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#suicide
support · 10 years
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Everything okay?
If you or someone you know is struggling, you are not alone. There are many support services that are here to help. For 24/7 peer support and other resources, message KokoBot on Tumblr.
If you are in the United States, please try:
National Suicide Prevention Lifeline (1-800-273-8255) The Trevor Project (LGBTQ youth, ages 13-24) National Eating Disorders Association (online chat, text) RAINN (National Sexual Assault Hotline)
If you are outside the United States, visit IASP to find resources for your country.
For more resources, please visit our Counseling & Prevention Resources page for a list of services that may be able to help.
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youmatterlifeline · 11 years
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reachoutusa · 9 years
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Support can make a huge difference when someone is hitting a rough patch. Why wait until then to let your friends know you'll be there? Take a stand for Mental Health Awareness and tag someone you care about to let them know you have their back. ‪
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multifandom-worlds · 2 days
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Missing in Action
Genre: angst
Word count: 2.8k
Warnings: Suicide, mental health struggles, grief, death (in passing), violence, bullying.
Authors Note: Hi everyone! This is going to be a bit of a heavier fic. If it's to much for you to handle, that's okay! Take care of yourself. This does have a bit of a happier ending. If I missed anything in the warnings, do let me know!
Ape - Bee
Bellissima - beautiful
Tagging: @slytherins-heir @simplyholl
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The Battle of Hogwarts -- one of the bloodiest battles in the Second Wizard War, and you lived to tell the harrowing tales. You were one of the lucky ones.
 A year and a half had passed since then, the castle had been rebuilt, and the dead were laid to rest. It took a year for classes to resume, but here you were again, going through the routine again with your closest friends - Draco Malfoy, who bravely fought against his parents on the side of good, Theodore Nott, Lorenzo Berkshire and Regulus Black. Although things were getting back to normal, a significant part of your group was missing. Mattheo Riddle, son of the Dark Lord himself but, more importantly, your beloved, was gone. 
Mattheo was not among the survivors at the end of the war, nor was his body found within the ruined castle rubble. The professors and Ministry of Magic alike scoured the school grounds in search of anything, but nothing could be seen of him. The mystery of his disappearance deepened, with rumours of what happened to him beginning to spread. One thing all the rumours had in common was painting Mattheo as a hero - the prodigal son of the Dark Lord, standing up against him, holding off the death eaters while many students fled. He was one of the many unsung heroes of the war, his fate uncertain.
As the months progressed and nobody ever found any trace of Mattheo, the hope of his survival began to drop. First, it was the Ministry. A few months later, the professors gave up hope that he was alive. Just recently, Theo had finally given up hope that he was still alive. You heard him talking in the Great Hall about it.
“What do you lot think? Is he actually coming back?” Theo asks, his voice calm. It was not quite a whisper, but it was not his total volume. “Do you believe Matt was actually able to survive the war? Survive all the shit he endured? Are we just kidding ourselves and holding onto false hope?”
Draco shook his head, looking around for you, hoping you weren’t in earshot. “There’s no way. He could not possibly have survived. I heard that on the second anniversary, they’re going to add his name to the In Memory speech. It seems as though everyone has accepted it now, except her.”
“I’ll tell her,” Theo says dejectedly. He didn’t want to break your heart even more. “It’s best it comes from me. I don’t want her to get blindsided by the news when it happens; she already has nightmares every night about the war. Like the rest of us, she carries those scars, mental and physical. She won’t like it.” he trails off with a deep sigh, placing his head in his hands, mentally psyching himself up to go have this conversation yet again. 
He leaves the Great Hall in the direction of the Slytherin dorms. It wasn’t hard to know where you would be - you spent all your time in his bed, wearing his clothes and, in Theo’s mind, prolonging your hurt.
“You’re wrong, Theo!” You whimper, staring at your boyfriend's best friend standing at the door to his and Mattheo’s dorm. “He can’t be gone! There’s no way he's gone! We killed his father! You were the one who cast the curse!”
