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#this one is so bad but oh well
faetreides · 1 month
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oooh art would be lowkey freaky. i feel like he’s also a super munch. he’ll let you sit on his face for hours!!
cw: 18+ mdni, cunnilingus, ambiguous era, afab reader, slight brat!reader, teasing, like two spanks (+ one instance of ass play + very slight anal fingering)
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Art devours you like no one else ever could, burying his tongue into your pussy for hours on end. If he could, he’d do it 24/7. He does it enough as it is away. As a wake up call, a way to say goodnight, in the shower, on your period, from behind while you’re cooking, in a pool chair, you get the gist. If you asked what he favorite sexual act to do with you was, there’s not a single doubt in your mind that it would be slurping up your pussy.
You’ve never sat on his face before though, too scared to break his neck after reading a story on your phone about that happening to someone else. It’d be a real mood killer to come down from you high to see your boyfriend dead to the world, literally. You didn’t talk about it again after the initial awkward discussion that ended with you dismissing it. But he just looks so hot in the early morning sun, a rare sleepy day in where you actually get to marvel at what Art looks like when he’s relaxed.
You bite your lip and shake him gently, trying not to shy away and curl up into a ball when he eventually groans and rubs his eyes open.
“Morning, baby.” He grunts in his husky morning voice.
He immediately puckers his lips for a kiss that you provide with less casual confidence than usual. His brow furrows, and he caresses the inside of your wrist with his thumb.
“What’s up? Are you hungry?” He asks you, thinking that you’re needing him to run and get you coffee or something.
You say no and play with your hands, the ache you’ve been feeling between your thighs only grows the more you look into his eyes.
“I just…. I need you.” You whisper.
Art squints his eyes, not sure what you mean. Then he recalls how he usually wakes you up in the morning, “Oh. You need me, huh?”
You nod and spread your legs, giving a view of your bare pussy. You took your underwear off earlier when the feeling got to be too much.
“Can you say it for me, angel? Tell me what you need and i’ll give it you.” He grins, teasing you. “If you woke me up, you must need whatever it is really bad.”
You roll your eyes and straddle him, sighing in bliss when he latches onto your hips. You’d put up more of a fight if you weren’t so horny, but you’ll let Art have his fun this time.
“I need you to eat me out.” You hold back the ‘obviously’ that you want to tack onto the end of your sentence.
Art’s grin widens and he makes you rock back and forth on his clothed bulge. He waist until you’re juices are wetting the fabric of his underwear before he pats your thigh, telling you to get off. You don’t budge and allow him to get into the typical position. Instead you lift your hips and shuffle up the bed until you’re hovering over his face.
“I want you to eat me out like this.”
Art’s grin falters as his eyes widen in shock for a second, you must really be pent up if you’re being this bold. He’s not complaining, he’d been waiting patiently for you to get comfortable enough to use him like a chair. You’re enough of a brat to change your mind if he acts too smug about getting what he wants even if you want it too though, so he tones it down.
“Get to it then, angel.” He smirks, his words trailing off into a satisfied sigh. “Give me a taste of this pretty pussy, don’t hold back.”
He flattens his tongue expectantly and leans his head back against the pillows.
Before you can even hesitate, Art snakes his arms under your legs and yanks your body down, making you drop your weight on him. You yelp but he doesn’t let you squirm away from his mouth. The sensation of his tongue lying still beneath you feels strange for a second, but a slap to your ass snaps you out of it enough to start moving your hips.
You shout and grab onto the headboard, getting yourself off on your boyfriend’s face. You play with one of your tits as you start to bounce on him, craving more of his tongue.
You reach down and tug on his hair, suddenly feeling too shy to make eye contact. He hasn’t looked away from you this entire time, and your cheeks warm in embarrassment at the thought of how messy you already look.
He winks at you, not moving at all and letting you take your fill. Well that’s not what you want anymore, so you tug his hair harder and beg.
