.

He wants to be there for his crew. He want's to be the first to notice when something is wrong or one of his crew is unwell. So he tries to participate in all their gatherings. Despite how much he'd rather just go read a book in his hammock <XDD

Though, he is still antisocial/awkward.. so there could have been many times he noticed one of the crew seemed off. But he didn't have the guts to talk to them. So he would go and tip off one of the other crew members to check up on them. Stuff like that I imagine is his way of showing he cares. :}

WAHG! I rambled a bit there didn't I? <XD Well I hope it was a fun read at least- as a thanks for taking interest in Spidercrab! It means a lot to me :}}}

Thank you so much!! And indeed he is! I'm so honored that you remembered him! :DD Though he's looking at some major re-designing and a biiiiit of lore re-structuring too <XDD 💔💔

<XD Unfortunately for many reasons I cannot/will not drink any of the things on that list. But! I can drink water! :D

@badlyblurry

<XDD I suppose so, at the very least I'm dipping my toes in and having some fun!

Hmm.. out of all the Mario games I can remember.. I think red shells from Mario kart got on my nerves the most <XDD

That, or this one very specific Zinger from Donkey Kong country. But I get that a DK game might not count XDD

📢📢SHOUT OUT TO YOU SETH!! :DD 📢📢

Thank you!! :DD

@neo-metalscottic

Ahh, I see, thank you for the info! And I'm glad you like my interpretation of them anyways! :DD

And oh yeah, his children's safety is his #1 priority. He's probably getting Kamek to create more Goomba's and rearranging his troops. Setting up a big chunk of them to just be on watch duty around his land. In case the hero's decide to come back..

He's also probably tightening the defenses around his hidden palace. (Where the Koopalings, Kamek, Kammy and the Blue paratroops all live.) Most likely by stationing more troops there and hiding out there himself. He wasn't able to beat the bros but he will still be an obstacle for them if they ever make it to the palace and try to hurt his kids. (Mario and Luigi wouldn't do that most likely but Bowser doesn't really know anything about them at this point- other than the fact they are very powerful and very scary)

I didn't think much about K rool when I made my version of DK. But that guy and his species are intended to exist and be causing problems on DK's island. Though all the details I'm unsure of.. perhaps its what you said, maybe they want the special beets and fruits that the kongs eat? Or maybe they came from another island that didn't have much to eat and now they're here to take over.?? :00

Sorry, I don't take requests! And my ability to draw rn is rather limited anyways... 😅

BUT! May I direct you to this post and point out a detail in the background? Cici only ate the frosting off her cake slice. So Bibi offered his slice so she could scrape off his cake frosting and eat that too XDD What a sweet brother he is :}

@2006-stupid-thatsme

I am not familiar with those sites.. <:0

<XD Mike was kind of a jerk though. Now don't get me wrong, his voice was killer! But I don't think he really changed as a person by the end of the movie.

If they had put him in the second movie he was gonna need a major personality change in order for me to like him <XD

@candyglumboy

I think its alright. :0 And if I have drawn one of the characters? I cant remember doing it <XD

(In relation to this post)

Aw, I'm sorry that you have to deal with all this. It doesn't sound fun that's for sure. :( But thank you for the info! :DD

@littlelightfish

XDD IM GLAD YOU LIKE HIM!! And these are all good questions! Unfortunately I haven't thought much about these things- so let me make some of it up on the fly- <XDD

I imagined he likes to mess with the crew sometimes and pull little pranks. Its all in good fun! Just a bit of goofin off. And he mostly does it to Coco XDD

Now his favorite crew member.. hmm.. I feel like that might be Ellie. Despite her cold exterior, she had a big heart and really does love her crew. Even the butthead that is Tuna <XDD I can see her getting the other crew members to lay off and give Tuna some space. She is known for cooking food to everyone's specific preference, no matter how much longer it takes to make. And she would do the same for Tuna. Cooking what ever he wants, how ever he wants it cooked.

That really means a lot to Tuna.. if he can count on anything, he can count on Ellie to cook a perfect meal just for him.

Now the crew member that understands him the most would be who ever has had similar experiences to him, right..? In that case it might be Pinwheel. Orrr Coco.. maybe Spidercrab..? Ah, I'm gonna need to do some more thinking on that one <XD

The crew member he doesn't feel so comfortable around could be Cuttlefish. She is very mysterious and some would even say untrustworthy. He is probably spooked by her and doesn't fully trust her. Though I'm also experimenting with Tuna having trouble with authority figures. So mayyybe he's less comfortable around Seafoam and Octo..?? :00

Also thank you for your enthusiasm and interest in Tuna! Its the biggest compliment to me/my OCS 🥰🥰

@raccoons-in-a-dumpster

XD Yup! Its me! And thank you! :DD

@beryl-shade

XDD Do they say that? Are there popsicles in the oceans from that game??

I'm not sure.. I'd assume so..? Keep in mind that these character were made from a game that I know next to nothing about-

Maybe? :00

@yeetmysoulintothevoid (Post in question)

No its not a sexual dimorphism thing, its all about stress, exhaustion, health,, etc.

Peach and Daisy have very thin blue markings (like their species is SUPPOSED to have) because they are well fed, well rested, and pampered as princesses.

Wario and Waluigi's blue markings are very large and puffy becuase they eat garbage, get very little to no sleep, and are fighting for their lives on the daily pretty much- if they had a saver living environment and a secure source of food, their eye bag would be much less noticeable-

Now Rosalina's blue marks are noticeable and puffy mostly due to her grief and depression. And partly because she isn't exactly.. aliiive..? Anymore..?? <:D

And yes! Everyone's ears are emotive! :}} Maybe subtly though. They can perk their ears up or droop them down, much more than a human typically can. But they cant do really fine and quick movements to improve their hearing/listen in a certain direction. Like Dogs, cats and rabbits can for example. Its all slow and mostly intentional movements.

Nope, I don't have plans to finish that comic. The writing was horrible and everyone acted super out of character all in the name of angst. 👎👎👎

If anyone wanted to know the ending, Kwazii was gonna patch Barnacle's face and the rest of the crew was gonna show up in the gups. They get him in a gup, take him to the octopod and he gets situated in the sick bay.

Then Kwazii and Peso have this stupid emotional talk about how Peso feels bad for not being there for the captain and blah blah blah. VERY out of character for Peso. The entire point of Peso's character is that he "helps any creature who is hurt or sick, no matter what." There is literally nothing on earth that could have stopped him from helping his own Captain, no, his friend in his time of need. That writing is juuuust so dumb.

Plus Kwazii was a total idiot in that comic- realistically Kwazii would have taken that situation very seriously and would have listened to anything that Peso told him to do. And even if for some reason he was being stupid and continued to approach the Captain, Peso would have stopped him.

And this is even beyond the fact that this whole comic starts with Captain Barnacles doing a series of very stupid and irresponsible things that he would not do. And then a perfect storm of "whoopsies!" happen ever so perfectly to have him wind on that island.

Over all its a veeeeery bad comic. Not my best! 0/10 would NOT draw it again! XD I don't even want to re-write it to make it good. Becuase that whole situation just wouldn't happen from the start.

Although, I am keeping the idea that Barnacles has a very sensitive nose/face. (Due to him being a polar bear with many muscles and nerves in his face) And if he ever got hit in the nose/face? It would be incredibly painful and he would be very disoriented for a time. But the rest of that comic can go down the drain XD

#my response #octonauts #undertale #deltarune #cookie run #cookie run kingdom #cookie run ocs #my ocs #super mario bros #factual fam

83 notes · View notes