He opens the door of the dorm, seeing you sitting on his bed, reading your book, his pillow between your arms. “Hey, we have to talk.” He says, leaning against the doorframe. “They want to add his name to the list of students who died. I think it's time, Bellissima. I think you need to let him go. He died protecting the school, its students and you.”
Theo sighs, running his fingers through his curls. “Ape, he’s gone. There are so many places his body could be that would have been hidden. Yes, we killed his father, but that does not mean he didn’t have a hand in his death. I miss him, too. I miss him like you wouldn’t believe it, but you need to accept that he’s gone. He would want you to move on, apa.”
Your tears began to slide down your cheeks as Theo carefully sat beside you, wrapping his arms around you protectively. It didn’t take long for your whimpers to turn into full sobs as you hid your face against his chest. Words can not describe how terrible Theo felt at that moment, holding you once again as you sobbed into his chest. He wanted you to move on, to move on from all the pain and memories that place had, but until Mattheos body was recovered, he knew it was impossible. He held you as you cried, resting his chin on the top of your head, just as he has done almost nightly since the battle ended. 
Theo pulls you away from him once all your tears dried up.  “Please come for dinner, ape. The others are asking about you, and I want you to eat something, please.” He brushes your hair from your face, looking at you earnestly.
You nod softly, wiping your eyes. “O-okay. I do miss Reggie and Ferret Boy.” you chuckle at the nickname. Draco absolutely hated it, but he begrudgingly accepted it from you. “And obviously Enzo.”
Theo stands up first, taking your hand and carefully helping you to your feet, his hands on your shoulders to keep you balanced. Once you finished mentally preparing yourself, you take his arm, leave the dorm, and make your way upstairs to the Great Hall. You keep your eyes down, not wanting to make eye contact with anyone. Theo keeps you close; his imposing height and proclivity for fighting keep everyone away from the two of you. 
“There she is.” You could hear Draco say as you and Theo step into the Great Hall. Tentatively, you look up, meeting the eyes of your favourite ferret. He smiles, waving you over. You and Theo make your way to the Slytherin table before joining your friends. “You look good, Bee,” Draco says once you’re sitting between him and Lorenzo. 
“Fuck yeah, you do,” Enzo says next, pulling you into a side hug, and Theo rounds the table and sits across from you, beside Regulus. “I missed having my favourite Slytherin around. It’s not the same without you.”
“You see me in class every day, Enz…” You mutter, looking at him. You had no idea why they missed you because you still went to all your classes with them. “I’m still around; I don’t know what you mean?”
“I just mean...” Lorenzo begins, but a second voice interrupts him. You look up and see Cormac McLaggen standing just behind Regulus and Theo, a stupid, cocky smile plastered on his face. 
“He means your depressed ass isn’t worth being around,” Cormac says, his friends laughing at the face you were making, your eyes welling up with tears. “Fuckin’ crybaby. If you miss that cunt so much, why not join him? Just do it in front of me so I can enjoy you.” 
Within seconds of the last sound leaving Cormac’s mouth, Theo was on his feet, colliding his fist into Cormac’s nose, sending him sprawling against the empty table behind him. Before anyone realized what had happened, Theo was on him, landing punch after punch into his face. 
Regulus joins in, the two of them taking turns being Cormac’s face until he is 50 shades of black and blue. His nose bent at a noticeable angle, his eyes were actively swelling and already turning black, and his cheek caved in. Several of his fingers bent out of shape, and he most certainly had several broken ribs. He lays motionless on the table, barely conscious as Madame Pomfry and McGonagall come rushing over.
“Mr. Nott, Mr. Black, what is the meaning of this!?” McGonagall demands, looking between Cormac and the two Slytherins. 