“Please, baby, just tongue fuck me already. Don’t you want to? ‘m getting tired…” You whine, pouting down at him.
You stop your hips when you don’t get an answer. Art’s eyes crinkle in delight at your predicament, but he gives in to you. He always does, you just don’t like when he puts you on the spot and makes you wait like this. Secretly you kinda enjoy how he acts in bed, but you like putting up a fight way more.
Art curls his tongue around your clit and you throw your head back. He gives the throbbing bud a few customary sucks and then he jabs his tongue into your wet hole. You moan and grab onto his hair, bouncing on him in time with his tongue’s short thrusts. You roll your hips down against the slick appendage and cry out when it hits the right spot, grasping onto the headboard for dear life.
“Oh my god, feels so good! Wanted you in my pussy, need you there, sucking me dry-what the fuck, yes!” You squeal, firmly keeping his face nuzzled into your pussy and your thighs around his head.
His hands are playing with your ass while he eats you out. You’re mid bounce when you feel one of his thumbs prod at your ass hole, and the barest hint of having two of your wholes filled gets you moving faster on him. He spread your cheeks wider and kneads the flesh, jiggling them in his hands.
Art responds in kind and slides his tongue around whatever parts of your juicy pussy he can, scooping up your juices and guzzling them down as he stabs his tongue through your sopping folds.
You’d normally pull him back by his hair when you got close, not wanting to get him too dirty with your cum. But now you’re tightening your thighs over his ears and and stuffing his nose into your trimmed pubic hair, bouncing like your life depends on it.
Art spanks you again when your walls spasm around his tongue thirty seconds later. He gulps your orgasm down with love in his eyes and a heartbeat in his dick. He coos at your soft sniffles and massages your trembling thighs when you get up and collapse beside him.
“Thanks for breakfast, angel, I’d rate it 5 stars”. He laughs, half jokingly and half seriously.
“Whatever, perv.” You weakly smack him on the chest and groan, trying to keep your soul in your body. “Go get coffee… please.”
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twinstxrs · 2 months
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so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.
#fantasy high#dimension 20#fhjy#fhjy spoilers#fantasy high junior year#fig faeth#ruben hopclap#lucy frostblade#the rat grinders#adaine abernant#kipperlilly copperkettle#watching fig terrorize him like girl!!! we don’t even know if he’s guilty!!!!#this might just be for me but i do not think 5 teenagers willingly brutally killed their friend idk#like there just has to be some other element to it and i am very scared to find out what that was#what if they were put in a position where they felt there was/there was no other choice… like oh my god#my comedy brain is having fun but my ‘this is a teenager’ brain is in such deep distress all the time this season#the rat grinders i trust brennan to not make u cartoonishly evil so i am holding u as gently as i can in my confused shaky hands#also with the devil’s nectar i’ve been wondering why they all seem so well-adjusted & now i’m curious if they’ve been intentionally-#changing their memories in a way so that either the trauma is lesser or they think they aren’t guilty. idk#but it seems like from how gertie was talking she was making it more recently so the well adjustedness from early jy doesn’t quite add up#they could have another source maybe??? idk i’m just low stakes 4 a.m. spitballing here#there’s also the strong possibility that they’re aware of what happened but they weren’t the ones who killed lucy. idk who knows#the way you could probably devil’s nectar yourself into believing it wasn’t your fault someone died… CRAZY IMPLICATIONS!!! CRAZY IDEA!!!#anyways the bad kids & the rat grinders don’t ever have to like each other but i do wonder if at least some of those kids deserve a chance
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beets · 2 months
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baby, bi bi bi
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tubbytarchia · 4 months
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I don't know what this is all I know is that LimL Joel makes me really emotional
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hinamie · 4 days
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atla!au designs part 3 !! one of these things is uh. not like the others
first year trio gojo/choso/nanami
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each-uisge-enthusiast · 4 months
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the modern villainisation of demeter will never cease to enrage me bc it wasn’t ENOUGH to just take a story of a girl being torn from her home from everyone who loved her and dragged away to be forced into marriage and twist and corrupt it until it was a romance story about female empowerment that wasn’t ENOUGH they HAD to take the original hero of the story the mother who went to every length to find her daughter again to bring her home and demonise her character until she was this horrific overbearing unloving mother. overprotective controlling without love. they turn the story of her grief at her YOUNG daughter being torn from her without her knowledge into the story of a misunderstood bad boy and a horrible cruel mother who won’t give him a chance and i really find it sickening. it’s ironic, that the ever misogynist age of hellenistic greece, has a better grasp of how disgusting and horrifying this situation was that a modern, self proclaimed ‘feminist’ era.
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eyrieofsynapses · 6 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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hypewinter · 10 months
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Right so what if Danny became a psychologist instead of Jazz?
His friends and family died protecting him. So when he runs away and starts a new life, he adopts traits from all of them (both as a way of grieving and a way to honor them). For Tucker and Sam, Danny splits his free time between being a white hat hacker and a vocal environmental activist. For his parents, he adopts more of their eccentric personality. When he's not in a professional setting, he is loud and in your face about the latest thing he's been working on (he's also just about the most loyal person you can meet).
And for Jazz, his precious big sister, Danny decides to excel in the career path she never got the chance to enter. He resolves to fulfill her goal of helping out those society has deemed irredeemable. The ones nobody else can or wants to help. The first one he starts with, is the Joker.
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cosmosnout · 2 months
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YAMABRO!!
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chrisbangs · 7 months
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Bang Chan .:. 락 (LALALALA) Inkigayo [231112]
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SANJI HAND APPRECIATION POST- NSFW
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TW's: hand kink, sucking on fingers, fingering (GN reader), 69
Word Count: 991 (unedited)
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Thinking about Sanji's hands- how they're precious to him and how they can make the meals his nakama thrive off of.
Thinking about how you'd just stare at them as he was smoking or cooking, and thinking you were interested in the activity instead of him.
Thinking about how once you get into a relationship, how you wait a little bit so he knows that you're not just in it for the sex, so you hold his hand and kiss the back of it.
How Sanji holds your hands reverently with the very hands he refuses to fight with. How you could stare at his hands for hours, and how you love it when he decides to adorn his fingers with rings.
How he is so gentle when touching you, skimming his fingers over every inch of your body- every imperfection and every mark that makes the story of your life.
How eventually, when he caresses your cheek and traces your lips with a gentle finger, you suck it into your mouth. How he freezes and blushes but lets you lave your tongue over the digit and suck while keeping eye contact.
About how Sanji can't stop thinking about the image of you sucking on his fingers and absolutely loving it.
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"My love... just give me a second I can't... mmh! I can't... hah~"
You don't answer, your mouth full of his two fingers as you pump his dick in time with the pumping of his fingers. Your drool drips onto his dick, lubricating it. You look up at him, on your knees before him as he sat on the edge of the bed.
"Fuck... you just love my hands, don't you? So greedy for them- hng! and so... fuck I can't hold back anymore."
He yanked his hand out of your mouth and stood, stooping down to pick you up by the waist and place you on the bed. He lays down on his back and guides your body so you're straddling his face and his cock is laying hard against his abdomen in front of your face. You whine at the change but immediatly dip your head down to lick and suck at his balls.
"Mmh! So good. My little angel is so good for me, my darling," he babbles praise mindlessly, his hands tracing over your hips and ass as he gets closer and closer to your ready hole. With each close pass of his fingers, your hole clenches around nothing, and his voice gets more breathless.
"Lemme take care of you, okay? Let me watch as you cum on my fingers. Moan all over my cock for me, hm?"
His fingers finally find your slick hole, and begin to slowly sink in. You quieted your loud moan by shoving his dick in your mouth, and you squeal a little as he finds your sweet spot quickly. He slowly, almost excruciatingly slowly pumps a finger in and out, and you could tell he was staring at his glistening fingers disappearing into you. The thought of the sight sent another moan through your chest, and he gasped as the vibrations echoed around his cock.