Theo looks up at her, his lips pulled into a tight line, his whole body tense. “He called Mattheo a cunt, called his girlfriend a crybaby and told her to kill herself in front of him so he could fuck her dead body.” He stated matter of factly. He knew he was justified in his merciless beating. 
“And I meant every fucking word. She’s a depressed bitch who needs to join her” beloved” if she missed him that much” Theo, Regulus and McGonagall could hear Cormac's strained laughter after he finished speaking. 
Theo grabs him by his collars, hauling him up so their faces are inches apart. “If I hear you say anything about her or Mattheo, I will cut out your tongue with a pair of rusty scissors and watch you bleed to death. Got that, Cormac?” Theo drops him back on the table, spitting in his face before turning around and seeing you hiding your face against Draco’s jacket. 
“Detention for you both! And 50 points from Slytherin. Each.” McGonagall states, looking between Theo and Regulus before turning her attention to you. “As for you, dear. This really is not good for you; you need to accept that Mr. Riddle is no longer with us. You need to move on and focus on your academics.” 
“Excuse me…” you mutter, pushing away from Draco and running out of the Great Hall. You blink away tears as you navigate through the school. You didn’t know where you were going; you just needed to know you had to get away. Away from everyone who believed he was dead, away from everyone who told you to move on. Away from it all. 
You found yourself at the top of the Astronomy tower, looking out over the grounds of Hogwarts. You sigh, remembering all the blood and carnage that decorated the grounds years before. You look over at the Forbidden Forest, the last place you saw Mattheo alive. He saved you from a death eater’s imperious curse by casting his very own Unforgivable curse - Avada Kadavra. You didn’t even have a chance to thank him before he was snatched up and dragged away by Fenrir Greyback. The last thing you heard from him was him yelling that he loved you and that he would find you again, in this life or the next. 
You could hear a commotion below you on the grounds, but you paid it no mind. You were tired, tired of everyone telling you he was dead, tired of everyone bringing it up, tired of looking at your body in the mirror and seeing all the scars from that cursed battle on your skin, forced to relive it day after day. The PTSD was too much for you to handle, so you decided to jump, to end everything once and for all. You knew Theo and Regulus would be in detention; Draco and Enzo were probably tormenting them, so there was no one to stop you. 
You pull your robes off, folding them neatly on the ground before grabbing your phone and writing a quick note, an explanation of why you did it. You carefully place your phone on top of your robes before stepping back up to the railing, intending to throw yourself off it when your phone rings. You picked it up again, only to see Theo’s name pop up. Odd, he should be in detention right now; you decide to answer it, acutely aware it could be one of Cormac’s minions ready to continue what he started. 
“Hello…?” You answer timidly, walking back to the railing. The commotion happening below you was getting louder. Clearly, you were about to have an audience.
“Don't do it, my love. I need you!” The voice on the phone sounded too much like Mattheo, but you knew it couldn't be. He was dead; everyone believed it, and you were going to be next.
“Who are you, and why do you have Theo’s phone? He’s in detention right now.” You say, anger beginning to surge to the surface. 
“You know who I am, love. Please, please don’t. Don’t listen to Cormac, he’s a scumbag. I need you; Theo and Reggie need you. Draco and Enzo need you to. We all need you. Please, my love, don’t do it.”
Your hand grips your phone, trembling. “I'm going to do it. Cormac was right. I'm going to jump and put an end to everyone's misery.”
The voice began talking again, sounding frantic. “Please, baby. Please don't jump. I can't bear to watch my only light extinguish herself. Please, Theo's on his way to get you, but please, please step away from the railing.”
“I don't know who I'm talking to, but it's not Mattheo. I don't believe you! You're just made up, a figment of my imagination. You're not real! He’s dead, and everyone believes it! But I'm going to be joining him soon!” You step forward, swinging one leg over the railing, tears streaming down your face. 
“Mon Coeur, please….” 