"If you keep moaning like that, I'm going to cum," he warned. You didn't care, rocking your hips back onto his long, slender fingers. He kept his hand in place, letting you fuck yourself on his middle finger, then let his ring finger come up to prod at the slick opening. As the finger worked its way in, you rocked back faster, using the motion of your body to suck his dick at the same time.
"Ohhh~ good job. Doing it all by yourself? Okay, baby that's enough now. Just moan and drool on my cock as I finger fuck you, okay?"
You stilled your rocking and reached out with one hand between his knees to stabilize yourself. He began quickly, shoving his fingers skillfully into you and pushing on your sweet spot. You could only moan and whine, lightly shoved forward by the force of his thrusts to choke on his dick.
He added another finger, and your voice raised in pitch with the pleasure coursing through your veins. You popped off his dick, unable to keep still enough to protect him from your teeth. Your words were pretty little jumbles of how his fingers felt so good, and your free hand worked the tip of his dick quickly in time with his thrusts.
Your breathing sharpened and a tiny whine left your throat before his tongue joined his expert fingers, snapping the coil in your abdomen as you came on his fingers. He worked you through your orgasm, watching intently as you pulsed around his fingers. Nearing the end of your orgasm, you took him back into your mouth and bobbed your head a few times. His fingers twitched inside you, and hearing the release of his grunt and tasting him cumming down your thrat made you cum again.
You pulled your mouth off his dick and flopped to the side, out of breath. Sanji shifted so he could take you into his arms, but you grabbed his hand before he could wipe it off.
Still flushed from your orgasm, he watched as you took his fingers into your mouth, laving your tongue over them to clean them off. You finally pulled them out of your mouth, then eyed his lips hungrily. He closed the distance, letting you suck his tongue into your mouth with a moan. You cleaned off the remnants of your essence from his tongue while one of his hands rested gently around your neck. He wasn't choking you at all, but it made you melt.
Finally content with yourself, you pulled back after one final kiss. You curled up with your back against his chisled chest, playing with his fingers.
"I'm happy you like my hands so much," he murmured. You nodded.
"I love them, mainly because I love you."
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sssaturnsnake · 2 months
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lusanlu week day 4: touch starved
boy living in darkness his entire life unsurprisingly blinded by the light of the sun (who would’ve guessed)
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snotbuggle · 4 months
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No idea if the 200 followers requests are still open but:
Baby Bad Batch. Boys but smol. Wrecker but Lula is half his size. Tech and his very oversized goggles. Crosshair found a sniper rifle but it's twice as big as he is. They're adorable and they know how to use that fact (to get sweets)
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They’re not the best since I haven’t had a lot of time recently (and I admittedly spent a lil too much time on the ‘bonus’) but I loved drawing lil Crosshair and Tech :( <3
+Domino bonus because I can’t not draw Echo
Here’s some captioning in case the quality and/or my penmanship are too crap to read for the last one
Bg Kaminoan 1: Their behavior will require some work. 782 and 1409 clash often. However, they seem to still prefer working with each other rather than others...
Bg Kaminoan 2: Similarly, 782 shows significant creativity. And, when not a bickering with him, 1409 shares his problem-solving skills.
Bg Kaminoan 1: They seem to work better together when 5555 and 4040 are placed with them.
Bg Kaminoan 2: 2010 could use the rough environment with these cadets. Build him a voice of input.
Crosshair: HEY, a couple of regs are fighting
Hunter: Oh, finally
Echo: 782 GIVE ME MY DATA PAD BACK
Crosshair: That kid's ‘bout to get socked
Hevy: Oooo- It must be bad if you're so defensive…
Oh my maker it’s a rule book. You’re such a nerd, 14.