You swing your other leg over the railing, looking down at the dizzying height, ready to let go, when a pair of strong arms wrap tightly around your waist, pulling you back to safety. 
“No! Let me go! I want to do it! I want to end it all! Please just let me join him!” You cry, fighting with whoever it was that grabbed you. 
The arms wrap tighter around you before a familiar Italian accent hits your ears. “Ape, he's alive. You were right. He's at the bottom of the stairs. Come down, come with me, and we can see him together.” 
“You're wrong, Theo! You told me he's dead! You and everyone else kept telling me he was dead and I needed to move on. Why are you tormenting me like this? Why are you doing this? Please just let me die.” You sob, fighting against Theo’s grip. 
Theo rests his chin on your head. “If you're not going to walk down these steps, I'm going to carry you down, but we are going,” he says, very matter-of-factly. You give up, knowing Theo is serious. He notices the call is still connected, so he grabs the phone from your hand and puts it to his ear. “I have her; she’s safe in my arms. We're on your way down, Matt.” 
“Oh, thank Merlin. Okay, I'll see you two soon.” Mattheo says a wave of relief washing over him. He was so thankful she believed he was still alive. If only he had gotten to you sooner, maybe you wouldn't have fallen this far into the darkness. All that mattered was he was about to see you again for the first time since the battle.
You and Theo slowly begin to descend the stairs; he has his arm wrapped securely around your waist, keeping you stable since your anxious trembling makes each stair dangerous. The closer to the bottom you got, the more your heart pounded in your chest. Theo wouldn’t lie…right? He wouldn’t pretend Mattheo was alive and the voice on the phone sounded so much like him, but it couldn’t possibly be him. You knew what Greyback was capable of; there’s no way Mattheo survived that.
You and Theo arrive at the bottom of the stairs, and there, standing right in front of you, is Mattheo - an older, more scarred and more traumatized version of Mattheo, but it is still Mattheo, your Mattheo.
You let go of Theo, nervously walking towards him. “Matty…?” You ask, gently touching his cheek. He cups your hand with his, leaning into your touch, his eyes meeting yours. You knew those soulful brown eyes anywhere; this is your Mattheo.
He smiles, taking your hand and kissing your palm, just as he always did before. “In the flesh, Mon Coeur. I missed you so much. I dreamt about you every night when I wasn’t plagued with nightmares. I was so scared you had either died or moved on, and I would never have you in my arms again, never wake up with your perfect face, never listen to you talk about everything you loved. Draco told me you never gave up hope, even when everyone else did. Thank you, baby. Thank you for not giving up on me.”
“But how…?” you question, meeting his eyes, pleading with him. “How are you still alive? E-everyone believed you died…I saw you! I saw Greyback take you! A-are you really him?” You ask, step away, your suspicions growing. This has to be some sort of prank.
Mattheo’s face fell, his smile replaced by a heartbroken frown. “I promise, I am who I say I am. What can I do to make you believe me, amour?” 
You look at him, wanting so desperately to believe. “How did you survive? Where were we, and what was the last thing you said to me?”
“We were in the forbidden forest; I told you I love you, and I would find you in this world or the next.” He smiles, seeing the doubt melt away from your eyes. “And as for how I survived. My brother. Tom.”
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easternmind · 3 days
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Lessons in Japanese Game Design #3
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From Killer7 to Deadly Premonition, Japanese game creators have intrepidly explored the theme of mental illness in a variety of genres, often in highly stylized form. The title I wish to approach today is a lesser known reference that approached this subject matter with unusual tact and clarity - a memory, if you will, which the collective conscious has long repressed.
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Maria Kimi Tachi Ga Umareta Wake (The Reason You Were Born) is a late 1997 adventure game firmly rooted in the visual novel template that earned Chunsoft great repute. It was Break studio's debut, produced over a year and half for both the PlayStation and Saturn systems. It was published by Axela, a company born out of the internal management conflicts and accumulated debt at ASCII, leading to some of its executives teaming up in 1996 to establish a new project centred around software and magazine publishing. The story of this company's origins, alone, would merit a separate post.
Foreseeably, its release was followed by moderate controversy, such that worked mostly in its favour. One of the most polemical moments is found in the introduction scene, with its tasteful yet unvarnished depiction of Maria's suicide attempt, followed by her hospital admission. The imagery and that which it depicts remains as painful to watch today as it did decades ago.
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While Maria is the central character, her tragedy and arc merge with that of the actual protagonist, Jun Takano, a fledgeling surgeon who, in the quality of certified psychiatrist, is assigned to provide therapy to the French-Japanese patient the morning after her admittance.
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Maria's mental illness component comes to light as the story and therapy sessions progress. The key art consists of photos of women using coloured masks to visually represent the dimensions of her multiple personality disorder.
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(Note: the text above is machine translated from the original Japanese game manual.)
Break was denounced for its bid to integrate so serious a derangement as a theme in a juvenile entertainment piece. Their reaction was to highlight the research done to ensure a careful treatment of the subject and sensitization of players via a bespoke message in the manual. In retrospect, the relative popularity of this game at the time was greatly owned to this fleeting controversy, and is believed to have been a crucial factor in the obtention of budget for Maria's far less spirited sequel.
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As a work of pure fiction, scenario writer Kirie Fukuda was at liberty to carry the already divisive premise into even more exotic territory by establishing a mysterious yet playful correspondence between Maria's distinct personas and Egyptian deities.
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The game's structure is modelled after hirudorama, a Japanese word interchangeably used to describe daytime TV fiction or soap operas; each of its nine chapters lasting nearly thirty minutes, equipped with a plot twist, cliff-hanger ending, and followed by rolling credits.
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Perhaps the single most outstanding aspect about this production results from a tireless effort to surpass the standard of authenticity in what pertains facial expressions; particularly those of the multifaceted Maria, often with stilted yet all the more fascinating results.
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In this and other regards, the influence of D no Shokutaku and its character, Laura, is clear and unmistakable. Maria's director and studio head at Break, Akira Okada, was an ex-Warp employee who worked as sales director precisely at the time when Eno's game was being developed.
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Following a modest success, Break released Maria 2: Jutaikokuchi no Nazo in 99, a not-so-direct sequel which did not command the same attention as the original. The studio created other noteworthy visual novels: Ouma ga Toki and its sequel, as well as the most unusual Saishuu Densha, a paranormal-themed romantic story involving two strangers who meet in a train.
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Before closing, it would pay to emphasize that this is an entirely different adventure game from the similarly forgotten MA-RI-A Ningōkan no Noroi, a 1996 3D CG horror adventure designed by Osamu Tezuka's son, Makoto; and scored by Kuniaki Haishima, of Kowloon's Gate and Siren 2 fame.
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Nor is it related in any way with the so-called "Maria" episode from the Yarudora visual novel game series, Sampaguita, released in 1997 for the PlayStation by Sugar & Rockets and Production I.G.
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crippled-peeper · 2 days
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I wonder if telling the judge that if i don’t get on ssdi ill kill myself is legal or not
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SUMMARY: The crew of a Navy submarine experiences a series of supernatural events while on patrol during WWII.
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thetrevorproject · 13 years
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suicidol-dz · 5 hours
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ending it all with fnaf songs by the living tombstone as background music :3
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nyancrimew · 3 months
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if ur gonna send me transphobic anon hate at least get the suicide rate dogwhistle right, ur right wing besties aren't gonna care about "43%"
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sa-dnesss · 1 year
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nobody talks about the fact that you can have all this crazy shit in your head, and want to open up and talk about your feelings but no matter what, you just can't make out the right words and properly put your thoughts and emotions into words
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the-suicide-effect · 8 months
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typhlonectes · 1 year
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jewishevelinebaker · 2 years
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