Hunter: Pissed one looks like he’s got one powerful left hook
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thekittyokat · 25 days
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you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah
#sorry i got really into my feelings about mark hoffman again#the very specific version of him in my brain that i really really wish i had the time and energy to properly share with you guys#saw#well until i muster the energy to explode all of my feelings out into a fic. if you want to TRY and understand#know that my three biggest hoffman fic insps right now are as follows#your best kept secret hoffman. a series of mistakes hoffman. and rushed like a dreadful wind hoffman.#there is a very clear throughline just know i am extremely emotionally compromised rn#thinking about theee fics vs the canon path hoffman spirals down#something something the absolute tragedy of watching a man's descent into madness#the transformation of a man into a monster#and what could have saved him from himself and kramer's corruption#sorry i'm rambling so much oh my god i was just having such a crying fit out of nowhere about this#do you think he could feel it happening. do you think he was aware he was losing his mind.#the script version of him fucks with me so bad. the crazed rankings and the longer hair and him not being well kept anymore#it's impossible to think he didn't know he was deteriorating#fuuuck okay i need to either chill or write a whole longfic rn#i project on that guy so much i truly don't know if i could properly write my vision of him#until i do something more substantial the full extent of my hoffman exists for me and my boyfriend only. they get me like no one else#well ginny and jenna also get me. please read best kept secret and a series of mistakes Oh My God#where am i going with this. i like tag rambling actually this is a nice way to do it without forcing EVERYONE to read my delirium#anyways if you've read all of this i think i love you? feel free to dm me about hoffman and my very specific headcanons and aus#maybe soon i'll try and start writing my fics about this tragic man#i could never say any of this on twitter btw they'd string me up for my opinions on him as a sad wet beast who could have been fixed#if only he hadn't been weaponized first#god i'm too tired to even be as embarrassed about this as i should be. thought i unlearned cringe already#but i've been spending way too much time on twitter and they HAAATE hoffman there#rip. i know it's not that serious but i'm sensitive rn and hate feeling lonely in my thoughts#ok bye for real otherwise i'll never shut up. i might tag ramble more often bc this was therapeutic in a way i needed badly#cat chat
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spacedace · 10 months
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Reluctant War AU Part 3
Part 1 Part 2
More of the brain worm that has taken me over, gonna probably post it to Ao3 here before too long. Already got another part started and so many ideas for additional stuff, someone please send help I've been consumed by this thing lol
Sorry if Waller seems out of character, outside of fandom I'm mostly familiar with her through Justice League the animated show & Justice League: Unlimited and her vibe there has always struck me as "deeply incredibly unlikable character that also kind of has a point but also has done so much fucked up shit in the name of her goals that you don't really care about her point anymore." So you know, complicated lol. If she's completely unrecognizable let me know, but I'm hoping she feels at least somewhat like Waller.
Forgot to say this in the last update, but still feel free to use all this as an overly long prompt if yall want. Literally anything I throw out to the void should be treated as a prompt lol If there's anything at all interesting to you in any of this nonsense go for it <3 <3 <3
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Amanda Waller was someone who did what needed to be done.
Ruthless, heartless, vicious, cruel.
She’d been called it all. Wore the words thrown as insults as a badges of pride and valor. Because at the end of the day, when it came to the problems she was given to face, the issues she was meant to solve, those words meant she’d done what others had been too squeamish or cowardly to do. Life was a never ending slog of trolley problems and she the only one unshakable enough to pull the levers that needed pulling.
It wasn’t so simple as a matter of greater good.
Greater good was what the weak willed muttered to themselves after having feelings over doing the bare minimum. A justification used by people on all sides to do what they wanted with fractured, faulty logic thrown around like truth was a thing immutable. To assuage their guilt when they were forced to make a call they didn’t want to.
It wasn’t a matter of greater good. It was a matter of preservation. Of protection. Of digging through the filth to find the threats skittering beneath and crush them with ruthless abandon. Of facing a god and not blinking because if you did it could cost the world.
Of doing what needed to be done, no matter how underhanded or atrocious it was.
Hands dirty.
Hands red.
Hands wrapped tight around the throat of something that could threaten to destroy it all.
When the Ghost Investigation Ward had been shoved her way with it’s sucking wound of a budget, it’s bloated incompetent staff, its asinine methods she’d seen a rotted limb in need of hacking off. It hadn’t been until she’d been conducting her inspection, digging through the trash for a few pearls of effective agents she could snatch up and put to work elsewhere, that she’d truly seen what they were working on. The potential.
Potential to better arm themselves with in the forms of the strange new weapons being created.
Potential for threats far greater than anything even she had thought possible before.
The GIW as it had been when she’d first come across it was a fetid waste of time and resources. A laughing stock agency only secret because no one took them seriously enough to look. Made stupid and useless with its own conceited delusions of importance it didn’t actually have. Yet.
She went to work on it. Hacking away as she’d originally intended, but this time with a different goal in mind. She ripped out the weeds with bare, calloused hands and planted proficiency and loyalty in their place. She took over as director herself, tossing the self-aggrandizing fool that had been running the place into the ground to the dogs as the culprit for misappropriate spendings, saving the agency by tweaking things until their ballooning budget was pinned neatly onto the former director as an embezzling charge.
Then she got to work.
The Fentons were brilliant, if entirely insane. But Amanda could work with that. She’d reigned Harley Quinn in - more or less - she could do the same to the two deranged scientists that so eagerly wanted to be apart of the fight against the dead. Especially when the benefit came in the form of the inventions they threw together so easily, especially when those inventions were weapons.
It took very little to get them on board with her plans for the GIW. Keeping their focus could be a chore, at times, but she didn’t even have to really do much in the way of pressing to get them back where she wanted them. They craved knowledge and understanding nearly as much as they craved the eradication of the entities themselves. Letting them have the first look at a new subject here, free reign over a vivisection there, it took so little to fuel their fervor and keep them busy working on the projects she set for them.
Things had been going smoothly.
For a time at least.
Until Phantom.
He’d been the main focus of the previous director’s attention, the big fish he’d so desperately wanted to catch and put up on his wall. Amanda wouldn’t lie and say it wasn’t a tempting prospect, but not one she’d put above the other projects she had set in motion since taking over. No, Phantom was powerful, enough to be a real problem one day, but she could the awkward youth in the way he held himself, the inexperience in how he handled situations. She had time to get everything else in order before focusing on getting Amity Park’s would-be hero brought to heel.
And he would be brought to heel. One way or another.
Hands dirty.
Hands red.
Hands wrapped tight around the Core of a fledgling god and bending him to her will.
An artifact, old an powerful, recovered with some effort. A means of controlling specters, of chaining them to the will of the artifact’s wielder. Dangerous in the wrong hands. Dangerous in the right hands.
It was shattered, and even whole and functional Phantom was resistant to its power. But Amanda Waller prided herself in her ability to see the potential in things. It could be repaired, be made better. Even gods could be bound, be made to kneel, with the right pieces, with the right application of force.
It was just a matter of time to gather everything needed.
Phantom didn’t know he could single handedly destroy every last member of the Justice League. The baby fat, the innocent eyes, the split-second hesitations when he fought. He knew enough to be confident in fighting the usual ghosts that haunted Amity Park, but he still very much saw himself as a little fish. Maybe it was the part of him that was still Daniel Fenton, gangly teenager not quite sure what he was truly capable of yet.
She had time before the Fenton’s son truly became an issue. Time to judge if his parents’ obsessiveness would overcome their - rather shoddy, by Amanda’s estimation - parental instincts and continue to hunt him once they knew the truth. Time to get as much out of them as she could before hand, should they falter at the idea of attacking their own son. Time for the staff to be repaired and returned to working order, to get the other items needed for the truly big fish hidden on the other side of the veil between worlds.
She had time.
Until she didn’t.
Pariah Dark had not been something she thought she’d have to account for - not yet, at least.
If he wasn’t already dead, she’d ring the Ghost King’s neck with her bare hands. His arrival had opened Phantom’s eyes to what he was capable of, of just how big of a fish he was. Worse still, Phantom’s defeat of the war mongering King changed the state of play. Phantom was no longer an impressively powerful half dead teenager.
He was King Infinite.
He was an Ancient.
He was getting on her last damn nerves.
Phantom’s rogue gallery were now firmly under the boy’s control. Still distinct nuisances around Amity Park, but no longer considered true concerns. They were loyal to their boy king, delighting in ruffling his feathers but never crossing the line into treason or attempted regicide. Which meant that the GIW was the only thing that held his attention.
Amanda took the time to send a care package to the former GIW director in his tiny, dank prison cell. As thanks for his carelessness in revealing to the entire town - both living and dead - of the agency’s existence and their intentions. Had he stuck to standard protocol, Phantom would have been none the wiser to their presence. Would have scratched his head and shrugged his shoulders at the ghost that went missing upon occasion. Would have been boredly uninterested in the people his parents had begun working with. Would have been taken by surprise when they finally came for him.
But no.
No that self-obsessed, fame chasing imbecile had to go and announce to everyone and their dead mother that the GIW existed and exactly what it was they were in Amity Park to do.
Phantom knew what they were there to do.
They could only count on his naive certainty that he could broker peace with them for so long.
Peace. As if he and his people weren’t the invading force, the monsters slipping in through the cracks between worlds, the latest threat that had to be accounted for. As if he himself hadn’t rent their world asunder himself in another world, another time. No. Peace was not something they could hash out with this baby-faced monarch with his too-big crown. Peace was the assurance of safety, security. Of control of the situation.
There could be no peace.
The higher ups were somehow surprised when Phantom took that to mean there would be war.
Amanda Waller was not.
The Fentons, as suspected, took the right side when all was revealed. Steady hands and flinty eyes as they crafted the weapons that would be needed for the coming fight. Minds even sharper in their maddened grief, hearts set on revenge for the son lost and the entity that stole his face and friends and sister in his garish pretense at humanity. They were blinded to the reality of the situation in its entirety, the potential in what their son truly was, but at the end of the day it didn’t really matter. They did what she needed them to do, they could believe whatever it was they wanted so long as they did.
By the time the boy king and his armies marched upon the Amity park facility, preparations had been put into place. The base in Amity had been stripped back to bare essentials, everything of importance moved to more secured locations.
The weapons labs.
The artifact.
The girl.
All tucked well away from the front lines where Phantom and his motley crew could not reach. Their time to be put in play would come, but not yet. First she needed to gauge what Phantom and his people were capable of, what they were willing to do in the name of what they wanted. Amity Park was a pawn well sacrificed on that front. As were the other facilities she’d left easy to find.
The problem with making children gods, with giving them crowns and calling them King and giving them armies to play with, was that they thought there should be rules. That even in the trenches tearing apart their enemies, there was a certain level of playing fair that everyone was held to. They thought there was a way the world worked, of how things should be that blinded them to more effective options even as time stretched on and desperation set in.
It was the Dead’s problem though, not hers.
She reached out to the Justice League. Sour faced, unhappy, bitterly reluctant to accept that she needed their help. Stone faced and barely containing their rage at what little they knew of the situation, they agreed to a meeting.
She didn’t let herself smile until she was well and truly alone in her office.
Greater good. A lie people told themselves. A fairytale told to children. A means of convincing the weaker willed that they had no choice, that they had a noble duty to bend to. A belief that could be wielded like a weapon if the fantasy of the idea had dug in deep enough. And there were few it had dug into so deep as the members of the Justice League.
Amanda Waller was someone who did what needed to be done.
Hands dirty.
Hands red.
Hands clenched tight on a victory long in the making.
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Part Four
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journey-to-the-attic · 4 months
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(有点晚的) 新年快乐!
happy (a little belated) lunar new year!! sorry i haven't been answering asks, been a busy week - i'll try to get to that tomorrow ^^
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